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NO RESERVE Russia.- Cadolle (Auguste) Three plates from: 'Vues de Moscou dessinées d'après nature et lithographiées...', incl

Forum Auctions

Lot 153

NO RESERVE Russia.- Cadolle (Auguste) Three plates from: 'Vues de Moscou dessinées d'après nature et lithographiées...', including two panoramic views of the city, and one of Resurrection Gate, lithographs by Engelmann and Thierry, all with hand-colouring, each sheet approx. 300 x 395 mm (11 3/4 x 15 1/2 in), or the reverse, some marginal restoration to old tears and small losses, unframed, [1833]; together with a panoramic 'General Front View of the Kremle', after Lavrof by E. Finden, etching and aquatint with hand-colouring, sheet 260 x 430 mm (10 1/4 x 16 7/8 in), mounted on support, old folds as issued, some browning and surface dirt, unframed, Cadell, 1823 (4)

Live Auction

London.- Anonymous (circa 1830) [Grand panorama of the Lord Mayor's procession along Ludgate Hill, London], five individual s

Forum Auctions

Lot 36

London.- Anonymous (circa 1830) [Grand panorama of the Lord Mayor's procession along Ludgate Hill, London], five individual sections forming one lond panorama, etching and aquatint, on Whatman wove paper with partial watermark date '18[?28]', each section approx. 62 x 455 mm (2 1/2 x 17 7/8 in), some old folds with splitting, handling creases, a few small nicks, collector's ink inscription to verso 'Joseph Foulmin Parker/ April 1832', unframed, [circa 1830]⁂ Apparently scarce. We have been unable to identify another example at auction or within an institutional collection.

Live Auction

A box containing assorted pictures to include framed photographs, colour etching, animals etc

Thomas N. Miller

Lot 332

A box containing assorted pictures to include framed photographs, colour etching, animals etc

Live Auction

William Lionel Wyllie (British 1851-1931) Original Proof Etching 'Medway Shrimpies' Signed Lower Left in Pencil. Image Size 1

Brettells Auctioneers & Valuers

Lot 404

William Lionel Wyllie (British 1851-1931) Original Proof Etching 'Medway Shrimpies' Signed Lower Left in Pencil. Image Size 16.5x21.5, Framed and Glazed 31x43cms, Cabinet Verso for The Graved Gallery, Ernest H Hare, Birmingham

Live Auction

Late 18th century AD. An officer's sword for a member of the Order of the Garter, the gilt blade still with clear etching; th

TimeLine Auctions Limited

Lot 361

Late 18th century AD. An officer's sword for a member of the Order of the Garter, the gilt blade still with clear etching; the blade decorated with geometric patterns under the ricasso, followed by a foliage ornament with inscribed name 'Woolley' and the symbol of the Order of the Garter, a circle supported by two lions with the motto ‘Honi soit qui mal y pense' (Shame on him who thinks evil of it); the circle crowned by the Royal Lion, under the emblem inscription ‘Dieu et mon droit’. See Dufty, A.R., European swords and daggers in the Tower of London, London, 1974, pls.76, 92; Waterhouse, R., Child of another century, recollections of a High Court Judge, London, 2013. 790 grams, 99.5cm (39 1/4"). From the late Alison Barker collection, a retired London barrister; from her collection formed early 1960s-1990s. This British officer's sword bears the crest of the Order of the Garter. The Most Noble Order of the Garter is still today the highest order of chivalry in England. Fine condition.

Live Auction

PETER GRAHAME etching - entitled verso 'A Venetian Waterway', signed in pencil, 20 x 15cms also another F M BENNETT etching -

Rogers Jones & Co

Lot 149

PETER GRAHAME etching - entitled verso 'A Venetian Waterway', signed in pencil, 20 x 15cms also another F M BENNETT etching - 'The Gourmet Seat'

Live Auction

Small Continental circular porcelain plaque depicting classical figures with Cupid, transfer decorated, after an original by

Thomson Roddick Auctioneers & Valuers

Lot 367

Small Continental circular porcelain plaque depicting classical figures with Cupid, transfer decorated, after an original by Kaufmann, 9cm diam., in circular pierced foliate giltwood frame, 21cm diam., the matching frame containing a small hand coloured etching of the Madonna and Child after an original by Isabel Saul, signed in pencil. (2).

Live Auction

GEORGE HOWARD 9TH EARL OF CARLISLE. In the harvest field. Etching. 16cm x 23cm. Monogram lower right, inscription to reverse

Thomson Roddick Auctioneers & Valuers

Lot 54

GEORGE HOWARD 9TH EARL OF CARLISLE. In the harvest field. Etching. 16cm x 23cm. Monogram lower right, inscription to reverse.

Live Auction

A collection of etching and prints, depicting a range of architecture, comical figures, landscapes and more, assorted sizes,

Mendip Auction Rooms

Lot 402

A collection of etching and prints, depicting a range of architecture, comical figures, landscapes and more, assorted sizes, one an ink drawing of a WWI scene of soldiers exiting a boat, titled 'Our Perilous Work'

Live Auction

Three late 19th-early 20th century pictures, including an etching depicting a chicken in a bow tie, the picture cut out and m

Mendip Auction Rooms

Lot 798

Three late 19th-early 20th century pictures, including an etching depicting a chicken in a bow tie, the picture cut out and mounted onto another piece of paper, within a terracotta frame decorated with vines and scrolling motifs, height of frame 19cm, the two others depicting young women, both framed

Live Auction

signed in the plate, signed and numbered 86/100 in pencil in the margin etching sheet size: 33,5 by 27cm; 65,5 by 54 by 3cm i

Stephan Welz & Co

Lot 343

signed in the plate, signed and numbered 86/100 in pencil in the margin etching sheet size: 33,5 by 27cm; 65,5 by 54 by 3cm including framing

Live Auction

signed with the artist's initials and dated 35 in the plate, signed and numbered 6 in pencil in the marginhand-coloured etchi

Stephan Welz & Co

Lot 193

signed with the artist's initials and dated 35 in the plate, signed and numbered 6 in pencil in the marginhand-coloured etching sheet size: 15 by 19,5cm; 26,5 by 31,5 by 2,5cm including framing

Live Auction

signed, dated 78, inscribed 'ETS' and numbered 10/30 in pencil in the margin colour etching sheet size: 34 by 28,5cm; 57 by 4

Stephan Welz & Co

Lot 227

signed, dated 78, inscribed 'ETS' and numbered 10/30 in pencil in the margin colour etching sheet size: 34 by 28,5cm; 57 by 43 by 2cm including framing

Live Auction

signed, dated '99 and numbered 9/30 in pencil in the margin hand-coloured etching sheet size: 23 by 17cm; 42,5 by 31 by 1,5cm

Stephan Welz & Co

Lot 225

signed, dated '99 and numbered 9/30 in pencil in the margin hand-coloured etching sheet size: 23 by 17cm; 42,5 by 31 by 1,5cm including framing

Live Auction

signed and numbered 11/30 in pencil in the margin etching and aquatint in colours on Arches paper122 by 80cm; 153,5 by 113 by

Stephan Welz & Co

Lot 288

signed and numbered 11/30 in pencil in the margin etching and aquatint in colours on Arches paper122 by 80cm; 153,5 by 113 by 6cm including framingLITERATURER. Krauss et al, A Universal Archive: William Kentridge as Printmaker, (Hayward Publishing, 2012), p.13Kentridge is as confident in his use of an etching needle as he is with a stick of charcoal, and the same characteristic kinetic lines which are unapologetic and confident, are simultaneously delicate in both his drawings and prints. Dutch Iris II (lot 288) demonstrates Kentridge?s mastery of printmaking techniques. The subtle development of dark and light areas within the curling petals of the flower, enhanced by the vibrant application of greens and violets, sits against a deep purple background. The artist?s use of colour and line allows him to create a moody atmosphere and ?at some stage the copper and acid or the acrylic sheet and the engraving tools impose their own scenario, much as characters in a play or film?, David Krut explains. In this way, the flower transcends being a simple object, and instead becomes a character in a dramatic composition. R. Krauss et al, A Universal Archive: William Kentridge as Printmaker, (Hayward Publishing, 2012), p.13

Live Auction

signed with the artist's monogram in the plate and signed in pencil in the margin etching sheet size: 22 by 16cm; 36 by 27 by

Stephan Welz & Co

Lot 198

signed with the artist's monogram in the plate and signed in pencil in the margin etching sheet size: 22 by 16cm; 36 by 27 by 1cm including framing

Live Auction

signed, dated '86, inscribed 'hand-coloured etching' and 'AP' in pencil in the margin and embossed with the artist's chopmark

Stephan Welz & Co

Lot 212

signed, dated '86, inscribed 'hand-coloured etching' and 'AP' in pencil in the margin and embossed with the artist's chopmark; The Framery Art Gallery label affixed to the reverse hand-coloured etching sheet size: 32 by 24cm; 52 by 42,5 by 1,5cm including framing

Live Auction

A large framed etching and a limited edition print after David Dipnall, largest approximately 55 cm x 41 cm image size. [2]

The Auction Centre Ltd

Lot 40

A large framed etching and a limited edition print after David Dipnall, largest approximately 55 cm x 41 cm image size. [2]

Timed Auction

ELSIE COLE, WESTLEGATE ST, NORWICH, ETCHING, TOGETHER WITH FURTHER COLOURED PRINT 'THOUGHTS ON A SINGLE LIFE', BOTH F/G (2)

Keys Fine Art Auctioneers

Lot 270

ELSIE COLE, WESTLEGATE ST, NORWICH, ETCHING, TOGETHER WITH FURTHER COLOURED PRINT 'THOUGHTS ON A SINGLE LIFE', BOTH F/G (2)

Live Auction

James Bretherton (fl. 1750-1799) after Henry William Bunbury (1750?1811) etching of Cantab. (Publish'd as the Act directs May

Paul Beighton Auctioneers Ltd.

Lot 380

James Bretherton (fl. 1750-1799) after Henry William Bunbury (1750?1811) etching of Cantab. (Publish'd as the Act directs May 2 1772), along with two other etchings of Lambeth Palace by Taylor Sculp and Emanuel College, Cambridge. Largest :21cm W:25cm.

Live Auction

PAINTINGS AND PRINTS ETC, TO INCLUDE JOAN JONES FLOWER STILL LIFE STUDY, oil on board, approximate size 55cm x 70cm, Ethel Ho

Richard Winterton Auctioneers

Lot 672

PAINTINGS AND PRINTS ETC, TO INCLUDE JOAN JONES FLOWER STILL LIFE STUDY, oil on board, approximate size 55cm x 70cm, Ethel Howell landscape watercolour, Lawrence G Linnel coastal landscape, Alan Bickley watercolour winter landscape, Basil Emmerson 'Bell Wharf' watercolour, Peter Wells Spanish bridge study watercolour, Robin Ansell landscape oil on board, Chinese painting on silk of the Great Wall, Claude Rowbotham signed etching 'Langdale Pike', together with assorted prints etc (box & loose)

Live Auction

A BOXED TWENTY PIECE ROYAL WORCESTER CLASSIC PLATINUM DINNER SERVICE AND FIVE PICTURES, boxed dinner service was a Daily Mail

Richard Winterton Auctioneers

Lot 780

A BOXED TWENTY PIECE ROYAL WORCESTER CLASSIC PLATINUM DINNER SERVICE AND FIVE PICTURES, boxed dinner service was a Daily Mail promotion comprising four dinner plates, tea plates, bowls, cups and saucers, with printed backstamp, an unmounted limited edition etching of a still life by Luigi Volpi 22/40 with certificate, a framed Maurice Ison print of Stuart Crystal works, signed to verso, three framed prints showing views of Tamworth (Condition report: pieces appear in good condition) (6)

Live Auction

Salvador Dali (1904-1989), etching, Nu aux Voilettes (from Visions De Quevedo), signed in pencil, 201/300, 21 x 15cm

Gorringes

Lot 577

Salvador Dali (1904-1989), etching, Nu aux Voilettes (from Visions De Quevedo), signed in pencil, 201/300, 21 x 15cm

Live Auction

Robert Herdman-Smith (1879-1945), coloured etching, 'The Butterfly', signed in pencil, 17.5 x 12.5cm

Gorringes

Lot 579

Robert Herdman-Smith (1879-1945), coloured etching, 'The Butterfly', signed in pencil, 17.5 x 12.5cm

Live Auction

Henry George Rushbury (1889-1968), etching, 'Monte Aventino, Rome', signed in pencil, 14 x 29.5cm

Gorringes

Lot 606

Henry George Rushbury (1889-1968), etching, 'Monte Aventino, Rome', signed in pencil, 14 x 29.5cm

Live Auction

George Edward Mackley (1900-1983), etching, 'The house by the lake', signed in pencil 31/75, 13 x 15cm

Gorringes

Lot 607

George Edward Mackley (1900-1983), etching, 'The house by the lake', signed in pencil 31/75, 13 x 15cm

Live Auction

Fred Cecil Jones RBA (1891-1956), etching, Carpenter in a workshop, signed in pencil and dated 1914, 19 x 26cm

Gorringes

Lot 614

Fred Cecil Jones RBA (1891-1956), etching, Carpenter in a workshop, signed in pencil and dated 1914, 19 x 26cm

Live Auction

James Taylor Dolby (1909-1975), etching, Station interior, signed and dated 1952, 3/24, 12.5 x 15.5cm

Gorringes

Lot 616

James Taylor Dolby (1909-1975), etching, Station interior, signed and dated 1952, 3/24, 12.5 x 15.5cm

Live Auction

James McBey (1883-1959), etching, The Orange Seller, signed and numbered '34, 14 x 25cm

Gorringes

Lot 635

James McBey (1883-1959), etching, The Orange Seller, signed and numbered '34, 14 x 25cm

Live Auction

Nicki McHarg - "Colpetty Congregation", signed, etching, artist's proof, 49 x 61cms, in black frame.

Anderson & Garland Ltd. Newcastle

Lot 4

Nicki McHarg - "Colpetty Congregation", signed, etching, artist's proof, 49 x 61cms, in black frame.

Timed Auction

British School, 19th Century - Three printed works, comprising; Alfred Dawson - "Goring", unsigned, etching, 13.5 x 19cms, in

Anderson & Garland Ltd. Newcastle

Lot 43

British School, 19th Century - Three printed works, comprising; Alfred Dawson - "Goring", unsigned, etching, 13.5 x 19cms, in a Hogarth frame; John Leech - "The Robbery of Tim Maley", unsigned, etching, 19 x 26cms, in a black lacquered frame; and William Hogarth - "The Cockpit", unsigned, etching and engraving, 32 x 38cms, in a parcel-gilt frame. (3)

Timed Auction

An etching, coloured, after Joseph Kirkpatrick, village plough, signed, 20 x 30cm, plus frame and glazed

1818 Auctioneers

Lot 435

An etching, coloured, after Joseph Kirkpatrick, village plough, signed, 20 x 30cm, plus frame and glazed

Timed Auction

Charles Oliver Murray (Scottish 1842-1923): after Charles Napier Hemy (British 1841-1917): 'The Three Fishers', etching signe

David Duggleby Auctioneers & Valuers

Lot 4039

Charles Oliver Murray (Scottish 1842-1923): after Charles Napier Hemy (British 1841-1917): 'The Three Fishers', etching signed in the plate 17cm x 25cm

Live Auction

Roland Langmaid, Path of the Sun, etching (14cm x 22cm)

Ramsay Cornish Auctioneers & Valuers

Lot 188

Roland Langmaid, Path of the Sun, etching (14cm x 22cm)

Live Auction

A collection of 19thc. prints, including two coloured prints both depicting Children, another 1930s print of a Foal, and anot

Ramsay Cornish Auctioneers & Valuers

Lot 195

A collection of 19thc. prints, including two coloured prints both depicting Children, another 1930s print of a Foal, and another coloured etching, Devon (largest: 24cm x 34cm)

Live Auction

A framed original etching of Loch Vennachar by Henry G Walker. 40 x 30cm inc frame.

Leighton Hall Auctions

Lot 289

A framed original etching of Loch Vennachar by Henry G Walker. 40 x 30cm inc frame.

Live Auction

Le Connaisseur Des Fleurs Etaples Pencil signed etching with blind stamp

Hyperion Auctions

Lot 287

Le Connaisseur Des Fleurs Etaples Pencil signed etching with blind stamp

Live Auction

BETTY HECKFORD, framed, signed, titled ‘Ted laying the hedge’, etching, man laying a hedge, approx 34cm x 29cm.

Biddle & Webb

Lot 371

BETTY HECKFORD, framed, signed, titled ‘Ted laying the hedge’, etching, man laying a hedge, approx 34cm x 29cm.

Live Auction

Three JACK CLIFFORD METSON,framed, signed, oil on board, bridge and house over a river, approx 18cm x 23cm, oil on board, row

Biddle & Webb

Lot 374

Three JACK CLIFFORD METSON,framed, signed, oil on board, bridge and house over a river, approx 18cm x 23cm, oil on board, row of houses, approx 12cm x 15cm, one etching, Mary and Jesus on a donkey, approx 42cm x 40cm.

Live Auction

A large framed Etching on canvas titled 'Diana or Christ' from the original painting by Edwin Longsden, a/f. 49 1/2" x 36 1/2

Nigel Ward & Company

Lot 2091

A large framed Etching on canvas titled 'Diana or Christ' from the original painting by Edwin Longsden, a/f. 49 1/2" x 36 1/2" including frame, image size 32 1/2" x 18 1/2".

Live Auction

A large wooden framed and wooden mounted Etching by John Charton 'God Save The Queen', Queen Victoria arriving at St Paul's C

Nigel Ward & Company

Lot 2092

A large wooden framed and wooden mounted Etching by John Charton 'God Save The Queen', Queen Victoria arriving at St Paul's Cathedral on the occasion of the Diamond Jubilee. Printed by William Doig and Company, 49" x 39" including frame.

Live Auction

An unframed Limited edition Print, no. 65/75, Michael Ayrton etching 'Full Grown'.

Nigel Ward & Company

Lot 2138

An unframed Limited edition Print, no. 65/75, Michael Ayrton etching 'Full Grown'.

Live Auction

Two engravings of Malta, another of a Naval battle and an etching of the Chain Pier, Brighton.

John Nicholson's

Lot 468

Two engravings of Malta, another of a Naval battle and an etching of the Chain Pier, Brighton.

Live Auction

Käthe Kollwitz, 1867-1945, Schlachtfeld, Blatt 6 aus dem Zyklus Bauernkrieg 1907-21, Radierung, unten rechts mit Bleistift h

Henry's Auktionshaus

Lot 026427

Käthe Kollwitz, 1867-1945, Schlachtfeld, Blatt 6 aus dem Zyklus Bauernkrieg 1907-21, Radierung, unten rechts mit Bleistift handsigniert, aber stark verblasst, ca. 40x52.5cm, Ränder hinterlegt, leichter LichtrandKäthe Kollwitz, 1867-1945, battlefield, sheet 6 from the cycle Peasants' War 1907-21, etching, hand-signed in pencil lower right, but heavily faded, approx. 40x52.5cm, backed edges, slight light edge

Live Auction

Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian C

Henry's Auktionshaus

Lot 026527

Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Erhu Ivie', Darstellung verschiedener Yoruba-Könige und deren Herrscher-Insignien v.a. deren reicher Kopfschmuck, aus einer Phase der Verarbeitung v.a. historischer Persönlichkeiten, Metal FoilDeep Etching: durch den Künstler entwickeltes plastographisches Verfahren gravierter u. bronzierter Metallfolie, Ed. 11/30, betitelt, signiert u. datiert 1981, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African themes in a western style, here: # 'Erhu Ivie #', representation of various Yoruba kings and their rulers' insignia, especially their rich headdresses, from a phase of processing especially historical personalities, Metal Foil Deep Etching: a plastographic process of engraved and bronzed metal foil developed by the artist, Ed. 11/30, titled, signed and dated 1981, approx. 69x50 cm, from private ownershipafter purchase from the artist

Live Auction

Ernst Fuchs, 1930-2015, Flora Okuli, Farbradierung, signiert und num. 1507, ca. 24x17cm, u.Gl., R. ca. 42x31cmErnst Fuchs, 1

Henry's Auktionshaus

Lot 026396

Ernst Fuchs, 1930-2015, Flora Okuli, Farbradierung, signiert und num. 1507, ca. 24x17cm, u.Gl., R. ca. 42x31cmErnst Fuchs, 1930-2015, Flora Okuli, color etching, signed and numbered 1507, approx 24x17cm, u.Gl., R. approx 42x31cm

Live Auction

Shoichi Hasegawa, geb. 1929, 'Univers Luminesant', Farbradierung, re. unten sign., num. 80/110, ca. 76x57 cmShoichi Hasegawa

Henry's Auktionshaus

Lot 026378

Shoichi Hasegawa, geb. 1929, 'Univers Luminesant', Farbradierung, re. unten sign., num. 80/110, ca. 76x57 cmShoichi Hasegawa, born 1929, #'Univers Luminesant#', color etching, right. Signed below, numbered 80/110, approx 76x57 cm

Live Auction

Bernd Kastenholz, geb. 1943 Speyer, Ausbildung zum Maler a.d. Meisterschule für Handwerker Kaiserslautern und a.d. Staatlich

Henry's Auktionshaus

Lot 026394

Bernd Kastenholz, geb. 1943 Speyer, Ausbildung zum Maler a.d. Meisterschule für Handwerker Kaiserslautern und a.d. StaatlichenWerkkunstschule Mainz sowie a.d. Akademie der Bildenden Künste Stuttgart, Werkschwerpunkt auf die grafischen Künste, expressiv -figurative Sujets; hier: Pfalzspringer, Farbradierung, Ed. 56/70, sign. u. bez., unterPP u. Glas gerahmt, ca. 37x43 / 66x77 cmBernd Kastenholz, born 1943 Speyer, studied atthe academy of fine arts Stuttgart, work focuson the graphic arts, expressive-figurative subjects; here: Pfalzspringer, color etching, Ed. 56/70, signed and inscribed, framed under passe-partout and glass, approx 37x43 / 66x77 cm

Live Auction

Heinrich Zille, 1858 Radeburg - 1929 Berlin, 'Frau mit Pleureuse', Radierung auf Bütten, Stempelsignatur, ca. 42 x 18 cm, Bla

Henry's Auktionshaus

Lot 026332

Heinrich Zille, 1858 Radeburg - 1929 Berlin, 'Frau mit Pleureuse', Radierung auf Bütten, Stempelsignatur, ca. 42 x 18 cm, Blatt ca. 53 x 29 cm, PP.Heinrich Zille, 1858 Radeburg - 1929 Berlin, #'woman with Pleureuse#', etching on hand-madepaper, signature stamp, approx 42 x 18 cm, sheet approx 53 x 29 cm, passe-partout.

Live Auction

Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian C

Henry's Auktionshaus

Lot 026526

Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts; zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Oba Akai' Darstellung des Yoruba-Königs Aka, Metal Foil Deep Etching: durch den Künstler entwickeltes plastographisches Verfahren gravierter u. bronzierter Metallfolie, Ed. 9/30, betitelt, signiert u. datiert 1980, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence; numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African themes in a western style, here: # 'Oba Akai #' Representation of the Yoruba king Aka, Metal Foil Deep Etching: the artist developed a plastographic process of engraved and bronzed metal foil, Ed . 9/30,titled, signed and dated 1980, approx. 69x50 cm, from private ownership after purchase fromthe artist

Live Auction

Georges Dussau, geb. 1947, Farbradierung, rechts unten sign., num. 54/99, ca. 75x56 cmGeorges Dussau, born 1947, color etchi

Henry's Auktionshaus

Lot 026381

Georges Dussau, geb. 1947, Farbradierung, rechts unten sign., num. 54/99, ca. 75x56 cmGeorges Dussau, born 1947, color etching, lower right signed, numbered 54/99, approx 75x56 cm

Live Auction

Georges Dussau, geb. 1947, Farbradierung, re. unten sign., num. 26/99, ca. 64x49 cmGeorges Dussau, born 1947, color etching,

Henry's Auktionshaus

Lot 026380

Georges Dussau, geb. 1947, Farbradierung, re. unten sign., num. 26/99, ca. 64x49 cmGeorges Dussau, born 1947, color etching, right. Signed below, numbered 26/99, approx 64x49 cm

Live Auction

After James Gillray (British, 18th Century), A set of Sporting prints: 'Hounds Finding'; 'Coming in at the Death' and 'Hounds

Keys Fine Art Auctioneers

Lot 15

After James Gillray (British, 18th Century), A set of Sporting prints: 'Hounds Finding'; 'Coming in at the Death' and 'Hounds in Full-Cry', published by Henry Humphery, 1800. Hand-coloured etching and aquatint9.5 x 13.5ins

Live Auction

William Lionel Wyllie, RA, RI, RE, (1851-1931), 'Unloading cargo on the Thames', black and white etching, signed in pencil to

Keys Fine Art Auctioneers

Lot 267

William Lionel Wyllie, RA, RI, RE, (1851-1931), 'Unloading cargo on the Thames', black and white etching, signed in pencil to lower left margin, 11 x 33cm, mounted but unframed

Live Auction

Lieut-Com Roland Langmaid, RN (1897-1956), Thames view, black and white etching, signed in pencil to lower right margin, 29 x

Keys Fine Art Auctioneers

Lot 268

Lieut-Com Roland Langmaid, RN (1897-1956), Thames view, black and white etching, signed in pencil to lower right margin, 29 x 23cm, unframed

Live Auction

Lieut-Com Roland Langmaid, RN (1897-1956), 'The Atlantic Fleet', black and white etching, signed in pencil to lower margin, 1

Keys Fine Art Auctioneers

Lot 269

Lieut-Com Roland Langmaid, RN (1897-1956), 'The Atlantic Fleet', black and white etching, signed in pencil to lower margin, 17 x 35cm

Live Auction

Catherine Maud Nichols, signed in pencil to margin, black and white etching, Street scene, together with a further signed etc

Keys Fine Art Auctioneers

Lot 316

Catherine Maud Nichols, signed in pencil to margin, black and white etching, Street scene, together with a further signed etching by same artist, all unframed

Live Auction

After David Young Cameron (1865-1945), 'Perth Bridge', black and white etching, 17 x 26cm, mounted but unframed

Keys Fine Art Auctioneers

Lot 328

After David Young Cameron (1865-1945), 'Perth Bridge', black and white etching, 17 x 26cm, mounted but unframed

Live Auction

Valerie Thornton (British, 20th century),'The Norman Chapel, Durham Castle', etching on paper, limited edition, numbered (37/

Keys Fine Art Auctioneers

Lot 92

Valerie Thornton (British, 20th century),'The Norman Chapel, Durham Castle', etching on paper, limited edition, numbered (37/60), signed and dated (82) 18x11.5ins, framed and glazed.18 x 10.5 ins

Live Auction

An unusual and rare print of Burwell Hall, since demolished. British, 18th Century, "The South East Perspective View of Burwe

Keys Fine Art Auctioneers

Lot 98

An unusual and rare print of Burwell Hall, since demolished. British, 18th Century, "The South East Perspective View of Burwell Hall, Lincolnshire, the seat of Mathew Lister", etching, 1756, framed.10.5 x 16ins

Live Auction

78408 item(s)

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