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Lot 508
UNATTRIBUTED; watercolour, 'Landing the Day's Catch', unsigned, 25 x 17cm, RAY ALLEN; etching, 'The Saxon Mill, Guy's Cliff, Warwick', signed in pencil lower-right, 18 x 15cm, ERNST KOCE (Danish); etching, 'Water Well, Gudhjem, Bornhum, Denmark', signed in pencil lower-right with indistinct annotation lower-left, 13 x 17cm and UNATTRIBUTED; etching, 'Dom V. Alte Hofhahung', indistinctly signed lower-right, 11 x 18cm, all four framed and glazed (4).
Lot 776
Victorian 1st Buckingham Rifles Volunteers Officer's Sword.A good late Victorian example of the regulation pattern. The blade is with etched decoration of a stung bugle, 1st Bucks Rifle Volrs and an entwined Crowned VR cypher. The blade is also decorated with entwined initials "JS" Polished open guard with strung bugle device, shagreen covered grip, with twist wire binding. Housed in original steel scabbard. The sword is in clean condition, blade and etching clear, some surface pitting to hilt and scabbard.Possibly the sword of Medical Officer Surgeon Lieutenant J. Shaw appointed June 1896.
Lot 778
Hampshire Isle of Wight Rifles 1913 Presentation Sword.A rare presentation sword of the Light Infantry pattern. The slightly curved blade with etched decoration with presentation script "Presented to Lieut E Moore by the Staff Segts & Sergts of Princess Beatrice I.W. Rifles with whom he served for 20 years. As a mark of their esteem on the occasion of his being granted His Majesty's commissioning the Corps 26-4-13". The retailer's details of Samuel Brother London to the forte. The hilt of the Regulation pattern, the guard incorporating a crowned bugle device. Housed in steel scabbard. The etching and blade clear. Surface pitting to the scabbard, which has been polished.Captain E. Moore survived the Great War.
Lot 779
1847 Warwickshire Yeomanry Presentation Sword.A good example of the 1821 Light Cavalry pattern sword. The slightly curved single edged blade with a crowned VR cypher and presentation script "Presented by Cornet The Hon. W.H. Leigh 6th Troop Warwickshire Yeomanry Cavalry. To William Holland being Second Prize for Target Practice 1847" To the forte the cutler's details of "Reeves, Greaves & Reeves" of Birmingham. The hilt of the regulation pattern with three bar open guard. Housed in polished steel scabbard. Etching clear slight age wear.The Honourable William Henry Liegh was born in and was commissioned into the Warwickshire Yeomanry Cavalry in 1844. On the death of his father in 1850 he assumed the titd Baron Lligh. eHe died in 1905.
Lot 781
Victorian London Scottish Officer's Broadsword.A good and rare example. The straight double edged blade with central double fullers. Engraved with a crowned reverse entwined VR cypher and the regimental title "London Scottish Rifle Vols.". The forte with the retailer's details of Meyer & Mortimer. The hilt of the regulation pattern with full basket gaurd retaining scarlet cloth lining and crimson tassels. Housed in polished brown leather scabbard with plated chape. Overall GC etching clear slight age wear.
Lot 782
Edwardian Highland Regiment Officer's Broadsword.An example of the regulation pattern, the straight blade with double central fuller, with etched decoration including a Crowned EVIIR cypher. The forte with cutler's details. The hilt of regulation pattern with full basket, retaining scarlet lining and crimson tassels. Housed in polished brown leather scabbard with plated chape. The sword is in clean bright condition, but please note the blade has been cleaned with an abrasive material and now shows scratch marks, etching faint to parts.
Lot 787
Victorian Staff Officer's Mameluke Hilted SwordA good example, retailed through E. Thurkle of London. The slightly curved single edged unfullered scimitar blade with etched decoration, depicting a Victorian crowned entwined cypher to each side. Two piece plain Ivorine grip, with two gilt floral pateri. Housed in polished brass scabbard with two loose rings. Slight wear, crack to one grip etching clear GC ... Complete with full bullion tassel.
Lot 799
1st (Salisbury) Wiltshire Rifle Volunteers 1861 Officer's Sword by Wilkinson of London.A good example, the single edged blade with crowned VR cypher and to the obverse the regimental title "1st Wiltshire Rifles", this complemented with a strung bugle and the owners initials of "E.D.F". The forte with cutler's details and the back of the blade with the number 11038 (1861). The hilt with the unusual feature of a Light Cavalry three bar open guard, shagreen grip with diamond cut pommel. Housed in polished steel scabbard. Overall GC etching clear minor age wear.Formed 18th August 1859 Attributed to Lt Edward D Fisher appointed 20th April 1861
Lot 801
WW1 Swansea Naval Brigade Royal Navy Officer's Presentation Sword.A rare and interesting example presented to Lieutenant John Hodgens (Commodore) of the Swansea Naval Brigade in 1916. The sword is the regulation pattern, the blade etched with Royal Arms and crowned fouled anchor. Also the name "LIEUT JOHN HODGENS". The forte with the retailer's details of J.R. Gaunt of London. The solid gilt metal guard emblazoned with a crowned fouled anchor, the white shagreen grip surmounted by a gilt metal lion's head pommel. Within the inside of the guard is an engraved presentation " Presented to Lieut. John Hodgens RNVR Commodore by the Officers, Boys & Patrons of Swansea Naval Brigade as a token of their appreciation of his services Aug 1916". Housed in original black leather and gilt mounted scabbard fitted with two loose rings. Etching to blade remains in near parade condition, gilt furniture worn. Overall GC.The Swansea Naval Brigade was formed in April 1915 as a voluntary youth organisation run by ex Royal Navy personnel, Lieutenant John Hodgens was commissioned Lieutenant and Commodore Commanding. The HQ was originally at Trinity Schoolroom Swansea. For his services he was awarded the OBE in March 1918 presented to him by the King
Lot 806
Royal Navy Attributed Officer's Levee Pattern Sword.A good scarce post 1901 example, the 1 inch wide blade etched with Royal Arms and crowned fouled anchor. To the forte the retailer's details of "Gieves". The solid gilt metal guard emblazoned with a crowned fouled anchor enclosing a white shagreen grip surmounted by a gilt metal lion's head pommel. The fold down guard engraved "S.H. Taylor". Housed in correct original black leather and gilt mounted scabbard fitted with two loose rings. Complete with bullion sword knot. Etching to blade remains clear, gilt with age toning. GC.
Lot 807
Victorian Royal Navy Officer's Levee Pattern Sword.A good scarce example, the 1 inch wide blade etched with Royal Arms and crowned fouled anchor. To the forte the retailer's details of "R.E. Blight". The solid gilt metal guard emblazoned with a crowned fouled anchor enclosing a white shagreen grip surmounted by a gilt metal lion's head pommel. Housed in correct original black leather and gilt mounted scabbard fitted with two loose rings. Complete with bullion sword knot. Etching to blade remains clear, gilt with age toning. GC.
Lot 258
*Fores (S.W. publishers). No Guinea Pigs. The Town before you or Welch Wigs or Whimsicallities or how to save the Tax on Hair Powder, 1795, etching with contemporary hand colouring possiby after George Moutard Woodward, 415 x 520 mm, mounted, framed and glazed A large caricature showing twelve men and women, all with their heads conspicuously covered thereby avoiding the new tax on wig powder introduced by William Pitt the Younger. The taxes, which were many and varied, including the 'new' income tax, were introduced to help pay for the Napoleonic wars. Understandably they were very unpopular and an easy target for satirists and caricaturists. The bureaucracy involved in collecting the tax was cumbersome. Individuals who used hair powder were required to purchase a certificate from their local Justice of the Peace for which they were charged one guinea (hence the first title, 'No Guines Pigs'). The list of those that had paid was lodged at the local Quarter Session court and a copy of the list affixed to the door of the parish church by the parish constable. It was common practice to fine those who did not pay this tax. Contrary to popular belief women did not wear wigs, but simply had the equivalent of todays hair extensions added to their existing hair. Women mainly powdered their hair grey, or blue-ish grey. It was never bright white like men. Wig powder itself was made from finely ground starch to which was added lavender, jasmine, roses and scented with orange flower and was occasionally colored violet, blue, pink or yellow, but was most often used as off-white. The act was eventually repealed in 1869 as by that time less than 1,000 people were wearing wigs. (1)
Lot 795
A 20th century oil painting on canvas of a standing bulldog, signed bottom right E P Rotherham, 35 x 45cm in gilt frame with linen slip, together with further prints relating to dog subjects including a signed coloured limited edition print after Nora Howarth, showing a Staffordshire Bull Terrier and a further terrier on a sofa, a signed etching of the head of a Setter dog by Alice Bamwell, a humorous coloured print of the head of a Terrier after Cecil Aldin, etc together with a portfolio of coloured prints after Canaletto
Lot 796
A quantity of 19th century and later pictures and prints including a print after Lucy Dawson showing a wirehaired dachshund, a late 19th century black and white etching of a musical performance after L Balesterien, a watercolour of a continental garden scene with blossom tree, an oil painting on canvas of a still life of a vase of poppies indistinctly signed bottom right, an early 19th century watercolour of landscape with pond and cottage with cattle in burrwood frame with gilt slip etc
Lot 819
Two Swiss coloured posters for art exhibitions for Genis at the Galerie Des Chaudronnies Genève, 1980 the other for Bardone at Les Salle Du Palais, Genève 76 x 55cm maximum size approx, both in black frames together with a signed limited edition etching by Barry Cottrell showing Clifton College produced to commemorate the 125th anniversary edition number 99/125 25 x 34cm in simple black frame
Lot 103
Micheal Farrell (1940-2000) I DON'T MIND HOW YOU PAINT MY SOUL BUT GET MY TIE CORRECT, 1999 etching and lithograph; (no. 134 from an edition of 150) signed and dated in the margin lower right; titled lower centre; numbered lower left 9¼ x 7¾in. (23½ x 19.69cm) Leinster Gallery, Dublin, 2005;Private collection Sheet size 21 by 15.75in.
![Salvador Dalí (Spanish, 1904-1989) WOMAN ON HORSE BACK [FEMME A CHEVAL] 1969 drypoint etching with roulette on Japon paper; (](https://cdn.globalauctionplatform.com/13bdb3a9-1d8b-4626-963f-a70e0100c124/469e5a7d-6356-4201-b296-1770860a21a5/468x382.jpg)
Lot 129
Salvador Dalí (Spanish, 1904-1989) WOMAN ON HORSE BACK [FEMME A CHEVAL] 1969 drypoint etching with roulette on Japon paper; (10/145) signed in pencil lower right margin; with the Dalí blindstamp embossed in lower right margin; numbered lower left 14½ x 10¼in. (36.83 x 26.04cm) Field, The Official Catalog of the Graphic Works of Salvador Dalí, no. 68-6E, pp. 40-41 (illustrated); Michler/Lopsinger, Salvador Dalí Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980, no. 364, pp. 177-179 (illustrated) With Certificate of Authenticity issued by Fine Art Wholesalers Inc., Pompana Beach, Florida. From the series Venus in Furs. Published by Editions Argillet, Paris. Pierre Argillet Archives no. 109
Lot 323
*UNATTRIBUTED (Late Nineteenth/early Twentieth century) WATERCOLOUR View across an estuary with boats and town in the distance 10" x 13 3/4" (25.4cm x 33.7cm) PRINT FROM AN ETCHING Street scene with lady with hat box red printed stamp 11" x 4" (28cm x 10.1cm) AND A QUANTITY OF BOOKS, VARIOUS AUTHORS SUNDRY WORKS (6 BOXES)
Lot 2016
John Houston (1930-2008) Poppies and other flowers in a vase Signed in pencil and numbered 1960, etching, together with a watercolour entitled ''Orchids and Lightening'' by Donald Manson and a watercolour of figures at the coast by Anthony Eyton 27.5cm by 36cm and various other sizes (3) Provenance: John Houston - The Scottish Gallery Donald Manson - The Open Eye Gallery, Edinburgh
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78388 item(s)/page