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Lot 1067

Alfred Blundell - Evening Calm, etching, signed and titled to the lower margin, visible sheet dimensions, 19.5x26cm

Lot 183

Johnstone Baird (Scottish) "Scottish Loch" Etching, signed lower right

Lot 185

Willie Rawson Etching, also with three other etchings, (4)

Lot 186

Henry Jackson Simpson (Scottish 1893-1963) "Brig O Balgownie, River Don" Etching, signed in pencil lower right,

Lot 187

Percy Robertson (1868-1934) "Country Path with Figures" Etching, signed lower right

Lot 200A

"Castle Urquhart Loch Ness" Signed Etching, signed lower right,

Lot 224

Alphonse Legros (1847-1911) "Male Carrying Timber" Original Book Plate Etching, initialled A.L, also with a 19th century silhouette collage of David Murray with parents, to verso having old labels for Dawson & MacNicol Outfitters, dated 1848, (2)

Lot 229

"Milan Cathedral" Signed Etching, signed indistinctly in pencil to lower right, 23cm x 29.5cm, framed

Lot 233

Henry Wilkinson (1921-2011) "Flatcoated Retriever" Limited Edition Colour Etching, no 39 of 180, signed in pencil

Lot 236

After Elizabeth Blackadder, Artist proof etching of Irises, signed and mark 'A/P' in pencil, 21.5 by 27cm, framed, 31 by 36.3cm, together with a postcard featuring Japanese Irises sent from Japan by the artist in 1986. (2)

Lot 85

Framed & glazed "David Tindle" etching, pencil marked "Nude 1/3" to margin and signed, image measures approx 43 x 58cm

Lot 429

A box of assorted pictures, prints and etchings, some 19th Century, including a coloured etching entitled ‘Bastille’ showing the ground floor plan of the castle, the Order of The Garter coloured etching, a hand tinted etching entitled ‘Hampton Court Bridge’, plus various others, mostly framed

Lot 370

Percy Robertson ARE (1868-1934) ''Hampton Court'', signed and inscribed etching; together with a further signed etching of Windsor; and two inscribed etchings ''Guards Memorial'' and ''Tower of Westminster'' (4) (unframed)

Lot 488

George Edmond Finey (1895-1987) (2) including 'Seven Little Australians,' etching # 9/50, and 'Walkabout,' etching # 3/50, each hand signed in pencil lower right, each unframed, (11cm X 16cm, and 11cm X 18cm approx).

Lot 100

Swiss Alps.- Glacier.- Merigot (James, engraver, 1760-1824) View of the Source of the Trient and of the Glacier from whence it flows, fine large plate of the Trient Glacier situated in the Mont Blanc Massif in the canton of Valais, Switzerland, after a drawing made on the spot by Châtelet, and a painting by P. van Lerberghe, etching and aquatint with hand-colouring on laid paper, explanatory text below in English and French, platemark 560 x 710 mm. (22 x 28 in), under glass, handling creases, minor surface dirt, presented in elaborate gilt frame by Sebastian D'Orsai, published by G. & W. Nicol, Colnaghi in London, and P. F. Fauche in Hamburg, [circa 1800]⁂ Scarce. Another impression is held in King George III's Topographical Collection [see BL Maps K.Top.76.85]

Lot 95

French Alps.- Glacier.- Merigot (James, engraver, 1760-1824) View of the Source of the Arve, fine large plate of the river's source, which is found on the northern side of the Mont Blanc massif in the Alps, close to the Swiss border, receiving water from the many glaciers of the Chamonix valley, after a drawing made on the spot and a painting by Louis Bélanger, etching and aquatint with hand-colouring on laid paper, explanatory text below in English and French, platemark 560 x 710 mm. (22 x 28 in), under glass, handling creases, several small tears, area of repaired loss effecting letters in the lower centre, minor surface dirt, presented in elaborate gilt frame by Sebastian D'Orsai, published by G. & W. Nicol, Colnaghi in London, and P. F. Fauche in Hamburg, [circa 1800]⁂ Scarce. Another impression is held in King George III's Topographical Collection [see BL Maps K.Top.76.83]

Lot 96

French Alps.- Glacier.- Malgo (Simon, engraver, active 1745-c.1800) View of the Source of Arveiron, fine large plate of the left tributary to the Arve River, rising in the famous Mer de Glace just above Chamonix, France, after a drawing made on the spot by Louis Bélanger, and a painting by P. van Leberghe, etching and aquatint with hand-colouring on laid paper, explanatory text below in English and French, platemark 560 x 710 mm. (22 x 28 in), under glass, handling creases, minor surface dirt, marginal repair in the lower right corner, presented in elaborate gilt frame by Sebastian D'Orsai, published by G. & W. Nicol, Colnaghi in London, and P. F. Fauche in Hamburg, [circa 1800]⁂ Scarce. Another impression is held in King George III's Topographical Collection [see BL Maps K.Top.76.84.b]

Lot 97

Swiss Alps.- Glacier.- Merigot (James, engraver, 1760-1824) View of the Glaciers and of the Lake of Kandersteig, fine large plate of Oeschinen Lake in the Bernese Oberland, Switzerland, after a drawing made on the spot by Châtelet, and a painting by P. van Lerberghe, etching and aquatint with hand-colouring on laid paper, explanatory text below in English and French, platemark 560 x 710 mm. (22 x 28 in), under glass, handling creases, small tear going just into letters in the lower centre, minor surface dirt, presented in elaborate gilt frame by Sebastian D'Orsai, published by G. & W. Nicol, and Colnaghi, London, 1801⁂ Scarce. Another impression is held in King George III's Topographical Collection [see BL Maps K.Top.85.65.1.]

Lot 98

Swiss Alps.- Glacier.- Merigot (James, engraver, 1760-1824) View of the Source of the Rhone and of the Glacier from whence it Issues, fine large plate of the Rhône Glacier and the source of the river, one of the primary contributors to Lake Geneva, after a drawing made on the spot by Châtelet, and a painting by P. van Lerberghe, etching and aquatint with hand-colouring on laid paper, explanatory text below in English and French, platemark 560 x 710 mm. (22 x 28 in), under glass, handling creases, several small marginal tears going, minor surface dirt and damp-stains, presented in elaborate gilt frame by Sebastian D'Orsai, published by G. & W. Nicol, and Colnaghi, London, 1801⁂ Scarce. Another impression is held in King George III's Topographical Collection [see BL Maps K.Top.86.33.2].

Lot 99

Swiss Alps.- Glacier.- Malgo (Simon, engraver, active 1745-c.1800) View of the Torrent of the Lutschinen, and of the Glaciers where it takes it's Source, fine large plate of the river's source, which is found in the Bernese Oberland region of Switzerland, flowing from Grindelwald to Zweilütschinen, after a drawing made on the spot by Louis Bélanger, and a painting by P. van Leberghe, etching and aquatint with hand-colouring on laid paper, explanatory text below in English and French, platemark 560 x 710 mm. (22 x 28 in), under glass, handling creases, minor surface dirt, presented in elaborate gilt frame by Sebastian D'Orsai, published by G. & W. Nicol, Colnaghi in London, and P. F. Fauche in Hamburg, [circa 1800]⁂ Scarce. Another impression is held in King George III's Topographical Collection [see BL Maps K.Top.85.65.3]

Lot 4003

A framed and glazed etching of the South West Prospect of Yarmouth in the County of Norfolk, by Samuel & Nathaniel Buck, 1741, 31cm x 82cm. (Oxburgh Hall collection)

Lot 4036

Etching by R. White portrait of Edoardi Coke, 25cm x 17cm. (Oxburgh Hall collection)

Lot 4191

A 19th Century etching of a bull published by Ackermann & Co, framed and glazed, 49cm x 33cm

Lot 620

After J F Herring, Chorister, etching, 1832, published by S and J Fuller and Herring, Doncaster, 33cm x 41cm

Lot 388

A FRAMED ETCHING TITLED "THE SMOKER", together with a mounted Comical Pen and Ink drawing "Weary Woodie" for tho love O'Pete Decruth Wallie and Gimme a chance

Lot 66

Christine McGregor, Portrait of a Cat, pastel, together with an etching of a dog beside a kennel, 25 x 22cm and 16 x 12cm

Lot 842

Hilda Mary Pemberton (exh 1897-1940) - pencil etching of the Union Buildings , Pretoria, signed, 18 x 28cm

Lot 1009

A Set of Six Pall Mall Crystal 'Lady Hamilton' Pattern Wine Glasses, the bowls with scroll and lattice etching, on inverted baluster stems and circular feet.15.8cm high (6)

Lot 104

Sir Francis Seymour Haden (British, 1818-1910), woodland landscape, etching, signed in pencil, H.15cm W.22cm

Lot 105

Alphonse Legros (French, 1837-1911), Repos au bord de la mer, etching, signed in pencil lower right, H.15cm W.14.5cm

Lot 108

Sir Francis Seymour Haden (British, 1818-1910), maritime study, etching, signed in pencil, H.14cm W.21cm

Lot 152

Rafael Ferrer (American/Puerto Rico, b.1933), Oro, etching the gold intaglio, signed in pencil, numbered 111/200, H.38cm W.29cm

Lot 167

Leonor Fini (Argentine/French, 1908-1996), nude studies, etching, signed in pencil to lower right margin, numbered 52/150, unframed, H.39.5cm W.49.5cm,

Lot 438

John Brunsdon (1933-2014) 'Halls Croft and Garden' 4/175, signed, titled and numbered in pencil (in the margin) etching and aquatint 13cm x 31cm. Provenance: Collection of Peter Dingley.

Lot 442

Pablo Picasso (1881-1973) 'Pour Roby', circa 1950 signed (in the plate) etching 38cm x 28cm, unframed. Reference: Illustration for L'Arge de Sole by Robert J.Godet, 1950. Provenance: Sotheby's, 21 November 1974, lot no. 135.

Lot 443

Paul Signac (1863-1935) Two tugboats on the river signed (in the plate) etching 25cm x 36cm, unframed.

Lot 445

Edward Henry Gordon Craig (1872-1966) Landscape clearing, 1924 monogrammed and dated in pencil (in the margin) etching 14cm x 13cm.

Lot 446

Pierre-Auguste Renoir (1841-1919) 'Sur la Plage, Berneval', 1892 signed (in the plate) etching 33cm x 25cm, unframed.

Lot 447

Pierre-Auguste Renoir (1841-1919) 'Le Chapeau épinglé', circa 1894 signed (in the plate) etching 33cm x 25cm, unframed.

Lot 448

Pierre-Auguste Renoir (1841-1919) 'Femme couchée', 1906 etching 25.5cm x 34cm, unframed.

Lot 457

Frank Brangwyn (1867-1956) London Bridge signed in pencil (in the margin) etching 46cm x 58cm. Provenance: Fine Art Society, London.

Lot 458

Max Werner (20th Century) 'Tanker', 1986 4/25, signed, numbered, titled and dated in pencil (in the margin) etching and aquatint 57cm x 59cm, unframed.

Lot 459

Édouard Vuillard (1868-1940) Portrait of Theo Van Ryselbergh, circa 1898 etching 24cm x 32cm, unframed.

Lot 460

Maurice Denis (1870-1943) Joseph Victor Roux Champion signed and titled (in the plate) etching 26cm x 33cm, unframed.

Lot 466

Edgar Rowley Smart (1887-1934) 'Gidnese' signed in pencil (in the margin), titled (in the plate) etching 27cm x 31cm.

Lot 467

Dolf Rieser (1898-1983) Birds 10/45, signed and numbered in pencil (in the margin) etching 36cm x 51cm, unframed.

Lot 468

Dolf Rieser (1898-1983) The Tribe 55/100, signed and numbered in pencil (in the margin) etching 33cm x 44cm, unframed.

Lot 469

Dolf Rieser (1898-1983) Conversation signed and numbered in pencil (in the margin) etching 33cm x 44cm, unframed.

Lot 471

Norman Ackroyd (b.1938) 'Cowdray Park' 36/40, signed, titled and numbered in pencil (in the margin) etching 26cm x 30cm, unframed.

Lot 472

Prunella Clough (1919-1999) Urban landscape, 1954 artist's proof, signed in pencil (in the margin) etching 12cm x 9cm.

Lot 473

Pablo Picasso (1881-1973) 'L'abreuvoir', 1906 from La Suite des Saltimbanques etching 15cm x 21cm. Provenance: Brook Street Gallery, London.

Lot 479

Stanley William Hayter (1901-1988) 'Hex', 1981 32/50, signed, titled, numbered and dated in pencil (in the margin) etching 79cm x 57cm, unframed.

Lot 480

Stanley William Hayter (1901-1988) 'La Noyee', 1955 133/175, signed, titled, dated and numbered in pencil (in the margin) blindstamp of the publisher, L'Oeuvre Gravée etching and aquatint 50cm x 66cm, unframed.

Lot 481

Stanley William Hayter (1901-1988) Araignée, 1967 signed in pencil (in the margin) etching 44cm x 28cm. 

Lot 491

H. Moore (20th Century) 'Said Rabbi Jeremiah Ben Elazer', 1947 9/30, signed, dated and inscribed in pencil 'Private Commission, 6 Studies' etching and aquatint 38cm x 41cm.

Lot 506

André Bicât (1909-1996) 'Flight over Blue' artist's proof, signed and titled in pencil (in the margin) etching and aquatint 28cm x 33cm.

Lot 507

Victor Pasmore (1908-1998) Untitled, 1991 28/30, signed, dated and numbered in pencil (in the margin) etching and aquatint 37cm x 46cm.

Lot 509

Valerie Thornton (1931-1991) 'The Guildhall, Lavenham', 1977 83/150, signed, numbered, titled and dated in pencil (in the margin) etching and aquatint 40cm x 53cm, unframed.

Lot 510

Elizabeth Blackadder (b.1931) Cat in a basket 62/70, signed and numbered in pencil (in the margin) etching and aquatint 27cm x 29cm.

Lot 512

Elizabeth Blackadder (b.1931) Irises 5/50, signed and numbered in pencil (in the margin) etching and aquatint 25cm x 18.4cm.

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