Jaget et Pinon, France. French cobalt blue and gilt ceramic earthenware or porcelain vase, late 19th to early 20th century. With profuse floral, foliate, and dragon motifs throughout in a wide band along the flared rim, interspersed along the narrow neck and bulbous body of the vase. A crest along the lower lobe depicts an embellished monogram of "T" surmounted by a crown. Stamped maker's mark and "Francois" along the underside.Provenance: From the Collection of T.B. Walker. Proceeds benefit the Archie D. & Bertha Walker Foundation.The collection of T.B. Walker (American, 1840-1928) reflects his visionary passion for the arts and dedication to preserving diverse cultural heritages. A pioneering Minneapolis businessman and philanthropist, Walker assembled an eclectic range of decorative art objects that showcase fine craftsmanship and unique artistic traditions from around the globe. These works exemplify aesthetic beauty and serve as a testament to Walker's role as a trailblazer in art collecting and philanthropy during the late 19th and early 20th centuries, ultimately inspiring the establishment of the Walker Art Center.Height: 24 1/2 in x diameter: 10 1/2 in.Condition: There are no major breaks, losses, or signs of restoration. Crazing throughout. Light wear to the footrim. Dust gathered throughout.
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Thomas Hart Benton (American, 1889-1975). Lithograph on paper titled "Instruction" depicting a man teaching a young boy about the teachings of the Bible, 1940. Pencil signed along the lower right margin; signed in print along the lower left. From a limited edition of 250.Benton was a key figure in the American Regionalist art movement along with fellow artists Grant Wood and John Steuart Curry.Sight; height: 10 1/2 in x width: 12 1/2 in. Framed; height: 17 in x width: 18 3/4 in.Condition: There are no major visible tears, losses, or restorations. The sheet is toned. Light areas of foxing throughout. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Patrick Bradley (American, 20th/21st c). Acrylic on canvas painting titled "Alexandria" depicting patterned small squares colored in pastel tone, 1989. Dated and marked "Washington DC" along the verso.Height: 44 1/2 in x width: 53 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear along the extreme edges. The canvas is somewhat wavy and undulated, consistent with being rolled. Light soiling to the verso, likely original to the artistic process. The work is not framed.
Frederick Lincoln Stoddard (Canadian/American, 1861-1940). Oil on board landscape painting depicting an idyllic riverside with a city in the distance. Signed along the lower right.Sight; height: 15 1/2 in x width: 19 in. Framed; height: 23 1/2 in x width: 27 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no major visible chips or losses to the work. There is a light square discoloration along the upper third of the left edge that fluoresces when viewed under UV light, possibly indicating a restoration or repair. Some wear to the verso. Housed within a wooden frame; light wear to the frame. Not inspected out of frame
Charles Biederman, born Karel Joseph Biederman (American, 1906-2004). Ink and gouache on Arches paper painting titled "Sculpture Model" depicting abstracted shapes in red and blue, 1937. Signed and dated "Paris 2/37" along the lower left; titled along the lower right. With a Menconi & Schoelkopf, New York, gallery label affixed to the verso.Provenance: Estate of Charles Biederman.Lot Essay:Born to Czech parents in Cleveland in 1906, Biederman was involved in the American art scene for his entire life. He briefly studied at the Cleveland Art Institute and the School of the Art Institute of Chicago (SAIC) before dropping out and moving to New York. It was there that he met and was included in shows with other influential artists of the time including Alexander Calder, John Ferren, George L.K. Morris, and Charles Green Shaw.For nine months from 1936-37 Biederman studied in Paris. It was here that he met and was influenced by leading artists including Picasso, Mondrian, and Miro. He was initially influenced by the works of Fernand Leger before moving away from his style and towards totally abstract, geometric compositions. The movements of Cezanne, Post-Impressionism, and Cubism informed the evolution of his style. And while he started out painting, he abandoned two-dimensional for more sculptural works by the end of 1937.In 1941 he married Mary Moore Biederman and in the following year he moved to Red Wing, Minnesota, where he would spend the rest of his life. In the 1950s, he created the term "Structurism" to help define his works from Constructivism and De Stijl. Many prominent collections around the world contain Structurist Reliefs including The Whitney Art Museum, The Metropolitan Museum of Art, and The Tate, London.In 2004, Beiderman died at the age of 98 and his estate was subsequently given to the Weisman Art Museum on the University of Minnesota - Twin Cities campus. They have organized traveling exhibitions of his works.Sight; height: 18 in x width: 14 in. Framed; height: 23 in x width: 20 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears or restorations. The sheet is toned. Some light creases along the lower edge. Housed under a non-acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Michael E. Keating, Cincinnati Enquirer. Original press photograph captioned "Cuffs & Gun" depicting a close-up of a policeman cuffing an individual, August 1980. Stamped along the verso.Height: 8 in x width: 10 in.Condition: Light wear and handling marks throughout. Markings along the verso. The work is not framed.
Nicola Constantino (Argentine, b. 1964). Inkjet print on paper photograph depicting the artist lying down with her hand resting atop one of her "Pig Balls," 2006.Sight; height: 11 x width: 14 1/2 in. Framed; height: 20 in x width: 23 3/4 in x depth: 3/4 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Brad Widness (American, 20th/21st c). Mixed media work titled "On The Dock, On The Plane," 2001. Signed, dated, and titled along the verso.Brad Widness was born in Sioux Falls, South Dakota, and taught drawing, printmaking, watercolor, design, and digital media at Minnesota State University, Mankato, as well as January interim courses at Gustavus in Bookmaking, and a Bookmaking workshop at the Minnesota Center for Book Arts in Minneapolis. Brad’s work has been selected for many juried regional and national exhibitions, and his work is included in numerous printmaking portfolios and traveling exhibits around the country. Highlights from the last ten years include participating in an invitational exhibition at the MAPC Conference in Minneapolis, receiving a McKnight Fellowship, and having work selected from an open portfolio review for exhibit at the Highpoint Center for Printmaking.Unframed; height: 21 in x width: 19 1/4 in. Framed; height: 22 1/2 in x width: 21 in x depth: 2 in.Condition: The colors are bold and deep. There are no major visible breaks, losses, or signs of restoration. Housed within a wooden frame, not under glass or plexiglass. Light wear to the frame. Not inspected out of frame.
Early 20th century Dine or Navajo wool revival weaving or rug textile featuring a Ganado pattern and color palette, ca. 1920. The carpet with a central field of stepped diamond motifs in grey and black against a red ground.Length: 6 ft 2 in x width: 3 ft 11 in.Condition: There are no tears, losses, or repairs. No odors. Some light soiling throughout. The colors are bold and bright. Light wear along the edges.
Harry Lindley Hosford (American, 1877-1945). Etching on paper depicting a fishing boat in a harbor with two fishermen. Pencil signed along the lower right; numbered 5/50 along the lower left.Sight; height: 6 1/2 in x width: 7 1/2 in. Framed; height: 16 in x width: 13 in x depth: 1/2 in.Condition: No visible tears, creases or losses. The print and mat are toned. There is mat burn along the edges of the print. There is discoloration along the bottom left corner and margin, possibly from water exposure. There is a minute spot of discoloration along the center of the lower margin. No signs of restoration under UV light. Framed under glass. Not examined out of frame.
Ed Baynard (American, 1940-2016). Watercolor on paper painting titled "The Constancy Of Orange" depicting orange and pink lilies in the vase on the table, 2001. Signed and dated along the lower left.Unframed; height: 30 in x width: 40 in. Framed; height: 34 in x width: 45 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, losses or signs of restoration. Some wear along the deckled edges. Floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Vintage Navajo or Dine wool Chief's Blanket or wearing weaving featuring a Third Phase style pattern, late 19th century. The textile depicting bands of cream, brown, and red layered with medallions of geometric and stepped concentric diamond motifs.Length: 5 ft 4 in x width: 4 ft 10 in.Condition: There are no tears, losses, or repairs. No odors. Some light soiling throughout. The colors are bold and bright. Light wear along the edges.
Early 20th century Navajo or Dine Native American wool rug weaving featuring a Klagetoh or Ganado-style pattern, ca. 1930s. The carpet depicting a large central medallion bearing a spiritual figural motif surrounded by winding geometric lines in dark brown, red, and cream against a grey ground, with feathers interspersed throughout.Length: 5 ft 6 in x width: 4 ft 6 in.Condition: There are no tears, losses, or repairs. No stains or odors. The colors are bold and bright. Light wear along the edges.
Ed Baynard (American, 1940-2016). Acrylic on canvas painting titled "Abstraction" depicting a large vase colored with pink, yellow, and blue, 1990. Pen signed and dated along the lower left.Height: 60 in x width: 40 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Two minute pinholes along the upper left and right corners. Light wear along the deckled edges. A few light areas of soiling and paint along the verso, likely original to the artistic process. The work is not framed.
Luigi Olivetti (Italian, 1856-1941). Watercolor on paper painting depicting a woman working at a spinning wheel while a man watches while leaning on a stone archway, 1905. Signed, inscribed "Roma," and dated along the lower left.Sight; height: 29 1/4 in x width: 20 1/2 in. Framed; height: 41 3/4 in x width: 30 1/2 in x depth: 4 in.Condition: The colors are bold and bright. The sheet is lightly toned. There are no major visible tears, losses, or restorations. Light wear along the extreme edges, especially the lower right corner. Framed under plexiglass; light wear to the frame including some chips to the gilt and an accretion along the upper third of the plexiglass. Not inspected out of frame.
A small silver and yellow gold plated box with machined decoration and pull tab opening. The interior of the box lid marked with initials. The underside of the opening tab marked with Netherlands lion head with protruding tongue (from 1953 onward) and unidentified other mark.Length: 35.49 mm x width: 27.93 mm x depth: 9.76mm. Gross weight: 21.7 g.Condition: Light wear, some accretions to the interior.
Loren Two-Bulls (Oglala Lakota, 1965-1998). Oil on board painting depicting a Native American man on horseback walking through a snowy nocturnal landscape, 1992. Signed and dated along the lower right.Unframed; height: 27 3/4 in x width: 27 3/4 in. Framed; height: 30 3/4 in x width: 30 3/4 in x depth: 1 in.Condition: The colors are bold and bright. The surface is stable. No major losses. There is one minute loss to the sky just left of the moon. Framed under glass. Light wear to the frame. Not inspected out of frame.
George Winter (American, 1810-1876). Oval oil on canvas landscape painting titled "The Broken Arch" depicting ruins overgrown with foliage. Titled and signed along the verso. Label attached to verso.Unframed; height: 16 3/4 in x width: 14 in. Framed; height: 21 in x width: 18 1/4 in x depth: 2 in.Condition: Areas of craquelure throughout; stretcher marks along the perimeter of the painting. Some signs of wear from a previous rabbet or frame along the edges. When inspected under UV light there are several areas throughout that fluoresce. One patch is visible along the verso which corresponds to the area around the point of the arch. The painting is attached to the gilt wood frame with two nails along the verso; as such, it moves slightly within the frame. Some light wear to the frame.
Georges Braque (French, 1882-1963). Lithograph on paper print titled "Nature Morte" depicting a still life, ca. 1950s. Pencil numbered 251/375 along the lower left.Sight; height: 18 in x width: 24 in. Framed; height: 25 1/2 in x width: 31 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Group of two vintage Navajo or Dine rug weavings or saddle blanket textiles with modest design, early 20th century. The small red textile with sparse arrow and line motifs in cream and dark brown against a red ground; the larger saddle blanket depicting a stepped geometric four-corners design.(Red) length: 1 ft 9 in x width: 1 ft 8 in. (Brown) length: 2 ft 3 in x width: 2 ft.Condition: The colors are bold and deep. There are no major tears, losses, or repairs. Light wear to the tassels.
Brad Widness (American, 20th/21st c). Acrylic on paper and board painting titled "Cone, Rocket-vessel" depicting a cone and rocket vessel on the table, 2004. Pen signed, titled, and dated along the verso. Brad Widness was born in Sioux Falls, South Dakota, and taught drawing, printmaking, watercolor, design, and digital media at Minnesota State University, Mankato, as well as January interim courses at Gustavus in Bookmaking, and a Bookmaking workshop at the Minnesota Center for Book Arts in Minneapolis. Brad’s work has been selected for many juried regional and national exhibitions, and his work is included in numerous printmaking portfolios and traveling exhibits around the country. Highlights from the last ten years include participating in an invitational exhibition at the MAPC Conference in Minneapolis, receiving a McKnight Fellowship, and having work selected from an open portfolio review for exhibit at the Highpoint Center for Printmaking.Height: 10 in x width: 13 1/4 in x depth: 1 3/4 in.Condition: The colors are bold and deep. There are no major visible breaks, losses, or signs of restoration. There is a small chip to the paint along the upper center edge. Light wear along the edges of the painting, possibly original to the artistic process. The work is not framed.
Vintage Navajo or Dine pictorial rug textile, early 20th century. Woven with a wide variety of dyed wools including turquoise, red, yellow, and brown. The carpet depicting five spiritual Yei figures with arrows or feathered batons.Length: 6 ft 2 in x width: 3 ft 8 in.Condition: There are no tears, losses, or repairs. No odors. Some staining due to dye transfer, possibly from water exposure. Some light soiling along the extreme edges. The colors are bold and bright. Light wear throughout.
Robert Stackhouse (American, b. 1942). Lithograph on paper titled "Niagara Dance," depicting a winding attic-like space, 1986. Pencil signed and dated along the lower center; numbered 41/45 along the lower left. Blindstamp along the lower left.Provenance: Percival Galleries, Inc., Des Moines, Iowa; Distinguished Corporate Collection.Unframed; height: 31 in x width: 45 1/2 in. Framed; height: 38 3/4 in x width: 53 in x depth: 2 in.Condition: The colors are bold and bright. The sheet is lightly toned. There are no major visible tears, creases, losses, or signs of restoration. Light wear along the deckled edges. Floated in frame. Framed under plexiglass; light wear to the frame, including a few faint scratches or scuffs to the plexiglass. Not inspected out of frame.
Double-sided historical document or letter signed by Founding Father Alexander Hamilton (1757-1804). His signature appears in the lower left corner of the document. Possibly dated November 8, 1797.Sight; height: 8 3/4 in x width: 14 1/2 in. Framed; height: 25 1/2 in x width: 22 in x depth: 1 in.Condition: The sheet is toned. There are no major visible tears or losses. Wear and fleabite chips along the edges. There are creases throughout, consistent with folding. Light soiling throughout, especially along the extreme edges, as expected with age. Minute losses along the deep creases. Housed under an acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Steven Pentak (American, 20th/21st c). Oil on paper abstract landscape painting depicting a tree against an ochre background, 1986. Pencil signed along the lower right; dated along the lower left.Height: 25 3/4 in x width: 22 1/2 in.Condition: The colors are bold and bright. There are no tears, creases, losses, or restorations. There is very light wear to the deckled edges of the sheet. The sheet is unevenly toned from a previous framing. There are four spots of light soiling where the corners of a previous mat would have been around the perimeter of the image. There are areas of soiling to the verso that do not affect the recto. Along the top corners of the verso there are two spots of residual adhesive from framer's tape. The work is not framed.
Paul Cadmus (American, 1904-1999). Crayon on paper sketch drawing depicting three female nudes. Signed along the lower right. With an additional figural drawing along the verso.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 10 1/4 in x width: 19 in.Condition: There are no major tears, losses, or restorations. Light wear along the deckled edges including some handling marks, faint creases along the left and right edges particularly, and frits, mainly along upper and lower edges. There is a small darkened scuff along the upper left edge that is possibly graphite transfer original to the artistic process. The work is not framed.
Patrick Bradley (American, 20th/21st c). Acrylic on canvas painting titled "A City I've Lived In" depicting a dazzling abstracted city landscape in the artist's unique visual language, Jan 1990. Signed, dated, and marked "Washington" along the verso.Height: 43 1/2 in x width: 52 3/4 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear along the extreme edges. The canvas is somewhat wavy and undulated, consistent with being rolled. Light soiling to the verso, likely original to the artistic process. The work is not framed.
20th century Native American style ledger drawing. Depicting figures on horseback shooting a gun.Provenance: From the Collection of Lynne Rossetto Kasper.Sight; height: 10 in x width: 13 1/4 in. Framed; height: 15 in x width: 17 3/4 in x depth: 1 1/2 in.Condition: There are no visible tears, losses, or restorations. Slight undulation to the sheet. The sheet is lightly toned, mainly along the edges. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
Sara Facio (Argentine, 1932-2024). Gelatin silver print photograph depicting figures walking along a graffiti-filled wall.Sight; height: 8 in x width: 11 in. Framed; height: 16 in x width: 20 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a nonacidic mat. Framed under glass; light wear to the frame including a small crack to the glass in the lower left. Not inspected out of frame.
Vintage Navajo rug or wool weaving featuring a regional pattern, 1930s. The carpet depicting a central field of interlocking triangular forms against a cream and grey ground. The border consisting of two bold concentric bands of dark brown and red.Length: 3 ft 8 in x width: 2 ft 1 in.Condition: There are no tears, losses, or repairs. No stains or odors. The colors are bold and bright. Light wear along the extreme edges. The length of one edge along the verso is reinforced with four strips of velcro.
Michio Takayama (Japanese, 1903-1994). Large oil on canvas painting titled "Evening Crane" depicting an abstracted bird against a pastel background of pink and blue. Signed along the lower center; further signed and titled along the verso.Unframed; height: 50 in x width: 44 in. Framed; height: 51 in x width: 35 in x depth: 1 3/4 in.Condition: The colors are bold and bright. There is an area of craquelure extending horizontally through the center of the painting. Light wear to the frame. Not inspected out of frame.
Peter Max (German/American, b. 1937). Mixed media with acrylic painting and color lithography on paper titled "Love on Blends" from the "Loving Suite," 2006. Signed along the lower right. With a certificate of authenticity from Park West Gallery.Sight; height: 9 1/4 in x width: 7 in. Framed; height: 25 in x width: 23 in x depth: 1 1/4 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations. Housed under a linen mat. Framed under plexiglass; light wear to the frame Not inspected out of frame.
Red Grooms (American, b. 1937). Lithograph in colors on wove paper titled "Mid-Rats," depicting a rat approaching a trap in a beam of light. Hand signed and dated 1981 along the shadow beneath the mousetrap; numbered 50/88 along the edge of the trap.Unmatted; height: 22 in x width: 29 3/4 in. Matted; height: 24 3/4 in x width: 32 1/2 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear along the deckled edges. Hinged along the top edge along the verso to a piece of foamcore. The work is not framed.
Laurence Dreiband (American, b. 1944). Large charcoal on paper drawing titled "Eucalyptus 7" depicting the eponymous leaves in black and white. Signed along the lower left.Sight; height: 42 1/2 in x width: 59 in. Framed; height: 48 1/2 in x width: 64 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The work is floated in frame. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
William "Bill" Randolph Dunlap (American, b. 1944). Graphite, watercolor, and gouache on paper painting depicting a farm landscape. Signed along the lower right.Lot Essay:William R. Dunlap, born in 1944 in Houston, Mississippi, is an American artist known for his work in painting, printmaking, sculpture, and photography, often associated with hypothetical realism. His art explores themes of history, allegory, and the art-making process. He is exhibited at notable institutions such as the Metropolitan Museum of Art and the National Gallery of Art. Dunlap has received numerous prestigious awards, including those from the Rockefeller Foundation and the Warhol Foundation.Sight: height: 23 3/4 in x width: 47 3/4 in. Framed; height: 24 1/2 in x width: 48 1/4 in x depth: 1 1/4 in.Condition: The colors are bold and bright. The sheet is toned. There are no major visible tears, losses, or signs of restoration. Framed under plexiglass; light wear to the frame including accretions and some light scratches along the plexiglass. Not inspected out of frame.
William A. Slaughter (American, 1923-2003). Large oil on canvas painting depicting a country road. Signed along the lower right.Lot Essay:William A. Slaughter's professional life began with his call to the ministry. After serving in the Air Force in WWII, he was ordained as Lutheran pastor serving in Texas. He began painting after serving a ministry in Mexico, and his artworks quickly gained popularity with his parishioners. Slaughter began displaying locally after moving to Dallas where he exhibited with the Artists and Craftsmen's Association of Dallas.He was mostly self-taught and inspired by the landscapes of Texas. His work also extended to wildlife, women and children, and still lives. In 1973, two years after leaving the ministry to pursue painting full-time, he was awarded his first prize. Since then until his death, he exhibited in all fifty states and at least sixteen countries. Though he left the ministry in the 70s, he still maintained ties to the church. One of his most cherished achievements was designing the stained glass windows for The King of Glory Lutheran Church in Dallas, Texas.Unframed; height: 30 in x width: 40 in. Framed; height: 41 in x width: 51 in x depth: 3 1/2 in.Condition: The colors are bold and deep and the surface appears stable. There are no major tears, losses, or signs of restoration. Housed within a wooden frame, not under glass or plexiglass. Light wear to the frame. Not inspected out of frame.
Christopher Willett (American, b. 1959). Oil on board cityscape painting depicting a snowy street with skyscrapers and a bridge in the distance, likely New York City. Signed along the verso and the lower right.Unframed; height: 18 in x width: 15 1/4 in. Framed; height: 21 3/4 in x width: 18 3/4 in x depth: 1 1/2 in.Condition: No visible losses or restorations. The colors are bold and bright. Light wear to the frame.
Italo Scanga (Italian/American, 1932-2001). Lithograph and woodcut on arches cover white paper print titled "Two Cypress" depicting a geometric scene with two cypress trees against the white and blue background, 1989. Pencil signed, dated, editioned 20/40 along the lower center.Height: 41 3/4 in x width: 29 1/2 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Two minute spots of soiling along the verso. Light wear along the deckled edges. The work is not framed.
Nobu Fukui (American/Japanese, b. 1942). Oil on board painting titled "Orchid" depicting an outline of flowers against a background of green, white, and blue, 1990. Signed, titled, and dated along the verso.Height: 72 in x width: 48 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no major losses or repairs. Light wear to the exposed edges. The work is not framed.
Gabriella Denton (American, b. 1942). Large oil on canvas painting depicting an abstracted landscape in bold yellows, orange, and pink. Signed along the lower left above the field of yellow.Unframed; height: 60 in x width: 60 in. Framed; height: 61 1/2 in x width: 61 1/2 in x depth: 1 3/4 in.Condition: The colors are bold and bright and the surface is stable. There are no major losses or repairs. There is a scratch just below hte signature measuring approx. 3 inches in length. Light wear to the frame.
Jorge Castillo (Spanish, b. 1933). Large lithograph on paper titled "Night, Wall Street, New York" depicting a darkened city, 2013. Pencil signed and dated along the lower right; numbered 7/10 along the lower left.Sight; height: 34 in x width: 40 in. Framed; height: 41 1/2 in x width: 49 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The work is housed under a mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.
Cylindrical with reeded band at rim and foot, the stepped flat cover with a shaped rim and scrolling thumbpiece. Height 7 inches (18 cm), approximately 23 ounces. Generally good condition overall; light surface marking as expected from use; small pin point dent to handle; some rubbing to hallmarks, but legible
Rectangular with gadrooned rim and loop handles, raised on four bracket feet. Length over handles 23 3/4 inches (60 cm), approximately 102 ounces.Generally good condition overall with light surface marking and scruffing as expected from use; the center engraved with a crest; clearly hallmarked underside; good heavy gauge
The circular part lobed body with reeded handles with lion mask joins, the part fluted domed cover with a putti finial. Height overall 15 inches (38 cm), total approximately 99 ounces.Good condition overall; light surface marking from normal use; engraved crest to cover and body; clearly hallmarked
Each of shaped circular form, the foliate scroll handle with a conical snuffer. Length over handle 7 inches (17.7 cm), total approximately 22 ounces.Generally good condition overall; light surface marking as expected from use; engraved with crest to bobeche and two crests in a garter to body; one snuffer with a dent
Each with a foliate scroll border, comprising an oval example, length 15 inches (38 cm), and a circular example, diameter 11 inches (28 cm), total approximately 56 ounces.Generally good used condition overall with light surface marking from casual use; each engraved with script mirrored monogram to rim
Each backplate cast with a bearded male mask surmounted by an acanthus form crown and applied with two candle arms.Height 24 inches (61 cm) width 17 1/2 inches (44.5 cm)Qty: (4)Each fitted for electricty, each overall with rubbing to gilding, please note that Doyle does not guarantee electrical wiring for light fixtures.
In the Charles II style, the body chased with a lion and unicorn amongst foliage, with two maiden-form handles, the cover with a bud finial. Height overall 7 inches (18 cm), length over handles 7 1/2 inches (19 cm), approximately 21 ounces.Generally good condition overall; light bruising from use; good detail to decoration; the cover with slight dent to inner rim and showing slight finial mark; clearly hallmarked underside, but the cover apparently unmarked
The globular-form body engraved with figures in a landscape, with overhead swing faux bamboo handle, the loose cover with a bud finial. Length 4 3/4 inches (12 cm), approximately 6 ounces.Generally good condition overall with wear as expected from use; light bruising to body especially along base edge; rubbing to hallmark underside
Of globular form chased with foliate scrolls to shoulder, with a scrolling spout, the hinged cover with a button finial. Height 5 inches (12.5 cm), length 7 3/4 inches (19.5 cm), approximately 12 ounces, all in.Generally good condition overall; light surface marking as expected from normal use; some softening to decoration from use; clearly hallmarked underside
Of oval form with pierced medallions joined by foliate swags, with a reeded overhead swing handle. Height over handle 10 1/2 inches (27 cm), length 13 1/2 inches (34.5 cm), approximately 20 ounces.Generally good condition overall with light surface marking from casual use; engraved crest to body; maker's mark part struck ?D in an oval
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534297 item(s)/page