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Original vintage propaganda poster - The Palestinian. Published by the friends of Jerusalem. Aref El Rayess (or Aref Rayess) (1928 in Aley, Lebanon – 2005) was a Lebanese painter. Born in Aley (1928), Mount Lebanon, Aref El Rayess started his career as a self-taught artist exhibiting for the first time in 1948. He lived in Africa for many years during which he traveled between Senegal and Paris. In Paris, he joined the studios of Fernand Léger, André Lhote, Marcelle Marso and Ossip Zadkine while studying at the Académie de la Grande Chaumière. In 1957, he returned to Lebanon, but left again for Florence in 1959 with a scholarship from the Italian government. From 1960 to 1963, he lived in Rome where he went on studying and exhibiting. In 1963, he returned to Lebanon. Aref El Rayess was a prolific artist, mainly known as a painter, he also practiced etching, sculpture and tapestry. One of his tapestries, The Signs of Cadmus, is part of the collection of the Unesco Palace in Paris. Good condition, light creasing, staining. County: Lebanon, year of printing:1968, designer: Aref Rayess, size (cm): 58x43
A 19th century coloured etching, titled 'The Gin Shop', 'Designed, Etched and Published By George George Cruikshank November 1st 1829', 24cm x 33cm, framed and glazed with a set of five Cries of London prints, each 26.5cm x 19cm and framed and glazed and two 19th century lithographic Cries of London, plate eight and nine (8)
Frank Henry Mason (Staithes Group 1876-1965): The Herring Fleet in the 'South Bay, Scarborough', drypoint etching signed in pencil, titled verso on Hare & Whitley Scarborough gallery label, 10.5cm x 32cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Hugh Paton (British 1853-1927): Farmyard Scenes, two drypoint etchings signed and inscribed in pencil, dated 1920 and 1925 respectively, 15cm x 22cm, together with Oliver Hall (British 1869-1957): Harbour Scene with a cathedral in the background, drypoint etching signed in pencil 17cm x 21cm (3) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Maurice Langaskens (Dutch 1884-1946): 'Le Printemps', etching hand coloured, signed and titled in pencil, 'Bakehouse Close, Edinburgh', etching indistinctly signed and Landscape with Windmill, 19th century monochrome watercolour unsigned max 45cm x 53cm (3) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
German-Made Dress Sword Probably for Siam c.1900, curved single edge blade cut with 2 fullers with traces of etching, nickel hilt with an elephant in relief on the guard surrounded by foliage, curtains beneath helmet, wire bound fish skin covered grip (worn), folding side-guard, in its nickel plated scabbard. Blade 74cms, overall 88cms. Good condition, blade re-plated and worn.
French Infantry Man’s Hanger Briquette, leaf-shaped blade etched Manufre de Klingenthal (pitted both sides obscuring etching), cast brass cruciform hilt stamped 1376, in its brass mounted leather scabbard with locket stamped 1376. Blade 48cms, overall 63cms. Good condition with some age wear overall.
Wilfred C Appleby (British, 1889-1954), Edinburgh University, signed and titled in pencil 'Wlfred C Appleby' (in lower margin), etching, 31 x 19cm, together with two other etchings by the same hand of George Watson's Boys College and Daniel Stewart's College, and another etching of a coastal landscape by Malcolm Paterson, (4). May be subject to ARR
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