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Lot 62
After Paul Cesar Helleu - an etching of an Edwardian lady, pencil signed, 39.5 x 30 cm Note: Possibly Lady Meysey Thompson, who was painted by various society portrait artists of the day, such as John Singer Sargent (oil on canvas, 1901, private collection) Prov: Egerton estate, thence by descent Condition Report Extensive spotting overall
Lot 15
AFTER W HOLLAR "A merchant's daughter of London" and "An English gentlewoman", a pair of black and white etchings, each 10 cm x 7 cm, mounted on card (ONE ILLUSTRATED) CONDITION REPORTS Both pictures have been kept extremely flat, the mounts can be lifted and underneath they have had tissue paper put over the top of the etchings, they are backed onto card and have been glued down all across the back and it would be quite difficult to remove them from the card. "English Gentlewoman" - has been cut right to edge, there is slight, but even, browning throughout, there are at least three big foxing/browning spots - one on the top left, one on the top right and one just down the top edge on the left-hand side of the etching itself, and several other "dots" of browning on the card. "Merchants Daughter" is again slightly browned and is cut right to the edge but does not show any signs of foxing, card it is mounted on is slightly dirty.
Lot 16
AFTER LEONARD BASKIN (1920-2000) (AMERICAN) "Gericault", a head study limited edition black and white etching, numbered, signed and inscribed in pencil in the margin, image size 48 cm x 39 cm, and a similar smaller head study black and white etching artist's proof print dated "1956" and signed in pencil in the margin, 18 cm x 12 cm (ONE ILLUSTRATED) CONDITION REPORTS Overall OK. SOME STAINING TO MOUNT - SEE IMAGES
Lot 34
AFTER HERBERT DICKSEE (1862-1942) "Leopard on the prowl", black and white etching, bearing blind stamp, signed in pencil in the margin, 20 cm x 42 cm (ILLUSTRATED) (ARR) CONDITION REPORTS Is under glass so we are unable to comment on the condition underneath the mount, however frame is slightly mis-shapen along the bottom edge and is dropping slightly in the centre, appears slightly dirty, there is some even yellowing/browning throughout the etching particularly on the outer mount, otherwise appears OK.
Lot 35
AFTER HERBERT DICKSEE (1862-1942) "Tiger gnawing at a bone", black and white etching, bearing blind stamp and signed in pencil in the margin, 21 cm x 47 cm (ILLUSTRATED) (ARR) CONDITION REPORTS Slight, but quite even, browning throughout the etching, mount is particularly browned, it is unframed, when the mount is lifted up it is very discoloured towards the edge of the backing card, with some "splodges" of water damage down the left-hand edge of the backing card, there is clearly some paper attached to the backing card where the mount has been glued down and pulled away. The etching itself is glued down securely onto the card and would be difficult to remove, white edging is quite dirty with some blackening towards the edges, although the main image itself appears in sound condition with some slight discolouration.
Lot 36
AFTER HERBERT DICKSEE (1862-1942) "Leopard taking water from a stream", black and white dry point etching, signed in pencil in the margin, 22 cm x 36 cm (ILLUSTRATED) (ARR) CONDITION REPORTS Overall with general wear and dirt, some staining and foxing to the mount. Frame in worn and chipped condition.
Lot 41
AFTER PETER ILSTED (1861-1933) "A windswept Autumnal wooded landscape", limited edition dry point etching No'd. 23/125, signed in pencil in the margin, image size 27 cm x 40 cm and PATSY FARR (1955-) "Nude study of a seated lady", crayon, signed, 49.5 cm x 37 cm (2) (ONE ILLUSTRATED) CONDITION REPORTS Small white spots top edge and into top right hand corner. Slight brown mark into margin adjacent with mount bottom edge. Otherwise generally sound
Lot 54
AFTER OTTO GOETZE (1868-1931) "Native Dancer", dry point black and white limited edition etching No'd. 3/50, signed in pencil in the margin, 29 cm x 21 cm, AFTER JOHN R BARCLAY (1884-1962) "Resting - a nude woman lying down", dry point black and white etching, No'd. 32/40, signed in pencil in the margin, 21 cm x 25.5 cm (2) (ONE ILLUSTRATED) (ARR)
Lot 468
* Michael Oelman, British b.1941- `Walls of Corinth`, `Appointment at Dusk`, `The Myth of Pegasus` & `A Place to Rest`; etching in colours, signed and numbered 28/125 (on three), 35.5x29cm (3) & 33.5x21.5cm., (4) (may be subject to Droit de Suite) VAT charged on hammer price Provenance: Paintings in Hospitals
Lot 486
Alfred Cohen, American 1920-2001- "Crown Imperial"; screenprint in colours, signed, dated `89 and numbered A.P VI/X in pencil, 75x57cm: Tom MacKenzie, Scottish b.1947- "Neist Point"; etching with aquatint printed in colours, signed, titled and numbered 60/60 in pencil, 55x80cm: Janet Patterson, Scottish b.1941- "Fiord"; monoprint, signed, inscribed, titled and dated 1990 in pencil, 87x115cm, (3), (may be subject to Droit de Suite)
Lot 521
Francoise Bricault, French b.1938- "Fin Septembre"; etching with aquatint printed in colours, signed, titled, numbered 1/25 and dated 59 in pencil, 36x29cm Provenance: with The Redfern Gallery Ltd., London, according to label on the reverse of the frame: Carl Felkel, Austrian 1896-1973- A country church yard; oil on canvas laid down over board, signed, 51x38.5cm: (2) (may be subject to Droit de Suite)
Lot 567
Mark Andrews Godwin, British b.1957- "Georama XXII"; etching with aquatint printed in colours, signed and titled in pencil, 58x75cm: Heidi König, British b.1964- "Ouarzazate"; etching with aquatint printed in colours, signed, titled and numbered 133/175 in pencil, 54x69cm: Heidi König, British b.1964- "Essaouira"; etching with aquatint printed in colours, signed, titled and nubered 73/175 in pencil, 49x48cm: Brenda Hartill RE, British b.1943- "Elemental Icon III", aquatint printed in colours, signed, titled , numbered 99/100 and dated 95 in pencil, 50x40cm: together with three other aquatint etchings printed in colours by the same hand, titled "Meltdown III", "Meltdown IV" and "Elemental Icon II", all signed, titled, dated and numbered 10/100, 8/100 and 37/100 respectively, 50x40cm., ea., (7) (may be subject to Droit de Suite)
Lot 658
Rosalind Forster, British, b. 1948- "Lynne`s Garden"; linocut printed in colours, signed, titled, dated `88 and inscribed 8/20 in pencil, 64x46cm: together with two lithographs printed in colour by the same artist entitled "Still life- Autumn" and "Verandah & Orchids", both titled, signed and numbered in pencil, various sizes: Naomi Clements Wright, British, late 20th/early 21st century- "Red Tulips"; lithograph printed in colours, signed, titled and inscribed 26/250, 71x80cm: Adam B Marshall, British, late 20th/early 21st century- "Trinity Gardens Lilypond"; etching with aquatint printed in colours, signed, titled, numbered and dated `86, 29.5x22.5cm: together with seven further etchings with aquatint printed in colours by the same artist entitled, "Trinity Gardens Courtyard", "Moorish Gardens", "Secluded Courtyard", "Papilio", "Swallowtail", "Garden Snail I" and "Garden Snail II"; all signed, titled, dated and numbered in pencil, various sizes, (unframed), (12), (may be subject to Droit de Suite).
Lot 659
Ashley Bolch, British, b. 1950- "Harbour Hastings"; etching with aquatint printed in colours, signed, titled, and inscribed 133/250 in pencil, 29.5x40cm: together with two further etchings with aquatint printed in colours by the same artist entitled "Rye Harbour" and "Jack & Jill"; both signed, titled and inscribed in pencil, 29.5x40cm and 49.5x52cm respectively: Mark Spain, British, late 20th/early 21st century- "Valley Path"; aquatint printed in colours with embossing and hand colouring, signed, titled and inscribed 28/200, 33x45cm: together with another aquatint printed in colours with embossing and hand colouring entitled "Hill Crest", signed, titled and inscribed 39/200, 33x45cm: Michael Pettersson, British, b. 1938- "Elmswell Church"; etching with aquatint printed in colours, signed, titled, dated `86 and inscribed 46/150, 26x40cm: together with four further etchings with aquatint printed in colours by the same artist, entitled "Riverside Inn", "Stour", "Elmswell Church" and "Orwell", all signed, titled and inscribed, some with blind stamp, various sizes: Linda Hill, British, late 20th/early 21st century- "Calm Winds"; screenprint, signed, titled and inscribed 26/200, 28x12.3cm: together with a similar screenprint by the same artist, entitled "Tranquil Waters", signed, titled and inscribed 25/200, 28x12.3cm: Bob Saunders, British, b.1945- "Purbeck"; screenprint, signed, titled, inscribed 138/175 and embossed with publishers blind stamp, 18.5x22cm: together with three further screenprints by the same artist from the same series entitled "Cheviots", "Clevelands" and "Quantocks", all signed, titled, inscribed and embossed with publishers blind stamp, ea. 19.5x22cm: Clive Harris, British, late 20th/early 21st century- "Sheep Track"; screenprint, signed, titled and inscribed 6/50, 18x24.4cm: together with another screen print by the same artist entitled "Twilight", signed, titled and inscribed 4/45, 18x24.4cm, (unframed), (18), (may be subject to Droit de Suite).
Lot 661
F J Aldridge, British, 20th century- "South Downs"; etching with aquatint printed in colours, signed, titled and inscribed 7/80 in pencil, 32x26cm: together with eleven further etchings with aquatint printed in colour by the same artist, entitled, "Cottage in Perigord", "St Sulpice, Dordogne", "Lusignac, Dordogne", "Window on French Farm", "Purple Fig", "Tamarisk Tree", "Pink Mimosa", "Hanging Garden", "Adventure Balloons", "Farnham Church" and "Hartney Wintney", all signed, titled and inscribed in pencil, various sizes: David Bowyer, British, b.1950- "Greenwich Reach"; etching with aquatint printed in colours, signed, titled, dated `87 and inscribed 8/50, 6.5x9.7cm: together with seven further etchings with aquatint printed in colours by the same artist, entitled "Green Field", "Cliffs", "Church Tower", "Stubble Field", "Drake Teal", "Six Ducks", "Ducks Passing and Departing", all signed, titled and inscribed in pencil, some with artists blind stamp, various sizes,(unframed), (20), (may be subject to Droit de Suite).
Lot 665
After Frederick Albert Slocombe, British 1847-1920- `Pastoral Farms Green to the very door`; etching with hand-colouring, later edition/re-strike, 48x79.5cm: After Pablo Picasso, Spanish 1881-1973- Standing woman; reproduction print, 88x60cm: together with four other reproduction prints after various artists, and subject matters, max 33x123cm, (6)
Lot 708
George Carrey, French 1902-1953- Untitled abstract composition; lithograph printed in colours, signed and numbered 7/100 in pencil, 39.7x33cm: Richard Bawden RWS NEAC RE, British b.1936- "Pink Eyes"; etching printed in colours, signed, titled and numbered 80/100 in pencil, 45.7x36.7cm: Eduardo Arroyo, Spanish b.1937- Figure; screen print in colours, signed, numbered XX/XXV and dated 1979 in pencil, 74x55cm., (3) (may be subject to Droit de Suite)
Lot 722
Elena Kulikova, Russian b.1950- "Fashion Drawing"; gouache, signed and dated 1989, 36x27cm: Provenance: with Birch and Conrad Fine Art, 40 Dean St, W1V 5AP according to the label attached to the reverse: British School, late 20th century- Study of a seated nude; etching, signed and numbered 12/78 in pencil, 16.5x12cm, (2)
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73306 item(s)/page