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Lot 359

Conan Doyle (Arthur) - The Adventures of Sherlock Holmes, George Newnes 1892, first edition, illustrated by Sidney Paget, original light blue cloth , blocked in black and lettered in gilt, slightly sunned and worn to head and foot of spine, corners bumped.

Lot 516C

A pair of Victorian light oak stools with part reeded and turned legs.

Lot 122

A signed German porcelain plaque depicting a young maiden illuminated by candle light, signed Kichner, mounted in a later gilt frame, 7 1/4" x 5"

Lot 176

A Beswick Fireside model of a Daschound light brown in colour 26cm

Lot 1058

A 1920's oak bookcase with leaded light doors and cupboard below.

Lot 146

Pair of plated on copper two branch, three light Candelabra on baluster columns and circular bases, 14in .

Lot 538

@A. SPREAFIED (?). A landscape with trees, indistinctly signed, and inscribed verso, oil on panel, 9 x 7 in; and a watercolour by the same hand titled 'Light and Calm' ; two (2).

Lot 622

An Ormolu three branch four light Candelabrum with leafage scroll design, 14in.

Lot 799

An Edwardian mahogany bow front Display cabinet with single leaded light on square tapering legs and spade feet, 2ft 1in wide.

Lot 6

A VITASCOPE ELECTRIC AUTOMATON CLOCK, WITH ROCKING THREE MASTED SHIP TO GLAZED APERTURE ABOVE THE DIAL, IN LIGHT GREEN CASE, 31.5 CM HIGH, SLIGHT FADING TO CASE

Lot 62

Wedgwood-a dragon lustre Tyg of small proportion No. Z4829 typically decorated in predominantly blue and light green with a gilt outline rim, printed Portland vase marks beneath 5cms. high.

Lot 712

A light oak and beech high backed Windsor chair of 19c. style with a pierced back splat, the turned supports joined by a plain turned stretcher.

Lot 259

SILVER OVAL PIN BOX WITH FLORAL AND SCROLLED DECORATIONS (OVERALL LIGHT DENTING)

Lot 209

A VICKERS No 178953 binocular Petri Dish viewer with electric light F

Lot 864

A 1 1/2" steel soled gunmetal NORRIS No 20 shoulder plane with ebony infill and wedge small chip to wedge and minor light pitting to sole, little orig Norris iron remains G

Lot 865

A 1 1/8" steel soled gunmetal NORRIS No 27 bullnose plane with ebony wedge 40% orig Norris iron remains, some light pitting to sole o/w G+

Lot 121

Centre light fitting with five tiers of cut crystal pendant drops

Lot 310

Modern light wood framed futon with hinged storage arms and magazine rack; with matching stool

Lot 361

Light beech two drawer chest

Lot 368

Modern pine chest of two short and two long drawers and a light wood box

Lot 100

An Art Deco Electroplated Three Piece Teaset, comprising teapot, milk jug and twin handled sugar bowl, each of canted rectangular form on bar feet, the teapot with light wood scroll capped angular loop handle and finial. (3)

Lot 342

A Modern Dutch Style Polished Brass Eight-light Chandelier, 61 cms high.

Lot 461

A Late XIX Century Light Oak Double Wardrobe, with pierced and carved pediment, bevelled mirrored door, oxidized copper strap handles, over single drawer, 128 cms wide; Together with a matching Chest, of three long and two short graduated drawers.

Lot 456

A 54-BORE OVER AND UNDER FLINTLOCK TAP-ACTION PISTOL SIGNED FURBER(?), late 18th century, with 2 3/4in. three-stage turn-off cannon barrels, the bottom barrel numbered '1', border and scroll engraved action signed on one side, figured walnut butt with swelled pommel, brass butt-cap engraved with a border-line and a flower-head, engraved sliding trigger-guard safety-catch (some light discolouration throughout), Tower private proof marks.

Lot 555

LONDON ARMOURY. A CASED 54-BORE KERR'S PATENT FIVE-SHOT DOUBLE-ACTION PERCUSSION REVOLVER, serial no. 417, with 5 3/4in. octagonal sighted barrel signed 'LONDON', serial numbered cylinder, frame engraved 'KERR'S PATENT 417' and stamped 'LONDON ARMOURY', back-action lock signed 'LONDON ARMOURY BERMONDSEY' and retaining traces of original blued finish (self-cocking mechanism at fault), chequered walnut butt (chequering worn), and rammer (some light pitting and cleaned bright throughout), London proof marks, in fitted mahogany case lined in green baize with accessories including brass bullet mould and Hawksley pistol-flask, the lid with Kerr Patent label with directions for loading and cleaning (possibly pasted over an earlier label), the exterior with circular brass escutcheon.

Lot 805

PARKER. A RARE .177 RATCHET AIR PISTOL, serial no. 169, 9 1/2in. sighted rifled barrel, cylinder with faint makers marks, walnut grips, ratchet crank mounted on the right side of the mechanism, retaining some original blued finish (light surface corrosion throughout).

Lot 918

J. PURDEY & SONS. A .400 PURDEY (3IN.) LIGHT EXPRESS SELF-OPENING SIDELOCK EJECTOR DOUBLE RIFLE, serial no. 22707, 25 1/2in. Whitworth-steel nitro chopperlump barrels with matt sight rib, matt folding leaf sights for 200, 300, 400, 500 and 600 yards with silver sighting lines, ramp-mounted bead foresight with flip-up moonsight, rib engraved 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. MADE OF SIR JOSEPH WHITWORTH'S FLUID PRESSED STEEL.', the breech end mounted with a Zeiss Diavari-C 1,5..4,5x18 telescopic sight in quickly-detachable mounts, treble-grip self-opening action with side -clips, removable striker discs, bolted automatic safety with gold-inlaid 'BOLTED' and 'SAFE' details, cocking- indicators, best fine bouquet and scroll engraving surrounding finely engraved vignettes of red stag and tiger, retaining traces of colour-hardening and finish, some patches of light external pitting, 14 1/8in. highly-figured pistolgrip stock with cheekpiece, steel pistolgrip-cap, sling swivels and including 1/2in rubber recoil pad, weight 9lb. 8oz., in a modern leather case. The makers have kindly confirmed that the rifle was completed in December 1924 for the Maharaja of Kotah. It was regulated for 47 grain cordite and 230gr bullet. Other Notes: In contemporary catalogues, Purdey describe the .400 Light Express as follows: "The light 400 is an excellent firearm for deer, wild boar etc., and has gained great popularity for Tiger shooting in India, having the advantage of being a really powerful firearm and no heavier than a heavy 12-bore gun. The bullet is lead with a nickel base, and at 100 yards, has a striking energy of 1443 foot-pounds."

Lot 1200

HOLLAND & HOLLAND. A .303 NITRO EXPRESS 'DOMINION' BACK-ACTION SIDELOCK NON-EJECTOR, serial no. 17591, 28in. nitro barrels with matt sight-rib, tubes engraved 'HOLLAND & HOLLAND. 98. NEW BOND STREET. LONDON. WINNERS OF ALL THE "FIELD" RIFLE TRIALS. LONDON.', white metal-inlaid open sights and folding leaf sights for 100, 200 and 300 yards, ramp-mounted bead foresight, the breech end mounted with a Carl Zeiss Diavari-D 1,5-6x telescopic sight in quickly-detachable mounts, action with removable striker discs, cocking lever return studs, elongated top-strap, bolted automatic safety with gold-inlaid 'SAFE' detail, gold-inlaid cocking-indicators, best border and scroll engraving, retaining very slight traces of original colour-hardening, some light surface pitting, 14 3/4in. figured pistolgrip stock with cheekpiece, engraved steel pistolgrip-cap and horn buttplate, fore-end with grip-release catch, weight 11lb. 3oz., in a leather-bound oak case with Holland & Holland trade label

Lot 1315

LAURONA. A PAIR OF 12-BORE HAND-DETACHABLE SIDELOCK EJECTORS, serial no. 194546 / 7, 28in. nitro chopperlump barrels with matt Churchill-ribs, 2 3/4in. chambers, bored approx. true cyl and 1/4 choke, automatic safeties, removable striker discs, hand-detachable lockplates, cocking-indicators, articulated front triggers, bouquet and scroll engraving, bright and blued finish overall, 13 3/4in. stocks, fore-ends with light damage, weight 6lb. 11oz.

Lot 1733

A BELGIAN 12-BORE SIDEPLATED BOXLOCK EJECTOR, serial no. 27051, 27 5/8in. nitro barrels with raised matt rib (possibly loosening), 2 3/4in. chambers, bored approx. 1/4 and 3/4 choke, treble-grip action, manual safety, rounded bar, action bridge with small fracture, action, decorative lockplates and furniture fully engraved with bold acanthus scroll engraving on a matt background, 14 1/2in stock, fore-end with replacement finial, missing escutcheon and with light damage to underside of wood, weight 6lb. 2oz.

Lot 1808

PURDEY. A 12-BORE 1863 (SECOND PATENT) THUMBHOLE UNDERLEVER BAR-IN-WOOD HAMMERGUN, serial no. 7644, 30in. nitro reproved bold damascus barrels, rib engraved 'J. PURDEY. 314 1/2. OXFORD STREET. LONDON.' (right wall thickness below recommended minimum), 2 3/4in. chambers, bored approx. true cyl choke in both, carved percussion fences, rebounding sidelocks (one hammer a replacement), retaining traces of original colour-hardening, best fine acanthus scroll engraving, 14 1/8in. figured stock including steel buttplate, fore-end wood with light damage to edges and replacement crosspin finial, weight 7lb. 4oz., in a brass-cornered leather case. The makers have kindly confirmed that the gun was completed in 1867

Lot 197

A Carlton Ware Guinness table lamp, printed mark "Produced in Great Britain for Arthur Guinness Son & Co. (Park Royal Limited) by Carlton Ware Ltd, Stoke on Trent, GA/2178". Height excluding light fitting 9.5 ins.

Lot 222

A pair of gilt metal table lamps, converted from candlesticks and with three swans to each triform base. Height excluding light fitting 7 ins.

Lot 247

An Art Deco cold painted bronze table lamp, in the form of a kneeling nude female figure holding aloft a light fitting and on triangular marble base. Height to top of figure 10.5 ins.

Lot 58

A German silver Art Deco three light candelabrum, German assay 830S, weight 7 ounces.

Lot 566

A Durham Light Infantry First World War sword, with shagreen and wire bound grip, DLI badge to guard, the blade inscribed to "H.A. Gotching 6th DLI 4th June 1915", complete with original knot and blackened Field Service scabbard, the blade by Fenton Brothers, Sheffield.

Lot 571

A King's Crown Boer War Medal, to Trooper E. Trembath Colonial Light Horse (rare), Bars South Africa 1901, South Africa 1902.

Lot 591

A Tiffany Studios of New York ceiling light shade, of dish shape decorated with roses and leaves and stamped to the rim "Tiffany Studios New York", probably mid 20th century. Diameter 25 ins, height 9 ins.

Lot 135

A PAIR OF HEAVY DUTCH STYLE BRASS FIVE BRANCH LIGHT FITTINGS

Lot 448

A PAIR OF COLOURED GLASS HANGING LIGHT SHADES TOGETHER WITH A GREEN GLASS SHADE ( 3 )

Lot 465

A PAIR OF HEAVY LIGHT OAK TABLES WITH FOUR COLUMNS ( WITHOUT TOPS )

Lot 466

A PAIR OF HEAVY LIGHT OAK TABLES WITH FOUR COLUMNS ( WITHOUT TOPS )

Lot 469

AN INTERESTING LIGHT OAK HALL CHAIR ON TURNED LEGS AND INSET TILE

Lot 534

SIX FRENCH STYLE LIGHT OAK UPHOLSTERED ELBOW CHAIRS ON CABRIOLE LEGS

Lot 550

A LIGHT OAK BED HEAD AND END

Lot 581

A LIGHT OAK SEMI CIRCULAR GATE LEG TEA TABLE

Lot 154

An Ushak carpet, late 19th/early 20th century, the light blue field with allover palmette, scroll and foliate pattern, within red palmette and hooked lozenge border between bands, 510cm x 334cm

Lot 379

A plated three light candelabra with cast foliate decoration, together with a pair of plated goblets and a plated hip flask, the detachable cup decorated with a hunter and dog (lacking cover).

Lot 280

Circle of Peeter Bout and Adrian BoudewynsClassical landscapes with figures and boats on a lake beyondA pair, both oil on panel in carved wood framesEach 16 x 24.75cm; 61/4 x 93/4in (2)++One with a small piece of panel missing lower left corner, both require a light clean

Lot 286

Benjamin Barker of Bath (1776-1838)Rustics in an extensive landscape with a distant town, possibly BathSigned and dated 1814Oil on canvas89 x 116cm; 35 x 451/2in++Lined, some restoration, could be enhanced with a light clean, overall good

Lot 290

Arthur de Breanski (c. 1900)Cattle by a loch Signed and dated 1896Oil on board23 x 43cm; 9 x 17cm++Good, could be enhanced by a light clean

Lot 313

Continental School 19th CenturyCountry house in a landscape with sea beyondOil on canvas40.75 x 57; 16 x 221/2in++Repaired with patch, stretcher lines, one small hole, requires light cleaning and re- varnishing

Lot 326

William Charles Penn (1877-1968)A summer riverbankSigned and dated 01Oil on canvas29.5 x 45.5cm; 113/4 x 173/4in++Unlined, good condition, could be enhanced by a light clean

Lot 354

English School c. 1900A man on horseback with his two terriersOil on canvas62 x 52cm; 241/2 x 201/2in++Unlined, could be enhanced by light cleaning

Lot 359

Frederick Golden Short (1863-1936)Near Burley in the New ForestSigned and dated 1920Oil on canvas31 x 46cm; 121/4 x 18in++Unlined, good condition, could be enhanced with a light clean

Lot 392

Edward Seago R.W.S. (1910-1974)The Jetty, WoolverstoneSigned, titled versoOil on board41 x 61cm; 161/2 x 24inProvenance:Marlborough Gallery, 1968++Good, but could be enhanced by a light clean

Lot 307

A silver Hanukkah nine light candelabrum, by A Smith, Birmingham 1963, raised from a square beaded base standing on four claw feet below a square tapering stem from which stem nine branches capped by a star of David finial, the base fitted with a clockwork musical movement, 27.5cm high, loaded

Lot 425

Bruno Paul, a brass seven light candelabrum, produced by K M Seifert, the three double arms rotating around the spun central column 30 x 58 x 18.50cm (11.70 x 22.62 x 7.22in)

Lot 449

Captain Charles Bedwell, RN (English, 19th Century), The Ratcliffe, 739 tons, Captain Phillipson entering Sydney Heads Light House bearing South South East, 1850, watercolour, 34 x 52cm (13.26 x 20.28in). Provenance: By descent within the Robb family, ship owners of Newcastle. The convict ships did a regular run to Australia or Van Diemen's Land every eighteen months or so, usually leaving from Dublin, London or Portsmouth. There were very many of them. The present paintings are the only known representations of these ships, and as such are an important historical record, especially from the Australian viewpoint. Each watercolour has an original inscription of place and ship's name and all ships were captained by Edward Phillipson or James Phillipson between 1845-1850. They are all shown in the approaches to Sydney although they are documented as sailing to Tasmania as well. They are the Alexander in 1847 (this would be the Alexander II), the William Metcalfe (or Mitcalfe) in 1846 and the Ratcliffe in 1850. The backgrounds are Sydney Heads Lighthouse, Port Jackson, Darling Harbour and the Macquarie Fort. The Ratcliffe put in to the Isle of Wight where she took on twenty-seven Parkhurst boys. The boys made up part of the cargo of 248 male convicts which the Ratcliffe transported to Australia. The Ratcliffe set out from Spithead on 19 July and arrived in Hobart Town on 11 November 1848. The Parkhurst boys were juvenile prisoners from Parkhurst Prison on the Isle of Wight, sentenced to "transportation beyond the seas" and transported to Australia and New Zealand between 1842 and 1852. Some of their crimes were trivial, to say the least - for example, stealing a bar of soap or ribbons. The youngest boy on board, Robert Haybard, aged nine, had stolen a jar of potted beef. Either before leaving England or on arrival at their destination, they were pardoned on the condition that they were "apprenticed" to local employers, and that they could not return to England during the term of their sentence. In the years between 1842 and 1852 nearly 1,500 boys aged from nine to eighteen were transported to Australia and New Zealand from Parkhurst Prison. A diary by Jonathan Binns Were, CMG, published in Australia in 1964, and entitled "A Voyage from Plymouth to Melbourne in 1839" describes his journey to Australia aboard the Metcalfe in 1839. This publication was illustrated by a painting of another ship as there was no known image of the Metcalfe at the time. The Surgeon's Log for the Ratcliffe is in the Public Record Office in England. The Ratcliffe was a larger ship than the other two and also, later, took the 96th Regiment of Foot from New Zealand to India. The artist Captain Charles Bedwell, RN, explored Japan with Lord Elgin, and was responsible for making many paintings and drawings there (see also lot 450)

Lot 645

A mid 19th century view of the Bay of Naples by moon light, the scene of a boat party with Vesuvius in the distance lit a by a full moon, the painting backed by mother of pearl and within papier mache frame, 33 x 40.5cm (13 x 16in). Provenance: The second Lady Mallowan, by descent, late of 22 Cresswell Place, the London mews home of Agatha Christie

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