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Lot 57
Francis St Clair Miller (British Contemporary), Mussel Beds, Etching, signed bottom right, framed, measurements 20 x 25 cm (PL). Plus a further etching titled 'St. Jacut de la Mere' by the same hand (2) PLEASE NOTE VAT AT 20% IS PAYABLE ON THE HAMMER PRICE ON EACH LOT IN THIS AUCTION (Qty: 2)
Lot 360
Graham Everdon (British Contemporary), 'Wayside', Etching, signed bottom right, framed, measurements 29 x 39 cm (PL), plus two further etchings including Martin Taylor 'Headland' etching and Francis St Clair Miller 'Autumn Path' (3) PLEASE NOTE VAT AT 20% IS PAYABLE ON THE HAMMER PRICE ON EACH LOT IN THIS AUCTION (Qty: 3)
![NO RESERVE Bartolozzi (Francesco, 1727-1815) Miss Farren, after Thomas Lawrence, possibly early state [?], plate apparently n](https://cdn.globalauctionplatform.com/b87150a0-f564-4951-8c36-ab4300ee55a0/48e2a852-ea8d-44d0-ac7a-ab4a010106e5/468x382.jpg)
Lot 83
NO RESERVE Bartolozzi (Francesco, 1727-1815) Miss Farren, after Thomas Lawrence, possibly early state [?], plate apparently not trimmed but lacking lettered section, stipple engraving and etching printed in colours, on laid paper without watermark, sheet 485 x 320 mm. (19 x 12 1/2 in), marginal nicks, some browning and surface dirt, unframed, Bull & Jeffryes, 1792.Literature:Calabi & De Vesme 1075
![NO RESERVE Steinlen (Théophile Alexandre, 1859-1923) Untitled [Elderly man in bed, with lady at his bedside], lithograph on W](https://cdn.globalauctionplatform.com/b87150a0-f564-4951-8c36-ab4300ee55a0/5782bf22-f4e5-495c-8167-ab4a010105f9/468x382.jpg)
Lot 134
NO RESERVE Steinlen (Théophile Alexandre, 1859-1923) Untitled [Elderly man in bed, with lady at his bedside], lithograph on Whatman wove paper watermarked with date '1897', sheet 500 x 615 mm. (19 3/4 x 24 1/4 in), some scattered spotting and browning, unframed, circa 1897; together with four other 20th century prints, including a woodcut signed by Pillwein, a drypoint by Oswald Roux, an etching by Lilly Steiner, and a lithograph by Prof. Jungnickel, various sizes, all unframed, 20th century (5)
Lot 109
Paradise Lost.- Martin (John) Satan tempting Eve; Approach of the Archangel Michael, two plates from the first edition of Martin's illustrations for Milton's Paradise Lost, mezzotints with etching on wove paper, each platemark approx. 250 x 335 mm. (9 3/4 x 13 1/4 in), under glass, spotting and some surface dirt, uniformly framed, Samuel Prowett, 1826-1827 (2)Provenance:Christopher Mendez, London;From whom purchased by the present vendor
Lot 133
NO RESERVE Strang (William) The Street Sellers, etching with drypoint on laid paper, signed in pencil, inscribed 'first state' and dated '24th May 1900', platemark 280 x 302 mm. (11 x 12 in), sheet 340 x 360 mm. (13 1/2 x 14 1/4 in), some toning to sheet, handling creases, unframed, 1900; together with a miscellaneous group of prints and posters, including William Nicholson's 'Krishna Mulvaney', 12 socialist prints of designs by Walter Crane, and others, all unframed, late 19th and early 20th century (25)
Lot 129
Darwin, Charles.- Rajon (Paul-Adolphe) Portrait of Charles Darwin, after William Ouless, etching and drypoint with scratch-letter names below, Darwin's etched facsimile signature in lower margin, on Whatman wove paper with indistinct watermark date, platemark 555 x 410 mm. (21 3/4 x 16 1/4 in), sheet 620 x 505 mm. (24 1/2 x 19 3/4 in), some toning to sheet, exposure lines from previous mount, minor surface dirt, minor marginal nicks, unframed, [circa 1874-76].
Lot 81
Carracci (Annibale, 1560-1609), After. Susanna and the elders, red chalk on laid paper mounted onto paper support, ruled red chalk border, sheet 330 x 255 mm. (13 x 10 in), numerous handling creases, splits and small tears, loss repaired in the lower right corner, other small areas of loss repaired, unframed.⁂ Study after the etching by Annibale Carracci executed circa 1588-1597 [see Bartsch 180]
![Gaston Hoffman (French, 1883 - 1960), by, Feu d'artifice [Fireworks at the Dentist], signed and numbered in pencil 02/10 by t](https://cdn.globalauctionplatform.com/5745d17c-e0e6-43e2-8d16-ab46005b303f/34bf9bc9-c519-4b36-a3e5-ab4c010cc9cb/468x382.jpg)
Lot 394
A collection of late 18th century and later engravings and prints, including William Davison (1781-1858), by, Hop and Stage Doctor, Printed and Published by W. Davison Alnwick [n.d. 1812-1817], etching, 16.5cm x 23.5cm; 19th century restrikes of Hogarth engravings, various; two copies, The Illustrated London News: No. 1027, Vol. XXXVI, April 21, 1860 & No. 2712, Vol. XCVIII, April 11, 1891, (2); medical and anatomical chromolithographic book illustrations and diagrams, various; 18th century and 19th century engravings after Old Masters; 18th and early 19th century antiquarian and architectural engravings, various; early 19th century steel engravings of earlier British portraits of statesman and illustrious figures; defences, copperplate engravings, Engraved for Ancell's Monthly Military Companion, various, 1801-1802, (5); architecture; coaching print; steam locomotive diagrams; further railway interest; various subjects, media and sizes; (qty)
Lot 464
Mona Alizon Edmonds (exh. 1934), by, The Children of Spinalunga: Then the throng of singing children and shining spirits lead by Brother Agnolo moved from Spinangula together down the rough slope towards the besieging Free Lances of Pisa, possibly inspired or designed to illustrate an edition of William Caton's children's book 'A Child's Book of Saints', signed and dated 1935 by the artist in pencil, titled within the platemark, etching, 32cm x 22cm, ink MS labels to versoMiss Mona Alizon Edmonds exhibited one work at The Royal Academy in 1934, an etching entitled 'That Half-holiday', catalogue no. 1279
![[Rowlandson, Thomas, illustrator]. Naples and the Campagna Felice. In a Series of Letters addressed to a Friend in England, i](https://cdn.globalauctionplatform.com/45651768-0840-4e6b-a25a-ab4401107d4e/525244b2-11ac-4f3f-9e44-ab450106ab8d/468x382.jpg)
Lot 48
[Rowlandson, Thomas, illustrator]. Naples and the Campagna Felice. In a Series of Letters addressed to a Friend in England, in 1802, 1st edition in book-form, London: R. Ackermann, 1815, 16 plates including frontispiece and additional vignette title, all hand-coloured aquatints (except plate 4, hand-coloured etching), 2 hand-coloured maps (1 folding), list of plates, occasional finger-soiling and staining, damp-staining in gutter towards front and rear, ink-stamp to title, repair in text-leaf R2 obscuring text verso, contemporary mottled calf, rebacked, 8vo (24 x 14.2 cm), together with: Warden (William), Letters written on board His Majesty's Ship the Northumberland, and at Saint Helena; in which the Conduct and Conversations of Napoleon Buonaparte ... are faithfully described, 3rd edition, London: R. Ackermann, 1816, frontispiece, 2 plates, half-title discarded, spotting to plates, bookplate of Michael Jaffé, contemporary half calf, morocco label with gilt armorial of John Bligh, 4th Earl of Darnley (1767-1831), 8vo (21 x 12.7 cm), Maundrell (Henry), A Journey from Aleppo to Jerusalem; at Easter, A.D. 1697. The Seventh Edition; To which is now added an Account of the Author's Journey to the Banks of Euphrates at Beer, and to the Country of Mesopotamia, Oxford: printed at the Theatre for W. Meadows, 1749, 14 engraved plates (of 15), one repaired, another partially split along fold, toning, title marked, bookplate of Patricia Milne Henderson, contemporary calf, rebacked and restored, 8vo (19.6 x 12.8 cm), and 7 others, 19th-century English accounts of European travel, leather-bound, of which 2 ex libris the dukes of Buccleuch, including Gell, The Itinerary of Greece, new edition, 1827 (Qty: 12)NOTESAbbey Travel 166 (Rowlandson); ESTC T100591 (Maundrell); Tooley 419 (Rowlandson).
Lot 182
* Aldin (Cecil, 1870 - 1935), 'For what we are about to receive', uncoloured dry-point etching, signed by artist in pencil to lower right, pencil limited edition of 18/100 to lower left, 250 x 170 mm, mounted, framed and glazed, Deighton's Strand Gallery label on verso with contemporary manuscript title (Qty: 1)
Lot 486
AFTER COLIN PAYNTON "Saddleback Boar", limited edition wood engraving No'd 29 from 50 titled, numbered and signed in margin together with AFTER RICHARD WADE "Walking the Dog", limited edition coloured etching depicting a winter scene of sheep in a field No'd 18 from 150 signed, numbered and titled in margin and AFTER CYRIL L. SKINNER "Tim", black and white etching of a cat signed in pencil lower right, bears Bristol Savages Annual Exhibition label verso
Lot 19
δ Salvador Dali (1904-1989)L'Adoration (from Femmes et Chevaux) (Field 73-4C; M&L 585)Etching with engraving printed in colours, 1973, signed, and inscribed 'E.A' in pencil, an artist's proof aside of the edition of 175, on BFK Rives paper, printed by Ateliers Rigal, Paris, with full margins, sheet 447 x 310mm (17 5/8 x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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78391 item(s)/page