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Lot 97
Three Bernard Eyre Walker (1887-1972) Boats moored by the mill at low tide, etching, signed lower right, dimensions approx. 15cm x 24cm together with Bernard Eyre Walker, Bargate Boston, etching, signed and titled in pencil, approx. 19cm x 29cm and Bernard Eyre Walker, Marshland landscape with Church to background, signed in pencil lower right, approx. 13cm x 20cm (3)
Lot 492
Norman Ackroyd CBE, RA b.1931, black and white etching entitled 'Wharfdale in Winter', nr 6/20, signed and dated 1983 in the margin, approx 28.5 x 24 cms, framed and glazed. Note: born in Yorkshire he attended Leeds College of Arts (1957-1961) and the Royal College of Art, London (1961-1964) where he studied under Julian Trevelyan, he now lives and works in London SW1.
Lot 1445
Salvator Rosa, 1615 - 1673Etching: "The Rescue of the Infant Oedipus," 73cms x 48.5cms (28 3/4" x 19") etching with dry point Second State of Two, a very good impression, Signed 'pinxit' in recent hogarth frame; together with Peter Paul Rubens, Pinxit, 1623 Engraving: "The Nativitiy," Serenissimo Maximilano Utrisque Bavariae Duci et Christianae Religionis ... Petrus Paulus Rubenius Venerabundus Dedicabit Concecrabatq. approx. 56cms x 73cms (22" x 28 3/4"), in black frame. As an engraving, w.a.f. (2)
Lot 1456
18th Century English School"Lady and Child with Bird Cage," gilt highlighted oval glass Etching, approx. 18cms x 15cms (7" x 6") in ornate gilt frame. (1)* With Exhibition label on reverse "Fine Arts Exhibition 187?" - 'Etching by Mrs. Willmot in 1776, the last wife of William Wilmot Esq., who was Second Son of Sir Robert Wilmot the First Bart of Osmaston, Derby.'
Lot 644
FANAKPAN (BRITISH CONTEMPORARY), DANCE LIKE SOMEBODY IS WATCHING etching and screenprint, signed 60cm x 43cm Unframed Note: Certificate of authenticity verso. Note: Fanakapan is a prolific London-based street artist known for creating hyper realistic visuals of real life objects. His free hand, spray painting skills and the unmatched combination of shadow and reflective highlights he adds to his absolutely mind-boggling art works have earned him a stellar reputation within the urban contemporary art scene. Approximate retail value £300 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
![A Vintage print titled The Seed Gatherers by M.Foster Knight, Etching print of various figures and a limited edition [15/50]](https://cdn.globalauctionplatform.com/f9b96414-d04f-4627-b354-ac3a00d765d5/c73ee040-8951-43c6-aa88-ac3d0180be6b/468x382.jpg)
Lot 1104
Lionel Ellis, NS, ARCA (B.1903) Still life of a jug, pomegranate and pears, signed, oil on canvas, together with a small collection of other drawings, paintings and prints to include a study of a cat, a ploughing scene, a view of ''Highgate from Upper Holloway'', market scene signed and inscribed R besse verso, etching by Armand Coussens, engraving after Guido Reni, etc (qty)
Lot 167
Rijn (Rembrandt van, 1606-1669) Old Man with Beard, Fur Cap, and Velvet Cloak, etching with drypoint, a slightly worn impression of New Hollstein's second state (of three), but before later rework, on cream laid paper without watermark, platemark 145 x 130 mm (5 3/4 x 5 1/8 in), sheet 150 x 134 mm (5 7/8 x 5 1/4 in), minor browning to sheet with some faint damp-stain in the upper centre and upper right quadrant, faint handling creases, unframed, [circa 1631]Literature:Hind 92; New Hollstein 92
Lot 168
Rijn (Rembrandt van, 1606-1669) The Descent from the Cross: Second Plate, etching and engraving, a later impression of New Hollstein's sixth state (of eight) before the addition of Lamoureux's address in the lower right corner and further re-work, on laid paper without watermark, platemark 535 x 412 mm (21 x 16 1/4 in), sheet 595 x 465 mm (23 1/2 x 18 1/4 in), central vertical and horizontal folds, some splitting to folds and associated creases, numerous marginal nicks and tears, some damp-stains and surface dirt, several small perforations within image, unframed, [circa 1633, but later] Literature:Hind 103; New Hollstein 119 vi/viii
Lot 169
Rijn (Rembrandt van, 1606-1669) The Return of the Prodigal Son, etching, a good impression of New Hollstein's first state (of three), the lightly etched landscape in the background printing clearly, on laid paper with large armorial watermark, platemark 158 x 136 mm (6 1/4 x 5 1/4 in), sheet 166 x 142 mm (6 1/2 x 5 5/8 in), minor spotting and browning, one or two small areas of scraping verso, not affecting recto, numbered '70' in pencil in the lower margin, unframed, [1636]Provenance:Ex-collection of John Murray, antiques dealer and friend of Percy Webster (clockmaker), active circa 1900;Then by descent;Private collection, Hertfordshire, UKLiterature:Hind 147; NH 159 i/iii
Lot 170
Old and modern master prints.- Hamerton (Philip Gilbert) Etching & Etchers, third edition, extra-illustrated with over 40 prints, title printed in red and black with engraved vignette after Rembrandt, 48 etched or photogravure plates as published, and with over 40 additional original etchings, engravings and heliogravures, original roan-backed boards, 4to, Macmillan, 1880⁂ Additional prints of note include: Rembrandt van Rijn (1606-1669), Jakob Thomasz Haringh (The Young Haring), a later impression of the reduced plate [1655]; a lithographic facsimile after Albrecht Dürer's The Nativity, from Life of the Virgin; Adriaen van Ostade's, The Painter in His Studio, [1667, but likely a later impression]; Nicholas Berchem's Animalia, the set of six, with two additional etchings by Berchem; two Italian landscape etchings by Jan Both; Charles Meryon's Nouvelle-Zélande, Greniers Indigènes et Habitations à Akaroa (Presqu'île de Banks, 1845), 1860; David Wilkie's The Lost Receipt, and Reading the Will; James Abbott McNeill Whistler's Landscape with Horses, and Billingsate; and Samuel Palmer's Sunset, and The Sepulchre.
Lot 172
Bookseller's trade card.- Bickham the Elder (George, 1683-1758) Trompe-l'œil medley print with portraits, letters, and playing cards, large format trade card, etching and engraving on laid paper with Pro Patria watermark, sheet 320 x 240 mm (12 1/2 x 9 1/2 in), trimmed within the platemark, handling creases and old folds visible, several small tears to extremities, some minor losses, browning and surface dirt, particularly to upper edge, unframed, published by Henry Overton I, [circa 1705 or slightly later]⁂ Scarce. The British Museum hold another impression from this plate with Henry Overton's publication details replaced with those of the publisher Cluer Dicey (c. 1713-1775); the present impression appears to be the earlier of the two.
Lot 173
Bookseller's trade card.- Slater (Thomas, active circa 1670-1710) Trompe-l'œil medley print with portraits, letters, landscapes, and cards, large format trade card, etching and engraving on laid paper with large Strasbourg Lily watermark with initials 'LVG' underneath [datable to circa 1770-1790], sheet 412 x 268 mm (16 1/4 x 10 1/2 in), trimmed within the platemark, inset at edges onto paper mount, handling creases and old folds visible, nicks and tears to extremities, some browning and surface dirt, particularly to right edge, unframed, [circa 1707, but a later 18th century impression]⁂ Scarce. A highly decorative oversized trade card. The British Museum hold another impression from this plate with several additions, which in this impression are burnished out; notably two playing cards and a portrait of the Duke of Marlborough with Henry Overton's publication details below, which are here replaced with those of Thomas Slater.
Lot 178
Game.- Daumont (Jean Francois, publisher) and Jean Baptiste Crepy. Le Nouveau Jeu de la Marine, game board with numbered pictorial compartments from 1 to 63, arranged in a spiral, each bearing a nautical term, arranged around a central panel in which are detailed the rules and a British ship, further maritime vignettes, compass roses and windheads in the corners, etching and engraving with early hand-colouring, sheet 485 x 720 mm (19 x 28 1/4 in), under glass, central and vertical old folds, surface dirt and some browning, handling creases, framed, [late 18th century].
Lot 336
Eldred Lea (British c.1806-?): Male and Female Nude Studies from Life, pencil drawing unsigned 7cm x 9cm, After Charles Hamilton Smith (British 1776-1859): 'Wedgetailed Eagle', hand-coloured engraving pub G.B. Whittaker, London 1827, three further ornithological hand-coloured engravings, and an etching of a townscape unsigned, max 12cm x 17cm (6) - Condition Report
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78408 item(s)/page