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Click here to subscribeAntique original etching on wove paper entitled Marche aux Puces (Flea Market) by French Realist Auguste Brouet who represents the lowest rabble of Parisian society. On lower left: Le Marche aux Puces. On lower center: Chalcographie du Louvre with blind stamp for the Musee du Louvre. On lower right: Eau-forte Auguste Brouet. Artist: Auguste Brouet (France 1872-1941)Issued: c. 1920Dimensions: 17.25"L x 13"HCountry of Origin: FranceCondition: Age related wear.
This antique second state drypoint etching on paper is after French Post-Impressionist artist Paul Cezanne's original Guillaumin au Pendu (Portrait of the Artist Guillaumin with the Hanging Man.) Housed in a dark brown wood with silver color and cyan borders and a black velvet mat. Artwork dimensions: 8"L x 8"H. Frame size: 14.50"L x 14.50"H x 1"W. Artist: Paul Cezanne (French 1839-1906)Issued: c. 1873Country of Origin: FranceCondition: Age related wear.
This large 18th century hand-colored etching on board by German Rococo Master Johann Elias Ridinger depicts a splendid black horse that practices the trot with a standing cavalier by his side. Written in French, German and Latin below plate: Le Trot a la Corde a Gauche. On lower right below plate: Joh. El. Ridinger inv. des. et exc. A V. Artist: Johann Elias Ridinger (German 1698-1767)Issued: c. 1750Dimensions: 17.75"L x 22"HCountry of Origin: GermanyCondition: Age related wear.
Beautiful antique black and white etching on paper after Anthony van Dyck's 1641 original painting William II Prince of Orange and his Bride Mary Stuart, engraved by French artist Charles Baude. On top of plate: Planche LXXIV (74.) Housed in an imposing gilt and black frame. Sight size: 10"L x 13.50"H. Frame size: 18"L x 21"H x 1.75"W. Artist: Charles Baude (French 1853-1935) after Anthony van Dyck (1599-1641)Issued: Early 19th centuryCountry of Origin: FranceCondition: Age related wear.
Original etching on paper by Contemporary Realist and Founder and Director of The Florence Academy of Art Daniel Graves who represents a quaint view of a canal in Venice, Italy. Signature in plate and in graphite on lower right: D. Graves. Edition number on lower left: ED 200. Title in lower center: Venezia. Housed in a gilded and black frame with an ecru mat. Sight size: 7.50"L x 6.50"H. Frame size: 18"L x 16.50"H x 0.75"W. Artist: Daniel Graves (American b. 1949)Edition Number: Edition of 200 Country of Origin: United StatesCondition: Age related wear.
Original antique etching on laid paper by Realist Andre de Szekely (Kelly) that depicts the Gothic Notre-Dame Cathedral from the banks of the river Seine where a microcosm of Old Paris working class interacts. Signature in graphite on lower right: Kelly. Title and date in plate on lower left: Paris 1925. Artist: Andre de Szekely known as Kelly (Hungarian 1870-1940)Issued: 1925Dimensions: 15.25"L x 13"HCountry of Origin: HungaryCondition: Age related wear.
Original etching on paper after Baroque artist Guido Reni's 17th century monumental painting The Toilet of Venus. It depicts the Greek goddess of love with her female attendants and her son Cupid standing by her side with his bow and arrows. On lower left: Guido Reni Pinx. On lower right: Christophonis ab aqua Vicentinus sculptit 1773 (engraved by Vicente.) Housed in a gilded frame and a burgundy mat with a white border. Sight size: 15.75"W x 20"H. Frame size: 25.75"W x 30"H x 1"W. Artist: After Guido Reni (Italian 1575-1642)Issued: 1773Country of Origin: ItalyCondition: Age related wear. Some foxing.
Original etching on thick paper that represents a Classically dressed woman who looks at a single flower she holds in her hand. Signature on lower left: illegible. Housed in deep wooden frame with a light grey linen mat. Sight size: 5"L x 6.25"H. Frame size: 9.50"L x 11.25"H x 1.75"W. Issued: c. 1970Condition: Age related wear.
Entitled Trojan Fish, this awesome etching on wove paper by Hungarian artist Kadar Janos Miklos depicts a Surrealist scene in a style reminiscent of Hieronymus Bosch. Housed under an off-white mat. Sight size: 16"L x 13"H. Mat size: 20"L x 16"H. Signature and date in pencil on lower right: Kadar Janos Miklos 69. Title and location on lower left: Trojai hal, Parizs 1969 Nov. Artist: Kadar Janos Miklos (Hungarian b.1939)Issued: 1969Country of Origin: HungaryCondition: Age related wear. Traces of glue on right border of etching.
Original etching on paper by Contemporary Realist and Founder and Director of The Florence Academy of Art Daniel Graves. He represents an outstandingly detailed antique door knocker with a fierce lion and grotesque figures. Signature in plate and in graphite on lower right: D. Graves. Edition number on lower left: AP. Housed in a gilded and black frame with an ecru mat. Sight size: 4"L x 5"H. Frame size: 14.75"L x 15.75"H x 2"W. Artist: Daniel Graves (American b. 1949)Issued: c. 1990Edition Number: Artist Proof Country of Origin: United StatesCondition: Age related wear.
Original etching on paper by Contemporary Realist and Founder and Director of The Florence Academy of Art Daniel Graves. This detailed miniature landscape represents a view of quaint farms set in the distance of a bridge. Signature in plate and in graphite on lower right: D. Graves. Edition number on lower left: AP 200. Housed in a gilded and black frame with an ecru mat. Sight size: 6.50"L x 3.50"H. Frame size: 17"L x 15"H x 2"W. Artist: Daniel Graves (American b. 1949)Issued: c. 1990Edition Number: Artist Proof of 200 Country of Origin: United StatesCondition: Age related wear. Minor wear on lower part of frame.
Winifred Austen (British school) - Making Off - an early 20th century drypoint etching on paper. The artwork depicting a stork taking off from amongst the lake reeds. Signed in pencil lower right, with the titled Making Off at the edge of the mount. Measures approx. 30cm x 23cm excluding mount.
Large original etching on paper by French Realist Claude Piechaud who focuses on the hulls of two decked boats that he made with extreme chiaroscuro. Signature in graphite on lower right: Claude Piechaud. Edition number on lower left: 17/300. Below plate: Phyllis Lucas. Paper sheet glued to a plasticized backing. Artist: Claude Piechaud (French 1928-2008)Issued: c. 1960Dimensions: 25"L x 29.75"HEdition Number: 17 of 300 Country of Origin: FranceCondition: Age related wear.
Large original etching on paper by French Realist Claude Piechaud who represents two fishing boats and maritime lights on a wooden dock. Signature in graphite on lower right: Claude Piechaud. Edition number on lower left: 8/300. Below plate: Phyllis Lucas. Paper glued to beige board backing. Etching dimensions: 30.50"L x 19.50"H. Mat size: 25"L x 30.75"H. Artist: Claude Piechaud (French 1928-2008)Issued: c. 1960Edition Number: 8 of 300 Country of Origin: FranceCondition: Age related wear.
Large original etching on laid paper that represents a Rhinoceros engraved with outstanding observational and realistic details. Signature in plate in ink on lower right: W. Thoman ? Edition number on lower right: 24/250. Issued: c. 1970Dimensions: 17"L x 19"HEdition Number: 24 of 250 Condition: Age related wear. Sporadic foxing on edges of plate.
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Étudiant à une table aux chandelles, circa 1642 (Bartsch,148; New Hollstein 213)Gravure sur papier vergéBonne impression sombre du premier état sur deuxPetites marges sur trois côtésDimension feuille: 15 x 13,7 cmDimension sujet: 14,7 x 13,3 cmEtching on laid paper. A good, dark impression of the first state (of two), with small margins on three sides.Footnotes:ProvenanceWith the Kunsthandel Borzo gallery label (Hertogenbosch).Acquired from the above and then by descent to the current owner.For further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Trois figures Orientales, 1641 (B118, NH190)Eau-forte sur papier vergéImpression tardive du deuxième état finalDimension feuille: 15,9 x 12,6 cmDimension sujet: 14,3 x 11,4 cmEtching on laid paper, later impression of the final second stateFor further information on this lot please visit Bonhams.com
ANTONI TÀPIES (1923-2012)Tríptic Vertical, 1982 (Galfetti, 843) Eau-forte en couleurs sur vélin d'Arches embossé Epreuve hors commerce signée et annotée 'HC VII/XV' (en dehors de l'édition numérotée à 50 exemplaires)Editée par la Galerie Maeght, ParisImprimée par J. Barbarà, Barcelone 90 x 63 cmEtching in colours on embossed Arches vellum, proof signed and annotated 'HC VII/XV' (aside from the numbered edition of 50)Footnotes:ProvenancePrivate collection, BarceloneThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PIETER BRUEGHEL L'ANCIEN d'après (circa 1525-circa 1569)Grand Paysage Alpin, circa 1555 (BA.18)Eau-forteRognée à la plaqueGravée par Johannes et Lucas Doetecum (actifs 1554-1569)Publiée par Hieronymus Cock34,8 x 46,2 cmEtching, trimmed to plateFor further information on this lot please visit Bonhams.com
JOAN MIRÓ (1893-1983) D'aprèsL'oiseau fusée, 1952 (Maeght, 1702; Dupin, 785)Eau-forte et aquatinte en couleurs sur vélin d'Arches Signée, datée et numérotée 172/200Dimension feuille: 50 x 66 cmDimension sujet: 35 x 45 cmColour etching and aquatint on Arches vellumFootnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JOAN MIRÓ (1893-1983)Planche II de la série II, 1953 (Dupin, 83)Eau-forte sur vélinSignée, numérotée 5/13 et datée en bas à droite au crayonEditée par Maeght, ParisImprimée par Atelier Lacourière, ParisDimension feuille: 50 x 65 cmDimension sujet: 37,5 x 47,7 cmEtching on vellum, signed, numbered 5/13 and dated lower right in pencilFootnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
DAVID HOCKNEY (NE EN 1937)Marguerites, 1973 (MCA Tokyo, 141; S.A.C., 157; Lloyd, 32)Eau-forte et aquatinte en couleurs sur vélin Signée, datée et numérotée 81/100 (+ 23 épreuves d'artiste)Imprimée par l'atelier Crommelynk, ParisEditée par Petersburg Press, Londres et New York (timbre sec) Dimension feuille: 41,5 x 31,6 cmDimension sujet: 23,5 x 17,7 cmColour etching and aquatint on vellum, signed, dated and numbered 81/100Footnotes:ProvenanceLumley Cazalet Gallery, Londres (étiquette au dos) Acquis auprès de cette galerie par l'actuel propriétaireCollection particulière, PuylaroqueThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JOAN MIRÓ (1893-1983) D'aprèsLe Chien Bleu (M. 1714), circa 1960 (Maeght, 1714)Eau-forte et aquatinte en couleurs sur vélin BFK RivesEpreuve hors commerce signée et annotée 'HC' (en dehors de l'édition à 300 exemplaires) Editée par Maeght, Paris Porte le timbre sec de l'imprimeur, Atelier Crommelynck, Paris83,7 x 63,2 cmColour etching and aquatint on BFK Rives vellum, proof signed and annotated 'HC' (outside the edition of 300 copies)Footnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
LÉONARD TSUGUHARU FOUJITA (1886-1968)Jeune Fille avec une Rose, 1925 (Buisson, 25.118)Pointe sèche et eau-forte sur vélin filigrané J PerrigoDatée, numérotée 26/29, signée en français et en japonais en bas à droite au crayonToutes marges non ébarbéesDimension feuille: 37,7 x 28 cmDimension sujet: 23,7 x 17,7 cmDrypoint and etching on watermarked vellum J Perrigo, dated, numbered 26/29, signed in French and Japanese lower right in pencilFootnotes:Nous remercions Mme Sylvie Buisson de nous avoir confirmé l'authenticité de cette oeuvreUn tampon d'authenticité pourra être apposé au dos de l'oeuvre à la charge de l'acquéreurProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JIM DINE (NE EN 1935)The Albertina Vénus, 1989 (Carpenter, 33)Eau-forte en couleurs sur papier filigrané ZerkallSignée, datée et numérotée 100/100Editée par La Société des Amis de l'Albertina (Gesellschaft Der Freunde der Albertina)Dimension feuille: 68 x 53,6 cmDimension sujet: 45 x 30,7 cmColour etching on Zerkall watermarked paper, signed, dated and numbered 100/100Footnotes:ProvenanceCollection particulière, FranceFor further information on this lot please visit Bonhams.com
MARC CHAGALL (1887-1985)Le Mariage, 1922 (Kornfeld, 16; Cramer, 2)Planche 16 de la suite 'Mein Lieben'Eau-forte et pointe sèche sur vélinSignée et numérotée 96/110Editée par Paul Cassirer, BerlinDimension feuille: 26,5 x 31,3 cmDimension sujet: 14,5 x 16 cmEtching, full margins, on vellum, signed and numbered 96/110Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
LÉONARD TSUGUHARU FOUJITA (1886-1968)Les deux amies, circa 1927 (Buisson, 30.54)Eau-forte et aquatinte en couleur sur Chine appliqué sur JaponSignée et annotée 'épreuve d'artiste' Éditée par la Galerie Mantelet, Colette Veil aux éditions artistiques Apollo57 x 72,5 cmColour etching and aquatint on China paper applied on Japan paper, signed and annotated 'épreuve d'artiste' Footnotes:Nous remercions Mme Sylvie Buisson de nous avoir confirmé l'authenticité de cette oeuvreUn tampon d'authenticité pourra être apposé au dos, à la charge de l'acquéreurProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
LÉONARD TSUGUHARU FOUJITA (1886-1968)Les deux amies, 1927 Eau-forte et aquatinte en couleur sur Chine appliqué sur JaponSignée en japonais pour le prénom et en français pour le nom en bas à droiteNumérotée 67/100 en bas à gaucheÉditée par la Galerie Mantelet, Collette Veil aux éditions artistiques ApolloDimension feuille: 53,7 x 70,5 cmDimension sujet: 38,4 x 54,5 cmColour etching and aquatint on China paper applied on Japan paper, signed and numbered 67/100Footnotes:Nous remercions Mme Sylvie Buisson de nous avoir confirmé l'authenticité de cette oeuvreUn tampon d'authenticité pourra être apposé au dos à la charge de l'acquéreurProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ZAO WOU KI (1920-2013)Sans titre, 1957 (Agerup, 118)Eau-forte et aquatinte sur vélin sur Rives BFKSignée, datée et numérotée 91/95Imprimée par R. Dutrou, Paris Editée par La Hune, Paris Dimension feuille: 50 x 65 cmDimension sujet: 39,5 x 44 cmEtching and aquatint in vellum on Rives, signed, dated and numbered 91/95Footnotes:ProvenanceCollection particulière, ParisThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ZAO WOU KI (1920-2013)Sans Titre, 1974 (Agerup, 246)Gravure aquatinte sur vélinSignée et datée au crayon en bas à droite, numérotée 21/100Imprimée par Bellini, ParisPubliée par Galerie de France ParisDimension feuille: 27 x 21 cmDimension sujet: 19,7 x 16 cmAquatint etching on vellum, signed and dated in pencil lower right, numbered 21/100Footnotes:ProvenanceCollection particulière, FranceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PABLO PICASSO (1881-1973)Le Repos du Sculpteur III, 1933 (Bloch, 173; Baer, 326)Planche 64 issue de « La Suite Vollard »Eau-forte en noir sur vélin de Montval filigrané 'Vollard'Signée à la mine de plombImprimée par Lacourière, ParisEditée par Vollard, Paris33,8 x 45 cmBlack etching on Montval vellum, signed in pencil, from the edition of 250 (there was also the edition of 50 with wider margins)Footnotes:ProvenanceCollection particulière, AntibesThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JAMES ENSOR (1860-1949)La Cathédrale, 1886 (Croquez, 7bis)Eau-forte sur papier simili-JaponSignée au crayon en bas à droite et titrée au crayon en bas à gaucheDeuxième étatGrandes marges Dimension feuille: 47,4 x 35,3 cmDimension sujet: 24,6 x 19 cmEtching on Japanese-like paper, signed in pencil lower right and titled in pencil lower leftFootnotes:ProvenanceCollection particulière, FranceFor further information on this lot please visit Bonhams.com
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)Porque Esconderlos, planche 30 de Los Caprichos, 1799 (H.65)Eau-forte et aquatinte sur papier vergéPremière éditionDimension feuille: 31,7 x 22 cmDimension sujet: 21,4 x 14,9 cm Etching on laid paper, first editionFor further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)La Résurrection de Lazare, grande plaque, circa 1632 (B73, NH113)Eau-forte et gravure sur papier vergéHuitième état sur neufDimension feuille: 39,9 x 28 cmDimension sujet: 37 x 25,6 cm Etching and engraving on laid paper, eighth state of nineFor further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Homme dessinant d'après une Statue, 1641 (B130, NH192)Eau-forte sur papier vergéDernier état sur sixGrandes margesDimension feuille: 11,2 x 8 cmDimension sujet: 9,4 x 6,3 cmEtching on laid paper, the final sixth stateFor further information on this lot please visit Bonhams.com
ALBERTO GIACOMETTI (1901-1966)La double vue, 1964 Album comprenant une eau-forte intitulée 'La double-vue'(diptyque) d'Alberto Giacometti, signée et numérotée 82/111 à la plume sur la couverture ainsi qu'un pliage 'La pendule de profil' de Marcel Duchamp, signé, daté et numéroté Exemplaire numéroté 82/111 et signé par l'auteurÉditions Le Soleil Noir, ParisPrésenté dans son coffret d'origineDimension du coffret: 30 x 24 x 4 cmAlbum including an etching entitled 'La double-vue' (diptych) by Alberto Giacometti, signed and numbered 82/111 in pen on the cover and a folding 'La pendule de profil' by Marcel Duchamp, signed, dated and numbered. Album numbered 82/111 and signed by the authorThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)Autoportrait au Chapeau de velours avec une Plume, 1634 (B20, NH170)Eau-forte sur papier vergéTroisième état sur quatreAnnotée 'a Paris, chez Naudet MD d'estampes au Louvre, 1815' au verso à l'encre (L.1937)13,9 x 10,5 cm Etching, third state of four, on laid, annotated 'a Paris, chez Naudet MD d'estampes au Louvre, 1815' in ink verso (L.1937)For further information on this lot please visit Bonhams.com
FRANK STELLA (NE EN 1936) Spectralia from Imaginary Places, 1995 (Axsom and Kolb, 226)Lithographie, eau-forte, aquatinte et sérigraphie en couleursSignée, datée et numérotée 46/75 au crayon en bas à gauche (14 épreuves d'artiste ont été tirées en marge de l'édition numérotée)Publiée et imprimée par Tyler Graphics Ltd., New-York68,5 x 83,1 cmLithograph, etching, aquatint and silkscreen in colour, signed, dated and numbered 46/75 in pencil lower leftFootnotes:ProvenanceCollection particulière, FranceFor further information on this lot please visit Bonhams.com
REMBRANDT HARMENSZ VAN RIJN (1606-1669)La Présentation au Temple, oblongue circa 1639 (B49, NH184)Eau-forte sur papier vergéImpression tardiveQuatrième état sur cinq21,3 x 28,8 cm Oblong print, etching, on laid, a later impression of the fourth state of fiveFor further information on this lot please visit Bonhams.com
Julian Trevelyan (British 1910-1988) "Avignon" Signed, titled and numbered 9/65 in pencil in the margin, etching with aquatint.50.5 x 37.5cm (framed 80.5 x 60.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing, browning and undulations across the sheet. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Andrewes (George) A Dictionary of the Slang and Cant Languages: Ancient and Modern, hand-coloured linen-backed folding etching by George Cruikshank, trimmed, occasionally touching headline, evenly browned, later half-calf, a little rubbed, bumping to corners and extremities, small 8vo, [c.1809]. *** Scarce. Library Hub lists only one at the University of Cambridge, Trinity College. The author wrote this work so that thieves could be understood by the general public, he states that "one great misfortune to which the Public are liable, is, that Thieves have a language of their own; by which means they associate together in the streets, without fear of being over-heard or understood. "
Daniell (Thomas) and William Daniell. The Punj Mahalla Gate, Lucknow, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on Whatman wove paper without watermark date, platemark 485 x 660 mm (19 x 26 in), sheet 525 x 705 mm (20 3/4 x 27 3/4 in), handling creases, minor surface dirt, unframed, [Abbey 420], published by the artist, 1801 Provenance: From the Collection of the Late W.G. and Mildred Archer; thence by descent. Literature: Archer, Mildred, Early Views of India, The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980, no. 62. *** July-October 1789. 'The plainness and simplicity of this edifice is more striking than the richness of its decorations; a circumstances seldom occurring in gateways belonging to Mahomedan princes. This gate leads to a palace erected by Nawaub Sujah ul Dowla'. [Archer, op. cit.]
Daniell (Thomas) and William Daniell. View Near Bangalore, from Antiquities of India, etching and aquatint with full hand-colouring, an excellent impression on Whatman wove paper without watermark date, platemark 490 x 650 mm (19 1/4 x 25 1/2 in), sheet 530 x 710 mm (20 7/8 x 28 in), minor surface dirt and faint spots, unframed, [Abbey 420, no. 68], published by the artist, 1808. Provenance: From the Collection of the Late W.G. and Mildred Archer; thence by descent. Literature: Archer, Mildred, Early Views of India, The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980, no. 101.
Daniell (Thomas) The Great Pagoda, Tanjore, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper with watermark date of '1794', platemark 485 x 655 mm (19 x 25 3/4 in), sheet 535 x 740 mm (21 7/8 x 29 1/8 in), minor handling creases and small repaired nicks to edges, minor surface dirt, unframed, [Abbey 420, no. 50], published by the artist, 1798. Provenance: From the Collection of the Late W.G. and Mildred Archer; thence by descent. Literature: Archer, Mildred, Early Views of India, The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980, no. 125. *** September 1792. 'The Brihadisvara or Rajarajesvara Temple, which stands within a walled compound, was built about AD 1000. The tall pyramidal tower of the main shrine is covered with intricate sculpture and is topped by a massive domical capstone. [Archer, op. cit.]
*** Please note, the description of this lot has changed ***Daniell (Thomas) and William Daniell. Entrance to a Hindoo Temple, near Bangalore, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on Whatman wove paper with watermark date '1850', platemark 490 x 650 mm (19 1/4 x 25 1/2 in), sheet 530 x 710 mm (20 7/8 x 28 in), minor surface dirt and faint spots, unframed, [Abbey 420, no. 69], published by the artist, 1850 or later. Provenance: From the Collection of the Late W.G. and Mildred Archer; thence by descent. Literature: Archer, Mildred, Early Views of India, The Picturesque Journeys of Thomas and William Daniell 1786-1794, 1980, no. 102.
HENRY WILKINSON (1921-2011). Hunting scene with horse and ridge jumping a fence, signed in pencil lower right, etching on paper, framed and glazed, 15 x 17 cm, together with 'In the style of Lucy Kemp Welch', a study of a cow in a moorland landscape, unsigned, watercolour, framed and glazed, 18 x 23 cm (2)
After Paul Cezanne (1839-1906) & Jacques Villon (1875-1963)- A framed and glazed etching - 'La Montage Sainte-Victoire'. Inscribed Cezanne Pinx - Jacques Villon. With Musee du Louvre blind stamp lower left. Signed in the print only. Plate size 43.5cm x 60.5cm. (Foxing to lower left and bottom margin, slipped in frame)
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