ARR * Tunnicliffe (Charles Frederick, 1901-1979). The Fruit of the Tree, 1931, etching on cream laid paper, with watermark of a running figure with a streamer, on a sphere, from the only published edition of artist's proofs, printed with light plate tone, signed in pencil lower right, plate size 280 x 206 mm (11 x 8 ins), sheet size 370 x 250 mm (14.6 x 9.8 ins), window mounted, together with The Flight from Eden, 1931-32, etching on pale cream wove paper, printed with light plate tone, an artist's published proof, signed in pencil lower right, plate size 274 x 200 mm (10.75 x 7.9 ins), sheet size 365 x 249 mm (14.3 x 9.75 ins), window mountedQty: (2)NOTESTunnicliffe's small group of mythological etchings of circa 1930 to 1931 were regarded by the artist as his most important etched works. The Fruit of the Tree was chosen for illustration in Fine Prints of the Year 1931 and singled out for particular praise by Malcolm Salaman in his introductory essay to the volume. Along with the companion piece The Flight from Eden, Tunnicliffe is shown here at his most ambitious, deliberately referring (in The Fruit of the Tree) to Durer's famous engraving of Adam and Eve, as well as to the work of his contemporary William E. C. Morgan.
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* Walcot (William, 1874-1943). The Thames from Waterloo Bridge, 1913, etching on cream wove paper, with plate tone, from the published edition of 100, signed in pencil lower right, plate size 95 x 180 mm (3.75 x 7 ins), framed and glazed, with label of Henry Whitley, Printseller, Scarborough to verso, together with: Gentleman (David, 1930-). Iron Bridge, 1971-72, colour lithograph, printed by Curwen Studio, from the Ironbridge series, signed and numbered 156/240 in pencil, image size 41 x 52 cm (16 x 20.5 ins), with margins, framed and glazed, plus: Bewick (Thomas, 1753-1828). Three Dogs (The Bulldog, The Small Water Spaniel and A Terrier), 3 wood engravings printed on one sheet of Barcham Green hand-made paper from the original blocks, printed by Iain Bain on an Albion handpress, published by Merivale Editions in an edition of 500, and numbered 123/500 in pencil, sheet size 29 x 20.2 cm (11.4 x 8 ins), and seven other wood engravings, lithographs and etchings by Sarah van Niekerk, Alan Powers (2), David Sim (2) and Stephen Whittle (2), all published by Merivale Editions, each signed and numbered from an edition of 500, similar sizes, each loosely contained in original publisher's printed wrappersQty: (10)
* Wyllie (William Lionel, 1851-1931). A Submarine accompanied by naval vessel, in the Solent off Portsmouth, circa 1914, etching on pale cream wove paper, signed in pencil lower left, plate size 11.3 x 34.5 cm (4.5 x 13.5 ins), framed, with early printed label for Robert Dunthorne & Son, The Rembrandt Gallery, 5 Vigo Street, London to versoQty: (1)
* Wyllie (William Lionel, 1851-1931). Somerset House and Barges on The Thames, etching with drypoint on pale cream wove paper, signed in pencil lower left, plate size 12.5 x 30.5 cm (5 x 12 ins), with margins, framed and glazed, together with: Shipping on the Thames, etching on pale cream laid paper, signed in pencil lower left, plate size 12.5 x 30 cm (5 x 11.9 ins), sheet size 25 x 44.5 cm (9.9 x 17.25 ins), framed and glazedQty: (2)
* Wyllie (William Lionel, 1851-1931). The Convoy, circa 1915, etching on pale cream wove paper, showing a convoy of British battleships at sea accompanied by a White & Thompson No. 3 anti-submarine flying boat, and two yachts, signed in pencil, plate size 17.4 x 35.3 cm (6.8 x 14 ins), framed and glazedQty: (1)
* Menpes (Mortimer, 1855-1938). Trixie, dry point etching, signed lower right, plate size 26 x 20 cm, sheet size 41 x 28 cm, mounted, together with Octagon House, Oxford, dry point etching, signed lower right, plate size 21.5 x 16.5 cm, sheet size 28.5 x 23.5 cm, mounted, plus Buckels (Alec, 1892-1972). Little John (Sherwood Forest), 1961, wood engraving, 1/50, signed lower right, plate size 27.5 x 24.5 cm, sheet size 34 x 29.5 cm, mounted, and Hardie (Martin, 1875-1952). Salt-Killed Tree, Blythburgh, dry point etching, signed lower right, plate size 20 x 27.5 cm, sheet size 26.5 x 39 cm, mountedQty: (4)
ARR * Trevelyan (Julian 1910-1988). Triplane, 1974, etching and aquatint, with hand-colouring in turquoise, red and violet, from the published edition of 25 impressions, printed by the artist, and published by Leslie Waddington Prints Ltd., signed, titled and numbered 5/25 in pencil, plate size 24 x 35 cm (9.4 x 13.75 ins), sheet size 39.5 x 58 cm (15.5 x 22.8 ins), window-mountedQty: (1)NOTESSilvie Turner, Julian Trevelyan, Catalogue Raisonné of Prints (2010), 297.
* Emanuel (Frank Lewis, 1866-1948). An archive collection of drawings and sketches in England and France, with some Scottish locations, and a few in Belgium, Holland and Spain, circa 1900-1945, mainly pencil on paper (or sketchbook sheets), some in pen and black ink, a few in chalk, and a few in colour, mostly picturesque street scenes and buildings, coastal views and marine subjects, views of architectural landmarks and old buildings in towns and cities, some country landscapes, and some studies of figures, the majority signed or initialled, and often dated, and also inscribed to verso by the artist, largest sheet size approximately 31.5 x 40.5 cm (12.5 x 16 ins), the smallest approximately 6 x 12 cm (2.5 x 4.75 ins), occasional marks and creases (generally in good condition), plus a further 100 etchings by the same artist, including landscapes, coastal scenes, figure groups, New Year's greetings, a few lithographs and colour woodcuts, mostly unsigned and with some duplicatesQty: (350)NOTESA remarkable collection of 250 vivid sketches of picturesque street scenes and architectural motifs by the important artist and illustrator F. L. Emanuel, who studied at the Slade School of Art under Alphonse Legros (1837-1911) and at the Académie Julian in Paris under William-Adolphe Bouguereau (1825-1905) and Tony Robert-Fleury (1837-1911). Emanuel also wrote on art for the Architectural Review and Manchester Guardian and is the author of The Illustrators of Montmartre (1903) and Etching and Etchings (1930). He exhibited at the Paris Salon, the Royal Academy from 1886, the New English Art Club and elsewhere, had a show of his watercolours in the Méryon Galleries in 1912, and taught etching at the Central School of Arts & Crafts from 1918 to 1930. British locations for the drawings (approximately 150 in total) include London ('Thatched Cottage at Paddington', 'The Yorkshire Stingo, Marylebone Road', Westminster Bridge, Hampstead, Hyde Park, Greenwich Park, High Holborn, Kensington Gardens, Kew), Newcastle-on-Tyne, Edinburgh, Hastings, Great Yarmouth, St. Leonards, Ledbury, Rottingdean, Dunwich, St. Ives, Truro, Gorleston, Ludlow, Deal, Hitchin, Wells, Whitby, Ross-on-Wye, Pevensey, Ayr, Hitchin, Tewkesbury, etc. Foreign views (approximately 100) include Paris, Brittany (Quimperle, Pornic, Plancoet, St. Malo, Rennes, Cancale, Morlaix, Treguier), La Rochelle, St. Omer, Dieppe, Vire, Mont St. Michel, Blois, Nantes, Amiens, Le Puy, Collioure, Avranches, Honfleur, Rouen, Tain, St. Servan, Lyon; Amsterdam, Muiden, Haarlem Cathedral, Enkhuize, Marken, Brussels; Manresa, Lerida and Gerona.
A pair of 18th Continental stemmed wine glasses with wheel etched figures in rural landscapes to the conical bowls. above a compressed knop stem and spreading dome feet. Together with one other of similar age with armorial etching and everted rim over a bubble included knop and dome foot. Probably Dutch 18th century. 18cm high(3)Condition report: A slight chip to one of the rims of the pair.
From Chagall's Bible Etchings printed portfolio. Hand water-colored etching. Signed in pencil lower right. The Bible Series consisted of 105 etchings, it was the third of Chagall’s etching suites. Numbered on piece 3 of 5. Housed in gilt frame. Etching measures 21"H x 15.25"W. Marc Chagall was a Russian-French artist of Belarusian Jewish origin. He was associated with several major artistic styles including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Artist: Marc ChagallIssued: 20th c. Dimensions: 33.5"W x 39.25"H
From Chagall's Bible Etchings printed portfolio. Water-colored etching. Signed in pencil lower right. Hand colored. The Bible Series consisted of 105 etchings, it was the third of Chagall’s etching suites. Numbered on piece 2 of 100. Housed in black and gilt frame. Etching measures 21"H x 15"W. Marc Chagall was a Russian-French artist of Belarusian Jewish origin. He was associated with several major artistic styles including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Artist: Marc ChagallIssued: 20th c. Dimensions: 31.75"W x 37.5"H
From the Seven Deadly Sins, a series of 16 etchings, c. 1925. Marked Chagall in etching. Pen and ink sketch print of a man; edition of 300. Printed by Louis Fort. Housed in gilt frame. Etching measures 7.5"H x 5.5"W. Marc Chagall (1887-1985) was a Russian-French artist of Belarusian Jewish origin. He is known for his paintings, drawings, fine art prints, book illustrations and tapestries. Artist: Marc ChagallIssued: 20th c. Dimensions: 18.25"W x 20.25"HCountry of Origin: France
•DAVID ROSS WARRILLOW (SCOTTISH B. 1956) TENEMENT SHOPS Oil on board, signed with initials verso, 6 x 8cm (2 1/4 x 3") RICHARD NORMAN RSW (SCOTTISH CONTEMPORARY) EDINBURGH OLD TOWN Pencil, signed and dated (19)97, 15 x 21cm (6 x 8 1/4") IAN MCNICOL (SCOTTISH B. 1965) GROSVENOR TERRACE Etching, 21 x 15cm (6 x 8 1/4") (3) Provenance: The Late Dr Helen. E. C. Cargill Thompson Provenance: Roger Billcliffe Gallery Condition Report: All three works are in generally good condition with no significant issues.
SIR DAVID YOUNG CAMERON RA, RSA, RWS, RSW, RE (SCOTTISH 1865-1945) ST AIGNAN, CHARTRES; AN ENGLISH TOWN Drypoint etching, signed, 24 x 11cm (9 1/2 x 4 1/4"), 17.5 x 31cm (7 x 12 1/4") (2) Provenance: The Late Dr Helen. E. C. Cargill Thompson Condition Report: ST AIGNAN, CHARTRES:. Some discolouration noticeable in the margin lower left half next to the mount. . AN ENGLISH TOWN:. Good condition and no significant issues.
A collection of sporting related pictures to include AFTER W B WOLLEN "Balls out - a scrummage at Rugby Football Xmas 1882", black and white engraving, AFTER GILL EVANS "Study of three black Labrador heads", limited edition print No'd. 2/575, AFTER G WRIGHT "Polo players on ponies", coloured etching (14)
HENSON "Nature Morte", study of dead bird, watercolour, pen and ink, signed and titled lower right, 15 cm x 18.5 cm, together with two others by the same hand - one of a dog and the other of a gentleman smoking, AFTER WASHINGTON "Winged bike", etching, signed and dated 1992 lower left, artist's proof and AMBILLAU? "Study of three figures dancing", charcoal, indistinctly signed lower right, visible image 54 cm x 45 cm (5)
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Flann O'Brien At War: Myles na gCoopaleen, 1940-1945 Flann O'Brien; Editor-John Wyse Jackson; Illustrator-Hector McDonnell (signed). Published by Duckworth (2002). First edition, Limited edition of 74 numbered copies with a limited edition etching by Hector McDonnell (signed by McDonnell) - 3 copies, never offered for sale.
Ireland's Other Poetry by John Wyse Jackson and Hector McDonnell - Signed by both. Limited edition of 100 copies, the first 26 copies are lettered A-Z. This is the very First "A" with the limited edition etching (Artist's Proof) by Hector McDonnell. Inscription by Morgan Dockrell on pg 74. Lilliput Press 2007
FREDERICK HANS HAAGENSEN (1877-1943) 'The Midnight Sun', c1932 framed and glazed etching commissioned by Haagensen's publisher A.Bailey, Brompton Road. Signed in pencil. Plate size 22cm x 30cm. Provenance - The artists widow (Audrey Haagensen). Gifted to The Victor Batte-Lay Foundation, Label verso.
STEPHEN VAUGHAN (Irish, b.1970) 'Conduit', 1997 mixed media (etching, carborundum, collograph and screen print). Hardwood framed and glazed. Signed verso by the artist. Image size 56cm x 76cm. His works held in collections in Ireland including The Arts Council of Ireland, New York, London etc
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