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Bellmans Auctioneers & Valuers
Lot 411

A group of six, including a pair of floral still life studies, coloured mezzotints, signed J. Chamberlain, three chinese watercolour still life studies on rice paper and a signed etching with aquatint `October Mist`, by Sally Hunkin.(6)

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Bellmans Auctioneers & Valuers
Lot 422

William Lionel Wyllie (1851-1931), The Thames at Tower Bridge, etching, signed, 25cm x 35cm.

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Bellmans Auctioneers & Valuers
Lot 429

Winifred Pietard (20th century), Amaryllis & Stephanotis, colour etching,k signed and inscribed in pencil, 38cm x 30cm.

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Bellmans Auctioneers & Valuers
Lot 457

Shoichi Hasegawa (b.1929), L`Ile au Trescer, colour etching, signed, inscribed and numbered 76/110, 49cm x 58cm together with another Shoichi Hasegawa (b.1929), Emeraudi Symphony, colour etching, signed, inscribed and numbered 43/110, 49cm x 58cm.

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Sworders
Lot 331A

A 1972 Poster for the Bacon Exhibition, Grand Palais, Colin Dales, Geometric Design, printed on cotton, limited edition etching, optical illusion, etc.

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Toovey's
Lot 108

Charles Murray - The Cemetery, monochrome etching, signed and dated 1927 in pencil, approx 13cm x 19cm.

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Toovey's
Lot 131

Mark Spain - `Early Morning`, late 20th Century colour etching, signed, titled and dated 1989 in pencil, together with two further etchings by the same hand.

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Toovey's
Lot 143

Luigi Kasimir - View of a European City, colour etching, signed in pencil, approx 19cm x 32cm, within a wood frame.

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Toovey's
Lot 151

Boris O`Klein - `Champs-Elysees`, hand-coloured etching, signed and titled in pencil.

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Toovey's
Lot 167

After George Edwards - `The Ash Coloured Hawk and the Little Brown Lizard`, mid-18th Century hand-coloured etching, within a gilt frame, together with a collection of ornithological prints.

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Toovey's
Lot 207

After Charles François Daubigny - Dutch Interior with an Artist painting the View from his Window, 19th Century monochrome etching printed by Detatre, Paris, approx 10cm x 14cm, within a stained wood frame.

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Toovey's
Lot 25

Ernest L. Hampshire - `Houses of Parliament from Lambeth`, monochrome etching, signed and titled in pencil, approx 16cm x 23cm.

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Toovey's
Lot 30

James Priddey - `Beneath the Trees - Derwentwater`, colour etching, signed and titled in pencil.

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Toovey's
Lot 31

William Douglas Macleod - `Carting Sand Machrihanish`, monochrome etching, signed, titled and dated 1923 in pencil, together with a further etching by the same hand.

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Toovey's
Lot 60

After E. Blampied - The Dentist, monochrome etching, signed in pencil, approx 19.5cm x 27cm.

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De Veres Art Auctions
Lot 94

Micheal Farrell 1940-2000 SELF PORTRAIT Etching, 19 1/2" x 25 1/4" (49.5 x 64 cm), signed, inscribed and dated 77, ed. 52/80.

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De Veres Art Auctions
Lot 95

Micheal Farrell 1940-2000 STORM IN A TEACUP Coloured etching, 19 1/2" x 25 1/4" (49.5 x 64 cm), signed, inscribed and dated 77, ed. 27/80.

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De Veres Art Auctions
Lot 112

Micheal Farrell 1940-2000 THE LAST BUT ONE HIBERNIAN FIGHTING THE BULL Coloured etching, 29 1/2" x 41 1/2" (75 x 105.5 cm), signed, inscribed and dated `94. Ed 5/20

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Batemans Auctioneers & Valuers
Lot 245

A pencil drawing of Fulbeck Church, 16 by 24cm, along with a stipple etching of a view of Fulbeck, 13 by 18cm. (2)

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British Bespoke Auctions
Lot 287

FOUR MISC. MINIATURE PICTURES INCL. A WATERCOLOUR ENTITLED MILLPOND, SWANAGE BY R C BEAN, TWO HAND COLOURED LITHIOGRAPHS OF DINAN AND GARNIER AND A BLACK AND WHITE ETCHING OF QUEENS COLLEGE, CAMBRIDGE SIGNED R WARWICK

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Keys - Aylsham Salerooms
Lot 1549

J STARLING: Signed Etching, Horning Street, Norfolk, approx. 8” x 10”, f/g

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Keys - Aylsham Salerooms
Lot 1559

THOMAS GRAY: ELEGY WRITTEN IN A COUNTRY CHURCHYARD, Ill, The Etching Club, 1847, 1st edn, 4to, old cf gt, worn

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David Lays Auctions
Lot 319

A post war etching of the interior of St. Peter`s Church, Newlyn, indistinctly signed, limited edition No.6 of 26, together with an 18th century black and white engraved print "Perspective View of the City of bath, in Somersetshire" and two other 19th century Bath prints.

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Golding Young & Thos. Mawer - Lincoln
Lot 158

After Charles Cuttermole. An etching, A Preston Guild in the 17th Century, 34.5cm x 51.5cm

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Golding Young & Thos. Mawer - Lincoln
Lot 221

Louis Icart (1888-1950). Dalila, artist signed coloured etching, bears proof mark, 52cm x 34cm

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Sworders
Lot 475

Violet Darley, two Seascapes, oil on canvas, 1926, and a pair of Landscapes by the same hand, Elizabeth of Hungary by M I Hanker, and an Etching of St Leonards School, St Andrews, and Christs Hospital School

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Sworders
Lot 476

Tom Maxwell, three black and white etchings, signed in pencil, and R. B. E Woodhouse `The Landgate, Rye`, etching, signed and titled in pencil

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Sworders
Lot 496

E N Groom, London Bridge, pencil signed and titled, etching

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Sworders
Lot 501

Albany E. Howarth, `Palazzo Desdemona, Venice`, etching, signed in pencil

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Reeman Dansie
Lot 1048

Sir Alfred Munnings (1878 - 1959) etching in glazed frame - study of a horses head, 18.5cm x 14.5cm Further images and condition reports available at www.reemandansie.com

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Reeman Dansie
Lot 1049

Sir Alfred Munnings (1878 - 1959) etching in glazed frame - cattle under a tree, 14cm x 22.5cm Further images and condition reports available at www.reemandansie.com

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Reeman Dansie
Lot 1118

Peter Coker, RA (1926-2004) signed limited edition etching entitled Buckden, signed, titled and numbered 3/10 in pencil, image 26.5cm x 35cm Further images and condition reports available at www.reemandansie.com

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Reeman Dansie
Lot 1175

Michael Ayrton (1921 - 1975) signed limited edition black and white etching, entitled - Theseus and The Minor, signed and numbered in pencil 70 / 75, in glazed frame, plate size 40cm x 54.5cm Further images and condition reports available at www.reemandansie.com

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Lots Road Auctions
Lot 249

TRACY EMIN RA (b.1963), `For You`, original signed polymer etching 2010, 20cm x 24.5cm, unframed but boxed.

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Lots Road Auctions
Lot 335

AFTER HENRY ALKEN (1785-1851), `Pheasant Shooting` hand-coloured etching and aquatint published 1820, framed, 26cm x 34cm, gallery label for Arthur Ackermann to verso; also `The Court of Common Pleas,` hand-coloured aquatint after Pugin & Rowlandson, framed, 22cm x 28cm. (2)

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Lots Road Auctions
Lot 337

DAVID HOCKNEY CH RA (b.1937), `The Beginning` from the suite of etchings `Illustrations for Fourteen Poems from CP Cavafy`, etching and aquatint 1966, signed in pencil, unframed (35cm x 25cm).

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Lots Road Auctions
Lot 347

EARLY 19TH CENTURY SCHOOL `Cleopatra,` engraving in oak frame; also Alphonse Legros (1837-1911) `Le Baptème`, etching (1870), framed; also Cornelis Schut (1597-1655), `Pyramus and Thisbe`, etching and engraving, framed (largest 22cm x 29cm) (3)

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Lots Road Auctions
Lot 370

ALEXANDER JOSEPH FINBERG (1866-1939), `Continental Town`, etching, signed in plate, framed; also `Spencer House`, hand coloured aquatint published 1800; also two further framed topographical prints, the largest 26cm x 33cm (4)

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Addisons Auctioneers
Lot 390

HENRY ASTON BAKER (c.1874-1856), "COMING TO ANCHOR", a marine watercolour of a man-of-war, watercolour, titled and monogrammed in ink, with dealer`s label verso; together with "SOUTH SEA CASTLE...NEAR PORTSMOUTH", by the same hand, with a note verso, a marine watercolour, titled and monogrammed to the reverse of the watercolour (not removed from frame). (2) 12cm by 18.5cm and 14cm by 21.5cm. Note: the first with a dealer`s note verso indicating a date on the reverse of the watercolour of May 1798 and a further hand-written note stating that the same subject appears as an etching in the Naval Chronicles with the original painting attributed to Nicholas Pocock. A similar note is inscribed to the reverse of the second watercolour.

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Thomson Roddick Scottish Auctions Dumfries
Lot 411

Robert Burns ‘Winter Bankhead’ pencil signed etching, 14cm x 20cm

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Thomson Roddick Scottish Auctions Dumfries
Lot 416

E A Taylor, "Dingy and Figure", etching, 13cm x 17cm

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Thomson Roddick Scottish Auctions Dumfries
Lot 522

Winifred Austen "Mallards in Flight" signed etching, 23cm x 27cm

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Nigel Ward & Company
Lot 2048

A framed and mounted etching of a thatched house and a building near a river with a bridge crossing over to a small church in a moulded gilt frame.

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Nigel Ward & Company
Lot 2049

A framed and mounted etching of Eros, Piccadilly, London. Signed

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Nigel Ward & Company
Lot 2051

A small etching of ``College Bridge`` Cambridge. Signed M Rudge.

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Nigel Ward & Company
Lot 2053

A framed and mounted etching From the old market place, Rouen. Signed.

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Nigel Ward & Company
Lot 2055

A framed and mounted etching of ``The home of Jane Austin``, Lyme Regis. Signed

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Martel Maides Auctions
Lot 200

James McBey (Scottish, 1883-1959) "Palestine, Blue Bonnets O`er the Border" etching, signed and in ink, XXXIX of 76. 6¾ x 12¼in. (17.5 x 31cm.)

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Burstow & Hewett
Lot 1

Augustus Edwin John (1878-1961) Etching, continental figures and horse, signed in pencil, p 4" x 6", framed.

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Burstow & Hewett
Lot 2

Walter Sickert (1860-1942) Etching, The Old Bedford, p 4.25" x 3.5", framed.

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Burstow & Hewett
Lot 4

Edgar Degas (1834-1917) Etching, Blanchisseuses, p 4.5" x 6.25", mounted.

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Maxwells
Lot 455A

An early 20th century signed coloured etching: canal scene; other pictures and prints

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Sworders
Lot 1457

J W King, Kings College from the Cam, etching, pencil, signed

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Boldon Auction Galleries
Lot 442

A Limited Edition colour etching, `Towards Housesteads` (on The Roman Wall), signed in pencil by Paul Rogers, numbered 37/150. 24cm x 30cm Provenance:- Ex Collection of Northumberland County Council

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Boldon Auction Galleries
Lot 447

Etching `Dam` by Johannes Brauer, bears label 34cm x 26cm Provenance:- Ex Collection of Durham Museums Department

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Golding Young & Thos. Mawer - Lincoln
Lot 1595

After Reubens. An etching `Children` and various old coins and a bell.

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Golding Young & Thos. Mawer - Lincoln
Lot 1604

After Francis S Naylor. An artist signed etching `Sheep through the Snow`, and two reproduction prints after Picasso and Lowry.

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Moore Allen & Innocent
Lot 506

RICHARD O`CONNELL (20th CENTURY) "On the beach", artist`s proof etching

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Mellors & Kirk
Lot 425

DAME ELIZABETH VIOLET BLACKADDER, DBE, RA, RSA, RSW (1931-) SALPIGLOSSIS etching with aquatint with full margins, Glasgow Print Studio blindstamp, signed by the artist in pencil, inscribed Artist`s Proof and numbered 111/V, published 1994, 14 x 17cm ++In fine condition in limed wood frame

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Boulton & Cooper
Lot 405

AUGUSTUS JOHN (1878-1961); Artist signed Etching with pencil signature of a girls head from an addition of 50 impressions. 8" (20cms) x 5" (13cms).

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