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Lot 560

Salvador Dali (1904 - 1989) Faust Lisant Signed and inscribed 'E.A' Etching on paper Provenance: Galerie Furstenberg, rue Jacob, 1983 Dimensions: (Paper) 14.5 in. (H) x 13 in. (W) (Frame) 17 in. (H) x 13 in. (W)

Lot 611

The Marquess of Camden, 1977 Etching on paper  Numbered lower left 14/50 Signed and dated lower right Dimensions: 13.5 in. (H) x 10 in. (W)

Lot 486

A portrait of Alexander Pushkin An etching with pen and ink Signed indistinctly lower right Provenance: Pierre Rouve Dimensions: (Paper) 13 in. (H) x 11 (W) (Frame) 18.5 in. (H) x 15.5 (W)

Lot 11

ALBANY E. HOWARTH SIGNED IN PENCIL AN ETCHING OF STIRLING CASTLE WITH GUILD STAMP

Lot 1594

A Victorian album containing original watercolours and handwritten entries dating to the mid 19th Century, etc. - sold with John Howitt: an unframed acrylic on board, depicting Canada geese in flight - signed and a framed monochrome etching, depicting Magdalen Tower

Lot 301

William Lionel Wyllie (1851-1931), drypoint etching of battleships, signed in pencil, the plate 17x43cm

Lot 426

Michael Ayrton (1921-1975), 'A Madame', etching, numbered 15/xx, with studio stamp to reverse, the plate 19.5x25cm

Lot 753

Marco Ricci (1676 - 1730), etching on paper, a walled garden with statues and gardeners at work, monogrammed within the plate DAF, (Davide Antonio Fossati.) and numbered XX, 24.5cm x 36cm, (plate size) framed The Image was originally part of a book - Hasce XXIV Tabulas Olim a Marco Ricci Bellunensi Colorib. Expressas, one of 24 illustrations

Lot 164

BENJ MCROMBIE, MEMBERS OF THE SCOTTISH BAR AND BENCH, etching, and another etching of Mary Queen od Scots29cm x 26cmQty: 2

Lot 558

THREE ENGRAVINGS, LATE 19TH / EARLY 20TH CENTURY comprising William Renison etching of Maison Jeanne d'Arc-Rouen, another etching of a French street scene signed K. Cameron, and an engraving title The Ayrshire Farm by William Armour, all framed and under glassthe largest 47cm x 39cm overall

Lot 3209

Tony Enebeli 'Weavers' original metal foil etching. 15cm x 20cm etching size, 17.5cm x 22.2cm mount size.

Lot 1166

Marcel Schellekens. 1954 - . No. 29/65. Bergen aan Zee beach exit. Colored etching on paper. Dimensions: H 55 x W 69 cm. In good condition.

Lot 1224

Anton Pieck. Own pressure. 1895 - 1987. Pollarded willow. Etching on paper. Dimensions: H 52 x W 40 cm. In good condition.

Lot 1225

Anton Pieck. Own pressure. 1895 - 1987. Dunes. Etching on paper. Dimensions: H 50 x W 80 cm. In good condition.

Lot 1265

Anton Heyboer. 1924 - 2005. Depiction of compass. Etching on paper. Dimensions: H 54 x W 40 cm. In good condition.

Lot 4508

Round Persian rug with floral decor. Turquoise etching. Dimensions: ÃËœ 198 cm. In good condition.

Lot 452

A late 19th century etching by William Heath "The Moors" plate No. 2. 24 x 35 cm, framed and mounted.

Lot 227

William Lionel Wyllie (1851-1931) -  'Busy Shipping in the Pool of London', etching printed with tone, a fine, atmospheric impression, platemark 37.5cm, x 52.2cm, visible sheet 40cm x 54cm, framed and glazed (76cm x 88cm). (L)

Lot 232

Edward W. Sharland (1884-1967) - Rose Window, Notre Dame, etching printed with tone, with margins, signed 'E Sharland' lower right, with the publisher's blindstamps, mount opening 11.6cm x 9cm, framed and glazed (49cm x 32.5cm); together with John H. Engelheart (1808-1861) after A. Cooper (1787-1868), An Oaks Winner, hand coloured steel engraving, mount opening 16.3cm x 20cm framed and glazed  (29.2cm x 32.5cm) (2) (M)

Lot 755

ADOLF VAN DER LAAN (DUTCH 1684-1755) AFTER JOHANNES GLAUBER (DUTCH 1646-C.1726) Arcadian river landscape with a sphinx; Arcadian river landscape with figures worshipping a statue A pair, both etching with hand-colouring 22.6 x 35.4cm, 23 x 35.6cm (image)Together with Gotfried Eichler (1715-1770) Joseph's brothers kneel before him. Jacob learns that Joseph is alive, A pair, both mezzotint in blue, 24.5 x 35.7cm, 24.7 x 35.8cm (plate) (4) ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Lot 887

Louis Icart (20thC School). Etching of nude female and cat, 15cm x 18cm, framed and glazed.

Lot 888

Three 19thC and later prints, comprising after Robert Walker McBeth (1848-1910), etching, signed in pencil to margin of females and sheep, 30cm x 51cm, another signed etching after Caudwell shipping boats and posts, 33cm x 55cm, signed in pencil to margin, and an embroidered panel of female in bedroom looking out window, 52cm x 38cm, framed. (3)

Lot 889

Four 19thC and later prints, comprising after Aiensen, boats in rough seas, 39cm x 49cm, and another similar, each in painted and gilded frame, a 19thC etching of the village of Amtion, in walnut frame, 34cm x 24cm, and after William Weekes, Falling Among Thieves, print, 43cm x 68cm, framed and glazed. (4)

Lot 324

An Early 20th Century signed etching ‘The Squires Song’ from the original painting by Walter Dendy Sadler. Signed by both artists. 78x65cm

Lot 322

A large Late 19th Century signed etching ‘For He’s a Jolly Good Fellow, and so Say all of us’ from the original painting by Walter Dendy Sadler. 90x79cm

Lot 323

A large Early 20th Century signed etching ‘Christmas Time’ by James Dobie from the original painting by Walter Dendy Sadler. Signed by both artists. 75x65cm

Lot 418

An early 19th century Continental Governments official officers long dress sword, ceremonial with faint etching to the blade, scabbard, full length 97cm.

Lot 108B

An early 20th century hard/ironwood Oceania war club/paddle, basic carved handle grip and tip, length approx. 78cm; a vintage African carved shield  in the form of an elongated turtle, rough hand grip & etching to reverse, length 49cm.

Lot 72

FRANK EDWARD GILLETT black and white etching - "The Guardian", signed in pencil, 35.5 x 28cmsProvenance: private collection ConwyComments: framed and glazed

Lot 344

Thomas Rowlandson (British, 1756-1827), Rowlandson’s Sketches from Nature by Thomas Rowlandson [1822]. Scarce complete copy with 18 hand-coloured etching plates, to include; White Lion Inn (Middlesex), A view near Richmond, A view near Newport (Isle of Wight), Temple at Strawberry Hill, Stamford (Lincolnshire), Taunton Vale (Somersetshire), View Near Bridport (Dorsetshire), A View in Devonshire, Village of St Udy (Cornwall), West Loo (Cornwall), The Seat of M. Mitchell (Cornwall), Fowey (Cornwall), View of the River Camel (Cornwall), A View of Camelford (Cornwall), A Cottage in the Dutchy of Cornwall, View at Blisland near Bodmin (Cornwall), Clearing a Wreck on the North Coast of Cornwall and Rouler Moor (Cornwall). All plates present and intact, some patches of toning but to be expected with age. Very good copy of an extremely scarce book. Brown leather bound with gilt detailing, Sketches from Nature – Rowlandson – 1822 to spine

Lot 401

Dorset: Range of books relating to Dorset, to include; Picturesque Rambles in the Isle of Purbeck by C. E. Robinson the Etchings by Alfred Dawson [The Typographic Etching Company, London, 1882], Old Dorset by H. J. Moule [Cassell and Company, 1893], Barnes’s Poems of the Dorset Dialect [Maurice & Co, 1847], Dorset Essays by Llewelyn Powys [John Land and Bodley Head, 1935], Biblotheca Dorsetiensis by Charles Herbert Mayo [Chiswick Press, 1885], Highways and Byways in Dorset by Sir Frederuck Treves [Macmillan and Co, 1906], Blacks Guide to Dorsetshire [Adam and Charles Black, 1870], Dorsetshire Folk-Lore by John Symonds Udal [Stephen Austin & Sons Ltd, 1922, poor copy], Unknown Dorset by Donald Maxwell [John Land The Bodley Head Limited, 1927], Select Poems of Rural Life in the Dorset Dialect by William Barnes [Kegan, Paul, Trench, Trübner & Co, 1909], Pastorals of Dorset by M. E. Francis [Longmans, Green, and Co, 1901], Dorchester Antiquities by W. J. Mouler [Henry Ling, 1906], Cornish Ballads by Rev R. S. Hawker [Parker and Co, 1884], The Marches of Wessex by F. J. Harvery Darton [Nisbet & Co, 1923], The Buildings of England: Dorset [Penguin Books, 1972], Devonshire & Cornwall Illustrated by J. Britton & E. W. Brayley (without plates), The Natural History of Selborne by Gilbert White [The Folio Society, 1962], The Dorset Year Book 1964-65. Plus, Album of Postcards with postcards relating to Dorset, to include; Bournemouth, Home Fleet Portland, Weymouth, High Street Weymouth, Lyme Regis, Swanage, Lulworth Cove, Roman Bridge Preston near Weymouth etc (42). Total books 17. Very mixed condition throughout, condition report unavailable for this lot, viewing required for condition check. (17)

Lot 334

Etching, c.1892, a later impression, from the cancelled plate, unframed 17.5 x 11cm. *CR The paper with slight time-toning.

Lot 257

Four prints, comprising an etching with aquatint of the Pavilion, sight 32.5 x 88.5cm.; `Chain Pier at Brighton during the late Tempest`, coloured etching with aquatint by J. Bruce, c.1824, 22 x 37cm.; `General View of Brunswick Square and Adjacent Buildings`, aquatint by M. Dubourg after C. A. Busby, published 1826, 26.5 x 73.5cm.; and `Pavilion at Brighton`, coloured engraving by Newton after Gardiner, published 1801, 16 x 35cm. (4). *CR Mixed condition; some creases and folds; some spotting, foxing, wear etc.

Lot 414

Etching with engraving, c.1774, with the `Strada Felice` publication line lower right, central vertical fold as issued, unframed Image 38.5 x 59cm. Provenance: Formerly in the Collection of Auberon Waugh. *CR Image generally good; the margins with soiling and some wear; 12mm tear in lower margin.

Lot 417

Aquatint with etching and engraving, printed in colour, 1971, signed, dated, titled and numbered 49/100, unframed 59 x 48cm. *CR Slight time toning and some pale foxing; small surface nic lower left.

Lot 330

Etching, with plate tone, 1938, signed and numbered XXVIII in ink 27 x 23cm. Provenance: London, P. & D. Colnaghi & Co Ltd (label on backboard) * This is a view of the market square, Djema el Fna. The minaret of the Koutoubia Mosque dominates the skyline. *CR Good condition.

Lot 342

Etching, printed in colours, signed, titled and inscribed `T.P.3` (trial proof?) 60.5m x 45cm.; with `Mushrooms`, colour etching with aquatint by Tessa Beaver, signed, titled and numbered 142/150, image 28 x 45.5cm. (2) * The Brunsdon etching may be a view at West Bay, Dorset. *CR Each in good condition.

Lot 329

Etching, 1922, signed in pencil 13.7 x 10.9cm. * The sitter was the artist's first wife, Anais. `Un beguin` is a crush or infatuation. *CR Good condition; very slight time toning of the paper.

Lot 284

Oil on panel 18 x 16cm. * The subject, sometimes entitled "Rehearsal of the Oratorio `Judith`", relates to the artist's etching of 1732 but the theme in oil is not known in the artist's oeuvre. Exhibited: Liverpool Gallery; Manchester Art Treasures Exhibition; The Guildhall Gallery, London (according to an inscribed label on the frame). *CR The paint surface starting to blister; needs a clean.

Lot 333

Etching, 1910 or later 16.5 x 11cm. *CR A good impression; the paper time-toned.

Lot 336

Etching, 1933, signed in pencil, from the total edition of 310 26.5 x 19cm. *CR Good condition; slight time toning of paper.

Lot 335

Etching, 1933, signed in pencil, from the total edition of 310 19 x 26.5cm. *CR Good condition; slight time toning of paper.

Lot 421

Etching with aquatint, 1973, printed by Studio Prints and published by Leslie Waddington, London, signed, titled and inscribed `Artist's Proof`, unframed 48 x 35cm. *CR A good impression; some minor surface blemishes and dome slight time-toning.

Lot 344

Engraving with etching, printed in colours, 1976, signed, dated, titled and numbered 72/75 41 x 53cm. *CR A good impression; the apparent pale brown spotting appears in many impressions of this subject; some small white spots of foul biting or similar.

Lot 637

After Richard Wilson (British,1714-1782)Kilgarren Castle, South WalesLine engraving and etching 40.5 x 52cmEngraved by William Elliot (Britsh, Active 1774-1792)

Lot 292

Markéta Prachatická, Czech, (1953-), an artists proof framed and glazed etching of a surrealist bird, signed, inscribed and dated. H.77 W.60cm.

Lot 179

Sam Kaner (1924-1990), limited edition etching, signed, numbered and inscribed. mounted, unframed. H.35 W.29cm.

Lot 250

A framed and glazed limited edition etching, sailing boats in an estuary, numbered and indistinctly signed in pencil. H.34 W.57cm.

Lot 230

A limited edition etching; Reveries in the Rain, indistinctly signed and numbered in pencil, framed and glazed. H.64 W.78cm.

Lot 243

A framed and glazed limited edition etching, Rooster, signed Ann Brunskill. H.63 W.48cm.

Lot 241

A framed and glazed etching, signed and numbered, Roses and Lilac. H.67 W.56cm.

Lot 176

Sam Kaner (1924-1990), a framed and glazed etching, female portrait, signed. H.51 W.43cm.

Lot 172

Inge Clayton (1942-2010), etching, artist's proof, signed and titled in pencil, framed and glazed. H.39 W.48cm.

Lot 170

Auguste Brouet (1872-1941), limited edition etching, signed and numbered in pencil, gallery label to the reverse, framed and glazed. H.40 W.53cm.

Lot 24

Leonard Russel Squirrell, pencil signed etching "Framlingham Castle"

Lot 1128

Julian Otto Trevelyan (1910 - 1988) RA, British artist and printmaker whose students included David Hockney, RB Kitaj and Norman Ackroyd, 'Camel Corps' 172/250, etching with aquatint, signed, 52x40cm, framed & glazed

Lot 1131

Terry Frost (1915 - 2003) RA, significant British abstract artist, St. Ives School, 'Desire I' 19/25 etching, pencil signed, 53 X 51cm, framed & glazed with a book by Dominic Kemp ' Terry Frost Prints' - 'A Catalogue Raisonne'

Lot 1117

Prunella Clough (1919 - 1999), 'Germinate' 1996, 5/25, etching, pencil signed and labelled verso for Flowers Graphics, 34x31cm, John Jones conservation frame

Lot 1432

W ELLIS; etching, 'A South View of the City of Exeter', image 37 x 76cm, framed and glazed.

Lot 1314

AN ART DECO WALNUT COCKTAIL CABINET, fitted with two glazed doors with geometric etching, flanking a fall front door, that's enclosing a fitted interior, above a single drawer and cupboard door, raised on cabriole legs, width 124cm x depth 34cm x height 118cm (condition report: general signs of wear and usage, two keys, other imperfections)

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