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Lot 1072
Bernard Picart (Paris 1673 - Amsterdam 1733) - The Revolt of Mattathias, pen and black & grey ink and wash, signed and dated 1698 lower centre, 14 x 21cmPossibly a sketch for the etching produced (reversed) by David Martin (1639-1721) of the same title, for his Histoire du Vieux et du Nouveau Testament published in 1700 and commonly known as the Mortier Bible. Condition Report / Extra Information Partially stuck on paper mount.Small tear to upper right corner.Some faint yellowing and light foxing.Trimmed.
Lot 182
After Graham Evernden (b.1947) an etching with aquatint `Home Field, AP XX/XX` signed in pencil by the artist, mounted and framed under glass, image size 29 cm x 39 cm. Est £80 - £120 This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply
Lot 183
After Graham Evernden (b.1947) an etching with aquatint `Rook Tor, 104/200` signed, titled and numbered in pencil by the artist, mounted and framed under glass, image size 29 cm x 39 cm. Est £80 - £120 This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply
Lot 272
MISS ADA M WILLIAMS "A Tudor village", pencil and watercolour, signed lower right, inscribed on "Carlton Gallery" label verso, together with AFTER JOHN BRUNSDON "Suffolk beach", coloured etching, limited edition No'd. 52/100, signed lower right to margins and titled lower left CONDITION REPORTS The Brunsdon print has areas of foxing, some foreign objects behind the glass. Some fading and discolouration, expecially to the corners. See images for details.
Lot 1206
Collection of three late-Georgian satirical caricatures: 'New Metropolitan Police Men on Duty' ('A Metropolitan Police Constable seizing a desperate villain'), hand-coloured etching on wove paper by "Sharpshooter", published in London by John Fairburn, September 18 1829, 32cm x 23cm. 'The Silver-Oar versus The White-Wand -or- The Helmsmen', depicting the Duke of Wellington (Prime Minister), King George IV, and Prince William, Duke of Clarence (the cartoon is satirising the dismissal of the Prince as Lord High Admiral), hand-coloured etching on wove paper, published by John Fairburn, August 1828, 32cm x 22cm. 'Writing the K-g's Speech', depicting the Duke of Wellington and Sir Robert Peel seated at a table, hand-coloured lithograph, John Doyle (HB), c.1830, 31cm x 24cm. All three framed & glazed. (3)
Lot 1214
Small collection of late-15th to 17th-century engravings, including: ‘Cerve Fugax Facilis Varios Audire Sonores’, engraving on laid/chain-lined paper, possibly after Maerten de Vos (1532-1603), from ‘The Five Senses’; David with the Head of Goiliath, 17th-century engraving; ‘Les Trois Graces’, 17th-century etching, also ‘Jupiter et Europe’, possibly Peter Beretin de Cortona; woodcut illustration of a badger taken from a 17th-century work, probably ‘Paralipomena’; c.1577 engraving depicting Ruth and Boaz in the barn, possibly Hendrick Goltzius (1558-1617) / Johannes Janssonius (1596-1664). Together with three lithographic botanical plates by P. Stroobant, and a hand-coloured etching depicting dog breeds, published 1791 for the Royal Encyclopaedia, plus a small collection of 19th-century bookplates. Condition varied. To also include a pair of 17th-century ink drawings, possibly German, still lifes with flowers and fruit in baskets, dark brown ink heightened with grey watercolour, on laid/chain-lined paper, with attribution letter from Philips, dated 1999, suggesting German School.
Lot 121
Saint Helena.- Wathen (James) Six plates from 'A Series of Views Illustrative of the Island of St. Helena', plates 3 through to 8 only (9), etchings and aquatint with hand-colouring, on Whatman wove paper several watermarked with date '1821', each sheet approx. 240 x 305 mm. (9 1/2 x 12 in), or the reverse, minor surface dirt, nicks and tears, handling creases, loose, unframed, published by T. Clay, [1821]; together with another view 'James Town, St. Helena, looking to Ladder Hill Barracks', by Clark after Wathen from a 'Voyage to India', etching and aquatint with hand-colouring, on wove paper without watermark, 210 x 270 mm. (8 1/4 x 10 5/8 in), large tear across lower left quadrant, other minor nicks, some surface dirt and light browning, unframed, [1820s] (8).Literature:cf. Abbey Travel 314
Lot 122
Saint Helena.- Durand-Brager (Jean Baptiste Henri), after. Three views of Saint Helena, 'Rade et Ville de Jame's Town', Long-Wood', 'Vue de James-Town', tinted lithographs, on thick wove paper, each sheet approx. 440 x 580 mm. (17 1/4 x 22 3/4 in), and smaller, nicks and tears, some spotting and surface dirt, [Edité par Gide, Paris, 1844]; together with three other works, including 'Tombeau de Napoléon', by Hostein after Sanson, an etching with mezzotint of Napoleon in gardening attire, and an engraved view of Saint Helena, various sizes, all unframed, [early 19th century] (6).
Lot 151
Napoleon.- Voltz (Johann Michael), after. Napoleon, satirical broadside with hand-coloured etching and letterpress text, on wove paper without watermark, sheet 475 x 300 mm. (18 3/4 x 11 3/4 in), large tear running into text at lower centre, other minor smaller tears at extremities, with one running into the image at upper edge, scattered surface dirt, light damp-stain, unframed, published by Ackermann, [1814].Literature:BM Satires 12202
Lot 64
Goya (Francisco, 1746-1828) Pepo Illo doing homage as he "plays" the bull, plate 29 from La 'Tauromaquia', etching, burnished aquatint, drypoint and burin, on laid paper with partial text-based watermark in italics ending 'hes', platemark 240 x 350 mm. (9 1/2 x 13 3/4 in), sheet 320 x 490 mm. (12 1/2 x 19 1/5 in), acidic stain from previous mount just outside the platemark, otherwise minor surface dirt, [1815 and later].
![NO RESERVE Williamson (Capt. Thomas) and Samuel Howitt [Oriental Field Sports], a group of eight plates only (of 41), includi](https://cdn.globalauctionplatform.com/8bfd4c67-462b-4808-a885-a90400f46e61/83456583-d698-43f0-df91-29f0ebb0ddc7/468x382.jpg)
Lot 98
NO RESERVE Williamson (Capt. Thomas) and Samuel Howitt [Oriental Field Sports], a group of eight plates only (of 41), including numbers V, XVII-XIX, XXI, XXIII-XXIV, and XXIX, etching and aquatint, coloured by hand, each sheet c. 365 x 470 mm. (14 3/8 x 18 1/2 in), under glass, minor surface dirt, light spotting, laid down onto support, mount affixed partially over sheets, [Abbey Travel 427], Edward Orme, [1805-7].
Lot 803
After James Abbott McNeill Whistler (1834-1903) - 'Billingsgate', signed within the plate and dated 1859, also inscribed on an exhibition label verso, black and white dry point etching, 6" x 8.75" (pl) **Provenance with Marjorie Parr, Wills' Lane, St. Ives, Cornwall, also at 285, Kings Road, Chelsea, SW3, also ex. collection Mr Angliss
Lot 844
Paul Francis Bernard Cyr (British, 20th Century), Spring landscape, signed, titled, dated and numbered in pencil 'Paul Cyr, 89, 1/10' (in lower margin) and bears Royal Academy Summer Exhibition 1990 label with title and artist's name (verso), etching with aquatint, 11 x 16cm. May be subject to ARR
Lot 885
William Lee Hankey (British, 1869-1952), A landscape with a bridge across a river, signed and indistinctly titled in pencil 'W Lee Hankey' (in lower margin), etching, 18 x 25cm, together with another etching by the same hand, 15 x 20cm, an etching by Sidney Tushingham, of children in a field outside a city, 19 x 29cm, an etching of a river by Audley Ashtin (unframed), and a colour print of donkeys, indistinctly signed (5). May be subject to ARR
Lot 37
NO RESERVE Piranesi Giovanni Battista. Veduta della Dogana di Terra a Piazza di Pietra. Roma: 1751-1778 circa. Incisione all'acquaforte (mm 610x445 alla battuta) su carta forte, pieni margini con piccoli strappi lungo quello superiore. Piega in alto al centro. Lievi arrossature. Ottima impressione. Diciture: in basso a sinistra 'Questa fu fabbricata sulle rovine del Tempio di M. Aurelio Antonino Pio nel suo Foro. 1 Avanzo di Colonne rimaste, oggi mezzo internate nella nuova Fabbrica 2 Architrave antico ristorato 3 Cornicione, ed Ordine Attico nuovamente rifatto'; al centro 'Veduta della Dogana di Terra a Piazza di Pietra'; a destra '4 Abitazione moderna 5 Collegio Bergamasco 6 Quartiere de' Soldati 7 Strada che va al Corso'; sempre a destra più sotto in piccolo 'Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti'; a destra sotto l'immagine 'Piranesi Architetto fec'. Proviene dalla raccolta Vedute di Roma disegnate ed incise da Giambattista Piranesi Architetto Veneziano. Hind 32, IV Stato su VI. Etching (platemark 610x445 mm) on strong paper. 4th state of 6. Minor tears to the upper margin. A crease to top, at centre of plate. Pale foxing. Very good impression. Inscriptions: on bottom left, 'Questa fu fabbricata sulle rovine del Tempio di M. Aurelio Antonino Pio nel suo Foro. 1 Avanzo di Colonne rimaste, oggi mezzo internate nella nuova Fabbrica 2 Architrave antico ristorato 3 Cornicione, ed Ordine Attico nuovamente rifatto'; at the centre 'Veduta della Dogana di Terra a Piazza di Pietra'; on the right side '4 Abitazione moderna 5 Collegio Bergamasco 6 Quartiere de' Soldati 7 Strada che va al Corso' and, in smaller size, 'Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti'; on the right side, below the view of the Dogana, 'Piranesi Architetto fec'. The etching is taken from the celebrated collection Vedute di Roma, drawn and engraved by Giambattista Piranesi Architetto Veneziano. Hind 32, IV State of VI.
Lot 53
NO RESERVE Chagall Marc. 2 acqueforti originali acquerellate a mano tratte dalla serie Favole di La Fontaine. 1927-1930.Il lotto comprende:Les deux Perroquets, le Roi et son Fils. 1927-1930 Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 295x239). Firma incisa dell'artista. Esemplare in perfetto stato di conservazioneLe Singe et le Léopard. 1927-1930Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 297x246). Firma incisa dell'artista. Esemplare in perfetto stato di conservazione.Chagall Marc. Two original hand-coloured etchings, taken fron the series Fables by La Fontaine. 1927-1930.The lot includes:Les deux Perroquets, le Roi et son Fils. 1927-1930 Original hand-coloured etching, printed on paper Montvald (mm 295x239). Engraved artist's signature. In excellent condition.Le Singe et le Léopard. 1927-1930Original hand-coloured etching, printed on paper Montvald (mm 297x246). Engraved artist's signature. In excellent condition.
Lot 54
NO RESERVE Chagall Marc. 2 acqueforti originali acquerellate a mano, dalla serie Favole di La Fontaine, 1927-1930.Il lotto comprende:Le Bucheron et Mercure. 1927-1930 Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 240x297). Firma incisa dell'artista. Esemplare in perfetto stato di conservazione. Le Petit Poisson et le Pecheur. 1927-1930Acquaforte originale acquarellata a mano, impressa su carta Montvald (mm 299x238). Firma incisa dell'artista. Esemplare in perfetto stato di conservazione.Chagall Marc. Two original hand-coloured etchings, taken fron the series Fables by La Fontaine. 1927-1930.The lot includes:Le Bucheron et Mercure. 1927-1930 Original hand-coloured etching, printed on paper Montvald (mm 240x297). Engraved artist's signature. In excellent condition.Le Petit Poisson et le Pecheur. 1927-1930Original hand-coloured etching, printed on paper Montvald (mm 299x238). Engraved artist's signature. In excellent condition.
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78391 item(s)/page