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Dominic Winter Auctions
Lot 430

AR * Frink (Elizabeth, 1930-1993), Agamemnon at the Lion Gate (from Children of the Gods), 1988, etching with aquatint printed in brown, from the edition of 70 impressions published by the artist, printed at Kelpra Studio, London, with their blindstamp, signed, titled and numbered 37/70, in very good fresh condition, platemark 55 x 37 cm (21 5/8 x 14 1/2 ins), sheet size 72.7 x 55.3 cm (28 5/8 x 21 3/4 ins), framed and glazed (80 x 60 cm)QTY: (1)NOTE:Wiseman 154.

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Dominic Winter Auctions
Lot 431

* Adesina (Adesoji, 1981-). The Lighthouse, 2016, etching on wove paper, signed, dated and numbered 6/30 in pencil, deckle edge at the bottom, in pristine condition, image size 203 x 230 mm, sheet size 282 x 284 mm, together with Reflections, 2016, etching on wove paper, signed, dated, and numbered 10/30 in pencil, with margins, image size 205 x 227 mm, sheet size 282 x 284 mm, plus The Long Walk, 2015, etching, on wove paper, signed, dated, and numbered 8/30 in pencil, in excellent condition, image size 168 x 298 mm, and Nowhere, 2016, etching on wove paper, signed, dated, and numbered 2/30 in pencil, in excellent condition, image size 204 x 232 mm, sheet 282 x 284 mm, plus The Drill, 2016, etching on wove paper, signed, dated, and numbered 1/30 in pencil, with margins, image size 208 x 227 mm, sheet size 282 by 284 mm, and Bao, 2015, etching on wove paper, signed, dated, and numbered 13/30 in pencil, image size 205 x 227 mm, sheet size 282 x 284 mm, all framed and glazedQTY: (6)NOTE:Provenance: John Martin Gallery, London; Collection of Oliver Hoare (1945-2018).

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Great Western Auctions
Lot 664

JACKSON SIMPSON Lochnagar Distillery, signed, watercolour, 30 x 40cm and WILFRED APPLEBEY etching (2) Condition Report:Available upon request

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Great Western Auctions
Lot 677

WILFRED APPLEBEY Strathaven Byway, signed,etching and three others various (4)  Condition Report:Available upon request

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Great Western Auctions
Lot 678

D.Y.CAMERON Arran, etching, JOHN MATHIESON Strath Tummel, etching and four others various (6) Condition Report:Available upon request

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Great Western Auctions
Lot 679

JOHN MATHIESON John Knox House, signed, etching, 29 x 17cm and another (2) Condition Report:Available upon request

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Great Western Auctions
Lot 740

JOHN BRUNSDON ARCA (BRITISH 1933-2014)  AUTUMN  Etching, aquatint, signed lower right, inscribed, numbered (32/75), 45 x 60cm Condition Report:Available upon request

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Great Western Auctions
Lot 744

DIANA LESLIE (SCOTTISH b.1971) MAGNUS AND HIS WIFE  Etching, signed lower right, inscribed (AP), 9 x 13cm  Together with another by T Gardner (2) Condition Report:Available upon request

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Auktionshaus Michael Zeller
Lot 1166

{Bruce Onobrakpeya. Geb. 1932 in Agbarha Otor (Nigeria). Stellte u.a. in der Tate Modern London, in der Smithsonian Institution Washington und in der Malmö Konsthall aus.} Handsign., 1986 dat., Ortsbez. Lagos, numm. 1/9, bet. "Emeravwe III. Deep Etching". Bl. 27 x 19,5 cm

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Auktionshaus Michael Zeller
Lot 1164

{Bruce Onobrakpeya. Geb. 1932 in Agbarha Otor (Nigeria). Stellte u.a. in der Tate Modern London, in der Smithsonian Institution Washington und in der Malmö Konsthall aus.} Handsign., 1980 dat., Ortsbez. Lagos, numm. 4/30, bet. "Poets and Fetters. Deep Etching (Plastograph)". Bl. 39 x 27 cm

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Auktionshaus Michael Zeller
Lot 1167

{Bruce Onobrakpeya. Geb. 1932 in Agbarha Otor (Nigeria). Stellte u.a. in der Tate Modern London, in der Smithsonian Institution Washington und in der Malmö Konsthall aus.} Handsign., 1986 dat., Ortsbez. Lagos, numm. 4/100, bet. "Emeravwe III. Deep Etching (Plastograph)". Pl. 22 x 16,5 cm, Bl. 39 x 26,5 cm

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Queens Road Auctions
Lot 565

FOLDER WITH 3 UNFRAMED ITEMS; ANTIQUE AQUATINT OF PEMBROKE CASTLE DATED 1775, AN EARLY 18THC FRENCH ENGRAVING WITH A KITCHEN MAID PREPARING A FOWL AND AN ETCHING OF POLDEN HILLS, SOMERSET, SIGNED INDISTINCTLY AND DATED 1928

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Hansons Auctioneers and Valuers
Lot 266

Mutiny on the Bounty. A scarce hand-coloured aquatint etching depicting the famous mutiny on HMS Bounty, 28 April 1789, when Fletcher Christian seized command of the ship from captain William Bligh, the mutineers settling on Tahiti or Pitcairn Island. Engraved by Robert Dodd and published in London by Benjamin Beale Evans, 2 October 1790. Measuring 44.5cm by 58.5cm in antique giltwood frame. Toning & discolouration with some surface wear in placesProvenance: Vendor's family is descended from the Christians of Ewanrigg

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Hansons Auctioneers and Valuers
Lot 47

Saxton & Kip. 17th-century map of Staffordshire, hand-coloured engraving on laid paper, 27cm by 38cm, framed & glazed. Together with a caricature puzzle picture of Napoleon, [Triumph of the Year 1813], etching, Italian text, 18.5cm by 13cm, framed (2)

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Trevanion Auctioneers & Valuers
Lot 274

After Dante Gabriel Rossetti (1828-1882),"Woman In Yellow",Monochrome etching on paper,Unsigned,25.5cm x 19cm,Framed and glazed,With an etching on paper after Rembrandt van Rijn (1606-1669), "Three Elephants", 25cm x 36.5cm, framed and glazed (at fault) (2)

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Golding Young & Mawer
Lot 648

Leon Danchin (1887-1938). Pheasant in flight, coloured etching, signed, copyright stamp top left, 35cm x 57cm.

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Golding Young & Mawer
Lot 653

W. T. Mecully (20thC). Figures in a park, watercolour, signed, 9cm x 14cm, Lynam, trees before cottage and stream, watercolour dated 1922, various other etching prints, pictures, Regency Interior, etc. (a quantity)

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Golding Young & Mawer
Lot 654

Tom Graham (1840-1906). Russian Borzois dogs, etching, 16cm x 20cm.

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Golding Young & Mawer
Lot 655

Winifred Austen (1876-1964). Red squirrel, etching, titled and signed to the mount, 22cm x 18cm.

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Golding Young & Mawer
Lot 657

H. Macbeth Raeburn (1860-1947). Figures, interior scene, etching, also signed Pethie, 18cm x 25cm.

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Forum Auctions
Lot 10

Francesco Salvator Fontebasso (1707-1769)The sacrifice of IphigeneiaEtching, circa 1740, an excellent bold impression of the only state, on thick laid paper with indistinct watermark, platemark 285 x 390 mm (11 1/4 x 15 1/4 in), sheet 305 x 410 mm (12 x 16 1/8 in), spotting and minor surface dirt (unframed)Literature:De Vesme 9Provenance:Joseph Marius Agassis (1811-1889) [L. 69] Together with Apollo and Nymphs in a Landscape with a Bust of PanEtching, circa 1744, excellent impression of the only state, on laid paper without watermark, platemark 295 x 390 mm (11 1/2 x 15 1/4 in), sheet 345 x 515 mm (13 1/2 x 20 1/4 in), good margins, some surface dirt and spotting (unframed)

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Forum Auctions
Lot 103

δ Salvador Dalí (1904-1989)Shakespeare, from Much ado about Shakespeare (Field 68-7-A; M&L 267e)Etching in sanguine, 1968, signed in pencil, inscribed 'EA', an artist's proof aside from the edition of 150, published by Jean Schneider, Basel, on BFK Rives paper, with margins, sheet 375 x 280mm (14 3/4 x 11in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 106

δ Salvador Dalí (1904-1989)Les Petis Chevaux, from Poèmes de Mao Tse-Tung (Field 67-1-F; M&L 209)Etching with drypoint in colours, 1967, signed in pencil, numbered from the edition of 180, published by Editions Argillet, Paris and Graphik Europa Anstalt, on Arches wove paper, with margins, sheet 380 x 285mm (15 x 11 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 109

δ Salvador Dalí (1904-1989)Couple à cheval, from Hommage à Albrecht Dürer (Field 71-8-K; M&L 491a)Etching with pochoir in colours, 1971, signed in pencil, numbered from the edition of 150, published by Vision Nouvelle, Paris, on BFK Rives wove paper, with full margins, sheet 740 x 552mm (29 1/8 x 21 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 114

δ Salvador Dalí (1904-1989)Le Petit Chevalier (Field 80-3; M&L 335d)Etching with aquatint in colours, 1969, the second state, signed, numbered from the edition of 140, published by Jean Schneider, Basel, on BFK Rives paper, with full margins, sheet 285 x 230mm (11 1/4 x 9in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 12

Rembrandt van Rijn (1606-1669)A Beggar in a High Cap, Standing and Leaning on a StickEtching, circa 1629, an excellent lifetime impression of New Hollstein's second state (of two; New Hollstein records only three impressions of the first state), on fine cream laid paper with Basel Crosier armorial watermark with initials below [see Hinterding catalogue, variant A.a.b., datable c. 1634-1635], sheet 157 x 121 mm (6 1/4 x 4 3/4 in), thread margins, some small areas of conservation visible, notably a nick to centre left edge with paper thinning verso, spot to lower edge (unframed)Literature:Bartsch 162; New Hollstein 41 ii/ii

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Forum Auctions
Lot 120

δ Joan Miró (1893-1983)Untitled, from La Bague d'Aurore (Dupin 138)Etching with aquatint printed in colours, 1957, signed in pencil, numbered from the edition of 60, printed by Crommelynck et Dutrou, Paris, published by Louis Broder, Paris, on wove paper, with full margins, sheet 377 x 282mm (14 5/8 x 11 1/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 128

δ Pablo Picasso (1881-1973)Sculptures et Vase de Fleurs, from La Suite Vollard (Bloch 189; Baer 348)Etching, 1933, signed in pencil, from the edition of 260, printed by Roger Lacourière, Paris, published by by Ambroise Vollard, Paris, 1939, on Montval laid paper, watermarked Vollard, with full margins, sheet 445 x 340mm (17 1/2 x 13 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 13

Rembrandt van Rijn (1606-1669)Old beggar woman with a gourdEtching, circa 1629, but a later impression of New Hollstein's second state (of two) on thick cream laid paper, platemark 104 x 46 mm (4 1/8 x 1 7/8 in), sheet 111 x 55 mm (4 3/8 x 2 1/8 in) (unframed)Literature:Bartsch 168; New Hollstein 40 ii/ii

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Forum Auctions
Lot 130

δ Pablo Picasso (1881-1973)Modèle Contemplant un Groupe Sculpté (Bloch 175)Etching, 1933, signed in pencil, the edition was 250, printed by Lacourière, published by Ambroise Vollard, Paris, on Montval laid paper with the Vollard watermark, with full margins, sheet 297 x 367mm (11 3/4 x 14 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Lot 14

Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a later impression of New Hollstein's final state (of three), printing with plate tone on thick cream laid paper without watermark, platemark 115 x 80 mm (4 1/2 x 3 1/8 in, sheet 123 x 88 mm (4 7/8 x 3 3/8 in), minor spotting and browning (unframed)Literature:Bartsch 151; New Hollstein 48 iii/iii

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Forum Auctions
Lot 146

Suzanne Valadon (1865-1938)Catherine au tub (Pétridès 1)Etching with drypoint, 1895, signed in pencil, on Rives BFK paper, with full margins, sheet 465 x 370mm (18 1/4 x 14 1/2in)

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Forum Auctions
Lot 15

Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, but a later impression of New Hollstein's final state (of three), printing with light plate tone on thick cream laid paper without watermark, platemark 78 x 66 mm (3 1/16 x 2 5/8 in), sheet 86 x 73 mm (3 3/8 x 2 7/8 in) (unframed)Literature:Bartsch 164; New Hollstein 45 iii/iii

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Lot 16

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a good detailed impression of New Hollstein's fifth state (of nine) on laid paper with Strasbourg lily watermark and the indistinct initials 'W' [cf. Hinterding's A' a.], the variant additions by Rembrandt printing boldly with some minor signs of wear in the densely hatched areas, but before any later rework, sheet 364 x 255 mm (14 1/2 x 10 1/4 in), trimmed within the platemark to arched border, faint central horizontal fold, minor surface dirt and small nicks to extremities (unframed)Literature:New Hollstein 113 v/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 17

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on laid paper without watermark, platemark 151 x 114 mm (6 x 4 1/2 in), sheet 163 x 124 mm (6 3/8 x 4 3/4 in) (unframed)Literature:Bartsch 72; New Hollstein 206 ii/ii

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Lot 18

Rembrandt van Rijn (1606-1669)Joseph's coat brought to JacobEtching, circa 1633, a good detailed impression of New Hollstein's second state (of two), some signs of light wear to the plate but still with the faint outline of a second thumb below the thumb of the pointing man, on laid paper without watermark, sheet 108 x 80 mm (4 1/4 x 3 1/8 in), trimmed to or just within the platemark, Literature:Bartsch 38; New Hollstein 122 ii/ii

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Lot 19

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's seventh state (of eight) on laid paper without watermark, with some signs of wear in the plate, sheet 528 x 409 mm (20 3/4 x 16 1/8 in), trimmed within the platemark but with thread margin before borderline, lower right margin irregularly trimmed removing Basan's workshop address line, faint horizontal printers' crease in the centre with minor splitting repaired verso, mainly visible verso, even minor toning (unframed)Literature:New Hollstein 119 vii/viii

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Lot 2

Giovanni Battista Tiepolo (1696-1770)Two Magicians and two Boys, from: Scherzi di FantasiaEtching, circa 1740, an excellent impression of the first state (of two) with strong contrasts on thick laid paper without watermark, before the plate number, printing with light wiping marks and small impurities in the plate, platemark 220 x 175 mm (8 5/8 x 6 7/8 in), sheet 230 x 185 mm (9 x 7 1/4 in), minor spotting and surface dirt (unframed)Literature:De Vesme 26 i/ii

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Lot 20

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good impression of New Hollstein's fifth state (of eight) printing with clarity, on laid paper without watermark, with only minor signs of wear in the plate and before any re-working by later hands, but with the publisher's name change featuring that of Justus Danckerts in the lettered margin, largely scraped, sheet 525 x 410 mm (20 3/4 x 16 1/4 in), trimmed within the platemark, with lower left corner with loss carefully replaced in pen facsimile, old central horizontal drying fold with small repairs to splitting, many small marginal nicks repaired and edges reinforced verso with pen borderline recto, some signs of browning and toning (unframed)Literature:Bartsch 103; New Hollstein 119 v/viii

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Lot 21

Rembrandt van Rijn (1606-1669)The Crucifixion: Small PlateEtching, circa 1635, but a later impression of New Hollstein's final state (of three) on thick cream laid paper, platemark 96 x 67 mm (3 3/4 x 2 5/8 in), sheet 107 x 78 mm (4 1/4 x 3 in) (unframed)Literature:Bartsch 80; New Hollstein 143 iii/iii

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Lot 22

Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a good albeit later impression of New Hollstein's final state (of four), printing with tone visible to the left and right on thick cream laid paper without watermark, platemark 74 x 104 mm (2 7/8 x 4 1/8 in), sheet 87 x 117 mm (3 1/2 x 4 5/8 in), good margins (unframed)Literature:Bartsch 68; New Hollstein 138 iv/iv

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Lot 23

Rembrandt van Rijn (1606-1669)Diana at the BathEtching, circa 1631, a lightly inked impression of the only state with some signs of wear within the densely crosshatched areas, on laid paper with large watermark of Arms of Amsterdam, platemark 177 x 158 mm (6 7/8 x 6 1/4 in), sheet 184 x 164 mm (7 1/4 x 6 1/2 in), hinged onto old support, numerous small nicks repaired verso, spotting and browning, handling creases, (unframed)Literature:Bartsch 201; New Hollstein 89 i/i

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Lot 24

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, 1634, but a later impression of New Hollstein's final state (of five) on thick cream laid paper without watermark, platemark 121 x 106 mm (4 3/4 x 4 1/8 in), sheet 137 x 121 mm (5 3/8 x 4 3/4 in) (unframed)Literature:Bartsch 71; New Hollstein 127 v/v

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Lot 25

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a very good bold impression of New Hollstein's third state (of five), with little wear to the densely hatched areas, on laid paper with partial 17th century watermark, sheet 120 x 110 mm (4 3/4 x 4 1/4 in), mostly with thread margins but some trimmed just within the platemark, minor surface dirt in the upper right corner, very light spotting (unframed)Literature:Bartsch 71; New Hollstein 127 iii/v

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Lot 26

Rembrandt van Rijn (1606-1669)The Stoning of St. StephenEtching, 1635, but a later impression of New Hollstein's final state (of four) on thick cream laid paper, platemark 97 x 86 mm (3 3/4 x 3 3/8 in), sheet 107 x 97 mm (4 1/4 x 3 3/4 in) (unframed)Literature:Bartsch 97; New Hollstein 140 iv/iv

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Lot 27

Rembrandt van Rijn (1606-1669)St. Jerome Kneeling in Prayer, Looking DownEtching, circa 1635, but a later impression of New Hollstein's second state (of 2) on thick cream laid paper without watermark, platemark 115 x 81 mm (4 1/2 x 3 1/4 in), sheet 125 x 92 mm (4 7/8 x 3 5/8 in) (unframed)Literature:Bartsch 102; New Hollstein 142 ii/ii

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Lot 28

Rembrandt van Rijn (1606-1669)Old Bearded Man in a High Fur Cap with Eyes ClosedEtching, circa 1635, a good but a later impression of New Hollstein's final state (of four) on thick cream laid paper without watermark, platemark 114 x 103 mm (4 1/2 x 4 in), sheet 121 x 110 mm (4 3/4 x 4 1/4 in) (unframed)Literature:Bartsch 290; New Hollstein 148 iv/iv

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Lot 29

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with light plate tone on thick cream laid paper without watermark, platemark 110 x 79 mm (4 1/4 x 3 1/8 in), sheet 119 x 87 mm (4 5/8 x 3 1/2 in) (unframed)Literature:Bartsch 141; New Hollstein 144 vii/vii

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Lot 3

Giovanni Battista Tiepolo (1696-1770)The Discovery of the Tomb of Punchinello, from: Scherzi di FantasiaEtching, circa 1740, a good impression of the second state (of two) with the number in the upper right corner, sheet 235 x 182 mm (9 1/4 x 7 1/4 in), tipped onto support, several repairs to loss within the image, mainly visible verso, large tear in the upper right corner, numbering in brown ink in the upper centre, spotting and surface dirt (unframed)Literature:De Vesme 29 ii/ii

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Lot 30

** Rembrandt van Rijn (1606-1669)The Pancake WomanEtching and drypoint, 1635, an excellent well inked dark impression of New Hollstein's second state (of seven), printing with many fine details and with drypoint burr found on the back of the dog and the woman's hat and coat, before any re-working by later hands, on laid paper without watermark, platemark 108 x 78 mm (4 1/4 x 3 in), sheet 110 x 83 mm (4 1/4 x 3 1/4 in) (unframed)Literature:Bartsch 141; New Hollstein 144 ii/vii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 31

** Rembrandt van Rijn (1606-1669)The Strolling MusiciansEtching, circa 1635, a good bold impression of New Hollstein's second state (of three), printing with excellent clarity before further re-work, on wove paper without watermark, sheet 143 x 117 mm (5 5/8 x 4 5/8 in), thread margins, minor nick to lower right extremity, small dot of adhesive within the cloak of the tallest musician (unframed)Literature:Bartsch 119; New Hollstein 14 ii/iii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Lot 32

Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, a good albeit later impression of New Hollstein's final state (of three) on cream laid paper without any watermark, printing with tone, platemark sheet 152 x 135 mm (6 x 5 1/4 in), sheet 158 x 140 mm (6 1/4 x 5 1/2 in) (unframed)Literature:Bartsch 91; NH 159 iii/iii

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Lot 33

Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, an excellent delicately printed impression of New Hollstein's second state (of four) on fine laid paper without watermark, with the two dots printing very faintly but before any further rework, platemark 117 x 89 mm (4 1/2 x 3 1/2 in), thread margins, minor browning to upper left corner (unframed)Literature:Bartsch; New Hollstein 165 ii/iv

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Lot 34

Rembrandt van Rijn (1606-1669)Joseph Telling his DreamsEtching, 1638, a fine impression of New Hollstein's third state (of six) on thin laid paper with partial indistinct watermark, before any later rework, sheet 111 x 85 mm (4 3/8 x 3 3/8 in), trimmed on or just within the platemark but with a thread margin before the borderline, minor even toning, small area of abrasion in the lower right corner (unframed)Literature:Bartsch; New Hollstein 167 iii/vi

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Lot 35

Rembrandt van Rijn (1606-1669)A Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a good but later impression of New Hollstein's second state (of two), without any re-working but with the two dots in the upper right corner, on thick cream laid paper without watermark, platemark 84 x 44 mm (3 1/4 x 1 3/4 in), sheet 91 x 52 mm (3 5/8 x 2 in) (unframed)Literature:Bartsch 133; New Hollstein 178 ii/ii

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Lot 36

Rembrandt van Rijn (1606-1669)The Artist Drawing from the ModelEtching, circa 1639, but a later impression of New Hollsteins' final state (of four) on thick cream laid paper without watermark, platemark 235 x 185 mm (9 1/4 x 7 1/4 in), sheet 240 x 190 mm (9 1/2 x 7 1/2 in), margins trimmed slightly irregularly, (unframed)Literature:Bartsch 192; New Hollstein 176 iv/iv

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Lot 37

Rembrandt van Rijn (1606-1669)The Beheading of John the BaptistEtching, 1640, a good but later impression of New Hollstein's third state (of three) on thick cream laid paper, platemark 128 x 104 mm (5 x 4 1/8 in), sheet 139 x 113 mm (5 1/2 x 4 1/2 in) (unframed)Literature:Bartsch 92; New Hollstein 183 iii/iii

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Lot 38

Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, but a later impression of New Hollstein's second state (of two) on thick cream laid paper, platemark 145 x 112 mm (5 3/4 x 4 1/2 in), sheet 155 x 122 mm (6 x 4 3/4 in) (unframed)Literature:Bartsch 118; New Hollstein 190 ii/ii

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Lot 39

Rembrandt van Rijn (1606-1669)Man drawing from a castEtching, circa 1641, but a later impression of New Hollstein's final state (of six) on thick cream laid paper without watermark, platemark 95 x 65 mm (3 3/4 x 2 1/2 in), sheet 104 x 73 mm (4 1/8 x 2 7/8 in) (unframed)Literature:Bartsch 130; New Hollstein 192 vi/vi

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Lot 40

** Rembrandt van Rijn (1606-1669)Bearded Old Man in a High Fur Cap, with Eyes ClosedEtching, circa 1635, a good impression of New Hollstein's second state (of four) on laid paper with partial indistinct watermark, printing before later rework to the lower right corner, sheet 116 x 105 mm (4 1/2 x 4 1/8 in), sheet partially affixed onto support, several areas of restoration visible to old loss and tears, mainly in the upper left and upper right, but also to the lower centre of sheet (unframed)Literature:Bartsch 290; New Hollstein 148** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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