Lucian Freud b. 1922 MAN RESTING signed with the initials and numbered 22/30 etching image: 36 by 40cm.; 14.125by 15.75in. sheet: 46.5 by 50cm.; 18.25 by 19.625in. Executed in 1988 and published by James Kirkman Ltd. London and Brooke Alexander New York. Literature Exhibition Catalogue Rome Palazzo Ruspoli Lucian Freud 1991 p. 104 illustration of another example Exhibition Cataloge New York Matthew Marks Gallery Lucian Freud: Recent Paintings & Etchings 1993 unpaged illustration of another example Craig Hartley The Etchings of Lucian Freud: A Catalogue Raisonne 1946-1995 London 1995 p. 98 no. 34 illustration of another example Bruce Bernard & Derek Birdsall (ed.) Lucian Freud London 1996 no. 218 illustration of another example Exhibition Catalogue Venice Museo Correr Lucian Freud 2005 p. 126 no. 47 illustration of another example
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Lucian Freud b. 1922 BELLA signed with the initials and numbered 33/50 etching image: 42 by 34.5cm.; 16 by 13.625in. sheet: 70 by 57cm.; 27.5 by 22.375in. Executed in 1987 and published by James Kirkman Ltd. London and Brooke Alexander New York. Literature Craig Hartley The Etchings of Lucian Freud: A Catalogue Raisonne 1946-1995 London 1995 p. 88 no. 30 illustration of another example
Lucian Freud b. 1922 HEAD OF IB signed with the initials and numbered 20/40 etching image: 20.7 by 14.7cm.; 8.25 by 5.75in. sheet: 35.7 by 27.7cm.; 14 by 10.875in. Executed in 1988 and published by James Kirkman Ltd. London and Brooke Alexander New York. Literature Craig Hartley The Etchings of Lucian Freud: A Catalogue Raisonne 1946-1995 London 1995 p. 100 no. 35 illustration of another example Bruce Bernard & Derek Birdsall (ed.) Lucian Freud London 1996 no. 219 illustration of another example
James Macintyre, early C20th British - ARDROSSAN - black & white etching, 7.5 by 14ins. (P), in glazed ebonised frame - signed lower right; together with another smaller black & white etching by the same artist - STOCKWELL BRIDGE - 2.6 by 3.8ins., in glazed ebonised frame - signed lower right (2).
Flint (William Russell). Modern Masters of Etching. W. Russell Flint, A.R.A., Introduction by Malcolm C. Salaman, pub. The Studio Ltd., 1931, twelve tipped-in reprod. etchings, orig. boards in somewhat torn d.j. (spine and corners of d.j. repaired with tape), oblong folio, together with The Golden Years. Outstanding Paintings by Sir William Russell Flint, R.A., P.P.R.W.S., A Jubilee Exhibition by Frost & Reid Ltd. in association with Christopher Wade Gallery, 1977, thirty-one col. reprods., orig. black cloth, upper cover lettered in gilt, with card envelope, slim 4to, (Special Edition, no. 271, of 500?), with another copy of the same catalogue bound in orig. printed wrappers, and four other catalogues (7)
Caricatures. McLean (Thomas, fl. 1816-32), 'A Parliamentary Game of Shuttlecock', c.1820s, hand coloured etching, approx. 240 x 345 mm, together with 'Patent Penny Knowledge Mill', c.1830s, hand coloured litho., approx. 255 x 355 mm, and 'A Scene in the Court of Chancery', c.1830s, hand coloured litho., approx. 235 x 330 mm, plus 'Run Neighbours Run - St Al-n's Is Quadrilling It', 1829, hand coloured etching, approx. 250 x 360 mm, together with Heath (Henry, fl.1822-42), Captain Dick Demi-Solde on a Wild Goose Flight to the Swan River, pub. S.Gans, c.1830, and 'The Bull in Jeopardy; or, The Curs Triumphant', pub. S.Gans, 1829, and 'Protestant Descendency! A Pull at the Church', 1829, plus 'The Tory Band', pub. S.Gans, c.1830, four hand coloured etchings, approx. 255 x 350 mm, and two more similar etched carictaures, all framed and glazed (10)
Caricatures. Four caricatures all including Ernest Augustus, King I of Hanover and Duke of Cumberland (1771-1851), including Humphrey (George, fl.1783-1831), 'The Poser; or, a New Light from an Old Law Luminary', 1831, hand coloured etching, approx. 255 x 360 mm, together with McLean (Thomas, fl. 1816-32), 'Hint Dropping, or Sapping & Mining', 3 Aug 1829, 'The Vindication', 21 November 1829, 'The Woolsack', 8 April 1830, three hand coloured lithos., each approx. 260 x 360 mm, all framed and glazed (4)
Caricatures. Dighton (Robert Junior, 1786-1865), Four hand coloured etched caricatures of officers in the Foot Guards, two dated 1803, all with titles in pencil reading 'An Officer in the Foot Guards taken from Life' or similar, plate dimensions approx. 300 x 165 mm, together with an etching by the same artist of a cannon entitled 'A Correct Sketch of the Turkish Piece in the Park', approx. 180 x 275 mm, framed and glazed (5)
Ferenc Gogos, b.1936- 'Napussiony'; woodcut printed in colours, signed, titled , inscribed and dated '67, 49x36cm: Dolf Reiser, b.1898- 'Graveyard of Ships'; aquatint printed in blue, signed and inscribed 'Artist's Proof' in pencil: A Kendall- Untitled; etching, signed, inscirbed 'A/Proof' and dated '65 in pencil: Connal- 'Summer's Day'; aquatint in colours, signed titled and numbered 15/50 in pencil, (4)
Various Properties Graham Sutherland, O.M., 1903-1980 Cray fields Signed in pencil, inscribed twice State I 15 F. / keep this proof Etching, unframed Plate: 11.5x12cm.; 4.5x4.75in. (2) Executed in 1925, in an edition of 85 and published by Twenty-One Galleries, London. To be sold together with Cudham, signed in pencil, executed in 1924, in an edition of 42, etching, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated p.58 (another from the same edition)
Graham Sutherland, O.M., 1903-1980 Lammas Signed in pencil and inscribed imp. Etching, unframed Plate: 11x16cm.; 4.25x6.25in. (2) Executed in 1926, in an edition of 89, published by Twenty-One Gallery, London. To be sold together with Barrow Hedges Farm, signed in pencil, executed in 1924, in an edition of 46, etching, by the same hand, unframed.
Graham Sutherland, O.M., 1903-1980 May green Signed in pencil and inscribed imp Etching, unframed Plate: 11x15.5cm.; 4.25x6.25in. (2) Executed in 1927, in an edition of 18. To be sold together with Meadow Chapel, signed in pencil, executed in 1929, in an edition of 60, etching, by the same hand, unframed.
Graham Sutherland, O.M., 1903-1980 The garden Signed in pencil and numbered 14 Etching, unframed Plate: 21x15.5cm; 8.5x6.25in. (2) Executed in 1931, in an edition of 30. To be sold together with Cottage in Dorset, Wood End, signed in pencil and numbered 22/60, etching, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated p.61 (another from the same edition)
Graham Sutherland, O.M., 1903-1980 Pecken wood Signed in pencil Etching, unframed Plate: 13.5x18.5cm.; 5.5x5.5in. (2) Exectued in 1925. To be sold together with Warning Camp, signed in pencil, executed in 1924, in an edition of 56, etching, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated p.55 (another from the same edition)
Graham Sutherland, O.M., 1903-1980 Number forty-nine Signed in pencil and inscribed imp. Etching, unframed Plate: 25x17.5cm.; 10x7in. (2) Executed in 1924, in an edition of 60 and published by Twenty-One Gallery, London. To be sold together with Poling Potteries, signed in pencil, executed in 1924, in an edition of 19, by the same hand, unframed. Literature Martin Hammer, Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950, London, 2005, illustrated, p.56 (another from the same edition)
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