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Sergei Bender, Russian b.1955- Flower; watercolour, signed in pencil, 104x76cm: Lior Ron, Israeli b.1971- Seated female nude; screen print in colours, signed and numbered 149/250 in black pen, 94.5x65cm: Lior Ron, Israei b.1971- Standing draped female nude; screen print in colours, signed and numbered 138/250 in black pen, 84.5x54cm: Victoria Ascanio, late 20th/early 21st century- "Still life with Fruit Salad"; etching, signed, titled, numbered 2/30 and dated 06 in pencil, 24.5x31cm: Victoria Ascanio, late 20th/early 21st century- "Vegetables & Bottles Still Life"; etching, signed, titled, numbered 1/30 and dated 07 in pencil, 21.7x29cm: Victoria Ascanio, late 20th/early 21st century- Untitled still life with jugs, bottles and a teapot; etching, signed, numbered 4/20 and dated 05 in pencil, 28.3x40.5cm., (6) (may be subject to Droit de Suite)
British School, mid 19th century- View of the Colosseum, Rome; watercolour, 22x33cm: Reynolds & Co 32 St James`s St SW, Publ- "Drumheath Walks in July 4th 1879; hand-coloured lithograph, 28x44.2cm Note: This print depicts the match ridden between Sir John Astley Bt., and Caledon Alexander at Newmarket 1879: Paul Ralluriau, French, late 19th/early 20th century- Two women in a cafe; hand-coloured lithograph, signed within the plate, 25.5x22cm: Charles Williams, British act 1797-1830- "John Bull on a Bed of Roses", publ July 1806 by Wm Holland, Cockspur Street; hand-coloured etching, 25.5x35.5cm., (4)
After François Chereau, French 1717-1755- "La Bal Pavé"; hand-coloured engraving on wove, in a carved gilt wood glazed frame, 35.5x47cm: J F Duthemare, British fl. 1803-1848- "The Village Farrier", after P Wouwerman, publ The London Fine Art Association Holloway N; etching, mounted in a maple veneered frame, 33.5x44cm: Charles Turner ARA, British 1773-1857- "Mrs Whitmore", after F Phillips RA; mezzotint, 43x35cm: together with three 19th century glazed maple veneered framed prints and six various other framed prints, all late 19th/early20th century, various sizes, (10)
British Provincial School, 19th century- Botanical study; watercolours, three, all mounted in matching glazed frames, 23x19.5cm., ea: Margaret Smith, British exh 1896-1938- Portrait; oil on panel, inscribed on the reverse, 40.5x34.6cm: British School, 20th century- Stone house in a highland landscape; watercolour, 15x23.5cm: British Provincial School, mid-late 20th century- "Conway"; watercolour, inscribed and dated 1870, 18x33.5cm: British Provincial School, late 19th/early 20th century- Botanical study; watercolour heightened with white, oval, 42x33cm: Naive School, late 20th century- Figures by a church; mixed media relief on metal panel, 45x60cm: After Geneviève Eliacheff, Russian/French b.1910- Busy day in Montmartre; colour reproduction print, 49x64cm: P A Thompson, British, mid-late 20th century- Goat herders; etching, signed and numbered 1/50 in pencil, 17.5x12.5cm: Edward Hull, British 1810-1877- Scene from the Life of Dick Turpin; hand-coloured lithograph, signed within the plate, 27.5x37.5cm: Goupil & Cie, Publ., 1878- "The Queen of Swords, after Sir W Q Orchardson RA; photogravure, in a glazed oak frame, 18x25.3cm: After James Godby, British late 18th/early 1th century and Henri Merke, Swiss, late 18th/early 19th century- "Horse Racing", after S Howitt; colour reproduction print, 33x45cm: together with a colour reproduction print of birds resting on a branch, 38x31.5cm., (14) (may be subject to Droit de Suite)
John Heaviside Clark, Scottish 1771-1863- "Edinburgh, A View of the Old Town taken from Princes Street", after A Key, publ. Aug 1st 1814 by Dan McIntosh; hand coloured aquatint, 44.5x60cm: After John Heaviside Clark, Scottish 1771-1863- "The Town of Paisley", publ. Smith, Elder & Co, 1825; hand coloured etching with aquatint, 44x58cm: After John Heaviside Clark, Scottish 1771-1863- "The Town of Dingwall", publ. Smith, Elder & Co, 1824; hand coloured aquatint, 43x56.5cm: After James Duffield Harding, Scottish 1798-1863- "The Palace of Holyrood", from `Scotland Delineated`; hand coloured lithograph, 30x44.3cm: After George Cattermole, British 1800-1868- "Glamis Castle"; hand coloured lithograph heightened with pen, 33x42.7cm, (5)
Philip Braham, Scottish b.1959- "Eclipse (Death by Water), 1988"; hand coloured lithograph, signed, titled, dated and numbered 40/40 in pencil, 56x44.5cm: Julie Brook, German/British b.1961- "And Thou Treble Dated Crow, Study 1", 1990; etching and aquatint with hand colouring, signed with initials, dated `90 and inscribed `A/P`, 36x22cm: John Taylor, late 20th century- "Three Figures Appeared"; screenprint in colours, signed, titled and numbered 2/25 in pencil, 72.5x53.5cm, (3), (may be subject to Droit de Suite)
George Frederick A Belcher, British 1875-1947- "The Doctor of the National Sporting Club", March 1918; hand coloured etching, signed in pencil beneath the plate, 28.5x21cm: together with three further hand coloured etchings by the same artist entitled `A Darling of the National Sporting Club", 1917, "Peggy of the National Spoting Club", Aug 1917, "A Monument in Art at the N.S.C", Jan 1918, each signed in pencil beneath the plate, in matching black metal brushed frames, ea. 28.5x21cm and 33x21cm, (4) (may be subject to Droit de Suite)
George Frederick A Belcher, British 1875-1947- "Sir Claude Champion de Crespigny. Bart. at the National Sporting Club", March 1918; hand coloured etching, signed in pencil beneath the plate, 33x21cm: together with three other hand coloured etchings by the same artist entitled, "Time & Judgement at the National Sporting Club", March 1918, "The Wild Irishman at the National Sporting Club", March 1918, "A Hero of the Ring & his Agent, The National Sporting Club", all signed in pencil beneath the plate, in matching black brushed metal frames, ea. 33x21cm, (4) (may be subject to Droit de Suite)
John Alfred Vinter, British 1828-1905 "Victoria" and "Albert, after F X Winterhalter, publ by Day & Son; lithographs, a pair, in matching 19th century glazed gilt gesso 68.5x58.5cm: Charles Albert Waltner, 1846-1925- "Romeo and Juliet", after F Dicksee ARA, publ August 2nd 1886 by Arthur Tooth & Sons, 5 & 6 Haymarket London SW; etching, 52x32cm: Conrad Martin Metz, German 1755-1827- "John Poines", after H Holbein, publ T Chamberlaine March 1792; hand-coloured stipple engraving, in a glazed Hogarth frame, 33x25cm: George Hadfield, British, late 18th/early 19th century- "His most Serene Highness Louis Phillip Joseph Duke of Orleans", after R Cosway RA, publ 1788 by R Cosway; hand-coloured stipple engraving, in a glazed Hogarth frame, 33x24cm., (5)
James McArdell, British c.1729-1765- "George Duke of Buckingham with his Brother Francis, 1636", after Van Dyck, 1752; mezzotint, 50x35.3cm: David Law, British 1831-1901- River scene with cattle watering, after Clayton Adams, issued Oct 1st 1894 by the Art Union; etching, 51x70.5cm: together with three other prints and a gilt composition glazed frame, (a/f), (6)
Martin Leman, British, b.1934- "Cornish Memories II"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with two other etchings with aquatint from the same series, entitled "Cornish Memories I" and "Cornish Memories III", both signed, titled, numbered and dated `87 in pencil, ea. 15x15cm: together with one mezzotint, one aquatint and two lithographs by the same artist, entitled "Panda", "Freeman Hardy Willis", "Hill Street Blues" and "Good Companions" respectively, all printed in colours, signed, titled, dated and numbered in pencil, various sizes, (unframed), (7), (may be subject to Driot de Suite).
John McNulty, Irish, b. 1949- "Sheen River, Kenmare"; etching with aquatint printed in colours, signed, titled and inscribed A/P in pencil, 39x55cm: together with six further etchings with aquatint printed in colours by the same artist, entitled "Paths II", "Impressions", "Highland Pools I", "Jardins de Luxembourg I", "Oaks" and "The Hawk", all signed, titled and inscribed in pencil, some dated, various sizes, (unframed), (7), (may be subject to Droit de Suite).
Susan E Jameson, British, b. 1944- "Mr Tiffany`s Lamp"; etching printed in colours, signed, titled, dated `76 and inscribed 2/50 in pencil, 54.5x71cm (sheet): together with another etching printed in colours by the same artist, entitled "Moon Rise", signed titled, dated `77 and inscribed 56/75 in pencil, 15.3x14.5cm: Terence Millington, British, b. 1943- "Spiral Staircase I" and "Spiral Staircase II"; etchings printed in colours, two, both signed, titled and inscribed A/P in pencil, ea. 49.8x32.8cm: Gillian Whaite, British, b.1934- "Flowers in November" and "Oxalis- January"; etchings with watercolours, two, both signed, titled and inscribed 22/60 and 29/60 respectively in pencil, ea. 61x45cm: Tessa Beaver, British, b.1932- "White Pine"; etching with aquatint and embossing, signed, titled and inscribed 92/125 in pencil, 28x18.2cm: together with two etchings with aquatint printed in colours by the same artist, entitled "Michelmas" and "Sunflowers", both signed, titled and numbered in pencil, various sizes, (unframed), (9), (may be subject to Driot de Suite).
Andrew Fairbairn Affleck, British 1874/75-1935/36- West front of Rouen Cathedral, publ Jan 24th 1916 by James Connell & Sons 47 Old Bond St London W1; etching, signed in pencil, bears publisher`s blindstamp, 73x36cm: J L Zentner, German, late 18th century- Figures on a country track, after J F Vries, publ a Paris chez l`Auteur rue du Gros Chenet no 47 et chez Poignant rue et Hotel Serpente; engraving, 19x22cm: French School, mid 20th century- Rural landscape in the tropics; gouache, signed, 16.5x26cm: After Ethel Parkinson, British 1868-1957- Dutch children with a goat and cart; lithograph printed in colours, signed within the plate, 14x19cm: together with a further quantity of pictures, prints and reproductions by and after different hands, various sizes, (a lot)
Anna Pugh, British b.1938- `Palm House Kew`, `Dragon Fly`, `Bonzai Beach`, `Leaping Lion`, `Aloe Tapestry`, `Fig Tapestry`, `Fan Tapestry`, `Cranseflies`, `Mosquito`, `Heraldic Mug`, `Coronation Mug`; etching in colours, all signed, titled and numbered 8/150, 70/200, 88/200, 20/200, 172/200, 120/200, 99/200, 131/150, 1/15 AP, 13/150, 36/150, blindstamped, dated between 81, 84 & 85, 53.5x43.5cm, 34x44.5cm, 34x44cm, 36x36cm, 48.5x25.5cm, 48.5x25.5xm, 48.5x25.5cm, 18x17.5cm., 17.7x17.5cm, 19.5x17cm, 19.5x17cm, (11) (unframed) (may be subject to Droit de Suite)
Bryan Ingham, British 1936-1997- `Gallery - Kew`; etching, signed and dated 1976, titled and numbered 83/100 in pencil, 20.5x28cm: Andrew Ingamells, British b.1956- `Christchurch, Spitalfields`, `Afternoon Light`, `St. George in the East, Wapping`; etching in colours, signed, titled and numbered 69/75, 76/150, two blindstamped, 64.7x25cm, 14x8.5cm, 48x29.5cm: Albany Wiseman, British b.1930- `The Royal Hospital Chelsea`; lithograph in colours, signed and numbered 28/100, 50x65cm., (5) (unframed) (may be subject to Droit de Suite)
European School, late 19th/early 20th century- Portrait of a lady; oil on canvas, in a silver gilded arts and crafts frame, c.1900 with art nouveau roundels to the corners, with remains of a label to the reverse of the frame reading, `Advise for the International-Exh... of British Art ...ngarian Fine Art ... Cayley-Robinson,` 73x57cm: Victor Adam, French 1801-1866- "Porto do Estrella" Brazil; hand coloured lithograph, 28x34cm: together with another 19th century hand coloured lithograph depicting a coastal village, possibly South America, 28x38cm: Ludwig Michalek, Austrian 1859-1942- "Bach", publ. V A Heck, Wien; etching, 45x31cm, (4)
Lt Colonel Harold Wyllie, British 1880-1973 exh 1903-1924- "Falmouth with Square Rigged Trading Schooners"; dry point etching, signed, 18x23.5cm: Frank Henry Mason, British 1876-1965- "HMS Gloucester & Yachts on the River Dart"; etching, signed, 11x27cm: Style of Francois Geoffrey Roux, late 20th century- Triple Masted Schooner at Sail; watercolour, signed, 29x45cm, Provenance: these three with the Wyllie Gallery, 44 Elvaston Place, SW7 5NP according to the labels attached to the reverse: British School, late 20th century- Shipping scene; etching, signed, numbered 13/50 and dated 1984, 9x16.5cm, (4), (may be subject to Droit de Suite)
Timo, American School, late 20th/early 21st century-"Harvest"; acrylic on canvas, signed, 126.8x101cm. Provenance: with Barbour & Stone llc., Phoenix, according to label attached to the reverse: Anna Blatman, Australian b.1965- Sunflowers; acrylic on board, signed, 20x50cm: Late 20th/Early 21st Century- "Perdita"; etching, signed, titled and numbered 57/100 in pencil, 18.5x14cm., (3)
British Sporting Prints, an album of coloured prints featuring Henry Pollard, George Stubbs, et al, with introduction by John Cadfryn-Roberts, published by Ariel Press, in card sleeve, and two 19th Century racing prints, (af), an early 20th Century coloured etching, Westminster school, indistinctly signed in pencil and dated 1905, 29 x 48cm, and J. Turner, oil on canvas, view of canal with barges, signed, 35 x 45cm.
AN ANTIQUE HAND COLOURED ETCHING FRAMED AND GLAZED DEPICTING IGHTHAM COURT, SEVENOAKS KENT, THE SEAT OF WILLIAM JAMES ESQ,THE PRINT FROM THE BOOK DR HARRIS`S HISTORY OF KENT, VOLUMN 1 PG 163 WITH LETTER OF PROVENANCE. SCULPTOR I.KIP 43 CM`S X 35 CM`S TOGETHER WITH FIVE CERAMIC TILES DEPICTING VINE LEAVES, THE TILES WERE RESCUED FROM THE HOUSE AFTER THE FIRE.
Dartington Printmakers (pubs.). A Printmakers` Flora, 1996, title printed in yellow & black, addn. half title, dedication and index, thirty orig. prints by twenty artists in various mediums including lithographs, linocuts, wood engraving, etching, collograph and card intaglio, each on uncut hand made paper, signed by all twenty artists at rear, pubs. blue silk with blind stamped title to upper board, bound under the direction of Mary Bartlett of the Dartington Bindery, oblong folio, contained in pubs. cloth book box with printed card label to spine. Five years in the making this large and luxurious book focuses on British wild flowers. The edition consisted on thirty-seven with one additional Artists` Proof copy. Twenty-three of these were given to the participants, one was purchased by the V & A, and one by the Dartington Hall Trust. The remaining twelve were offered for sale. Supplied with the original promotional material, newsletters and bookmark. As far as we are aware, no copy has ever appeared on the open market. (1)
* Butchery. A collection of eight caricatures and broadsides relating to butchers and meat sellers, mostly 18th & 19th century, including Jarvis T. (pubs.), The Wretched Shoe-Boy, n.d., c.1780,uncoloured engraved broadside showing a starving shoe boy in front of a butchers shop, sixteen lines of verse below image, trimmed to neat line and laid on later card, 310 x 195mm, mounted, framed and glazed, with Gillray (James), The British Butcher Supplying John Bull with a Substitute for Bread..., pub. John Miller, Edinburgh, n.d., c,1825, uncoloured etching, 250 x 160mm, mounted, framed and glazed, plus Darby (M. pubs.), The Butcher Macaroni, 1772,uncoloured etching, 175 x 125mm, mounted, framed and glazed, and Rowlandson (Thomas), Butcher, c.1810 [but later impression],hand coloured etching, 130 x 70mm, mounted, framed and glazed with Townsend (T.H.), Saturday Night - Scene in a Butcher`s Shop, c.1890,hand coloured etching with four lines of dialogue on mount, 265 x 210mm, mounted, framed and glazed, and three others similar (8)
* Caricatures. Roberts (P.). The Raw Meat System, or Gentlemen in training for Pedestrian Exercises, pub. P.Roberts, n.d., c.1810, etching after Woodward with contemp. hand colouring, 270 x 350mm, mounted, framed and glazed, together with Fores (S.W. pubs.),Prize Beef or Luxury in the Nineteenth Century, 1801,etching with bright contemp. hand colouring, trimmed to neat line along upper horizontal margin, 265 x 390mm, framed and glazed, plus Williams (Charles),The Smithfield Parliament i.e. Universal Suffrage - the New Speaker addressing the Members, pub. T.Tegg, 1819,etching with contemp. hand colouring, 235 x 325mm, mounted, framed and glazed (3)

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78408 item(s)/page