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Lot 479

John Mills (b. 1933), etching depicting Dame Elizabeth Frink, 'Liz Frink - Study of a Friend', signed and dated 2011. H.54 W.44cm.

Lot 572

Anna Garton (British), 'The Flask, Highgate', limited edition etching and aquatint, 50/50, signed, dated '80 and numbered in pencil. H.50 W.50cm.

Lot 147

Carl Clemens Moritz Rungius (German/American, 1869-1959). Etching and drypoint on paper titled "The Traveler," 1931, depicting a bull moose walking through a forest, mountains in the background. Pencil signed along the lower right.Sight; height: 9 in x width: 11 3/4 in. Framed; height: 16 3/4 in x width: 18 1/2 in.

Lot 154

Joseph Pennell (American, 1857-1926). Etching on laid paper titled "Pisa: Lung Arno Regio," depicting the city of Pisa, Italy, with the Arno River curving through the center of the composition. From Pennell's "The Italian Series." Pencil signed along the lower right; further signed, titled, and dated 1883 in the plate along the lower left.Sight; height: 8 in x width: 11 1/2 in. Framed; height: 14 1/4 in x width: 17 1/4 in.

Lot 162

Pierre Auguste Renoir (French, 1841-1919). Drypoint etching on laid paper titled "Sur la Plage, a Berneval," depicting Julie Manet, daughter of Berthe Morisot and Eugène Manet, and her cousin, Paulette Gobillard, gazing out to sea. Signed in the plate along the lower right.Literature: D. 5Sight; Height: 8 1/4 in x width: 6 1/2 in. Framed; Height: 20 1/2 in x width: 16 3/4 in.

Lot 163

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669). "David at Prayer," etching and drypoint on paper, 1652. A strong, dark impression of this lovely print. Biorklund's third state (of 3); Usticke's third state (of 3); White and Boon's third state (of 3).Literature: Bartsch 41, Biorklund 52-C; Hollstein (White and Boon) 41.Provenance: Swann Galleries, New York, 2011; Private collection, Minnesota.Sight; Height: 5 3/4 in x width: 3 3/4 in. Framed; Height: 13 3/4 in x width: 11 in.

Lot 186

Albert Besnard (French, 1849-1934). Drypoint etching and aquatint on paper titled "La Robe de Soie," depicting a smiling woman in a long flowing robe seated in a large chair. Titled and dated 1887 in pencil along the lower edge of the mat.Unmatted; Height: 17 1/4 in x width: 11 1/2 in. Matted; Height: 22 in x width: 16 in.

Lot 55

Johnny Friedlaender (German/French, 1912-1992). Etching on paper depicting two abstract modernist horses underneath a blue moon. Pencil signed along the lower right; inscribed epreuve d'artiste along the lower left.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 18 in x width: 23 1/2 in. Framed; Height: 25 in x width: 30 1/2 in.

Lot 139

JAUME PLENSA (Barcelona, 1955).Untitled, 1987.Aquatint etching on copper plate, copy 4/50.Signed and justified in pencil.Size: 18 x 18 cm (print); 50 x 37,5 cm (paper).Jaume Plensa studied at the Llotja School and the Sant Jordi School of Fine Arts, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and was recently awarded an honorary doctorate by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mould iron using the casting technique, and developed a sculptural concept based on zoomorphic elements. His work gradually evolved, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work in both material and formal terms, and began to use different materials such as metal scraps, polyester and resins. During these years he produced series of walls, doors and architectural constructions, seeking to give space an absolute protagonist role. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting four classical operas by Falla, Debussy, Berlioz and Mozart with "La Fura dels Baus", and alone in a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has held solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008 he unveiled his work "Breathing", a memorial to journalists killed in the line of duty, at the BBC headquarters in London. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture, and the National Prize for Plastic Arts in 1997, awarded by the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MoMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA and the Museo Reina Sofía in Madrid.

Lot 1033

§ Julian Trevelyan (1910-1988), 'Marlborough College' (1963). Etching. Signed, titled and numbered 37/75 in pencil to margin. Image size 47 x 35cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information.

Lot 1042

Chris Orr (British, b. 1943), 'Lambeth' (2009). Etching in colours. Signed, titled and numbered 9/40 in pencil to margin. Framed and glazed. Image size 52 x 52cm.

Lot 1055A

Graham Clarke (British, b. 1941), 'Kindly Light', etching in colours, signed, titled and numbered 206/300 in pencil to margin, framed and glazed, image size 34 x 43cm.

Lot 1056

Peter Howson (Scottish, b. 1958), 'Hacker' (1995), etching, artist's proof, signed in pencil to margin, framed and glazed, 26 x 20cm.

Lot 1056A

Graham Clarke (British, b. 1941), 'It's a Doge's Life on the Grand Canal', etching in colours, signed, titled and numbered 302/400 in pencil to margin, framed and glazed, image size 52 x 67cm.

Lot 1058

Valerie Thornton (British, 1931-1991), 'Boxford' (1974), etching in colours, signed and numbered 69/150 in pencil to margin, framed and glazed, 40 x 61cm.

Lot 1059

Valerie Thornton (British, 1931-1991), 'The Guildhall, Lavenham' (1977), etching in colours, signed and numbered 45/150 in pencil to margin, framed and glazed, 34 x 47cm.

Lot 1060

Heidi Konig (British, b. 1964), 'Allapura', monotype in colours, signed in pencil lower right, framed and glazed, 49 x 49, with an etching in colours by the same artist, 'Outward Bound', signed and numbered 57/150 in pencil to margin, framed and glazed, 49 x 48cm. (2)

Lot 1061

Heidi Konig (British, b. 1964), 'Train to Konya', etching in colours, signed and numbered 42/150 in pencil to margin, framed and glazed, 34 x 40cm, with another etching in colours by the same artist, 'Emili Valley', signed and numbered 61/150 in pencil to margin, framed and glazed, 34 x 40cm. (2)

Lot 234

Etching after Edwin Douglas

Lot 222

Winifred Austen 1876-1964, pencil signed etching of a long eared owl seated on a branch, image 34cm x 20.5cm 

Lot 440

Frank Brangwyn 1867-1943, lithograph entitled "A Pit rescue", sold by The Folio Society, Collector's Corner London, image 22cmx 30cm; and a 19th Century French etching signed in pencil and numbered 71/200 (2)

Lot 474

Joan Hassal, black and white etching of harvest mice; an etching of the "Puppet Master"; four coloured prints after Richard Parkes Bonnington; Peter Dewint etc.; two fashion prints; and a print of Maidstone (10)

Lot 475

A Medici Society print, after Rayburn "Mrs. Lauzun"; an antique engraving French cathedral interior; E.J. Maybery etching of Norwich Cathedral; a coloured antique engraving of a galley ship and a coloured print of "The Soho" paddle steamer (5)

Lot 141

Athletic Victorian Silver-Plate Trophy inscribed 'P.S.A.S. 1/2 Mile Handicap presented by the Rev R.H. Rhylands - Won by Harold Clark April 1881' having beautiful floral etching.

Lot 71

James Henry Dowd (1883-1956) 'An Old Favourite', pencil signed (lower-right), etching, 13.5cm x 18cm; together with French School (early 19th century) 'Tete a Enfant', indistinctly signed, dated 1934, etching, 30/50, 19cm x 18cm (2)

Lot 76

° ° Jasper John (1930-) Illustrator - Stevens, Wallace (1879-1955) - Poems, with introduction by Helen Vendler, number 30 of 300 illustrated with an original etching with aquatint frontispiece, signed in pencil by Jasper Johns, the etching was printed by ULAE and titled ‘’Summer’’. This print predates the paintings and prints in his series ‘’The Seasons’’ by almost two years. This is therefore the first appearance of any of the four renowned works from this series. Small folio, half blue morocco over blue and white linen, by Schubert Bookbindery, Arion Press, San Francisco, 1985

Lot 79

° ° Menpes, Dorothy & Mortimer - 5 works - Venice, one of 500 signed by the artist, the front fly leaf with an original watercolour vignette of St Marks Basilica, signed, 1904; Whistler As I Knew Him, one of 500 signed by the artist, bound with an original etching of the Menpes children, 1904; Japan. A Record in Colour, one of 600 signed by the artist, 1901; World’s Children, one of 500 signed by the artist, 1903 and Brittany, one of 350 signed by the artist, the front fly leaf with an original watercolour of a Brittany peasant woman, signed, 1905, all 4to, original cloth gilt, Adam and Charles Black, London

Lot 912

British Victorian 1827 Pattern Royal Navy Officers Sword, being a early example with pipe back blade. Regulation pattern with sharkskin grip retaining wire binding. Plain folding rear guard and loop fitting. Guard with crowned fouled anchor. Large lion head top pommel. Housed in leather and brass mounted scabbard with a hanging frog fitting attached to the top mount. Early piped back blade with just remains of the original etching visible. Blade 73 ½ cms, overall 99 cms. PLEASE SEE AUCTION INFORMATION IN RELATION TO THE SHIPPING OF SWORDS AND BAYONETS

Lot 1190

WW2 German Kriegsmarine Officers Dress Dagger by F W Holler Solingen, fine example with white celluloid grip having wire binding. Gilt eagle pommel with swastika to the centre. Standard cross guard with button release to the reverse. Housed in its original scabbard with two hanging rings. Double edged blade with foliage, anchor and sailing ship etching. F W Holler Solingen makers trade mark to the base of the blade. Some surface staining to the blade. The blade measures 25cms, overall 41 ½ cms.

Lot 778

Phil Greenwood (b.1943), 'Tree Light' etching and aquatint in colours on paper, signed, numbered 180/250 and titled in pencil, published by CCA Galleris together with Certificate of Authenticity, 41.5 x 47 cm, framed and glazed

Lot 845

Joan Miro (Spanish, 1893-1983), 'Cantic del Sol', etching with aquatint, 1975, one of thirty five etchings, edition of 273, in conservation frame Provenance: published in 1975 to illustrate the poem “El cantico de las creatures” by Saint Francis of Assisi. Purchased from Wiseman Originals in 1993, together with copied proof of purchase, signed by Caroline Wiseman, 36 x 50 cmArtist's Resale Rights: Please note, the buyer will be subject to pay an additional 4% on top of the hammer price if this lot exceeds €1,000. For more information on Artist Resale Rights please visit: https://www.gov.uk/guidance/artists-resale-right

Lot 879A

Jerome Wierix, 'The Mocking of Christ', original engraving (1553-1619) 6 x 9 cm; together with Francois Vivares (1709-1780), after Rembrandt 'Beggar Man and Beggar Woman Conversing', etching, 8 x 5 cm

Lot 915

Group lot of twenty-three artworks to include: 'Stephan Whittle, 'Harvest Time' coloured etching (120/150), hand-coloured engraved botanical print of 'Digitalis Sceptrum'; two 19th century engravings of birds, four South-East Asian embroidered padded tapestries and others (23)

Lot 917

Five framed prints to include: Stan Van Houtven (1939-1997), 'Schelde bij Temse', etching with colours, signed, titled and numbered 33/100 in pencil below, 16 x 20 cm; two limited edition etchings, indistinctly titled and signed in pencil below, numbered 41/50 and 26/50, approx. 20 cm wide each; aquatint engraving or huntsman, 20 x 25 cm and a coloured photograph of alpine landscape inscribed: 16686. P.Z. - RIGI - KULM & DIE ALPEN', 21 x 16 cm, all framed and glazed, together with a portrait of a bearded man, oil on board, indistinctly signed and dated bottom left, 40 x 80 cm, framed and two wooden frames  (8)

Lot 151

LUCY WILLIS R.W.A. (b. 1954). “Sedgemoor”, limited edition coloured etching, signed & dated 1984, titled, & numbered 31/75 in pencil lower margin, 16” x 12”, framed & glazed. (22¼” x 17¾” over-all).

Lot 152

NICHOLAS COCHRANE (20th century). A Venetian canal scene, signed, watercolour, 6” x 6”; MICHAEL BLAKER (b. 1928) “Paris Garden”, coloured etching, 4¼” x 5¼”; & two other 20tgh century small etchings, all framed & glazed. (4).

Lot 161

CLAUDE WEISBUCH (French, b. 1927). A black-&-white etching of a violinist, titled: “La Partition Déchire” 10¼” x 8”, signed &numbered 77/100 in pencil lower margin, framed & glazed. (22¼” x 19?” over-all).

Lot 251

Gerald Leslie Brockhurst (British 1890-1978), monochrome etching "Xenia", 21.5cm x 16cm, signed in pencil and in reverse on plate.

Lot 420

Jonathan Pratt (1835-1911) Pencil, heightened with whiteYoung girl sitting on a fence, unsigned, bears artist information label verso (11 x 17 cm)After William John HennessyHand coloured etching, heightened with whiteWoman and children picking fruit, signed within plate lower left (16.5 x 12cm)

Lot 606

THREE BOXES AND LOOSE SUNDRY ITEMS ETC, to include a boxed Pullin Optics slide projector in need of some restoration, King Sonic military style radio - not tested, pewter teapot, vintage oxo tins, Optima gunsight, small quantity of books, box of crochet items, electronic car racing game, pictures to include landscape watercolours by George Trevor, signed Fred Slocombe etching etc

Lot 1688

Arthur William Heintzelman (1891-1965), drypoint etching, Scene in a music hall, from the edition of 100, signed in pencil, 28 x 24cm

Lot 2146

Hans Figura (1898-1978) Etching and aquatint on silk Moored boats, signed in pencil lower right, 37cm x 51cm 

Lot 684

(20th century), an etching, Sehnsuchtskalender, indistinctly signed, and dated 1927, 13 x 18cm, framed and glazed, 31 x 38cm

Lot 688

C Dickens, (20th century), after, an etching, Thirlmere Lake District, signed and attributed verso, 10 x 15cm, later mounted framed and glazed, 25 x 29cm

Lot 4085

Frederick (Fred) Cecil Jones RBA (British 1891-1966): 'The Farm Pond Flanders', etching signed and dated 1935 in pencil, titled in the plate 7.5cm x 11cm

Lot 4087

Gertrude Hayes (British 1872-1956): 'Royal Agricultural College Cirencester' and 'The Quadrangle', pair etchings signed in pencil; Percy J Westwood (British 1878-1958): 'Rouen' France, etching signed and titled in pencil max 21cm x 29cm (3)

Lot 130

George Vernon Stokes (1873-1954), A Study of a Red Setter and a Black and White Setter, coloured etching, signed in pencil, ed. 55/75, framed. 25cm by 30cm; together with Henry Wilkinson (1921-2011), A Study of a Pair of Pointers, coloured etching, signed in pencil, ed. 38/75, framed. 22.5cm by 30cm. Note: this lot may be subject to ARR. (2)

Lot 133

•Dame Elizabeth Blackadder, O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (Scottish, 1931-2021), "Orchid Dendrobium Atroviolaceum", etching and aquatint, signed in pencil lower right, ed. 17/50, framed. Plate 61cm by 45.5cm. Note: this lot may be subject to ARR.

Lot 171

John George Mathieson (active 1918-1940) Scottish Framed and mounted etching of a Lakeland scene signed in pencil to bottom right

Lot 95

Edward Frank Gillet. 'The Guardian' original etching. [Frame 62x47cm]

Lot 113

John Bulloch Souter (Scottish 1890 - 1972) Lavanderas, Spain, etching, signed and numbered 26 / 30, 25 x 20cm

Lot 12

Edwin Augustus John (BRITISH 1878 - 1961)Woman With Baby, etching, signed, 9 x 6cm, overall frame size 54 x 43cm, Bourne gallery label verso,

Lot 13

William Wilson RSA RSW (SCOTTISH 1905 - 1972), Siena - etching, signed in pencil to the margin and inscribed imp RW 1971, framed under glass, 20 x 24cm Bourne Gallery label verso

Lot 159

Ernest Stephen Lumsden, R.S.A., R.E. (British 1883-1948) The Temple Steps, etching, inscribed in pencil, framed under glass, 15 x 22cm

Lot 16

Francis Dodd RA RSW 1874 - 1949, Auxerre 1929, drypoint etching, signed and titled in pencil, framed under glass with Open Eye Gallery label verso, 25 x 37cm

Lot 161

James McBey (Scottish 1883-1959)Gate at Port Erroll, etching, signed, inscribed with title and dated 15th July 1922 in the plate, framed under glass with a Bourne label verso, 22 x 33 cm

Lot 164

Sir Muirhead Bone (SCOTTISH 1876-1953), Santiago, drypoint etching, signed and inscribed, framed without glass, 18 x 31cm

Lot 166

James McBey (Scottish 1883-1959), Sunset Wadi-um-Muksheib, etching, signed, inscribed with title and dated July 1917 - 1919 in the plate, framed under glass with a Bourne label verso, 23 x 18cm

Lot 167

Dame Elizabeth Violet Blackadder OBE RA RSA RSW RGI DLitt (Scottish, 1931-2021) Basilica, San Petronio, etching, signed in pencil and numbered 5/50, framed under glass with a Scottish Gallery label verso, 17 x 10cm

Lot 171

Barbara Rae C.B.E., R.A., R.S.A., R.E. (SCOTTISH 1943-) Sea Ice - Northwest Passage, collagraph, etching with relief roll & chine-collé, signed, inscribed and numbered 12/40, 60 x 60cm sheet size 90 x 76cm, framed under glass

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