§ Lettice Sandford (British, 1902-1983) Illustration for "The Golden Bed of Kydno" wood engraving 22 x 14cm (9 x 5in) Literature: Illustration from "The Golden Bed of Kydno", translated from the Modern Greek of Evadne Lascaris by P Mathers and illustrated with twelve line-engravings by Lettice Sandford, pub. The Golden Cockerel Press, 1935 Other Notes: As a girl, Lettice Rate studied at the Byam Shaw and Vicat Cole School of Art, and later, with an interest in book illustration, at the Art Section of the Chelsea Polytechnic. Here she worked under Percy Jowett, who had earlier taught her at her boarding school in north London. She was taught engraving on wood by Robert Day, and etching by Graham Sutherland. On a skiing holiday in Switzerland, she met the printer, Christopher Sandford, and they were married in 1929. Together they ran the Boar's Head Press whose books were printed at the Chiswick Press, of which Christopher Sandford was a Director. Condition is fine.
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Norman Lindsay (Australian, 1879-1969) Lesbia signed lower right "Norman Lindsay 1921" and numbered 38/54 etching 17 x 18cm (7 x 7in) Provenance: Private collection, Cambridge Other Notes: Norman Lindsay is widely regarded as one of Australia's greatest artists, producing a vast body of work in different media, including pen drawing, etching, watercolour, oil and sculptures in concrete and bronze. A large body of his work is housed in his former home at Faulconbridge, New South Wales - now the Norman Lindsay Gallery. Today Norman Lindsay etchings, drawings, paintings, books and sculptures are keenly sought after and major pieces rarely come on to the open market. A little browning around the edges but fine.
§ Frank Auerbach (British, b.1931) Reclining Head of Julia signed and dated lower right "Auerbach '07", and numbered 118/150, published by Marlborough Fine Art, London etching printed with tone on Somerset white paper 20 x 24cm (8 x 9in) Provenance: Marlborough Fine Art, London Other Notes: The artist's wife, Julia Auerbach, has been a regular weekly sitter for the artist over a long period. Since her appearance in the first set of etched portrait heads in 1989, she has appeared as a subject in numerous prints. Julia was the main subject of study in Auerbach's etchings in the years 1998-2001, when she was usually drawn in the reclining pose that she adopted to save getting too tired. In some of the prints she is asleep. Condition is fine.
*Gillian Ayres (British, b.1930)SIKAR IIEtching with aquatint and carborundum printed in colours with extensive hand colouring in acrylic paint, 1993, signed, dated and numbered 34/100 in pencil, on heavy wove paper, with full marginsplate 86 x 85.3cm, framed*Artist's Resale Right may apply to this lot.
Édouard Manet (French, 1832-1883)BAUDELAIRE EN PROFIL EN CHAPEAU II (CHARLES BAUDELAIRE IN PROFILE WEARING A HAT II) Etching, 1869, monogrammed upper left, text within print reads 'Peint et Gravé par Manet 1862' and 'Imp. A. Salmon', on laid paper, with full marginsplate 10.5 x 9cm, unframed
*Joan Miró (Spanish, 1893-1983)HOMMAGE A JOAN MIRÓ (Dupin 868)Etching printed in colours with carborundum, 1973, signed and inscribed 'H.C' in pencil, one of 275 hors-commence impressions, for the occasion of the artist's 80th birthday, printed by J J Torralba, Barcelona, published by Sala Gaspar, Barcelona, on wove paper, with full marginssheet 69 x 49.5cm, framed*Artist's Resale Right may apply to this lot.
*Salvador Dalí (Spanish, 1904-1989)RETURN, RETURN, SHULAMITE (MICHLER/LÖPSINGER 479)Etching with stencil coloring and gilding, 1971, signed and numbered 151/250 in pencil, from the series 'The Song of Songs of King Solomon', printed by David and Jacomet, Paris, published by Leon Amiel, New York, on Arches wove paper, with full marginssheet 56.5 x 37.6cm, unframed*Artist's Resale Right may apply to this lot.
*Salvador Dalí (Spanish, 1904-1989)BELOVED IS AS FAIR AS A COMPANY OF HORSES (MICHLER/LÖPSINGER 475)Etching with stencil coloring and gilding, 1971, signed and numbered 50/250 in pencil, from the series 'The Song of Songs of King Solomon', printed by David and Jacomet, Paris, published by Leon Amiel, New York, on Arches wove paper, with full marginssheet 57 x 38cm, unframed*Artist's Resale Right may apply to this lot.
*Salvador Dalí (Spanish, 1904-1989)JEREMIAHEtching with stencil hand-colouring, 1975, from 'Our Historical Heritage', signed and inscribed 'EA' in pencil, an artist's proof aside from the edition of 450 with colour variations (400 numbered, there was also an edition of 300 reserved for South America), published by Léon Amiel, Paris, on Arches wove paper, with full marginssheet 66 x 50cm, unframed*Artist's Resale Right may apply to this lot.
*Salvador Dalí (Spanish, 1904-1989)KING SAULEtching with stencil hand-colouring, 1975, from 'Our Historical Heritage', signed and inscribed 'EA' in pencil, an artist’s proof aside from the edition of 450 with colour variations (400 numbered, there was also an edition of 300 reserved for South America), published by Léon Amiel, Paris, on Arches wove paper, with full marginssheet 66 x 50cm, unframed*Artist's Resale Right may apply to this lot.
*Salvador Dalí (Spanish, 1904-1989)BENJAMIN (MICHLER/LÖPSINGER 619)Etching printed in colours, 1973, signed and numbered 122/195 in pencil, from the series 'Twelve Tribes of Israel', published by Trans World Art, Fribourg, Switzerland, on Arches wove paper, with full marginssheet 65.5 x 50cm, framed*Artist's Resale Right may apply to this lot.
*Jean Signovert (French, 1919-1981)RED, ORANGE AND BLACK ABSTRACTIONEtching with aquatint printed in colours, 1970, signed, dated and inscribed ‘epreuve d’atelier’ (Atelier Proof) in ballpoint pen, on Arches wove paper, with full marginssheet 50.2 x 55.5cm, unframed*Artist's Resale Right may apply to this lot.
*Richard Hamilton (British, 1922-2011)UN DES EFFETS DES EAUX DE MIERS (LULLIN 90)Etching and aquatint,1973, signed and numbered 6/100 in pencil, from 'Small Prints', printed by the artist and Maurice Payne at the Petersburg Press, London, published by Bernard Jacobson, London, on Jeyes toilet paper with rag paper backing hand-made by Peter Rowson, Hazelmere, with full marginssheet 15.3 x 21.2cm, framed*Artist's Resale Right may apply to this lot.
*Paula Rego (Portuguese, b.1935)WENDY SEWING ON PETER'S SHADOWEtching with aquatint, 1992, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsimage 27.8 x 20.3cm, framed*Artist's Resale Right may apply to this lot.
*Paula Rego (Portuguese, b.1935)EMBARKATION (ROSENTHAL 76)Etching with aquatint, 1992, signed and inscribed 'A/P' in pencil, artist's proof aside from the edition of 25, from a portfolio for the Royal College of Art's Printmaking Appeal, published and printed by the Royal College of Art, London, on wove paper, with full marginsimage 45.5 x 34cm, framed*Artist's Resale Right may apply to this lot.
*Paula Rego (Portuguese, b.1935)IN THE PIRATES’ HOLD (ROSENTHAL 100)Etching with aquatint printed in red, 1992, signed and numbered 7/25 in pencil, printed by Culford Press, London, with their blindstamp, published by the artist and Marlborough Graphics, London, on wove paper, with full marginssheet 49 x 32.5cm, framed*Artist's Resale Right may apply to this lot.
*Paula Rego (Portuguese, b.1935)PIRATES TAKING AWAY LOST BOYS (ROSENTHAL 90)Etching with aquatint printed in colours, 1992, signed and inscribed 'A/P' in pencil, an artist’s proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsimage 27.5 x 19.8cm, framed*Artist's Resale Right may apply to this lot.
*Paula Rego (Portuguese, b.1935)TOOTLES SHOOTS WENDY (ROSENTHAL 85)Etching with aquatint printed in colours, 1992, signed and inscribed 'A/P' in pencil, an artist’s proof aside from the edition of 50, from 'The Peter Pan Series', published by Marlborough Graphics, London, on wove paper, with full marginsimage 27.5 x 19.8cm, framed*Artist's Resale Right may apply to this lot.
*David Hockney (British, b.1937)THE ENCHANTRESS IN HER GARDENEtching and aquatint, 1969, signed and numbered 56/100 in pencil, from 'Rapunzel' for 'The Brothers Grimm Fairy Tales', published by Petersburg Press, on Hodgkinson wove paper, with full marginssheet 45 x 40.3cm, unframed*Artist's Resale Right may apply to this lot.
*David Hockney (British, b.1937)THE ENCHANTRESS WITH THE BABY RAPUNZELEtching and aquatint, 1969, signed and numbered 56/100 in pencil, from 'Rapunzel' for 'The Brothers Grimm Fairy Tales', published by Petersburg Press, on Hodgkinson wove paper, with full marginssheet 45 x 40.5cm, unframed*Artist's Resale Right may apply to this lot.
Jim Dine (American, b.1935)LITTLE NUDE IVEtching with soft ground drypoint and aquatint printed in colours, 1982, signed, dated and numbered 21/30 in pencil, from the series 'Eight Little Nudes', published by Pace Editions Inc., New York, on wove paper, with full marginssheet 57 x 42cm, framed
*Damien Hirst (British, b.1965) I GET AROUNDEtching printed in colours, 2002, signed in pencil, the edition was 68, from the portfolio 'In a Spin, the Action of the World on Things' Volume I (comprised of 23 etchings), printed by Hope (Sufferance) Press, London, published by The Paragon Press, London, on 350gsm Hahnemühle paper, with full marginssheet 91 x 71cm, framed*Artist's Resale Right may apply to this lot.
*Jake and Dinos Chapman (British, b. 1966 & 1962)PITY IS TREASONEtching, 2016, signed in pencil, from the unnumbered edition of 25, part of the 'Artists with Liberty, Save Our Human Rights Act' portfolio, printed by Worton Hall Studios, published by Liberty, London, on 300gsm Somerset satin white paper, with full margins sheet 43 x 58.2cm, unframed*Artist's Resale Right may apply to this lot.
*Elisabeth Frink (British, 1930-1993)THE REEVE'S TALE (WISEMAN 30A)Etching and aquatint, 1970, signed, titled and numbered 17/70 in pencil, from 'The Canterbury Tales', published by Leslie Waddington Prints, London, on wove paper, with full marginsimage 27 x 29.8cm, framed*Artist's Resale Right may apply to this lot.
*Victor Pasmore (British, 1908-1998)TURNING AND TURNING IN THE WIDENING GYRE (Bowness 41)Etching with aquatint printed in colours, 1974, initialled, dated and numbered 33/60 in pencil, printed at the White Ink Studio, London, published by Marlborough Graphics, London, on wove paper, with full margins plate 38 x 45.5cm, framed*Artist's Resale Right may apply to this lot.
*Tom Phillips (British, b.1937)CHATEAU HAUT BRION;CHEVALIERTwo screenprints with etching printed in colours, each signed and numbered 6/150 in pencil, with Advanced Graphics London blindstamp, on Somerset wove paper, with full marginseach sheet 55.8 x 63.5cm, unframed (2)*Artist's Resale Right may apply to this lot.
*Ivor Abrahams (British, 1935-2015)THE SPHINX;THE URNTwo screenprints with varnish and embossing printed in colours, 1978, from the 'Monument Series', both signed, dated and inscribed 'P.P.' in pencil, printer's proofs aside from the editions of 100, printed by Advanced Graphics, London;together with another etching with hand colouringUNTITLED, 1990Signed and numbered 2/25 in pencil, from the ‘Arcadia Suite’, printed by Hugh Stoneman, all published by Bernard Jacobson Ltd., on wove paper, with full marginssheet 100 x 68.5cm and 45 x 52cm, unframed (3)*Artist's Resale Right may apply to this lot.
*Graham Sutherland (British, 1903-1980)THE MOUSEEtching with aquatint printed in colours, 1979, signed and numbered 9/75 in pencil, from the portfolio 'Le Bestiaire ou Cortège d’Orphée' comprised of 18 etchings illustrating poems from Apollinaire's 1911 book of the same name, co-published by Marlborough Fine Art and 2RC Editrice, Milan, on wove paper, with full marginsimage 48 x 39cm, framed*Artist's Resale Right may apply to this lot.
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71174 item(s)/page