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Lot 99
NORMAN C. JAQUES (b.1922) MONOCHROME ETCHING Street scene with buildings 21 1/2" x 14 3/4" (54.5cm x 37.5cm) AND, BY THE SAME ARTIST COLOUR ETCHING Boat yard 15 1/2" x 12" (39.3cm x 30.5cm) ANOTHER COLOUR ETCHING 12" x 9" (30.5cm x 22.9cm) AND ACRYLIC ON PAPER Abstract floral pattern 18" x 12" (45.7cm x 30.5cm) All signed Unframed (4)
Lot 412
Marie Astoin, French 1923-2011- View of Sacre Coeur, Paris; pen and black ink and watercolour, signed, 26x20cm: together with a small landscape study in gouache by the same hand, signed (twice), 10x16.3cm: William J MacLean, British exh 1895-1913- Portrait of a lady, quarter-length turned to the right, (recto), unfinished still life composition, (verso); oil on canvas, signed and dated 28, bears inscribed label attached to the reverse, in an oak frame, 45.7x30.5cm: Victor Maunier, French b.1890- "Maison et Studio de Theodore Rousseau, Rue des Artistes a Barbizon"; etching, signed and inscribed in pencil, 17x24cm., (4) (may be subject to Droit de Suite
Lot 501
Charlotte Halliday RBA RWS NEAC, British late 20th/early 21st century- "Sunday Afternoon, Little Venice"; pencil and watercolour on grey, signed and dated 1993 in pencil, 24x25.5cm: John Brunsdon ARCA, British b.1933- "Salthouse"; etching with aquatint printed in colours, signed, titled and inscribed Artist Proof XX/XXV in pencil, 45x60cm: G P Pugh, British early/mid 20th century- "Arundel Castle, West Sussex from the River Arun"; watercolour, signed in pencil, 28x38cm: Martin Andrews, British mid/late 20th century- "Egyptian Scene, Temple of Iris", c.1965; pencil, 45x38cm: Thomas Higham, British 1795-1844- "Proposed New Houses of Parliament", from Stationers` Almanack 1837; hand coloured engraving, 24.5x43cm, (5), (may be subject to Droit de Suite)
Lot 545
After Thomas Henwood, British 1797-1861- "The Procession of the Lewes Bonfire Boys, Nov 5th 1853"; hand-coloured lithograph, 30.5x49.5cm: William Ward Jnr, British c.1800-1840- "The Right Honble C W W Wynn, MP", after Sir M A Shee PRA, publ August 1835 by Messrs Colnaghi & Company 33 Cockspur Street Charing Cross; mezzotint, in a 19th century glazed maple veneered frame, 37x28cm: George Cruickshank, British 1792-1878- "A Very Good Man, no Doubt, but a Bad Sailor", publ Margate August 21 1845; etching, 23.5x16.5cm: British School, early 19th century- "His Most Gracious Majesty King William the Fourth"; engraving, 28.5x22.5cm: British School, late 19th century- "The Celeban Black Baboon"; chromolithograph, 16.5x10.5cm., (5)
Lot 617
Georgina Porter, British, late 20th/early 21st century- "Open Fields"; screenprint in colours, signed and numbered 1/2 in pencil, 90.5x70.5cm: together with another screenprint in colours by the same artist titled "Suntrap", signed and numbered 2/4 in pencil, 67x96cm: James Cox, British b.1956- "Tuscan II"; etching with aquatint printed in colours, signed, titled and numbered v/xxv in pencil, 69x98cm, (3) (may be subject to Droit de Suite)
Lot 655
Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; watercolour, gouache and mixed technique, 68x72cm: Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; gouache and silver coloured paint, 44x32cm., (mounted) (unframed): Pauline Poupko Meehan, Irish b.1963- Untitled; etching with aquatint, signed, numbered `1/10 and dated 95 in pencil on the mount, 49x33cm: together with three hand-coloured monoprints by the same hand of similar subjects, various sizes, 48x36cm., (max): Russian School, late 20th century- Seashell in landscape; batik, bears label attached to the reverse, 70x60cm., (7) (may be subject to Droit de Suite)
Lot 661
John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)
Lot 685
Leonard Baskin, American 1922-2000- Woman daydreaming with a bat, raven and other animals; etching, signed and numbered 72/100 in pencil, dated 1972 within the plate, 17.5x12.8cm: Jack Coughlin, Irish/American b.1932- Catwoman; etching, signed and inscribed `AP`, 9.5x7.5cm, (2) (may be subject to Droit de Suite)
Lot 686
Albany E Howarth ARE, British 1872-1936- "Bamburgh"; etching, signed, titled and dated 1919 within the plate, signed in pencil, 40x55cm: Albany E Howarth ARE, British 1872-1936- Ludlow; etching, signed in pencil, 40x55cm: together with two further etchings by the same hand, one of Seaton and the other of Chiddingstone, the latter signed, titled and dated 1919 within the plate, both signed in pencil, 23.5x40 cm and 27.5x36.5cm., respectively: Stanley Anderson, British 1884-1966- Ruined palace; etching, signed in pencil, 26x35cm: Margaret M Rudge, British, early-mid 20th century- Windswept landscape; etching, signed in pencil, 15x17.5cm: Charles Octavius Wright, British 1874-1964- View of a college; etching with drypoint, signed and numbered 25/50 in pencil, 13.5x19cm., (7) (may be subject to Droit de Suite)
Lot 1028
After Edward Bawden (1903 -1989) ``Henry & Eliza`` signed, inscribed and numbered in pencil 1 from an edition of 25, a woodblock print together with a further work After Piers Browne ( b.1942) Rainbow : ``Wensleydale from Cubeck`` signed in pencil, inscribed and numbered 13 from an edition of 25, a coloured etching together with a another mixed media drawing of a cellist by * Gillon and dated `65 (3) 33cm by 28cm, 17.5cm by 21.5cm & 23. 5cm by 19cm respectively
Lot 67
AFTER WILLIAM LIONEL WYLLIE (1851-1931) "Battleships and sailing ships on the high seas", black and white etching, signed in pencil in the margin, 16 cm x 24 cm CONDITION REPORTS Etching overall is very slightly browned, a couple of very slight dirty marks towards the top in the skyline which could do with a little bit of tidying up, but otherwise appears reasonably sound. In modern frame with some very minor knocks and bumps.
Lot 6
AFTER GIOVANNI FRANCESCO GRIMALDI (1606-1680) A monochrome etching of a river village scene, 13" x 18.5"This work appears to be mounted and stuck down in place though not fully glued down. Slight discolouration and occasional spotting. The top left corner has a crease mark. It is not laying flat in the mount. Occasional creases. Some damage to the frame. Not inspected out of the frame.
Lot 8
AFTER LUCA GOIRDANO (1632-1705) "Christ Disputing with the Doctors", P & D Colnaghi & Co. Ltd label to the reverse stating "second state of two", etching, 11.5" x 16.25"There is a crease line running down the middle of this print. There are also other small crease marks in places especially around the edges. Also occasional spot marks. The work appears to be mounted and stuck to the mount in places although not fully stuck down. Not inspected out of the frame.
Lot 12
GIOVANNI BATTISTA PIRANESI (1720-1778) An interior sepulchral chamber, 16" x 12", etching, and two similar works (3)Some spotting and staining to the surface on these engravings. Otherwise no apparent damage or restoration. Not inspected out of the frames. They do not lay completely flat in the mounts.
Lot 393
Victoria (Queen of England, 1819-1901 & Albert, Prince Consort, 1819-1861). Portrait of Victoria, the Princess Royal, 27th December 1842, original etching on india paper with card mount support, etched by Prince Albert from an ink sketch by Queen Victoria showing the Princess full length under an arch of ivy leaves, date, artist name and initials in the plate impression, 150 x 117mm, mat mount (1).
Lot 66
Dugdale (William). The Antiquities of Warwickshire Illustrated; from Records, Leiger-Books, Manuscripts, Charters, Evidences, Tombes, and Armes, 1st ed., pub. Thomas Warren, 1656, EXTRA ILLUSTRATED, containing port frontis. and fifteen engraved plates and maps as called for (mostly engraved by Hollar), numerous engravings to text throughout, with much additional engraved material bound-in including maps of Warwickshire by Charles Smith, Richard Blome, Bowen/Kitchin, Seller/Grose, an Ogilby road map of Oxford to Coventry, three large engraved Kip views, an aquatint etching after Sandby of Kennilworth Castle published by Boydell, a mezzotint of Shakespeare’s bust by William Ward, two small Buck views, and several others, title relaid, some of the additional prints also relaid or with fold tears, contemp. mottled calf, modern reback, folio. Upcott p. 1247. (1).
Lot 251
Etchings. A collection of forty-three etchings by various artists, including prints from Etchings for the Art-Union of London by The Etching Club, 1872, including Seymour Haden, Legros, Lalanne, Thomas Webster, C. W. Cope, Richard Redgrave, Thomas Creswick, W. E. Frost, Slocombe and others, many on india paper, various sizes, all loosely contained in later cloth portfolio (except one by Thomas Webster framed and glazed) (a portfolio).
Lot 340
Albert (Prince Consort to Queen Victoria of England, 1819-1861). Study of Eos (greyhound) and Cairnach (Scottish terrier), August 1844, original etching on india paper with card mount support, etched by Prince Albert after his own sketch from memory of the picture by Edwin Landseer, signed, captioned, and dated in the plate impression, 134 x 177mm, mat mount (1).
Lot 278
A collection of five framed figural works to include an oil on canvas of a continental elderly gentleman signed bottom right, an over painted print of a young girl in an ornate gilt frame, a framed postcard of a David drawing together with a contemporary etching by Eastern European artist Dusan Polakovic and an engraving
Lot 567
NAPOLEON FRAMED ARTWORK, 19TH CENTURY. Comprising six vintage images of Napoleon at different stages of his life and printed in various techniques including mezzotint engraving and etching, each contained in a finely and professionally matted and glazed frame. Featuring a massive bust portrait engraving after the full length image by David titled "Napoleon Le Grand," contained in a fluted gilt frame with linen liner, overall 37 inches x 29.25 inches (94 x 75 cm). Other framed images include Napoleon amidst burning ruins, overall dimensions 28.25 inches x 24.25 inches (71 x 61.5 cm), Napoleon on horseback, outside dimensions 25.5 inches x 19.5 inches (65 x 50 cm), Napoleon in an interior scene, outside dimensions 16.5 inches x 18.5 inches (42 x 47 cm), Napoleon at Fontainebleau after the painting by Delaroche, outside dimensions 17 inches x 14.25 inches (43 x 36 cm), and Bonaparte 1st Consul, overall 12.75 inches x 10.5 inches (32 x 27 cm).
Lot 740
REGIONALIST WISCONSIN ARTWORK BY MAX FERNEKES (1905-1984). Comprising a large watercolor and crayon rural landscape with cows and hay wagon, signed lower left and measuring 16 inches x 20 inches; a drypoint etching "Bridge Over Cedar Creek", signed lower right measuring 6 inches x 8.2 inches; a colored woodblock print "The Road Turns Right" signed lower right measuring 6 inches x 3.5 inches; and another drypoint etching depicting row houses in Milwaukee`s 3rd ward, circa 1932, signed lower right measuring 2 inches x 2.25 inches. Each contained in a glazed wood frame.
Lot 778
James McNeill Whistler (1834-1903). `La Vieille aux Loques, 1858 (The Old Rag Seller)`. Etching and dry point on paper, 21 x 15cm. Footnote: Plate 8 of 12 etchings from Nature or `French Set`. The set was a record of the artists tour through Northern France, Luxembourg and the Rhineland in 1858.
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71174 item(s)/page