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LOUIS LE GRAND (1863-1951) THE YOUNG DANCER, PENCIL SIGNED ETCHING. 26 x 32cms

ANDERS ZORN (1860-1921) SUMMER, PENCIL SIGNED ETCHING. 22 x 15cms

GEORGE GRAHAM (1881-1949) GYPSY CARAVAN, PENCIL SIGNED ETCHING. 16 x 20cms TOGETHER WITH A PRINT OF A FLOCK OF SHEEP AND ANOTHER FIGURAL PRINT, ALL BY DIFFERENT HANDS (3)

DIANA THORNE (1895-1965) HOW FAST CAN YOU GO, PENCIL SIGNED ETCHING. 22 x 35cms

WILLIAM WALCOTT (1874-1943) THE EGYPTIAN PORTICO, PENCIL SIGNED ETCHING. 20 x 25cms

Edmund Blampied (Channel Islands, 1886-1966), 'Ostend Horse', 1926, drypoint etching, signed in pencil to margin, framed and glazed, image size 17 x 22cm.

Alphonse Legros (1837-1911) A Breton Peasant. Etching on paper. Signed in the plate. Sheet size 38 x 27.5cm, plate size 22 x 18cm.

James Gillray (British, 1757-1815), 'Pylades and Orestes', etching in colours, Bohn Edition prints circa 1850, main image size 31.5 x 22.5cm, framed and glazed.

James Gillray (British, 1757-1815), 'Midas, Transmuting all into [Gold] Paper', etching in colours, Bohn Edition prints, circa 1850. Main image size 32 x 24cm, framed and glazed.

James Gillray (British, 1757-1815), 'The Lion's Share', etching in colours, published in 1797 by H. Humphrey, London, main image size 26 x 21cm, framed and glazed.

Collection of pictures - early 19th century etching, two Victorian needle work, horse races print of Victorian Jockey, Edwardian photos, treen mallet and treen table top pin cushion.

SIR HUGH MAXWELL CASSON, PRA (1910-1999) - 'Waiting Housemaid', etching, signed in pencil and numbered 60/90, framed, 19cm x 12.5cm, frame size 45cm x 37cm, also one other etching by David Gunning. (2)

MARY ROSE O'NEILL (BORN 1961) - 'Evening', etching with aquatint, signed in pencil and dated 1989, numbered 2/30, framed, 75cm x 60cm, frame size 93cm x 75cm, also one other framed etching by the same hand. (2)

CONSTANCE MARY POTT, RE (1862–1957) - The Boatyard, etching, signed and dated 1902 in pencil, unframed, 13cm x 17.5cm, also two other unframed etchings by the same hand. (3)

ELYSE ASHE LORD (1900-1971) - A winter scene with Japanese lady kneeling in prayer, etching, signed in pencil and numbered 12/75, framed, 22cm x 30cm, frame size 46cm x 55cm.

Peter Lely, 1618 – 1680, Kreis desPortrait des James Cecil, 5. Earl of Salisbury (1691 – 1728)Öl auf Leinwand. Doubliert.126 x 101 cm.Links unten betitelt „The Earls of Salisbury“.In vergoldetem Prunkrahmen.Im Zentrum der in einem Innenraum an einem steinernen Podest mit Wappenrelief stehende James Cecil. Er trägt antikisierende Kleidung mit goldenen Sandalen, an der Hüftseite einen Degen sowie einen blauen langen Umhang mit Goldrand. Auf dem Podest ist zudem ein mit Federn besetzter Helm abgelegt. Der Dargestellte hat ein zartes Inkarnat, gerötete Wangen und schaut bei würdevoller Haltung mit seinen dunklen Augen aus dem Bild heraus. Nach rechts fällt der Blick ins Freie auf einen Springbrunnen vor einer Brüstung unter blauem Himmel. James Cecil ist wohl hier als vier- oder fünfjähriger Junge dargestellt, zu einem Zeitpunkt, als er beim Tod seines Vaters dessen Adelstitel als Earl of Salisbury, Viscount Cranborne und Baron Cecil erbte. Anmerkung 1:Es existiert eine fast identische, jedoch seitenverkehrte Mezzotintoradierung des Dargestellten von John Smith (1652-1743), die auf 1695 oder 1696 datiert wird. (1300451) (18)Peter Lely, 1618 – 1680, circle ofPORTRAIT OF JAMES CECIL, 5TH EARL OF SALISBURY (1691 – 1728)Oil on canvas. Relined.126 x 101 cm.Titled “The Earl of Salisbury“ lower left.Notes:There is an almost identical but inverted mezzotint etching of the depicted by John Smith (1652-1743), dating to 1695 or 1696.

Paul Gauguin, 1848 Paris – 1903 Atuona auf Hiva Oa, Französisch-PolynesienDolch mit Scheide in BronzeGesamtlänge: 34,5 cm. Dolch ohne Scheide: 30,5 cm.Feine figürliche Radierung und Signatur „P. Go“.Aufgelegt auf Acryl-Sockelung.Beigegeben zwei Expertisen: eine von Douglas Cooper, Monte Carlo, 29. März 1985, sowie eine von Cl. Raimond Lépine, Paris, 14 Januar. Gauguin schuf das Modell zu diesem Dolch nach Vorbildern des Kunsthandwerks der polynesischen Kultur. Das Interesse an der Schaffung eines solchen Gegenstandes erklärt sich nicht zuletzt dadurch, dass Gauguin zeitlebens ein passionierter Fechter war. Der Griff plastisch gestaltet mit erkennbaren Fabelwesen. Die zweischneidige Klinge in Eisen. Die Scheide röhrenförmig, entsprechend eines Bambusrohres, leicht geschweift, daran feine figurative Ätzungen sowie die Signatur „P. Go“.Anmerkung:Douglas Cooper verweist in seiner Expertise auf die Kurzsignatur, die Gaugin auch auf seinen Gemälden erstmalig ab 1888 für einen Zeitraum von fünf oder sechs Jahren verwendete, eine Datierung der Form zwischen 1887 und Ende 1889 liegt deshalb nahe.Literatur:Gaston Varenne, Les bois grave‘s et sculpte‘s de Paul Gauguin, in: La Renaissance de l‘art français et des industries de luxe, Nr. 12, Dezember 1927, mit Text und Abbildung des Objektes, in Kopie beigegeben. (1330651) (1) (11)Paul Gauguin,1848 Paris – 1903 Atuona at Hiva OA, French PolynesiaDAGGER WITH BRONZE SCABBARD Total length: 34.5 cm. Dagger excl. scabbard: 30.5 cm.Fine figural etching and signature “P. Go”.Placed on acrylic base. Accompanied by two expert’s reports, one by Douglas Cooper, Monte Carlo, 29 March 1985, the other by Cl. Raimond Lépine, Paris, 14 January. Gauguin created the model for this dagger based on Polynesian crafts. The handle is designed three-dimensionally with recognizable mythical creatures and a double-edged iron blade. The scabbard is tubular, like a bamboo cane, slightly curved, with fine figurative etchings and the signature "P. Go". Notes: In his report Douglas Cooper refers to the short signature that Gauguin also used on his paintings for the first time from 1888 for a period of 5 or 6 years, so a dating between 1887 and the end of 1889 seems likely.Literature:Publication Direction Henry Lapauze, La Renaissance de l’art français, December 1927, with text by Gaston Yarenne, and illustration of the object (copy enclosed).

A framed and glazed signed etching of two elephants with riders. Indistinctly signed, edition 48/60. H.60 W.50cm

Hans Figura, Austrian, (1898 - 1978), coloured etching and aquatint of winter landscape, signed along with a classical style engraving of an urn. H.97 W.70cm.

Wilhelm Friedrich Kuhnert (German, 1865-1926)In the Jungle - Tigers signed 'Wilh. Kuhnert' (lower left)oil on panel37 x 62.5cm (14 9/16 x 24 5/8in).Footnotes:ProvenanceWith The Fine Art Society, London, May 1911, no. 34.Anon. sale, Sotheby's, New York, 2 December 2005, lot 155.Private collection, UK (acquired from the above sale).Unlike many of his contemporaries, Wilhelm Kuhnert often worked directly from nature taking hours to track down his subjects and then sketching the animals in the wild rather than in zoos. He is best known for his striking pictures of lions and tigers, captured in their natural environment, and portrayed in all their majesty. After graduating from Berlin University of the Arts in 1887, Kuhnert travelled widely to Scandinavia, Egypt, East Africa and India. Kuhnert was an outstanding draughtsman and a prodigiously talented artist, equally at ease with a minutely detailed etching as he was working on his oils. His work is characterised by a blend of rapid execution combined with anatomical accuracy - reputedly he never used an eraser on a single drawing or made any corrections to any of his 137 etching plates.The present lot shows Kuhnert at his absolute best. The tigers are likely those observed whilst on his travels in India, and he has chosen to show them at a moment of rest. Here we can clearly see his distinctive blending of speed and detail, with the focal tiger being highly finished, with beautifully rendered fur, whilst the other tiger and the background have been achieved with greater immediacy. This creates an effect similar to that of a glance and pushes focus on to the central tiger.For further information on this lot please visit Bonhams.com

Rembrandt Harmensz van Rijn (1606-1669)The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm (5 7/8 x 5in)(PL)For further information on this lot please visit Bonhams.com

Ben Nicholson (British, 1894-1982)Still Life with Grey (Lafranca 83) Etching and aquatint printed with tone, 1967, on wove, signed, dated and numbered 18/50 in pencil, published by Marlborough Fine Arts, London, with the Lafranca blindstamp, with full margins, 350 x 338mm (13 3/4 x 13 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)Letter A (L'A); Magie de L'image Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 75/100 in pencil, with full margins, 505 x 605mm (19 7/8 x 23 7/8in)(SH); together with 'Magie de L'image', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 18/100 in pencil, with full margins, 665 x 505mm (26 1/4 x 19 7/8in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)Monocopter; Kiki (Anselmino 7; 19) Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 26/100 in pencil, with full margins, 660 x 503mm (26 x 19 7/8in)(SH); together with 'Kiki', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 21/100 in pencil, with full margins, 657 x 502mm (25 7/8 x 19 3/4in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com

Man Ray (American, 1890-1976)L'Aventure (Anselmino 36) Etching and aquatint printed in colours, 1972, on Arches, signed and numbered 43/90 in pencil, with full margins, 502 x 660mm (19 3/4 x 26in)(SH)(unframed)For further information on this lot please visit Bonhams.com

After René Magritte (Belgian, 1898-1967)Untitled (Pear and Rose), from 'Les Moyens d'Existence (Livelihood)' (Kaplan/Baum 20) Etching and aquatint printed in colours, 1968, on Japan nacré, inscribed 'P/150' in pencil, a proof aside from the total edition of 450, printed and published by Georges Visat, Paris, with the Atelier René Magritte blindstamp, the full sheet, 278 x 226mm (11 x 8 7/8in)(SH)For further information on this lot please visit Bonhams.com

Ben Nicholson (British, 1894-1982)Half Mug, Half Jug (Lafranca 96) Etching printed with tone, 1967, on wove, signed, dated and numbered 18/50 in pencil, published by Marlborough Fine Art, London, with the Lafranca blindstamp, with full margins, 250 x 185mm (9 7/8 x 7 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sol LeWitt (American, 1928-2007)Plate Six, from 'Pyramids' (Krakow 1987.03) Etching and aquatint printed in colours, 1987, on wove, signed and inscribed 'A.P. 9/10' in pencil, one of ten artist's proofs aside from the numbered edition of 19, published by Parasol Press, Ltd., New York, with full margins, 590 x 900mm (23 1/4 x 35 1/2in)(SH)For further information on this lot please visit Bonhams.com

Sam Francis (American, 1923-1994)Salmon (Lembark I.9; SFE-4B) Etching and aquatint printed in colours, 1973, on wove, signed and inscribed 'AP 8/11' in pencil, one of eleven artist's proofs aside from the numbered edition of 45, printed by Stamperia 2RC, Rome, published by 2RC Edizioni d'Arte, Rome, with their blindstamp, with full margins, 635 x 890mm (25 x 35in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Jim Dine (American, born 1935)Blue Haircut (W.C. 151) Etching with offset lithograph printed in colours, 1972-3, on J. Green mould-made, signed, dated and numbered 75/75 in pencil, printed by Maurice Payne, London, published by Petersburg Press, London, with full margins, 850 x 693mm (33 1/2 x 27 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Jim Dine (American, born 1935)Red Raven III (Carpenter 147) Woodcut and soft-ground etching printed in black and blue, 2000, on wove, signed, dated and numbered 4/10 in pencil, printed by Julia D'Amario and Ruth Lingen, Pace Editions, Inc., New York, 787 x 864mm (31 x 34in)(SH)For further information on this lot please visit Bonhams.com

Jim Dine (American, born 1935)Souvenir (W.C. 170) Etching, 1974, on handmade Richard de Bas Auvergne, signed, dated and numbered 46/75 in pencil, printed by Alan Uglow and Winston Roeth, published by Petersburg Press, New York, with full margins, 600 x 450mm (23 5/8 x 17 3/4in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Ben Nicholson (British, 1894-1982)Complex of Goblets (Lafranca 98) Etching printed with tone, 1968, on wove, signed, dated and numbered 10/50 in pencil, published by Marlborough Fine Art, London, with the Lafranca blindstamp, with full margins, 215 x 187mm (8 1/2 x 7 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Made in April, from 'The Blue Guitar' (MCA Tokyo 188; Scottish Arts Council 209) Etching and aquatint printed in colours, 1976-77, on wove, signed and numbered 50/200 in pencil, printed by Petersburg Studios and published by Petersburg Press, New York and London, the full sheet, 523 x 457mm (20 5/8 x 18in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)Simplified Faces State I (MCA Tokyo 144; Scottish Arts Council 165) Etching printed in colours, 1973, on wove, signed, titled, dated and numbered 13/30 in pencil, printed by Atelier Crommelynck, Paris, published by Petersburg Press, London, with the printer's blindstamp, the full sheet, 555 x 498mm (21 7/8 x 19 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Seated Mother and Child (Cramer 588) Etching and aquatint with roulette printed in colours, 1980-81, on Arches, signed and inscribed 'XXV/XXV' in pencil, one of 25 proofs aside from the numbered edition of 50, printed by James Collyer and John Crossley, London, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham in association with Edi Albra, Turin, with the printer's blindstamp, the full sheet, 685 x 565mm (27 x 22 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney R.A. (British, born 1937)The French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching with aquatint printed in black and red, 1971, on BFK Rives, signed, dated and numbered 275/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with full margins, 535 x 450mm (21 1/4x 17 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Francis Bacon (British, 1909-1992)Triptych 1986-87 (Right panel) (Sabatier 6) Etching and aquatint printed in colours, 1987, on Arches, signed and numbered 44/99 in pencil, printed and published by Poligrafa, Barcelona, the full sheet, 655 x 482mm (25 3/4 x 19in)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Etel Adnan (Lebanon, 1925-2021)L'Express Beyrouth-Enfer Etching printed in colours, 2021, on wove, signed, dated and numbered 70/100 in pencil, published by Galerie Lelong & Co., Paris, the full sheet, 295 x 195mm (11 5/8 x 7 5/8in)(SH); together with the accompanying book 'L'Express Beyrouth-Enfer', published by Galerie Lelong & Co., Paris, both housed within the original blue solander box, overall 320 x 223 x 26mm (12 5/8 x 8 3/4 x 1in)(Box)(2)For further information on this lot please visit Bonhams.com

Shara Hughes (American, born 1981)Night Opening Etching and drypoint printed in colours, 2022, on BFK Rives, signed, dated and numbered 90/100 in pencil, published by Texte Zur Kunst, Berlin, the full sheet, 300 x 239mm (11 6/8 x 9 3/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Dame Paula Rego R.A. (British, 1935-2022)Little Miss Muffet I (Rosenthal 39) Etching and aquatint printed in tone, 1989, signed and numbered 38/50 in pencil, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with the printer's blindstamp, with full margins, 520 x 380mm (20 1/2 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Paula Rego R.A. (British, 1935-2022)Mary, Mary Quite Contrary I, from 'Nursery Rhymes' (Rosenthal 43) Etching and aquatint printed in tone, 1989, signed and numbered 11/50 in pencil, printed by Culford Press, London, co-published by the artist and Marlborough Graphics, London, with the printer's blindstamp, with full margins, 520 x 380mm (20 1/2 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)About to Fly Polymer gravure etching printed in blue with plate tone, 2014, on Somerset wove, signed, titled, dated and numbered 156/200 in pencil, published by Emin International, London, the full sheet, 300 x 333mm (11 7/8 x 13 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)But Yea Polymer gravure etching, 2008, on wove, signed, titled, dated and numbered 172/200 in pencil, the full sheet, 425 x 330mm (16 3/4 x 13in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jan van Londerseel (1570-1625) after David Vickboons (1576-1629)Parable of the Owner of the Vineyard (Hollstein 22) Engraving, on laid, trimmed inside the plate, with made-up red ink border around the image, published by Claes Jansz. Visscher, 428 x 528mm (16 3/4in)(SH); together with Gerrit Bleker (Dutch, c.1600-1656), 'Cattle Drinking' (H.7), etching, on laid, with watermark of a crest, with wide margins, 160 x 240mm (6 3/8 x 9 3/8in)(PL)(unframed)(2)For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Goshawk, from 'Birds of Prey' (Wiseman 107) Etching with aquatint printed in colours, 1974, on wove, signed and numbered 10/50 in pencil, printed by White Ink Studio, London, published by Leslie Waddington Prints Ltd., London, with full margins, 915 x 653mm (36 x 25 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jannis Kounellis (Greek, 1936-2017)Untitled, from 'Portraits' Photo-etching, 2013, on wove, signed and numbered 20/24 in pencil, printed and published by Har-El, Printers and Publishers, Jaffa, the full sheet, 545 x 400mm (21 1/2 x 15 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Jannis Kounellis (Greek, 1936-2017)Untitled, from 'Portraits' Photo-etching, 2013, on wove, signed and numbered 20/24 in pencil, printed and published by Har-El, Printers and Publishers, Jaffa, the full sheet, 545 x 400mm (21 1/2 x 15 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Viszla A (Wiseman 124) Etching and aquatint printed in colours, 1980, on wove, signed and numbered 15/75 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, London, with their blindstamps, with full margins, 680 x 915mm (26 3/4 x 36in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)'Le Baiser a la Wirtembourg'; 'Introuduction of the Citizen Volpone' (BM 9006; BM 9892) Etching with hand-colouring, 1797, on wove, published by H. Humphrey, London, with margins, 363 x 264mm (14 1/4 x 10 3/8in)(PL); together with 'Introduction of Citizen Volpone & His Suite at Paris', etching with hand-colouring, 1802, on wove, published by H. Humphrey, London, with trimmed margins, 238 x 348mm (9 7/8 x 13 7/8in)(I)(unframed)(2)Footnotes:With Bibliotheca Lindesiana collector's ink mark verso, the family library of the Earls of Crawford and Balcarres.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Red Print (Heenk 91) Etching with carborundum printed in orange and green with hand-colouring, 1994, on BFK Rives, signed with the initials, dated and numbered 21/200 in pencil, printed by 107 Workshop, Wiltshire, the full sheet printed to the edges, loose as issued, 220 x 260mm (8 3/4 x 10 1/4in)(SH); together with the accompanying deluxe edition of the monograph 'Howard Hodgkin' by Andrew Graham-Dixon, published by Thames & Hudson Ltd., London, within the original blue linen slipcase, 275 x 237mm (10 7/8 x 9 3/8in)(Vol)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Dark Fold Etching and aquatint printed in colours, 2003, on wove, signed, titled, dated and numbered 13/40 in pencil, published by Burnet Editions, New York, with wide margins, 598 × 447mm (23 1/2 × 17 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Cradle Etching and aquatint printed in colours, 1985, on wove, signed, titled, dated and inscribed 'P.P.' in pencil, a printer's proof aside from the edition of 25, published by the artist, with full margins, 754 x 568mm (29 3/4 x 22 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Shadowing Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 8/50 in pencil, published by Burnet Editions, New York, with their blindstamp, the full sheet, 730 x 790mm (28 7/10 x 31 1/10in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joe Tilson RA (British, born 1928)Eye Mantra Soft-ground etching and aquatint printed in colours with collage, 1979, on wove, signed, dated and numbered 50/75 in pencil, published by Waddington Graphics, London, with their blindstamp, the full sheet, 870 × 964mm (34 1/4 × 38in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Eduardo Paolozzi (British, 1924-2005)Untitled, from 'Buñuel Suite' Screenprint and etching in colours, 1996, on wove, signed, dated and numbered 11/20 in pencil, with the printer's blindstamp, with wide margins, 320 x 250mm (12 5/8 x 9 7/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)La Danse Barbare, from 'La Suite des Saltimbanques' (Bloch 15; Baer 18.b1) Etching with drypoint, 1905, on Japan laid, from the rare edition of 27 or 29, printed by Louis Fort, published by Ambroise Vollard, Paris, 1917, with wide margins, 333 x 483mm (13 1/8 x 19in)(SH)Footnotes:ProvenanceChristie's London, 'Old Master, Modern and Contemporary Prints', 18 December 2001, lot 192.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (Spanish, 1881-1973)Odalisque au Collier de Chien, from 'Séries 156' (Bloch 1894; Baer 1900) Etching, 1978, on wove, stamp-signed in black ink and numbered 37/50 in pencil (there were also 15 artist's proofs in roman numerals), published by Galerie Louise Leiris, Paris, with margins, 505 X 532mm (19 7/8 x 21in)(PL)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Craxton R.A. (British, 1922-2009)Night Ravine Etching with carborundum and aquatint, 1971, on wove, signed, titled, dated and inscribed 'artist's proof' in pencil, with wide margins, 475 x 230mm (18 5/8 x 9in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marino Marini (Italian, 1901-1980)Il Profondo I, plate I from 'Il Teatro delle Maschere' (Guastalla A162) Etching, drypoint and aquatint printed in colours, 1973, on wove, signed and numbered 27/50 in pencil, printed by Il Cigno Stamperia d'Arte, Rome, published by Albra, Turin, with margins, 480 x 640mm (18 7/8 x 25 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com