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Lot 2
"HERBERT THOMAS DICKSEE, R.A., R.E. (1862-1942) The Happy Mother, etching signed with initials ‘H.D’. in plate published by the Fine Art Society, 1st June 1894 Pl. 13 1/4 x 25 1/2in (33.6 x 64.8cm) The original oil painting of the same subject by the artist, titled ‘A Happy Family’, as exhibited at The Royal Academy in 1895. The models for the painting were a family of bloodhound puppies for which the artist travelled to the New Forest to paint."
Lot 3
"JAMES GILLRAY (1756 - 1815) Malagrida, driving post, coloured etching, published by H. Humphrey, Pl. 9 1/2 x 13 1/2in (24.2 x 34.3cm) and a collection of early 19th Century political caricature prints after Gillray, Woodward and others, titles include ’A Plan for General Reform’, ‘A Kick at the Broad Bottoms’, ’The Loyal Address on the Procession of the Hampshire Hogs from Botley to St. James’, ‘End of the Irish Farce of Catholic Emancipation’, and ‘The Introduction of the Pope to the Convocation at Oxford by the Cardinal Broadbottom’, and ‘A Long Headed Election’; and a verre eglomise silhouette depicting ‘Church, State and King’; ten (10) "
Lot 110
"‡JOHN LAVERS WHEATLEY (1888-1970), Poole Harbour, watercolour heightened with white, and inscribed as title on an exhibition label verso 7 x 11in (17.8 x 27.9cm). Exhibited: Contemporary Exhibition, Nov 1939, with Thomas Agnew & Sons, London. Sold with a selection of other drawings and watercolours by the artist, subjects include Wandsworth Bridge; Abergavenny; Head of a Woman; an etching by Wheatley titled ‘Mother and Child No. 1’; a watercolour depicting a Still Life, and two pencil sketches by the artist’s wife Edith Grace Wheatley are also included with this lot. Provenance: The artist’s family; thence to the present vendor"
Lot 127
"SAMUEL ALKEN Jnr (1756-1825) Going to the Races, signed with initials ‘S.A.’, watercolour 7 1/2 x 12in (19.1 x 30.5cm); and three etchings by Robert Dighton Jnr titled ‘A Noble Aide Camp’ (Charles Stanhope, 4th Earl of Harrington), published June 1804; ‘A Noble General’ (Charles Stanhope, 3rd Earl of Harrington), published August 1803; one other etching depicting Sir Brooke Watson, 1st Bt., publ. August 1803; and two coloured aquatints after Henry Alken titled ‘One of the right Sort’ and ‘One of the wrong Sort’; six (6)"
Lot 400
An interesting collection of mostly framed pictures to include: Percy Lancaster (1878-1951), R.B.A., A.R.E., a limited edition etching (68 of 70) titled "The Portal", signed in pencil in the margin, a large coloured etching of a Gothic Reform building, signed in pencil and numbered, a mixed method print of a finch, a framed nude on panel (with Ryman label verso and inscribed in pencil "August 1977"), Arthur Syzk`s coloured print, representation of "The History of Great Britain" (details verso), two landscape prints, etc (8).
Lot 270
A. CRAIG Linocut `Tramway over the Ribble crossings 3` signed and dated (20)04 inscribed and numbered 5/6 in pencil together with a lithographic print by Edward Lear an etching by J. McNeil Whistler `Chelsea` publised by J. S. Virtue & Co., London a small etching by G. N. Green a small unsigned linocut in black and a facsimilie map of Hadrians Wall (6)
Lot 271
CHARLES TURNER AFTER J.M.W. TURNER MEZZOTINT ENGRAVING IN SEPIA `Demstandborough Castle` p Proof impression from Liber Studiorum published 1808 8 1/4" x 11 1/2" (21 x 29cm) plate, together with four other steel plate engravings after Turner, a small coloured print after J. D. Harding, also a folio containing 13 steel plate engravings after Turner, 2 others after Allom & Martin and an artist signed French etching (22)
Lot 337
D. Y. CAMERON ETCHING `A Northern Village` signed in the print and bears signature and title in pencil 5 1/4" x 7" (13.5 x 8cm) and AFTER EDWARD BAWDEN (1935) LINE ENGRAVING Abstract 7 3/4" x 4 1/2" (19.7 x 10.8cm) and AFTER GRAHAM SUTHERLAND ETCHING AND AQUATINT Abstract 7 3/4" x 5 3/4" (19.7 x 14.6cm) all unframed (3)
Lot 803
A collection of miscellaneous pictures and prints including a certificate from the Institution of Naval Architects dated 1952, a coloured print of kittens playing on a desk, black and white etching of the Town Hall, Paisley by James B Maxwell, dated 1937, a coloured print of Clifton Suspension Bridge, etc
Lot 854
A collection of 19th century Baxter and similar prints and engravings, subjects including a young boy sweep, a family by the seashore, wood gatherers in winter together with a set of four coloured engravings of sporting subjects after H Alken including grouse shooting, partridge shooting, etc, an early 20th century pen and ink caricature titled I`m Coming Lads, I`m Coming, an American black and white etching of gun dogs signed F McCaleb, etc (mostly framed)
Lot 880
An early 20th century gouache study of a mountainous lake view, signed bottom left J Rogers, 20 x 53 cm, a 19th century watercolour study of a spray of blossom, 24 x 16 cm, a small watercolour of a harvest scene with poultry, signed bottom right E Tuppy (all in gilt frames) also together with a black and white etching of a landscape signed David Strang in black frame and a mounted study of a garden with trellis
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71174 item(s)/page