A Lady's Manual Wind Wristwatch, by Longines, frosted 18ct white gold case, 25mm x 28mm, black dial with white baton numerals, set with small white stones on integral 18ct white gold bracelet, in manufacturers fitted case, total gross weight 53.5gThe watch presents in excellent overall condition showing wear commensurate with age and light usage, although it would benefit from a clean externally. There is no evidence of any damage to the external case or bracelet. The bracelet clasp functions correctly. The glass appears free from any chips or scratches but is dirty. The stones are complete and set securely. The dial is unmarked. Overall an honest example in need of a little attention. The case is worn in certain areas but overall presents as per the condition of the watch. Prospective buyers are strongly recommended to study all images closely prior to bidding
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A Gentleman's Automatic Wristwatch, by Chopard, 18ct gold case, 32mm diameter, with integral 18ct gold bark effect bracelet, polished tigers eye stone dial with no numerals, 200mm overall, total gross weight 87.6g Images within the attached Dropbox linkhttps://www.dropbox.com/scl/fo/7qzca0cqo0w4tg0299fwp/h?rlkey=yx73hh1owdo92q0l7wi3icsuq&dl=0The watch presents in excellent overall condition showing wear commensurate with age and very light usage. The glass is free from any obvious signs of cracks or chips. The dial presents in excellent condition. The bracelet functions correctly. The watch winds, runs and sets but should be regarded as untested, Prospective bidders are strongly recommended to study all images closely prior to bidding.
***Fraser Taylor (Born 1960) - Oil painting - Man falling, signed and dated '87, 23.75ins x 19.75ins, in stained oak frame and glazedProvenance: Thumb Gallery Ltd, 20/21 D'Arblay Street, London, W1V 3FN Note: Handwritten label to verso: "Man falling, or man upside-down, or whatever I can't remember. I see I bought it, in 1987, at the Thumb Gallery, Jill George, who must have worked there, now has her own gallery in Lexington Street, and still Fraser Taylor from time to time" Selected pictures from the Peter Barkworth Collection This work has not been inspected out of the frame. Under UV light it appears to be in good condition with no obvious damage/loss/restoration
A George III Figured Mahogany Chest, with moulded edge to top, fitted two short and four long graduated drawers, on bracket feet, 25.5ins wide x 18ins deep x 36ins highLight scattered scratching to the top and all three front edges. There appears to be some slight rubbing and edge knocks. Drawers run free and easily with minimal resistance. General heavier wear to the bracket feet commensurate with age. Overall the item is structurally sound with little to no movement in the joints and appears to be in a good overall condition.
An Early Victorian Mahogany Bookcase, the upper part with shaped cresting, fitted two open shelves, the base fitted cupboard enclosed by a pair of fielded panel doors, on plinth base, 42ins wide x 12ins deep x 66ins highTo the top there is light scattered scratching and darker staining. Signs of shrinkage with horizontal splits running from one end to the other. The whole is unevenly faded. At the top on all three front edges there are some slight edge knocks and general rubbing. To the lower section at the top there is some veneer chipping and loss all the way round. On all three edges and at the base of the top on the right hand side there are various areas of veneer chipping an loss. The base has some heavier scratching and veneer loss especially to the plinth base on the corners. The item is structurally sound with little to no movement in the joints.
***Kenneth Newton (1933-1984) - Oil painting - Half-length self portrait wearing white shirt, unsigned , canvas, 22ins x 18ins, in modern gilt moulded frameUnder UV light there are a few very small scattered areas of retouching to the background but otherwise this work appears to be in good condition.
A 9ct Gold Hinged Bangle, two coloured, 55mm internal diameter, gross weight 6.8gThe bangle presents in excellent overall condition showing signs of wear commensurate with age and very light usage. There is no obvious sign of previous damage or repair. The hinge functions correctly, the clasp functions securely. Clients are advised to study all images closely prior to bidding.
***Stephan P. Ussing (1868-1958) - Oil painting - Woodland scene, signed, canvas, 15.75ins x 20ins, in gilt and ebonised moulded frameThere is some very light scattered scratching the paint surface showing through as white. This starts from just above the path and drops down to the lower edge. In all other respects this work appears to be in reasonably good condition with no obvious damage/loss/restoration.
A Pair of Victorian Silver Circular Salts and Mixed Condiments, the circular salts by William Evans, London 1886, with bead mounts, chased and embossed with vacant cartouche, floral and leaf scrolls on ball feet 2.25ins diameter x 1.5ins high, and a small selection of other condiments, combined weight 13ozsApart from a few typical scattered areas of light scratching/wear all pieces appear to be in reasonably good condition with no obvious damage/loss/repair
Two George V Silver Tankards, one by Walker & Hall, Sheffield 1925, of cylindrical form with reeded base and angular scroll handle, 5.5ins high, the other by A & J Zimmerman Ltd, Birmingham 1926, with moulded rim and footrim, and leaf capped scroll handle, 5ins high, combined weight 25ozs Pint Tankard - Walker & Hall, Sheffield 1925 - heavy gauge of silver. Rim very slightly mis-shapen - pinhead size dent to rim. Light surface abrasions all over. Hallmarks well struck near rim by handle. Impressed maker mark to base and number 53487Tankard - A & J Zimmerman Ltd, Birmingham 1926 - lighter gauge of silver. Scattered light surface scartches. Scattered pinhead size dents. Hallmarks well struck near rim and handle. Impressed retailers mark to base - W. Batty & Sons Ltd, Manchester
Joshua Cristall (c. 1767-1847) - Watercolour – “The Rainbow”, 4.5ins x 5.75ins, framed and glazed Note: Handwritten label to verso: " I bought this sketch at Cyril Fry's Gallery in Jermyn Street, alas no longer there; and I remembered he said "You know, people might be tempted to call this a Constable, but it's not: it really is a Joshua Cristall"', and J. Anthony Vandyke Copley Fielding (1787-1855) - Pencil drawing - Landscape, signed, 4.5ins x 7.25ins, framed and glazed Note: Handwritten label to verso: "I can't remember where I bought this, or anything about it, except, it's by AV Copley Fielding" Selected pictures from the Peter Barkworth Collection Neither of these works have been inspected out of their frames. Copley-Fielding - this work appears to be in good condition with no obvious damage/loss/restoration. Joshua Cristall - very small circa 1mm diameter hole on the top edge at roughly centre. Possibly some very light fading but otherwise this work appears to be in good condition.
An Early 19th Century Mahogany Cased Mantel Clock by Edward Hopkins of Bradford, the 8ins arched silvered dial with Roman numerals to chapter ring, centre engraved with boating scene, the sides with bellflower swags and shells, to the eight day two train movement striking on a bell contained in case with arched and moulded top, fretted grilles to sides and on brass bracket feet 16.5ins high Images are within the attached Dropbox linkhttps://www.dropbox.com/scl/fo/t2i96a9ehogl4435omlhd/h?rlkey=3xfzjgl9iq4wj38xqk6w49itj&dl=0 Externally the clock presents in good overall condition showing some wear commensurate with age but no undue marks, cracks, chips or splits. All the moulding is present and in good condition. There are some light marks to the veneer to the top of the clock running front and back with the seam of the veneer. The fretwork to the sides - right hand side has some slight damage of an area of approximately 20mm square, and on the left it is in good condition. Handle and feet appear original. The door appears to be original as do the hinges, it closes correctly and does not bind. The dial silvering is in good condition and appears to be original. The numerals are clear and concise, may have been refreshed but this would be historic and the hands appear to be original. The glass to the door is free from any cracks or chips and is securely fastened. The rear door again functions correctly, the hinges are original. The glass appears to be original as does the putty retaining the glass. No chips or scratches present. The pendulum is present as is the winding crank. The movement appears complete however we cannot warrant the originality of all components. The bell is likewise present. The clock winds, runs and sets but should be regarded as untested. Potential bidders are advised to study all images carefully prior to bidding.
Attributed to William Shayer (19th Century) - Oil painting - Continental seacape with figures in a boat to foreground, and fully rigged fishing boats, canvas 30ins x 37ins, in gilt moulded frame and glazed The frame has various areas of shrinkage, paint loss and some areas of outer moulding are missing. The inner slip is heavily rubbed with various areas of gilt loss. The painting has extensive craquelure. Along the top edge centre there is a small area of paint loss around 0.25ins diameter, also this area is slightly rubbed and has a shadow of the frame. When inspected under UV light there are scattered areas of retouching, however it appears to be in fairly good overall condition. Measurement with frame - 48ins x 40ins Please note this item has not been inspected out of its frame.
A Pair of Chinese Cloisonne Vases, 20th Century, decorated in colours with dragons amongst clouds, on a black ground, 8.5ins (21.5cm) highOne has a very small circa 1mm diameter loss to green enamel at the back of dragon head, with a miniscule area of loss to enamel to the upper part of another dragon head. There is some typical light scattered scratching to the enamel detail on both but otherwise they appear to be in reasonably good condition.
A Silver Pair-Cased Open Faced Pocket Watch, George III, by George Beefield of London, No. 17615, the white enamel dial with Roman and Arabic numerals, to the fusee movement with verge escapement with pierced and engraved balance cock, contained in plain silver case and outer case, hallmarked London 1776The watch winds, runs and sets but should be regarded as untested. Externally the watch presents in condition commensurate with age and rather heavy usage. There are numerous small dents to the rear of the case. Some light marks to the front of the case. The case button does not function correctly. The inner case again shows some slight dents in general. Some slightly larger dents are at the 2 o'clock position, one at the 4 o'clock position to the rear. The glass is in good condition and the dial presents well showing no obvious sign of previous damage or repair. Potential buyers are strongly advised to study all images closely prior to bidding.
A Platinum Diamond Ring, set with a solitaire diamond, approximately 1ct, flanked by smaller white stones, size P+, gross weight 4.4g The ring presents in good overall condition showing wear commensurate with age and light usage. The main stone is securely set and all the claws are present. There are no obvious signs of damage to the stone. There is no nibbling to the girdle or table. The ring shows no obvious signs of previous damage or repair. Please note we are not qualified to grade stones. Potential bidders are strongly advised to study all images closely prior to bidding. The ring has been cleaned and whilst retaining a slight yellow tint it is much better (updated images included now in Dropbox link). The main stone measures approximately 6.82mm in diameter. We cannot accurately measure the depth due to the setting.
A Small Reference Collection of Chinese Porcelain, 18th/19th Century, including blue and white octagonal dish painted with a riverine landscape with pagodas and islands 17.5ins (44.5cm), a Famille Verte beaker painted with flowering branches within shaped cartouche, Kangxi, and a moulded blue and white saucer with flower and leaf bouquets and sacred objects (32 pieces)Octagonal dish - stained hairline crack to well at approximately 8 o'clock. Famille Vert - with stained hairline crack from rim to foot ring. Four tea bowls with very small single hairline crack and one saucer with rim chip. Otherwise all other pieces appear to be in reasonable condition with no obvious damage/loss/restoration, save some very light typical wear to enamels/gilt and some light scattered scratching
A Near Pair of Large Ceramic Barrel-Shaped Seats, Late 19th/Early 20th Century, transfer printed with floral design in blue and white to sides and bases, 12ins diameter x 19.5ins high, stamped 'Doulton, Burslem' to interior, and 12ins diameter x 19.25ins high with inner rimBarrel seat with open base - vertical hairline crack from base measuring approx 10ins. There is a small flat chip associated with this crack at the base. There is a hairline crack opposite this one measuring approx 8ins, with two further hairline cracks from base measuring each approx 4ins, one with associated chip to the interior at base. This seat also has some scattered discolouration to the glaze. The glaze is crazed all over. The other example has a firing crack along the vertical moulding line, close to the top measuring approx 4ins. This example has some wear/light scattered staining to the top.
***Jack Simcock (1929-2012) - Oil Painting - "Shed", signed and dated '66, board 8ins x 12ins, in black frame and glazedProvenance: Abbott & Holder Note: Handwritten label to verso: "The Piccadilly Gallery used to have a regular exhibitions of Jack Simcock, I bought this typical piece at Abbott and Holder" Selected pictures from the Peter Barkworth Collection Overall size (framed) is 11.75ins x 16ins, under UV light it appears to be in good condition with no obvious damage/loss/restoration. We do not ship paintings. You may care to try Mailboxes Etc 01227 464161, website www.mbe.co.uk/canterbury
A Pair of Late 19th/Early 20th Century Oak Four Tier Sectional Bookcases, each tier enclosed by a lead glazed rising front, with fitted drawer to plinth base, each 35ins x 12ins x 61.5ins high One bookcase - general light scattered scratching to the whole. At the top there is a central dark ring stain or water mark. Some light oxidisation to the metal components and the leaded glazed fronts. The drawer runs free and easily with minimal resistance. Overall the item is structurally sound and in a good overall condition. Second bookcase - some light scattered scratching to the top. Darker staining (water) ring marks. Light oxidisation to the metal components and the leaded glazed fronts. Drawer runs free and easily with minimal resistance. General heavier wear to the base commensurate with age. Overall the item is structurally sound and in good condition.
Late 20th Century English School after Jean Baptiste Vanmour (1671-1737) - Four verre eglomise panels - Reverse gilt and black paintings on glass depicting standing male Turkish figures, from the 'Regional, Religious and National Costume of the Turkish Empire', 30.5ins x 24.5ins, in painted and gilt frames and glazed All appear to be in good condition with no obvious damage/loss/restoration. There is some light scattered wear to the frames.
An Early Victorian Mahogany Side Table, with moulded edge to top, fitted two real and one dummy drawer to frieze, on heavily turned and fluted legs with castors, 41.5ins wide x 22ins deep x 29.5ins highLight scattered scratching to the top, some darker staining (watermarks) and all edges have some rubbing and knocks. Drawers run freely. Heavier wear to the supports and feet commensurate with age. Castors run freely. Overall the item is structurally sound with little to no movement to the joints.
A 9ct Gold Gentleman's Enamel Ring, embellished to the shoulders with blue enamel work depicting leaves, size R+, gross weight 14.3gThe ring presents in excellent overall condition showing signs of wear commensurate with age and very light usage. The enamelling appears to be free from damage as does the centre enamel panel. There is no obvious sign of previous damage or repair. The centre stone is securely set. Prospective bidders are strongly advised to study all images closely prior to bidding
A 19th Century Mahogany and Brass Bound Military Chest in two sections, fitted two short and three long drawers, each with recessed brass handles, 39ins wide x 18ins deep x 38ins highGeneral heavy scratching to the top in various places, darker staining, and on the right hand side there is a vertical split around 15ins long. All four edges of the top appear to be heavily rubbed and have some edge knocks. On the right and left hand side there are various areas of scratching and rubbing. Drawers run free and easily with minimal resistance. Light oxidisation to all metal components. The whole is heavily faded. The first long drawer on the right hand side has a small area of veneer loss around 1ins in a triangular section, the same on the left hand side. On both left and right hand sides where the two chests connect there is some veneer loss and chipping running vertically each around 1ins long from one end to the other. General heavier wear to the base commensurate with age. Overall the item is structurally sound however there is some movement in the joints.
A Gentleman's Manual Wind Wristwatch, by Omega, Model SeaMaster, 36mm diameter plated case, two-tone silvered dial with gold baton numerals, on conforming manufacturer's strap, 230mm overall, in manufacturer's fitted caseThe watch presents in excellent overall condition showing wear commensurate with age and light usage. The case has some very light marks, the glass is free from any chips or scratches and securely fits. The silver dial is in excellent condition showing no obvious sign of damage or repair, the hands appear original. The leather strap is in very good condition and is a genuine Omega item. The watch winds, runs and sets but should be regarded as untested. The case is in excellent overall condition and presents very well indeed. Customers are strongly advised to study all images closely prior to bidding. Please note: It is not possible to remove the back of the watch as we do not wish to apply undue pressure whilst attempting it as so far it resists all movement
A William and Mary Laburnum Oysterwood Veneered Cabinet, the whole veneered in segmented circular, semi-circular and quarter panels, and with similarly veneered interior, fitted central cupboard and eleven small drawers, the stand fitted one frieze drawer, on later cabriole legs with claw and ball feet, 43ins wide x 19.5ins deep x 63ins high (some moulding missing throughout) Images are within the attached Dropbox link. https://www.dropbox.com/scl/fo/1q76349jh7lnyn7061yur/h?rlkey=yoc2wuy35rlkye1epqf4efexk&dl=0 To the top there is some general heavy scattered scratching, darker staining and water marks (ring marks). There appears to be a piece of timber at the back that has been crudely added on. Around all three front edges there are extensive signs of shrinkage with some splits present with the moulding and the veneer. On the left hand side there is an area of moulding loss around 6ins long running horizontally and at the very back there is an area of moulding missing in a square section around 2ins. The left hand moulding has actually dropped in the corner and has come loose from the front. The left hand side is heavily faded and the veneer is starting to lift and bubble and there are extensive shrinkage cracks and splits. The right hand side is a more even colour however the veneer is in a similar condition. At the front at the bottom of the cabinet there is a small area of veneer loss around 2ins in a rectangular section. The locking mechanism appears to be good and original and the lock plates and escutcheons at the front also appear to be contemporary. All the interior knobs/handles appear to be later replacements and the interior escutcheon and locking plate are matching replacements. There is some light oxidisation to all of the metal components. On the exterior the escutcheons and handles have a slight shadow and dirt build up around them. The base - the drawer has replacement handles and lock plate. There appears to be an additional baize lined slide which is later with added rails on the interior of the drawer. At the back there are flight holes present, evidence of historic woodworm. On the underside of the baize there is a piece of strengthening timber that has been crudely screwed in. General heavier wear to the legs and feet commensurate with age. Overall the item is structurally sound however there is some movement in the joints. Key is present and locking mechanism works.
ARR Ivon Hitchens (1893-1979) - Oil painting - "Sussex River, Evening Sky", sign and dated 1969, canvas 16ins x 29.25ins, in white gilt frame and glazed Provenance: New Grafton Gallery, 1a Grafton Street, London, W1X 3LB. Owner: Mr Peter Barkworth, 17 Flask Walk, NW3 1HH. Exhibited:19.8.75 Artist's handwritten note to verso, one with title, date and measurement, name and address. The other " You are advised NOT to remove this glass without first consulting the artist or Waddington Galleries" Note: Ivon Hitchens is much-loved for his landscape painting featuring swathes of bright colour. Influenced by Cezanne and Matisse, he chose to focus on the subject matter right in front of him, the landscapes of Sussex where he lived, and the South Downs. Selected pictures from the Peter Barkworth Collection This glazed work has not been inspected out of its frame. Under UV light it appears to be in good condition with no obvious damage/loss/restoration. Provenance is as stated in the catalogue.
A Late Victorian Silver and Enamel Rectangular Card Case of Theatrical Interest, by Joseph Gloster, Birmingham 1899, the front with oval enamel depicting Little Bo Peep and her sheep surrounded by a garter with inscription "Souvenir from J. Pitt Hardacre. Comedy Manchester 1900." within leaf engraved border, the back engraved "Ava Channing" 3.375ins x 2.75ins, gross weight 2ozsThe oval enamel of Little Bo Peep shows some typical light scattered scratching to the surface. The surrounding wording in blue enamel appears to be in good condition. The hinge is intact and works well. The engraved detail shows very little wear. In general terms this card case appears to be in good condition with no obvious damage/loss/restoration.
A Lady's Manual Wind Wristwatch, by Rolex, Model Precision, in 9ct gold case, 17mm diameter, silver dial with gold baton numerals, integral 9ct gold bracelet, total gross weight 18.3g, in manufacturers boxWe can confirm that the watch winds runs and sets but should be regarded as untested. The watch presents in excellent overall condition showing signs of wear commensurate with age and very light usage. The outer case just bears one or two slight marks, of no consequence, likewise the bracelet is in good order and the clasp functions correctly. The glass is free from any obvious signs of significant chips or scratches and the dial presents in excellent condition. The case presents in good condition however it should be noted that the clasp on the case does not function, although appears to be intact. Customers are strongly advised to study all images closely prior to bidding
A Gentleman's Keyless Half Hunting Cased Evening Pocket Watch, 18ct gold case, 47mm diameter, no dust cover, cream enamel dial with Arab numerals, total gross weight 65.9gExternally the watch presents in good overall condition showing wear commensurate with age and light to moderate usage. There are no obvious signs of any dents but there are some scratches which should buff out. The glass is in good condition showing no obvious sign of damage. The dial is a little dirty and discoloured but no sign of chipping or any previous repair. The watch winds, runs and sets but should be regarded as untested. There is no internal dust cover fitted to this watch. Potential bidders are strongly advised to study all images carefully prior to bidding.
A 20th Century Danish Silver Circular Bowl, by Joha Rohde for Georg Jensen, stamped Dessin, Sterling, No. 529, the planished exterior engraved with entwined monogram, 5.625ins diameter x 2ins high, weight 8.5ozsGood gauge of silver. 30mm x 15mm patch to right and below the entwinned monogram of vertical scratch - not deep. A few light scratches on interior. Marks well struck on base.
A Pair of Late 18th Century Continental Porcelain Cachepots with stands, possibly Ansbach, each decorated with birds and flowers on ivory ground, painted marks, each 8.75ins high Cachepot with peacock - this has a vertical hairline crack running from the rim to the base. Externally this is obvious, internally an attempt has been made to disguise it with paint. A small area of gild above this crack, both to the inner and outer rims, shows some wear, recolouring. Other cachepot shows very similar damage with an extended hairline crack from rim to almost base. This too has had some painting to the interior. One stand has been cracked in half and re-stuck. The rim at one end of this crack shows some loss which has been made up and repainted and re-gilded. Overall there is some very light scattered wear to the gilt detail. The painted enamels in general terms appear to be in good condition.
A Pair of 20th Century French Opalescent Glass Light Covers, each depicting birds, fruiting vines and floral ornament, each 15ins diameter Although the dimensions and detail are identical, these would be better referred to as matched since they transluce a different colour. One has a very small flat chip to one of the fruits which a bird is pecking. That example also has a few very small scattered chips to the edge of the rim. The other example, with yellow hanging cord, similarly has a few very small to miniscule chips to the edge of the rim.
A Keyless Half Hunting Cased Pocket Watch, by Benson, 9ct gold case, 50mm diameter, no dust cover, movement signed "The New Ludgate " white enamel dial with black Roman numerals, total gross weight 85gThe watch presents in excellent overall condition showing wear commensurate with age and very light usage. There are some light rub marks but overall the case should be considered as excellent. The glass is free from any obvious sign of marks, chips or scratches and the dial presents very well with no sign of any hairline cracks or previous signs of repair. The watch winds, runs and sets but should regarded as untested. There is no inner dust cover fitted to this watch. The outer dust cover - the hinge is in good condition showing no signs of wear and the case closes correctly. Prospective buyers are strongly advised to study all images carefully prior to bidding.
***Peter Graham (Born 1959) - Oil painting - "Yachts, Sound of Iona", signed and dated '92, 14ins x 10ins, in painted moulded frame Provenance: Duncan Miller Contemporary Arts, 17 Flask Walk, Hampstead, London NW3 1HJ Selected pictures from the Peter Barkworth Collection This work has not been inspected out of its frame. Under UV light it appears to be in good condition with no obvious damage/loss/restoration
A 14ct Longuard Chain, with suspended snow flakes, retailed by Liberty, 960mm overall, total gross weight 6.4gThe item presents in excellent overall condition showing wear commensurate with age and very light usage. All the pierced flowers are intact. All are correctly suspended. There is no obvious sign of previous damage or repair to the chain or any appendages. The clasp functions correctly. Prospective bidders are strongly advised to study all images closely prior to bidding.
Orla Molgaard-Nielsen (1907-1993) - Teak - "Boomerang" armchair, for Fraule and Son, Denmark, rectangular frame with wire sprung base and back, on brass legs and cushions for sameThere is some general light scattered scratching to the wooden frame. Some heavier rubbing to the crest rail and uprights. The sprung back appears to be missing two rails. There is a sticker attached to the back of the crest rail. General light oxidisation and heavier wear to the metal legs and the front is slightly faded compared to the back. Overall the item is structurally sound however is rather flimsy on its feet.
A Gentleman's Manual Wind "Trench Watch", in unusual diagonal mounted case, 33ins diameter in plated metal case, white enamel dial with black Roman numerals and subsidiary seconds dial, on non-conforming period brace and period leather strap, 240mm overall, in manufacturer's fitted caseThe watch presents in excellent overall condition showing wear commensurate with age and very light usage. The case is best described as excellent with no obvious signs of dents or scratches or previous repair. The hinge is in good condition, the back functions correctly. The glass is free from any marks, chips or scratches. The dial is clean and crisp with no hairline cracks and all the numbers are legible. The hands appear original. The strap is a later modern replacement. The box is in fair condition again showing wear commensurate with age and light usage. Overall a good example. The watch winds, runs and sets but should be regarded as untested.
A George V Silver Breakfast Set by Bernard Instone of Langstone Silverworks, Birmingham 1928, with planished handles, inset with turquoise paste cabochon, comprising - six coffee spoons, a preserve spoon and butter knife gross weight 2.6ozs, in caseAll items appear to be in good condition. Some very light surface scratches. Hallmarks are well struck. In a brown leathercloth case retailed by "Jeweller & Silversmith, Ainsworth, 50 Market Place, Blackburn" - cream silk to interior is quite stained. Some scuffing to exterior
ARR Matthew Smith (1879-1959) - Oil painting - "Mixed Flowers in a vase" canvas 28ins x 12ins, in deep gilt moulded frame Provenance: Duncan R. Miller Fine Arts Ltd. 17 Flask Walk, Hampstead, London, NW3 1HJ and 6 Bury Street, St James's, London, SW1Y 6AB With Arthur Tooth & Son, Private Collection Note: In 1925, living and working in Paris, Smith began to paint still lives and for the most part flower paintings. Like Van Gogh, painting flowers allowed him to extend his colour range beyond the simple palette he had been using for his so-called 'red nudes' of 1924. Having begun with tulips he rapidly moved on to more intricate flower forms, mixing them into increasingly ambitious arrangements. Selected pictures from the Peter Barkworth Collection There is a small dent with associated very light scratching close to the lower right corner. Under UV lamp no obvious restoration/damage can be seen.
A George III Silver Oval Teapot, by Solomon Hougham, London 1805, with raised rim, moulded band to body engraved with interlocking oval links, ebonised finial and angular handle, 6ins high, gross weight 14.8ozsA slight wobble to hinge to cover, but otherwise this seats well. Very slight distortion to the pouring tip along one side. Handle firmly attached. Some typical very light scattered scratching/wear to body.
ARR Laurence Stephen Lowry (1887-1976) - Pencil and biro sketch - "Ebbw Vale" - Figs and dog on a road towards a village, signed and dated 1960, 7ins x 9.25ins, titled to backProvenance: Hampstead Art Suppliers, 87 Heath Street, London NW3 Note: Handwritten label to verso: "I bought this in 1960 at Abbott & Holder. I think it was £4!" Note: Handwritten note to verso:" To Wyn, with love from Peter, Christmas 1998" Note: In the 1960's, Lowry with his friend, the collector Monty Bloom, toured some of the mining villages in the Welsh Valleys, including Ebbw Vale. Lowry returned to the area several times over the next few years. Selected pictures from the Peter Barkworth Collection This work has not been inspected out of its frame. The ink signature and date is faded which suggests that there is some light overall fading to the work. In all other respects it appears to be in good condition with no obvious damage/loss/restoration.
A Set of Twelve Late Victorian Silver Bladed and Mother-Of-Pearl Handled Fish Knives and Forks, by Atkin Brothers, Sheffield 1899, in walnut canteen with brass shield shaped engraved plaque to lid, 14.5ins x 11ins x 2.75ins highAll silver shows some typical light overall scratching/wear. One mother of pearl handle shows a glued repair to one end. Another fork handle is detached and will need reattaching. All handles show some light wear. The case is in reasonably good condition. In general terms this set is in good condition.
ARR Margaret Mellis (1914-2009) - Coloured chalk/pastel - "Rose's Anemones", initialled, on used envelope, 10.5ins x 8ins, in deep painted wood frame and glazed Note: With original labels for The Redfern Gallery, 20 Cork Street, London W1S 3HL to verso Anemones on opened up envelope - This work has not been inspected out of its frame. It has two deep creases along lower flap, crease folds where envelope was previously folded up and two areas of rough paper (top left edge and right hand vertical edge) where envelope was previously glued. Small (approx. 0.125ins) crease/tear to upper left corner flap. In shallow light purple painted box frame. Otherwise in good condition with no obvious damage/loss/restoration. See images for verso of frame.
***Clare Atwood (1866-1962) - Oil painting – Still life with glass of wine and pears, signed and dated ’52, board, 15ins x 18ins, in wooden frame Note: Typed label to verso: "Stilllife by Clare Atwood (1881-1960) Friend of Ellen Terry, her daughter Edy Craig & writer Christopher St. John. Lived at the Priest's House, Smallhythe" Selected pictures from the Peter Barkworth Collection Under UV light this work appears to be in good condition with no obvious damage/loss/restoration.
A Lady's Manual Wind Wristwatch, by Rattray & Co. of Dundee, hexagonal 9ct gold case, 22mm diameter, silver enamelled dial with black Arabic numerals, 9ct gold curb link bracelet, total gross weight 38.4gThe watch presents in good overall condition showing wear commensurate with age and moderate usage. There is a very slight dent to the rear case, although hardly noticeable and the rear is as seen in the photographs, engraved with a monogram. The glass is in good condition showing only light marks, in one or two places. The dial shows some patination of age but is completely original. The bracelet is very robust and solid and heavy. The watch winds, runs and sets but should be regarded as untested. Customers are advised to study all images closely prior to bidding
An Edwardian Mahogany and Inlaid Bedside Lamp Table, with square edge and marquetry shell inlay to top, fitted one frieze drawer on square tapered legs, with x-pattern stretchers, 16.5ins x 12ins x 28ins high, and a Victorian mahogany drop-leaf occasional table, with triple reeded edge to top, fitted one frieze drawer, on square tapered legs with brass toes and castors, 23.5ins x 18ins x 28.5ins high First table - light scattered scratching to the top with darker staining and water marks. Around all four edges of the top there is some slight rubbing and general edge knocks. Drawer runs free and easily with minimal resistance. Around the two pull handles there is some shadowing and scratches. General heavier wear to the legs and feet commensurate with age. Some slight oxidisation to the metal components. Castors run free and easily with minimal resistance. Overall the item is structurally sound however there is some movement in the joints. Other table - some light scattered scratching to the top. Darker staining. Around all four edges of the top there is some general rubbing and edge knocks. Drawer runs free and easily with minimal resistance. General heavier wear to the stretcher and legs commensurate with age. Overall the item is structurally sound however there is quite a lot of movement in the joints.
An 18ct Gold and Diamond Pendant, 18ct fine gold chain with suspended brilliant cut white diamond, approximately .25ct, 400mm in length, total gross weight 3.6gThe item presents in good overall condition showing wear commensurate with very light usage. The stone appears free from any obvious sign of damage and is securely set. All the claws are present. There is no visible sign of any previous damage or repair. The chain is in good condition with no sign of damage previous repair and the clasp functions correctly. Prospective bidders are strongly advised to study all images closely prior to bidding. We are not qualified to grade stones.
A Lady's Manual Wind Wristwatch, by Rolex, Model Presion, 18ct gold case, 17mm diameter, champagne dial with gold baton numerals, non-conforming leather strap with Rolex buckle, gross weight 11.9g The watch presents in excellent overall condition showing wear commensurate with age and very light usage. The case is literally unmarked as is the glass. The dial is in excellent condition showing no sign of previous damage or repair. The strap is in very good order, in no need of replacement. The buckle bearing the maker's name is the original as are the original tags attached to the watch. Overall a very nice example. The watch winds, runs and sets but should be regarded as untested. Customers are strongly advised to study all images closely prior to bidding
Cornelius Pearson (1805-1891) - Watercolour – River landscape with two cows watering, signed and dated 1851, 8.5ins x 11.5ins, framed Note: Handwritten label to verso: "This was among the first Watercolours I bought. It was £4 at Abbott & Holder when they were in Hammersmith. I intended it as a present for Mischa Scorer but he preferred another one. It's by CORNELIUS PEARSON", and Edmund Morrison Wimperis (1835-1900) - Watercolour - "Near Parkgate on The Dee", monogrammed, 9.25ins x 14ins, framed and glazed Note: Handwritten label to verso: E. M. WIMPERIS, Near Parkgate on The Dee", watercolour, 9.5 x 14. I have always admired the two most important followers of David Cox, Wimperis and Collier and have been happy to have nice examples of each" Selected pictures from the Peter Barkworth Collection Neither of these two works have been inspected out of their frames. Pearson - some very light fading but otherwise no obvious damage/loss/restoration. There is at the upper margin at roughly centre a small spot, possibly foxing. Wimperis - this is unglazed. Some very light scattered discolouration but otherwise again this work appears to be in reasonably good condition with no obvious damage/loss/restoration.
A Bronzed Pewter Table Lamp of Art Nouveau Design with pressed metal, bronzed circular shade, for same, 23ins highThe bronze finish to the base shows some typical light scattered wear. The pressed metal shade shows scattered wear to the original gilt detail. Generally this lamp appears to be in good condition with no obvious damage/loss/restoration. It has not been tested to check if it works.
A George IV Silver Teapot and an Edward VII Sugar Caster, the teapot by Robert Gainsford, Sheffield 1823, with floral leaf and berry finial, the bulbous body chased and embossed with floral and leaf scroll ornament, angular handle, 4.75ins high, gross weight 11.3ozs, the sugar caster, London 1902, with turned finial to pierced domed cover, on circular footrim, 8ins high, weight 7.2ozs Teapot - the handle is loose at top and bottom but not detached. The lid hinge moves very slightly side to side when lifted but is well seated. There is some typical light wear/scattered scratching to the body but otherwise the teapot appears to be in reasonably good condition with no obvious damage/loss/restoration.Caster - there a dent to the lower part together with a very small flat dent to the lower part. There is a small flat dent to the upper caster and the knop appears to be very slightly out of true. There is a small circa 0.25ins split to the upper caster area. Some typical all over minor scratching/wear.
A Reference Collection of British Pottery, Porcelain and Bone China Tableware, including - blue and white Davenport pearlware bordalou, impressed mark, 8.75ins wide, porcelain tea bowl and saucer, enamelled in colours with standing figures, and a pottery alphabet child's mug, printed and painted with "P was a parson and wore a black gown. Q was a queen and lov'd a fine crown" (29 pieces) Bourdaloue measurements - 8.75ins wide, 2.75ins highBat printed bone china coffee can with flowers - stained hairline crack to base. Blue and white cup with transfer printed scene - some scattered wear to gilt detail. Cup and saucer with shell design - some light scattered wear to painted detail. Blue and white printed bourdaloue - very small flat chip to edge of rim at front. Miniature lustre coffee can - fainted stained hairline crack to underside of base. Bat printed coffee can with flowers - circa 0.5ins hairline crack from rim. Blue and white printed pearlware slop bowl with boy on a buffalo pattern - chip to footring. Bat printed teapot with stag design - stain circa 1.5ins hairline crack on rim. All other pieces appear to be in good condition with no obvious damage/loss/restoration, save for some very light scattered wear/scratching to a few pieces
A Bronze Relief Plaque Depicting Wilfred Owen (1893-1918), set into white marble background, 17.25ins squared, in modern gilt frameThis shows some all over light wear. The original patination has possibly been removed through polishing. The marble surround appears to be in good condition with no obvious damage/loss/restoration. The back of the panel is sealed and cannot be inspected
ARR Margaret Mellis (1914-2009) - Coloured chalk/pastel - "Cedric's Poppies", initialled, on used window envelope, 11.5ins x 10ins overall , in deep painted wood frame and glazed Note: The Redfern Gallery, 20 Cork Street, London W1S 3HL Poppies on opened up envelope - This work has not been inspected out of its frame. It has crease folds where previously folded as an envelope. There is a 0.75ins tear to top left corner (into centre red flower), a 0.25ins crease (possibly tear?) to yellow ground above largest red flower, a patch of rough paper where previously glued on yellow ground top left and similar lower edge by fallen petal. Framed in shallow light yellow painted box frame. Otherwise this work appears to be in good condition with no obvious damage/loss/restoration. See images for verso of frame.
Harry Beck (1902-1974) - 1936 poster for map of The London Underground with wide blue border, 23.5ins x 31.5ins, framed with plastic glazing Note: One of the short-lived series featuring, believed to be against Beck's wishes, the much-thickened lines in the central area to include the line names plus large diamonds for the inter-change stations. Please note that the size quoted in the catalogue description should read 23.5ins x 31.5ins. The upper and lower edges are rough and not cut suggesting that they may have been folded horizontally and torn to fit in the plastic frame. The map has been folded and there are now a series of three vertical folds, one horizontal fold and a pyramidal fold to centre top and bottom. There are small holes along this fold just below Liverpool Street Station, Marble Arch and just above West Acton. Additionally there is a small hole to the right of Kew Gardens and a small circa .75ins horizontal tear to the right of Eelephant & Castle. There is some light scattered staining/spotting which is most noticeable to the verso. There is a small circa 1ins horizontal tear to the lower right corner, at which point the corner has some slight loss. Overall the map appears to be slightly faded. This lot was privately entered and we have no provenance beyond that.
An Edwardian Satinwood and Inlaid Bow and Breakfront Chest with cross banding to top, fitted two short and three long drawers, on square tapered legs with spade toes, 48ins wide x 24ins deep x 45ins highTo the top there is some general light scattered scratching. Around all four edges of the top there are some slight edge knocks. On the front at the left hand side at the very top there is a small blemish around 1ins diameter. To the right hand side there is an area of moulding missing around 5ins long running horizontally and where the back right support meets the side here is a shrinkage split running vertically from one end to the other, the same on the left hand side. On the first left hand drawer there is a small area of moulding missing on the right hand side running vertically from one end to the other. On the left hand side of the lower drawer to the first long drawer there is a small piece of moulding missing around 3ins long running vertically. On the second long drawer at the right hand side there is small area of moulding missing around 6ins long running vertically. General heavier wear to the base and feet commensurate with age. Overall the item is structurally sound with little to no movement in the joints. The drawers run free and easily with minimal resistance.
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