Randolph Schwabe NEA RWS LG, British 1885-1948- Old man and a girl; etching with drypoint on japon, signed in pencil, 20x15cm: Ernest Stephen Lumsden RSA RE, British 1883-1948- "The Donor of Water"; etching, signed and dated 1928 within the plate, signed and inscribed in black pen, bears pencil inscription, 30x19.5cm (may be subject to Droit de Suite) CONDITION REPORT: Randolph Schwabe: mounted, unframed sheet stuck down on top edge with two pieces of acid free tape sheet subject to diagonal creasing lower right further creasing lower left and along top of sheet corners somewhat rubbed some marking to the margins bears pencil inscription on the reverse of the sheet otherwise good Ernest Stephen Lumsden: mounted, unframed sheet stuck down with two pieces of acid free tape reverse top edge old mount shadow visible all around plate mark minor spotting recto and verso otherwise good
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Eileen Cooper RA, British b.1953- "Private View"; etching with aquatint printed in pink, signed, titled, dated '05 and numbered 33/100 in pencil, 19.7x12.3cm, (may be subject to Droit de Suite) Note: This lot is being sold on behalf of Paintings in Hospitals CONDITION REPORT: in a glazed wooden frame with label and inscription on the backboard stuck down on the centres and corners of the sheet full sheet visible sheet slightly ruckled otherwise very good original condition
Ossip Zadkine, French 1890-1967- Untitled; etching, signed with initials within the plate, signed and numbered 4/25 in pencil, 62x45cm, (may be subject to Droit de Suite) CONDITION REPORT: mounted in a glazed ebonised frame, late 20th century may or may not be stuck down as unexamined out of the frame 4cm margins visible all round sheet yellowed adjacent to the inner edge of the mount foxing lower margin and into lower portion of the image slight handling creases within the image sheet slightly yellowed overall otherwise good condition
Jacques Villon, French 1875-1963- "Homme Lisant" (G.P. E 325); etching, signed and dated 29 within the plate, signed and inscribed 'Ep d'artiste' in pencil, 27x21.3cm (may be subject to Droit de Suite) Provenance: The Estate of the Late Mrs Eugene Rosenberg CONDITION REPORT: mounted in a perspex box frame may or may not be stuck down as unexamined out of the frame sheet with 1cm margins left top and right 2cm bottom sheet slightly ruckled sheet slightly yellowed otherwise good condition
Anna Kirwan, British, late 20th century- "Shoot Me and I Growl"; etching with aquatint printed in colours, signed, titled, numbered 2/10 and dated 73 in pencil, 50x37cm (may be subject to Droit de Suite) CONDITION REPORT: mounted in a grey painted moulding frame, early 21st century may or may not be stuck down as unexamined out of the frame 1cm margins visible left top and right 2cm margin visible bottom in very good original condition
David Oxtoby, British b.1938- "Zap"; etching with aquatint printed in colours, signed, titled, numbered 37/40 and dated 78 in pencil, 14x13cm., (unframed) (may be subject to Droit de Suite) CONDITION REPORT: stuck down to mount card with cello tape on the reverse of the corners full sheet visible in very good original condition
John Griffiths, British 1926-2012- "Fisherman's Cottage, Treboul"; screenprint in colours, signed, titled, numbered 2/20 and dated 1957 in black pen, 35.5x48cm: John Griffiths, British 1926-2012- "Bandstand at Morlain"; screenprint in colours, signed, titled, numbered 6/19 and dated 1957 in black pen, 35.5x48cm: John Harbour, British, mid-late 20th century- Landscape; etching with aquatint printed in sepia, signed and dated 93 in pencil, 27x34cm., (3) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: John Griffiths Fisherman's Cottage: sheet very yellowed old mount shadow round image sheet ruckled some chipping to the edges otherwise fair John Griffiths Bandstand: sheet very yellowed old mount shadow round image sheet ruckled some chipping to the edges otherwise fair John Harbour: Impression not centred on sheet Margins with outside plate mark right hand side Some black marks to margins Sheet slightly ruckled Otherwise fair-good
After James Abbott McNeill Whistler, American 1834-1903- "Fulham", 1879; etching, the fifth and final state, probably publ by the Art Journal, 1882, 13x20cm., (image) 23.5x29.5cm., (sheet) (mounted, unframed) CONDITION REPORT: sheet is stuck down to the underside of the mount with masking tape underside of mount is stuck down to the print surface on the edges sheet is quite browned overall subject to old mount shadows some faint yellow staining in the centre otherwise fair condition
Ya'akov Boussidan, Israeli b.1938- "Exercise Red and Yellow"; etching printed in colours, signed, titled, numbered 4/12 and dated 72 in pencil, 29x24cm, (unframed) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, in plastic protective sleeve, signed, dated, titled and numered in pencil on wove tape marks verso otherwise in very good condition.
Malcolm A Appleby MBE, British b.1946- "Cherubim that Guards the Gates of the Garden of Eden"; etching with drypoint, second state, signed and inscribed 'Artist's Proof' in pencil, 43x59.5cm, (may be subject to Droit de Suite) Note: An example of this etching was exhibited at the Royal Academy Summer Exhibition in 1968 item no 830. Provenance: Gifted by the artist to a member of the current owner's family
Mortimer Luddington Menpes RE RBA ROI RI, Australian/British 1855-1938- Market scene at Peshawar; etching on laid, signed 30x19.5cm: together with nine further etchings by the same artist depicting Indian scenes including markets and portraits, ea. signed in pencil, various sizes, (10) (unframed) (VAT charged on hammer price) CONDITION REPORT: some sheets have small scuffs to the edges, mostly on deckled sheets, some laid, some wove paper, overall sheets appear time faded, one sheet has prominent yellow spotting to the mount some discolouration to edges of sheets otherwise all appear in overall good original condition
Victor Pasmore CH CBE, British 1908-1998- "Images on the Wall E"; colour etching with aquatint, signed with monogram, numbered 45/50 and dated 92 in pencil, 29.5x30cm, (may be subject to Droit de Suite) CONDITION REPORT: in a glazed, wooden frame may or may not be stuck down as unexamined out of frame, although appears to be stuck down at centres and corners edges of sheet partially visible there appears to be some dappled discolouration to sheet, predominantly in the lower right hand margin some faint creasing, predominatly in lower left hand corner of sheet in good original condition
Anthony Gross CBE RA, British 1905-1984- "Little Serignac Landscape", 1978; etching, signed within the plate, signed, titled and numbered 40/75 in pencil, 22.8x36.7cm, (may be subject to Droit de Suite) Note: Anthony Gross studied at the Slade School of Fine Art in London before moving to Paris to train as an etcher and engraver. His work is held in a number of public collections including the British Council and Tate
Kenneth Armitage RA CBE, British 1916-2002- "Richmond Oaks"; etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, (unframed) (may be subject to Droit de Suite) Note: Between 1975 and 1986 Armitage moved from the figure to nature, and became fascinated with the oak trees in Richmond Park. As he recalled in an interview with John McEwen in 1991:- "One day in 1975, in the spring, I suddenly saw them... and everywhere I looked it was a revelation, the trees were alive... And from then on I was hooked absolutely, and I went usually about three times a week, sometimes early in the morning, as early as I could get there before the gates were open. There was a little wicket-gate I found, you could park outside and go through the wicket-gate, and no one inside. You would see foxes sometimes, deer of course, and I had the place to myself. And I took sketch-books and eventually etchings on the spot. And it made me very happy to be there"
Joe Tilson RA, British b.1928- "Signatures and Correspondences"; etching, aquatint, carborundum and gold leaf, on handmade paper, signed, inscribed 'proof' and dated 1987 in pencil, 57.5x79cm, (may be subject to Droit de Suite) CONDITION REPORT: in a modern, glazed wooden frame edges of sheet visible appears to be stuck down, centres and corners, although unexamined out of frame sheet is ruckled from top to bottom and left to right, with some handling marks visible colour pigmentation to sheet, underneath pencil in good original condition
Patrick Procktor RA RWS, British 1936-2003- "Château Russian Style", "Château Mouton-Rothschild" & "Vieux Château Certan"; etching and aquatints printed in colours, three, ea. signed, titled and numbered from an edition of 150 in pencil, blindstamp, ea. 30x40cm, (unframed) (3) (may be subject to Droit de Suite) CONDITION REPORT: All Unframed Lead print slightly yellowing round the edges Also handling marks and surface dirst on edges of paper Minor discolouration - tape marks verso Second print - Mouton Rothschild - dog-earred on lower left hand corner Some handling marks round the edges - tape residue verso and 'Art For Offices' label stuck on verso. Third print appears to have yellowed a little, but otherwise in good condition. All signed, titled and numbered. Measurements are within plate marks Otherwse all in general good condition.
Patrick Procktor RA RWS, British 1936-2003- "Château Prieure Lichine" & Château Certan"; etching and aquatints printed in colours, two, ea. signed, titled and numbered from an edition of 150 in pencil, with blindstamp, ea. 30.5x40.5cm, (unframed) (2) (may be subject to Droit de Suite) CONDITION REPORT: All Unframed First print no real visible defects Second print has some minor handling/finger marks in margins Both signed, titled and numbered measurements are in plate marks Otherwise in very good condition.
Anthony Gross, CBE RA, British 1905-1984- ''À L'Ombre d'un Noyer'', 1969; etching, signed, titled and numbered 38/75 in pencil, 29x35cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed speckling/spotting in the margins yellowing round the the edges rough edge on sheet of paper Measurements within the plate signed in pencil, numbered and titled In reasonable condition
GRAHAM CLARK (b. 1941) Framed, signed, titled and numbered in pencil to margin, 'Tom Tinker 164/400, coloured etching on paper, with certificate of authenticity from CCA Galleries, London, verso, together with HEMMING. Framed, signed, dated 1988, no. 6/50 and titled, 'Goose Egg Cup' in pencil to margin, woodcut on paper, NORBERT ATTARD. A pair of framed, signed, numbered and titled in pencil to margins, 'Mihrab XV 5/160', 'Mihrab XIV 5/160', limited edition prints, and PADMINI KAMAT. Framed, signed, gouache on silk, Indian study of 'The Imperial Steed of The Raj' from the Franklin Mint, 26.5cm x 31cm, 26cm x 23cm, 53cm x 40cm (x2) and 36.5cm x 47cm, (5).
AFTER HENRY WILKINSON "Study of black Labrador retrieving duck", coloured etching, limited edition No'd. 16/45, signed in pencil lower left, together with "Black Labrador retrieving duck from water", coloured etching, limited edition No'd. 70/75, signed lower right and "Black Labrador retrieving pheasant", coloured etching, limited edition No'd. 6/100, signed lower left (3) (ARR)
AFTER JAMES GILRAY "Clearing a five-bar gate", coloured etching by H Humphrey, together with various other prints AFTER LIONEL EDWARDS, HENRY ALKEN, ARTHUR J ELSLEY, etc CONDITION REPORTS Wear, dirt and stains. Some undulations to paper. Some foxing and some fading. Damage to glass to one picture. The size of "Clearing a five bar gate" is approx 37 x 28cm.
AFTER INGE CLAYTON "On special offer", colour etching, signed and dated '73 bottom right, titled and No'd. 24/35 in pencil, together with another by the same hand "Andante", "Con Motto", "Allegro", a set of three nude studies as one, signed and dated '94 in pencil bottom right, titled centre and No'd. 4/20 bottom left
Charles Downes, by and after, Daffodils In Jugs, proof etching, signed, titled, numbered 24/50 in pencil, 22.5cm x 32cm; Olivero Masi, by and after, Tuscan Farmhouse, etching, signed, numbered 75/200 in pencil, 12.5cm x 11cm; Henry G. Walker, by and after, a pair, Dartmouth, etching, signed in pencil, 21cm x 32cm (4)
B. Blake, by and after, a pair, Haworth Moor and Brontë Bridge, signed in pencil, numbered in pencil 8/15, proof etchings, 14cm x 17.5cm; another, by and after, Crail Harbour I, signed in pencil, numbered in pencil 9/20, proof etching, 17.5cm x 32cm; John Atkinson Grimshaw (1836-1893), after, a pair, Greenock by Lamplight and Greenock Docks on the Clyde at Night 1882, photographic print, 16cm x 22cm, framed; etc (6)
HENRY RUSHBURY. A street scene with figures, pencil signed, etching, Pl. 81/2 x 6 in; an etching by W.J. Walker titled ‘Casting off, Ilfracombe’; and three coloured aquatints by J. Sadler (after A. Pugin) depicting Pembroke College; Pembroke Hall; and Second Court of St John’s College; five (5)
![* Sir William Russell Flint [1880-1969]-
Acrobats at Lorca Fair:-
etching, signed in ink in the margin bottom right
inscribed](https://cdn.globalauctionplatform.com/f186eb45-db38-4f23-9322-a46c00a2c448/d2d8cf78-05e6-4511-e6fa-8c0a8a509a72/468x382.jpg)
![* Louis Icart [1888-1950]-
A fashionable lady with umbrella:-
etching with aquatint
signed and numbered 27/50 in the border
p](https://cdn.globalauctionplatform.com/f186eb45-db38-4f23-9322-a46c00a2c448/d1958890-d9ad-47c7-c347-fdc006a855a9/468x382.jpg)
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71174 item(s)/page