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Marco Ricci (1676 - 1730), etching on paper, a walled garden with statues and gardeners at work, monogrammed within the plate DAF, (Davide Antonio Fossati.) and numbered XX, 24.5cm x 36cm, (plate size) framed The Image was originally part of a book - Hasce XXIV Tabulas Olim a Marco Ricci Bellunensi Colorib. Expressas, one of 24 illustrations
Edward W. Sharland (1884-1967) - Rose Window, Notre Dame, etching printed with tone, with margins, signed 'E Sharland' lower right, with the publisher's blindstamps, mount opening 11.6cm x 9cm, framed and glazed (49cm x 32.5cm); together with John H. Engelheart (1808-1861) after A. Cooper (1787-1868), An Oaks Winner, hand coloured steel engraving, mount opening 16.3cm x 20cm framed and glazed (29.2cm x 32.5cm) (2) (M)
ADOLF VAN DER LAAN (DUTCH 1684-1755) AFTER JOHANNES GLAUBER (DUTCH 1646-C.1726) Arcadian river landscape with a sphinx; Arcadian river landscape with figures worshipping a statue A pair, both etching with hand-colouring 22.6 x 35.4cm, 23 x 35.6cm (image)Together with Gotfried Eichler (1715-1770) Joseph's brothers kneel before him. Jacob learns that Joseph is alive, A pair, both mezzotint in blue, 24.5 x 35.7cm, 24.7 x 35.8cm (plate) (4) ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Three 19thC and later prints, comprising after Robert Walker McBeth (1848-1910), etching, signed in pencil to margin of females and sheep, 30cm x 51cm, another signed etching after Caudwell shipping boats and posts, 33cm x 55cm, signed in pencil to margin, and an embroidered panel of female in bedroom looking out window, 52cm x 38cm, framed. (3)
Four 19thC and later prints, comprising after Aiensen, boats in rough seas, 39cm x 49cm, and another similar, each in painted and gilded frame, a 19thC etching of the village of Amtion, in walnut frame, 34cm x 24cm, and after William Weekes, Falling Among Thieves, print, 43cm x 68cm, framed and glazed. (4)
Thomas Rowlandson (British, 1756-1827), Rowlandson’s Sketches from Nature by Thomas Rowlandson [1822]. Scarce complete copy with 18 hand-coloured etching plates, to include; White Lion Inn (Middlesex), A view near Richmond, A view near Newport (Isle of Wight), Temple at Strawberry Hill, Stamford (Lincolnshire), Taunton Vale (Somersetshire), View Near Bridport (Dorsetshire), A View in Devonshire, Village of St Udy (Cornwall), West Loo (Cornwall), The Seat of M. Mitchell (Cornwall), Fowey (Cornwall), View of the River Camel (Cornwall), A View of Camelford (Cornwall), A Cottage in the Dutchy of Cornwall, View at Blisland near Bodmin (Cornwall), Clearing a Wreck on the North Coast of Cornwall and Rouler Moor (Cornwall). All plates present and intact, some patches of toning but to be expected with age. Very good copy of an extremely scarce book. Brown leather bound with gilt detailing, Sketches from Nature – Rowlandson – 1822 to spine
Dorset: Range of books relating to Dorset, to include; Picturesque Rambles in the Isle of Purbeck by C. E. Robinson the Etchings by Alfred Dawson [The Typographic Etching Company, London, 1882], Old Dorset by H. J. Moule [Cassell and Company, 1893], Barnes’s Poems of the Dorset Dialect [Maurice & Co, 1847], Dorset Essays by Llewelyn Powys [John Land and Bodley Head, 1935], Biblotheca Dorsetiensis by Charles Herbert Mayo [Chiswick Press, 1885], Highways and Byways in Dorset by Sir Frederuck Treves [Macmillan and Co, 1906], Blacks Guide to Dorsetshire [Adam and Charles Black, 1870], Dorsetshire Folk-Lore by John Symonds Udal [Stephen Austin & Sons Ltd, 1922, poor copy], Unknown Dorset by Donald Maxwell [John Land The Bodley Head Limited, 1927], Select Poems of Rural Life in the Dorset Dialect by William Barnes [Kegan, Paul, Trench, Trübner & Co, 1909], Pastorals of Dorset by M. E. Francis [Longmans, Green, and Co, 1901], Dorchester Antiquities by W. J. Mouler [Henry Ling, 1906], Cornish Ballads by Rev R. S. Hawker [Parker and Co, 1884], The Marches of Wessex by F. J. Harvery Darton [Nisbet & Co, 1923], The Buildings of England: Dorset [Penguin Books, 1972], Devonshire & Cornwall Illustrated by J. Britton & E. W. Brayley (without plates), The Natural History of Selborne by Gilbert White [The Folio Society, 1962], The Dorset Year Book 1964-65. Plus, Album of Postcards with postcards relating to Dorset, to include; Bournemouth, Home Fleet Portland, Weymouth, High Street Weymouth, Lyme Regis, Swanage, Lulworth Cove, Roman Bridge Preston near Weymouth etc (42). Total books 17. Very mixed condition throughout, condition report unavailable for this lot, viewing required for condition check. (17)
Four prints, comprising an etching with aquatint of the Pavilion, sight 32.5 x 88.5cm.; `Chain Pier at Brighton during the late Tempest`, coloured etching with aquatint by J. Bruce, c.1824, 22 x 37cm.; `General View of Brunswick Square and Adjacent Buildings`, aquatint by M. Dubourg after C. A. Busby, published 1826, 26.5 x 73.5cm.; and `Pavilion at Brighton`, coloured engraving by Newton after Gardiner, published 1801, 16 x 35cm. (4). *CR Mixed condition; some creases and folds; some spotting, foxing, wear etc.
Etching with engraving, c.1774, with the `Strada Felice` publication line lower right, central vertical fold as issued, unframed Image 38.5 x 59cm. Provenance: Formerly in the Collection of Auberon Waugh. *CR Image generally good; the margins with soiling and some wear; 12mm tear in lower margin.
Etching, printed in colours, signed, titled and inscribed `T.P.3` (trial proof?) 60.5m x 45cm.; with `Mushrooms`, colour etching with aquatint by Tessa Beaver, signed, titled and numbered 142/150, image 28 x 45.5cm. (2) * The Brunsdon etching may be a view at West Bay, Dorset. *CR Each in good condition.
Oil on panel 18 x 16cm. * The subject, sometimes entitled "Rehearsal of the Oratorio `Judith`", relates to the artist's etching of 1732 but the theme in oil is not known in the artist's oeuvre. Exhibited: Liverpool Gallery; Manchester Art Treasures Exhibition; The Guildhall Gallery, London (according to an inscribed label on the frame). *CR The paint surface starting to blister; needs a clean.
AN ART DECO WALNUT COCKTAIL CABINET, fitted with two glazed doors with geometric etching, flanking a fall front door, that's enclosing a fitted interior, above a single drawer and cupboard door, raised on cabriole legs, width 124cm x depth 34cm x height 118cm (condition report: general signs of wear and usage, two keys, other imperfections)
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71082 item(s)/page