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Click here to subscribeRembrandt van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, a later impression of New Hollstein's final state (of four), on thick ivory wove paper without watermark, platemark 112 x 65 mm (4 1/2 x 2 5/8 in), sheet 164 x 105 mm (4 5/8 x 2 3/4 in), wide margins (unframed)Literature:Bartsch 179; New Hollstein 49 iv/iv
** Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, but a later impression of New Hollstein's third state (of six) on fine laid paper without watermark, sheet 265 x 224 mm (10 3/8 x 8 3/4 in), trimmed on or just within the platemark, some heavy wear retouched with wash, but before reworking to the plate (unframed)Literature:Bartsch 44; New Hollstein 125 iii/vi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marc Chagall (1887-1985)Colère (Anger) II (Kornfeld 59)Etching printed in red ink, 1925, one of only 16 impressions on Japan paper, and very few in this colour, with full margins, sheet 250 x 190mm (9 7/8 x 7 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on thin wove paper without watermark, printing with tone, sheet 152 x 116 mm (6 x 4 1/2 in), thread margins, minor surface dirt (unframed)Literature:Bartsch 72; New Hollstein 206 ii/ii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Roy Lichtenstein (1923-1997)Illustration for "Hüm-Bum!", from La Nouvelle Chute de l'Amérique (Corlett 274)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, printed by Atelier Dupont-Visat, published by Les Editions du Solstice, Paris, on Arches paper, with full margins, sheet 481 x 354mm (18 7/8 x 13 7/8in)
δ Walter Sickert (1860-1942)Femme de Lettres (Bromberg 149)Etching, circa 1911/12, the fifth state, on wove paper, with full margins, sheet 241 x 291mm (9 1/2 x 11 3/8in)Provenance:Dominic Winters, Cirencester, 31st July 2020, lot 556Thomas Agnew & Sons label versoδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Adoration of the Shepherds: Night PieceEtching and drypoint, 1652, but a later impression of New Hollstein's eighth state (of eleven), on laid paper with indistinct watermark, sheet 151 x 198 mm (6 x 7 3/4 in), thread margins, the wooden planks behind the Virgin and Child have been lightly scraped of their etched lines, some ink wash in places to heavily worn areas (unframed)Literature:Bartsch 46; New Hollstein 300 viii/xi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Salvador Dalí (1904-1989)La Tauromachie Individuelle (Field 72-11; M&L153b)Etching with aquatint printed in colours, 1966, signed in pencil, numbered from the edition of 250, printed and published by Pierre Argillet, Paris, published, on Arches paper, with full margins, sheet 503 x 660mm (19 3/4 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth or seventh state (of eight) on laid paper without visible watermark with sheet mounted onto support, with some signs wear to the plate, sheet 543 x 415 mm (21 3/8 x 16 1/4 in), trimmed within the platemark and lacking publisher's imprint, skimming verso to several areas, old handling creases, nicks and minor abrasions, some even toning (unframed)Literature:Bartsch 81; New Hollstein 119 vi-vii/viii
δ David Hockney (b.1937)A Room Full of Straw, from Illustrations for Six Fairy Tales of the Brothers Grimm (MCA Tokyo 101)Etching with aquatint, 1969, signed in pencil, numbered from the edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, on wove paper, with full margins, sheet 450 x 410mm (17 3/4 x 16 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Adriaen Jansz van Ostade (1610-1685)The Backgammon PlayersEtching, circa 1682, a well inked impression of the fifth state (of six) on laid paper without watermark, platemark 83 x 71 mm (3 1/4 x 2 7/8 in), sheet 99 x 85 mm (3 7/8 x 3 1/4 in), some minor spotting and light surface dirt (unframed)Provenance:Unidentified collector's ink stamp [apparently not in Lugt]Literature:Bartsch, Hollstein 39 v/vi
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth state (of eight), on laid paper with text-based watermark that reads 'P S RVE', with some signs wear in the plate, platemark 532 x 412 mm (21 x 16 1/4 in), sheet 544 x 415 mm (21 3/8 x 16 1/4 in), horizontal crease with careful repair to splitting, minor handling creases, some careful small repairs to extremities (unframed)Literature:Bartsch 81; New Hollstein 119 vi/viii
δ Salvador Dalí (1904-1989)Hommage à Dürer, from Hommage à Albrecht Dürer (Field 71-8 M; M&L 508b)Etching with pochoir in colours, 1972, signed in pencil, numbered from the edition of 50 in Roman numerals, published by Vision Nouvelle, on Japon paper, with full margins, sheet 512 x 675mm (20 1/8 x 26 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later impression of New Hollstein's second state (of four), printing with the two dots in the upper right corner but before further rework, on laid paper without watermark, platemark 209 x 158 mm (8 1/4 x 6 1/4 in), sheet 213 x 170 mm (8 3/8 x 6 3/4 in), some signs of wear in the densely hatched areas, small marginal repaired nick to centre right edge, further marginal repair to centre left visible verso (unframed)Literature:Bartsch 280; New Hollstein 286 ii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's third state (of four) on laid paper without watermark, platemark 118 x 89 mm (4 5/8 x 3 1/2 in), sheet 121 x 91 mm (4 3/4 x 3 5/8 in), some toning and spotting to sheet (unframed)Literature:Hind 148; New Hollstein 165 iii/iv
** Rembrandt van Rijn (1606-1669)The Angel departing from the Family of TobiasEtching, 1641, but a later slightly grey-black impression of New Hollstein's fifth state (of nine), on fine laid paper without watermark, sheet 105 x 156 mm (4 1/8 in x 6 in), thread margins, repaired tear lower centre (unframed)Literature:Bartsch 43; New Hollstein 189 v/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ David Hockney (b.1937)French Shop (MCA Tokyo 112)Etching with aquatint, 1971, signed and dated in pencil, numbered from the edition of 500, printed by Shirley Clement Print Shop, Amsterdam, published by Observer, London, on BFK Rives paper, with full margins, sheet 625 x 535mm (24 1/2 x 21in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a very good but later impression of New Hollstein's sixth state (of nine) on laid paper with slightly indistinct text-based watermark, platemark 373 x 256 mm (14 3/4 x 10 1/8 in), good margins, some marginal nicks to extremities, faint vertical abrasion along the right quadrant of image, minor spotting (unframed)Literature:Bartsch 73; New Hollstein 113 vi/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with touches of drypoint, 1635, but a later impression of New Hollstein's third state (of four), on laid paper without watermark, platemark 137 x 171 mm (5 3/8 x 6 3/4 in), sheet 161 x 188 mm (6 3/8 x 7 3/8 in) (unframed)Literature:Bartsch 69; New Hollstein 139 iii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Three impressions of the etching, 1873, from the posthumous edition, printed after 1906, on laid paper, with full margins, each 250 x 165mm (9 7/8 x 6in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Jerome Praying: ArchedEtching, 1632, a fine delicate impression of New Hollstein's first state (of five) on laid paper without watermark, platemark 107 x 81 mm (4 1/4 x 3 1/4 in), sheet 114 x 86 mm (4 1/2 x 3 3/8 in), small spot just below the lion, small expert repairs to the upper margin, minor marginal nick to the lower right corner (unframed) Literature:Bartsch 101; New Hollstein 112** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a later impression of New Hollstein's fourth state (of five), on laid paper mounted onto conservation support, total sheet 399 x 318 mm (15 3/4 x 12 1/2 in), trimmed to or within the borderline, re-margined, some careful repairs to old splits and small losses (unframed)Literature:Bartsch 99; New Hollstein 173 iv/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), printing before Watelet's scratched signature and subsequent rework to the farmhouse, on fine ivory laid paper without watermark, platemark 102 x 127 mm (4 x 5 in), sheet 110 x 134 mm (4 1/8 x 5 1/8 in), some uneven thread margins (unframed)Literature:Bartsch 237; New Hollstein 251 ii/v
δ Salvador Dalí (1904-1989)Memorabilia, from Aurelia (Field 72-5C; M&L563b)Drypoint with etching and aquatint printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Aterliers Rigal, published by Editions d'Art de Francony, Paris, on Auvergne Richard de Bas paper, with full margins, sheet 577 x 796mm (22 7/8 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Bald Headed Man in Profile Right: the Artist's Father (?)Etching, 1630, a good impression of New Hollstein's final state (of five) on laid paper without watermark, sheet 71 x 59 mm (2 7/8 x 2 1/4 in), showing some signs of wear in the heavily cross hatched areas, trimmed to or on the platemark, laid onto conservation tissue support, crease and repair to upper left corner (unframed)Literature:Bartsch 292; New Hollstein 62 v/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, a dark impression of New Hollstein's first state (of two), printing with the rust marks along the upper plate edge but before later rework, on laid paper with Arms of Amsterdam watermark with letters 'A.I.' [cf. Hinterding D-d-a], platemark 125 x 214 mm (4 7/8 x 8 3/8 in), sheet 130 x 217 mm (5 1/8 x 8 1/2 in), rust spot in the upper left quadrant (unframed) Literature:Bartsch 65; New Hollstein 267 i/ii
Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a later impression of New Hollstein's final state (of four), printing with some plate tone on thick laid paper without watermark, platemark 73 x 102 mm (2 7/8 x 4 in), sheet 75 x 105 mm (3 x 4 1/8 in), small margins (unframed)Literature:Bartsch 68; New Hollstein 138 iv/iv
δ Salvador Dalí (1904-1989)Vision de Paradis, from La vida es sueño (Field 73-1-K; M&L 517a)Etching with aquatint printed in colours, 1971, signed in pencil, numbered from the edition of 250, published by Editeuropa, Monaco, with their blindstamp, on Richard de Bas paper, with full margins, sheet 587 x 794mm (23 1/8 x 31 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Rest on the Flight: a Night PieceEtching with drypoint, circa 1644, a good impression of New Hollstein's seventh state (of nine), with some signs of wear in the plate but before further rework, on ivory laid paper without watermark, platemark 90 x 57 mm (3 1/2 x 2 1/4 in), sheet 97 x 65 mm (3 7/8 x 2 1/5 in), perforation restored within the centre of the plate with careful retouching (unframed) Literature:Bartsch 57; New Hollstein 216 vii/ix
11. William Blake (1757-1827) engraver after John Flaxman (1755-1826), stipple engraving and etching on paper, Pandora Opening The Vase, from Compositions fromthe Works, Days and Theogony of Hesiod, published by Longman, Hurst, Rees, Orme and Brown 1817, 14cm x 21cm, mounted, glazed and framed. Flaxman, a close friend of Blake, was the much more successful artist at the time and used his name to help the struggling Blake with engraving commissions. According to The William BlakeArchive, the Hesiod etchings “are one of Blake’s major endeavours as a commercial etcher/engraver of designs by other artists … Without the Hesiod project, Blake andhis wife Catherine might have descended into dire poverty.”
Tom McGuiness (British 1926-2006) "Miners Going Inbye" Signed, titled and dated '77 in pencil in the margin, numbered 45/50, etching with aquatint.plate size 8.5 x 12cm (framed 29 x 34.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the margins. The print is ornately framed and glazed.
Geoffrey Key (British 1941-) "Head" Signed and dated '79 in pencil in the margin, an artist's proof, titled on artist's label verso, drypoint etching.20 x 15cm (framed 50 x 45cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the margins. The print is ornately framed and glazed.
James Taylor Dolby (British 1909-1975) A lamplit street scene with figures Signed and dated 1931 in pencil in the margin, dedicated to Mr and Mrs Jack Clarkson, etching.19.5 x 18cm (framed 40 x 29cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There is some light time staining and browning around the edges of the paper near the mount board and some minor spots of foxing across the sheet. The print is framed and glazed. There is extensive foxing and staining across the mount. The original frame has some minor scuffs and knocks commensurate with age.
After Rembrandt Harmensz. van Rijn Four Illustrations to a Spanish Book (B., Holl. 36; H. 284) the rare set of four etchings with engraving and dry point, 1655, later pressing, framedThe 4 etching depict - David and Goliath, Daniel's Vision of the four Beasts, MENASSEH BEN ISRAEL and Piedra gloriosa o, De la Estatua de Nebuchadnesar [Glorious stone, or On the Statue of Nebuchadnezzar].
FLIEGERBAUER, Max(1874 Etzelbach - 1952 Rudolstadt) "Birkenweg"Radierung. Bleistiftsignatur. In der Platte datiert: 1932.Druckplatte: 24,5 x 19 cm. Gerahmt & hinter Glas43,5 x 34,5 cm.Blatt lichtgebräunt.Deutscher Maler und Grafiker aus Rudolstadt. FLIEGERBAUER, Max(1874 Etzelbach - 1952 Rudolstadt) "Birkenweg"Etching. Pencil signature. Dated in the plate: 1932.Print plate: 24.5 x 19 cm. Framed & behind glass43.5 x 34.5 cm.Sheet light browned.German painter and graphic artist from Rudolstadt.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MECKING, Fritz(*1920 Bielefeld - 1988) Hügelige WinterlandschaftFarbradierung. Bleistiftsignatur. Künstlerexemplar "e.a.".Druckplatte: 9,8 x 14,7 cm. Gerahmt & hinter Glas29 x 40,8 cm. MECKING, Fritz(*1920 Bielefeld - 1988) Hilly winter landscapeColor etching. Pencil signature. Artist's copy "e.a."Print plate: 9.8 x 14.7 cm. Framed & behind glass29 x 40.8 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
REINHOLD, Bruno(1891 Berlin - 1973 Berlin) "Eosanderportal Schloss Berlin"Radierung. Bleistiftsignatur.Druckplatte: 36 x 25 cm. Gerahmt & hinter Glas50,5 x 39,5 cm.Blatt etwas lichtgebräunt.Deutscher Maler und Grafiker. REINHOLD, Bruno(1891 Berlin - 1973 Berlin) "Eosanderportal Schloss Berlin"Etching. Pencil signature.Printing plate: 36 x 25 cm. Framed & behind glass50.5 x 39.5 cm.Sheet somewhat light browned.German painter and graphic artist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HERZOG, Walter(*1936 Dresden) "Stufen - aufsteigend"Radierung mit leicht getöntem Plattenfond. Bleistiftsignatur. Exemplar: 46/75.Platte: 29,5 x 29 cm. Gerahmt & hinter Glas51 x 41 cm. Deutscher Zeichner und Grafiker. HERZOG, Walter(*1936 Dresden) "Steps - ascending"Etching with slightly tinted plate background. Pencil signature. Copy: 46/75.Plate: 29.5 x 29 cm. Framed & behind glass51 x 41 cm. German draftsman and graphic artist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HARTMANN, Fritz(1878 Wuppertal - 1961 Wuppertal) "Rothenburg Kobolzellertor"Aquarellierte Original-Radierung. Bleistiftsignatur.Druckplatte: 35 x 25 cm. Gerahmt & hinter Glas49,5 x 37,5 cm.Blatt lichtgebräunt.Deutscher Maler und Radierer der Düsseldorfer Malerschule. HARTMANN, Fritz(1878 Wuppertal - 1961 Wuppertal) "Rothenburg Kobolzellertor"Aquarellellierte original etching. Pencil signature.Printing plate: 35 x 25 cm. Framed & behind glass49.5 x 37.5 cm.Sheet light browned.German painter and etcher of the Düsseldorf school of painting.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ROTHE, Wilhelm(1783 - 1845) Blick auf die Leuchtenburg bei Kahla an der SaaleKolorierte Umrissradierung. Im Druck signiert.Platte: 55,5 x 65,5 cm. Gerahmt & hinter Glas66,5 x 79,5 cm. Ansicht der Leuchtenburg bei Kahla in Thüringen in ländlicher Umgebung, im Vordergrund Staffagefiguren, bezeichnet "Schloss Leuchtenburg bei Kahla an der Saale | Seiner koeniglichen Hoheit dem Herrn Ludwig X. reg. Grossherzog von Hessen-Darmstadt und bei Rhein etc."; nach einem Gemälde von Johann Carl August Richter (1785 - 1853) Stärker lichtgebräunt, stockfleckig.Provenienz : Aus Thüringer Adelsbesitz, Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Bestand Schloss Poschwitz. ROTHE, Wilhelm(1783 - 1845) View of the Leuchtenburg near Kahla on the SaaleColored outline etching. Signed in print.Plate: 55.5 x 65.5 cm. Framed & behind glass66.5 x 79.5 cm.View of the Leuchtenburg near Kahla in Thuringia in rural surroundings, in the foreground staffage figures, inscribed "Schloss Leuchtenburg bei Kahla an der Saale | Seiner koeniglichen Hoheit dem Herrn Ludwig X. reg. Grossherzog von Hessen-Darmstadt und bei Rhein etc."; after a painting by Johann Carl August Richter (1785 - 1853) Stronger light browned, foxing.Provenance : From Thuringian nobility, restitution property with inventory number of the Residenzschloss Altenburg, formerly stock Poschwitz Castle.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ROHR, Wilhelm(1848 Leipzig - 1907 München) Mappe - "Die Cisterzienser"14 + 1 Radierung. 1 Radierung mit Bleistiftsignatur. Mappe: 50 x 62 cm. Vollständige Original-Klappmappe "Die Cisterzienser von Rohr" mit 14 Original-Radierungen, Titelblatt mit Widmung "Zur freundlichen Erinnerung an die schönen Tage in Stams" und 4-seitigem typografischem Einführungstext auf 2 Blättern von Adolf Harnack, verziert mit Radierung des Klosters Stams Je stockfleckig, je mit größerem Wasserfleck, je an den Rändern mit Bestoßungen, Mappe stärker defekt. Deutscher Maler, Radierer und Kupferstecher. ROHR, Wilhelm(1848 Leipzig - 1907 Munich) Folder - "The Cistercians"14 + 1 etching. 1 etching with pencil signature. Folder: 50 x 62 cm. Complete original folders "The Cistercians of Rohr" with 14 original etchings, title page with dedication "To the friendly memory of the beautiful days in Stams" and 4-page typographical introductory text on 2 sheets by Adolf Harnack, decorated with etching of the monastery of Stams Each foxed, each with larger water stain, each at the edges with bumps, folder more defective. German painter, etcher and engraver. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
5 Werke des Weimarer Radiervereins5 Radierungen. Je in der Platte signiert. Gerahmt & hinter GlasMax. 60 x 45 cm. Oscar Schulz: Großmutter und Enkelin, [1889], Druckplatte: 22 x 16 cm | "Studienkopf à la Rembrandt", [1888], Druckplatte: 22 x 16 cm, 13,3 x 9,1 cm, gerahmt & hinter Glas je: 51 x 37 cm | "Bäuerin", [1889], Druckplatte: 16 x 12,1 cm, gerahmt & hinter Glas: 57 x 42 cm; Max Thedy: "Studienkopf", [1888], Druckplatte: 19,8 x 15 cm und Otto Fröhlich: "Die Großmutter", [1901], Druckplatte: 20 x 14,1 cm, gerahmt & hinter Glas: 60 x 45 cm 5 works of the Weimar Etching Society5 etchings. Each signed in the plate. Framed & behind glassMax. 60 x 45 cm. Oscar Schulz: Grandmother and Granddaughter, [1889], printing plate: 22 x 16 cm | "Study Head à la Rembrandt", [1888], printing plate: 22 x 16 cm, 13.3 x 9.1 cm, framed & behind glass each: 51 x 37 cm | "Peasant Woman", [1889], printing plate: 16 x 12.1 cm, framed & behind glass: 57 x 42 cm; Max Thedy: "Study Head", [1888], printing plate: 19.8 x 15 cm and Otto Fröhlich: "The Grandmother", [1901], printing plate: 20 x 14.1 cm, framed & behind glass: 60 x 45 cm .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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