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Lot 72
Drinkwater, John and others - The Artist's London, quarto, with signed lithograph by Frank Brangwyn and etching by W.P. Robins, London 1924; Gwlad Fy Nhadou: Rhodd Cymru I'w Byddin, including images by Frank Brangwyn, no date; Emslie, George - The Last of the Wooden Walls of England, illustrated by Frank Brangwyn, Leigh-on-Sea, 1944; Simon, André - Les Pauvres de France en Angleterre, includes an image by Frank Brangwyn, quarto, with library stamp, no date; Brangwyn, Frank - Bridges - a small folio of 33 (of 36) colour plates, Ohio [circa 1920] (5)
Lot 218
AFTER J S PROUT historic print of Newport, 36 x 30cms together with an ARTHUR L COX coloured etching with blind stamp T G P After George Morland with a family outside a house with pig and dog in a fancy antique frame, signed by Cox, 38 x 47cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`
Lot 486
AFTER PETER FORSTER "Florence Nightingale" lithographic caricature limited edition, No'd. 16/48 signed and dated 487 lower right together with AFTER PETER FORSTER "George Eliot" limited edition lithographic caricature, No'd. 5/75 signed and dated 94 lower right together with six further prints to include AFTER ULLA FRIES "Monkeys" limited edition etching, No'd. 22/90 signed and dated 85 in pencil lower right and has an artist information label verso
Lot 519
RICHARD BEER "Piazza Armorina II", etching and aquatint image of a church, A/P, signed lower right, bears "Abbott & Holder LTD Gallery" label verso, together with RICHARD BEER "West Pier Brighton", lithographic print, signed lower right, together with AFTER BAIREI two Japanese woodblock prints and a still life acrylic on board, indistinctly signed "Kgia?"
![VALERIE THORNTON (BRITISH, 1931-91) 'Bodiam Castle', etching and aquatint, limited edition 94/250, signed and dated '[19]77](https://cdn.globalauctionplatform.com/df1134ba-a79d-43c5-a9b8-aa1d0152bf1d/e2d2840d-d7ea-477c-891e-aa1f00ed3670/468x382.jpg)
Lot 446
A Royal Inniskilling Fusiliers Regiment infantry officer's dress sword, the tapered blade with etched foliate decoration and VR (probably) cipher (heavily worn), blade length 79cm, to shaped brass guard with crest in relief, rounded pommel and further foliate detail, wirework grip, in brass mounted leather scabbard (scabbard af).Additional InformationBlade is heavily pitted, also with some surface corrosion such that a lot of the etching and the royal ciphers are indistinct, further heavy wear to the hilt, scratches, nicks, discolouration etc, wirework to the grip appears a later replacement or addition, scabbard is in two parts split all the way down the back, brass mount loose.
Lot 995
WILLIAM T RAWLINSON (1912-1993); a signed limited edition black and white etching, 'Graveyard of The Giants', signed and dated 1968 and no.20/50, 37.5 x 27.5cm, framed and glazed.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukAppears ok.
Lot 191
Edmund Blampied, R.E. (Jersey, 1886-1966), Work in the Fields, drypoint etching on wove paper, signed 'Blampied' in pencil lower left, signed and dated 1915 in plate, from an edition of sixty-five, 8¾ x 11¼in. (22 x 28.4cm.), laid down; together with 'Edmund Blampied, A Biography of the Artist 1886-1966' by Marguerite Syvret, pub. Robin Garton Ltd. for Societe Jersiaise 1986. (2), *Condition: Examined out of frame. Heavy mount burn to entire top margin outside plate and some time staining to paper inside the plate within upper and lower margins. Lighter time staining to centre of plate. A few minor fox marks. Laid down onto card.
Lot 192
Edmund Blampied, R.E. (Jersey, 1886-1966), Backing the Hay Cart, drypoint etching on wove paper, signed 'Blampied' in plate lower right, further signed 'E Blampied' in pencil outside plate to lower left, from an edition of thirty-eight, 4 x 5 7/16in. (10.2 x 13.8cm.)., *Condition: Examined out of frame. Laid down onto card. Paper lightly and evenly time stained. Some large fox marks just outside the plate margin and a few others to outer margins. Some dirt to surface of paper, mainly to upper and left halves of etching.
Lot 196
Edmund Blampied, R.E. (Jersey, 1886-1966), Driving Home in the Rain, drypoint etching on laid paper, signed 'Blampied' in pencil lower left, from an edition of forty, 7 3/8 x 10 1/8in. (18.75 x 25.7cm.), at fault., * This is widely considered to be Blampied's finest work in etching., *Condition: Poor to fair condition overall, ideally requiring conservation and restoration. Has been removed from frame for close examination. The paper is cockled, more notably to the upper margin within the plate, with the paper splitting in places to the left half of the upper margin. There is some foxing in places, modest time staining to the paper and mount burn. There are twelve insect holes to the paper - seven outside the plate to the margins, two to the lower left corner (one just outside the plate margin and another larger (2 x 3mm.) inside the plate) and the other two are small - one just below the front horse hoof and one near top centre.
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78408 item(s)/page