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Dominic Winter Book Auctions

Lot 1

* Taylor (Eric Wilfred, b. 1909). Daughters of Adella the Gypsy, uncol. etching, signed and titled in pencil by the artist, approx. 7.5 x 7 in (17 x 19cm), framed and glazed, together with Sweet (W.H.), Shakespeares House/Anne Hathaways Cottage/Mols Coffee House, Exeter, together three uncol. etchings, signed in pencil by the artist, approx. 7 x 11 in (17 x 28cm) and slightly smaller, framed and glazed, plus approx. forty-five misc. 20th-century etchings, many signed by the artist, all unframed (approx. 50)

Live Auction

* Tunnicliffe (Charles Frederick, 1901-1979). The Hayrick, etching, signed and numbered 50/75 in pencil to lower margin, pla

Dominic Winter Book Auctions

Lot 1

* Tunnicliffe (Charles Frederick, 1901-1979). The Hayrick, etching, signed and numbered 50/75 in pencil to lower margin, plate size approx. 205 x 265mm (8 x 10.5ins), framed and glazed (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Turnbull (Andrew Watson, 1874-). University College, London, etching, signed in pencil, plate size approx. 250 x 380mm (10 x 15ins), with margins, mounted, together with Aiken (John MacDonald, 1880-1961), Nelsons Column, Trafalgar Square, 1919, etching, signed and dated in the image, plate size approx. 380 x 250mm (15 x 10ins), framed and glazed, plus Law (W. Edwin), Edinboro Castle, sepia etching, signed and titled in pencil to lower margin, plate size approx. 350 x 235mm (13.75 x 9.25ins), framed and glazed (3)

Live Auction

* Wedgwood (Geoffrey Heath, 1900-1977). Trattoria Gatti, Rome, 1929, etching, signed in pencil to lower margin, plate size a

Dominic Winter Book Auctions

Lot 1

* Wedgwood (Geoffrey Heath, 1900-1977). Trattoria Gatti, Rome, 1929, etching, signed in pencil to lower margin, plate size approx. 180 x 180mm (7 x 7ins), framed and glazed After Army service in the First World War, Geoffrey Wedgwood studied at Liverpool School of Art, and the Royal College of Art. He won the Prix de Rome for engraving in 1925, exhibited at the Royal Society of Etchers, the Royal Academy, the New English Art Club, Fine Art Society, and elsewhere. (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Whistler (James Abbott MacNeil, 1834-1903). Billingsgate, 1859, etching, printed and published by P.G. Hamerton in Etching and Etchers, 1880, plt. size approx. 150 x 225mm (6 x 9 in), with margins (Kennedy 47), together with four other etchings, various, inc. an unsigned etching by William Strang of The Mother, 1884, and signed topographical etchings by Hanslip Fletcher, H.M. Blake, etc., all mounted (5)

Live Auction

* Whistler (James Abbott MacNeil, 1834-1903). The Little Pool [from A Series of Sixteen Etchings of Scenes on the Thames], 1

Dominic Winter Book Auctions

Lot 1

* Whistler (James Abbott MacNeil, 1834-1903). The Little Pool [from A Series of Sixteen Etchings of Scenes on the Thames], 1861, etching, signed and dated in the image, plate size approx. 102 x 126mm (4 x 5ins), sheet size approx. 127 x 151mm (5 x 6ins), period Hogarth-style frame, glazedKennedy 74. (1)

Live Auction

* Wilkinson (Henry, b.1921). Two Pointers on a Hillside with Sportsman in the Distance, coloured etching, signed in pencil t

Dominic Winter Book Auctions

Lot 1

* Wilkinson (Henry, b.1921). Two Pointers on a Hillside with Sportsman in the Distance, coloured etching, signed in pencil to the lower margin, approx. 10ins x 12ins (26 x 30cm.), mounted, (Limited edition 32/100), plus two others by the same artist, all framed and glazed (3)

Live Auction

* Wyllie (William Lionel, R.A. 1851-1931). Battle of Jutland - Torpedo Boats attacking the Fleet, etching, signed in pencil,

Dominic Winter Book Auctions

Lot 1

* Wyllie (William Lionel, R.A. 1851-1931). Battle of Jutland - Torpedo Boats attacking the Fleet, etching, signed in pencil, plt. size approx. 900 x 330mm (3.5 x 13 in), framed and glazed (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). Nerves of an Army, 1918, drypoint etching on laid paper, signed in pencil, approx. 200 x 140mm (7.75 x 5.5ins), framed and glazed Leicester Galleries, Nash and Nevinson, The Graphic Work, 1914-1920 (1977), 9 (1)

Live Auction

* Nevinson (Christopher Richard Wynne, (1889-1946)). Returning to the Trenches, 1916, drypoint etching printed in dark brown

Dominic Winter Book Auctions

Lot 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). Returning to the Trenches, 1916, drypoint etching printed in dark brown, a good impression, signed and dated in pencil, from the edition of 75 on laid paper, with wide margins, in good condition, apart from light mount stain, a few minor marks to margins, plate size approx. 150 x 201mm (6 x 8ins), sheet size approx. 212 x 275mm (8.3 x 10.75ins), together with the copy of Modern War Paintings by C. R. W. Nevinson, pub. Grant Richards, 1917, printed in a limted edition of 75 copies, this copy numbered 67 and signed by the publisher, in which the etching was originally published Provenance: From the collection of Samuel Courtauld, (1876-1947), the wealthy industrialist and art patron, with his bookplate (designed by Paul Nash) to front pastedown. Leicester Galleries Catalogue. Leicester Galleries, Nash and Nevinson, The Graphic Work, 1914-1920 (1977), 1. (1)

Live Auction

* Nevinson (Christopher Richard Wynne, (1889-1946)). A Dawn, 1914, drypoint etching, approx. 180 x 150mm, crudely trimmed to

Dominic Winter Book Auctions

Lot 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). A Dawn, 1914, drypoint etching, approx. 180 x 150mm, crudely trimmed to margins, touching the image along the length of the left hand margin, and without the lower margin containing the artists signature, laid down on old backing card Leicester Galleries, Nash and Nevinson, The Graphic Work, 1914-1920 (1977), 17. This print was produced by Nevinson in 1916, and shown in his first solo exhibition at the Leicester Gallery in London in the same year. Its Futurist technique is borrowed from the works of the Italian Futurists around Marinetti whom Nevinson met in Paris, prior to the First World War. As he told the Daily Express in 1915, Our Futurist technique is the only possible medium to express the crudeness, violence, and brutality of the emotions seen and felt on the present battlefields of Europe. (1)

Live Auction

* Nevinson (Christopher Richard Wynne, (1889-1946)). In The Cafe, 1919, drypoint etching, plate size approx. 223 x 150mm , s

Dominic Winter Book Auctions

Lot 1

* Nevinson (Christopher Richard Wynne, (1889-1946)). In The Cafe, 1919, drypoint etching, plate size approx. 223 x 150mm , signed and dated in pencil, with margins, sheet size approx. 375 x 280mm (14.75 x 11ins), tab-mounted Leicester Galleries, Nash & Nevinson, The Graphic Work 1914-1920 (1977), 68. (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Lyme Regis, 1927, drypoint etching, signed in pencil to lower margin, plate size approx. 193 x 320mm, mounted (1)

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Dominic Winter Book Auctions

Lot 1

* Knaresborough, 1929, drypoint etching, published by James Connell in an edition of sixty proofs, approx. 247 x 245mm (9.75 x 9.75ins), mounted (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Behind the Capitol, Rome, 1928, drypoint etching, signed in pencil to lower margin, pub. James Connell in an edition of sixty-eight proofs, plate size approx. 295 x 192mm, mounted (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* The Works, Linton, 1925, drypoint etching, signed in pencil to lower margin, plate size approx. 260 x 275mm, mounted (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Naples, 1928, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty-eight proofs, plate size approx. 227 x 282mm, mounted (1)

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Dominic Winter Book Auctions

Lot 1

* Victoria Station, 1927, drypoint etching, signed in pencil to lower margin, pub. by James Cornell in an edition of fifty proofs, plate size approx. 278 x 213mm, mounted (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Pevensey Bay, 1933, drypoint etching, signed in pencil to lower margin, plate size approx. 1588 x 340mm, mounted (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Whitby, 1929, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 177 x 357mm, mounted (1)

Live Auction

* Town Hall Steps, Skipton, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of

Dominic Winter Book Auctions

Lot 1

* Town Hall Steps, Skipton, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 193 x 256mm, mounted Reproduced in Fine Prints of the Year, 1929. (1)

Live Auction

* Tower Bridge, 1925, etching, signed in pencil to lower margin, pub. by James Connell 1927, in an edition of twenty proofs,

Dominic Winter Book Auctions

Lot 1

* Tower Bridge, 1925, etching, signed in pencil to lower margin, pub. by James Connell 1927, in an edition of twenty proofs, plate size approx. 217 x 366mm, mounted (1)

Live Auction

* Harbour Steps, Bridlington, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition

Dominic Winter Book Auctions

Lot 1

* Harbour Steps, Bridlington, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 215 x 283mm, mounted (1)

Live Auction

* Old Courtyard, Rome, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Cornell in an edition of sixt

Dominic Winter Book Auctions

Lot 1

* Old Courtyard, Rome, 1929, drypoint etching, signed in pencil to lower margin, pub. by James Cornell in an edition of sixty proofs, plate size approx. 250 x 165mm, mounted (1)

Live Auction

* Marsascala, Malta, 1974, drypoint etching, pub. Malta Industries in an edition of seventy-five proofs, plate size approx.

Dominic Winter Book Auctions

Lot 1

* Marsascala, Malta, 1974, drypoint etching, pub. Malta Industries in an edition of seventy-five proofs, plate size approx. 257 x 352mm, mounted From a series of etchings of Malta begun in 1971. (1)

Live Auction

* Market Day, Skipton, 1927, etching, signed in pencil to lower margin, pub. by James Connell in an edition of fifty proofs,

Dominic Winter Book Auctions

Lot 1

* Market Day, Skipton, 1927, etching, signed in pencil to lower margin, pub. by James Connell in an edition of fifty proofs, plate size approx. 212 x 300mm, mounted (1)

Live Auction

* Ponte San Angelo, Rome, 1932, etching with drypoint, pub. by James Connell in an edition of four proofs (with twenty furth

Dominic Winter Book Auctions

Lot 1

* Ponte San Angelo, Rome, 1932, etching with drypoint, pub. by James Connell in an edition of four proofs (with twenty further proofs printed later), plate size approx. 190 x 221mm, mounted (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Mdina, Malta, 1971, drypoint etching, signed in pencil to lower margin, pub. by Malta Industries, in an edition of 75 proofs, plate size approx. 225 x 350mm, mounted (1)

Live Auction

* Pig Ring (Prix de Rome plate), 1928, drypoint etching, signed in pencil, pub. by James Connell in an edition of sixty proo

Dominic Winter Book Auctions

Lot 1

* Pig Ring (Prix de Rome plate), 1928, drypoint etching, signed in pencil, pub. by James Connell in an edition of sixty proofs, plate size approx. 195 x 235mm, mounted (1)

Live Auction

* Berne, 1930, drypoint etching, signed in pencil, pub. by James Connell, in an edition of forty proofs, plate size approx.

Dominic Winter Book Auctions

Lot 1

* Berne, 1930, drypoint etching, signed in pencil, pub. by James Connell, in an edition of forty proofs, plate size approx. 205 x 307mm, mounted (1)

Live Auction

* San Giorgio, Maggiore, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edit

Dominic Winter Book Auctions

Lot 1

* San Giorgio, Maggiore, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of forty proofs, plate size approx. 207 x 307mm, mounted (1)

Live Auction

* Wooden Road, 1927, etching, signed in pencil to lower margin, dated Xmas/25, published by James Connell, 1927, in an editi

Dominic Winter Book Auctions

Lot 1

* Wooden Road, 1927, etching, signed in pencil to lower margin, dated Xmas/25, published by James Connell, 1927, in an edition of twenty proofs, plate size approx. 200 x 280mm, mounted (1)

Live Auction

* Horse Fair, Skipton, 1928, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of six

Dominic Winter Book Auctions

Lot 1

* Horse Fair, Skipton, 1928, drypoint etching, signed in pencil to lower margin, pub. by James Connell, in an edition of sixty proofs, mounted (1)

Live Auction

* Skating - Groby Pool, 1938, drypoint etching, final proof (unpublished), signed in pencil, and marked Final Proof, plate s

Dominic Winter Book Auctions

Lot 1

* Skating - Groby Pool, 1938, drypoint etching, final proof (unpublished), signed in pencil, and marked Final Proof, plate size approx. 302 x 465mm, mounted (1)

Live Auction

* Riva, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of forty proof

Dominic Winter Book Auctions

Lot 1

* Riva, Venice, 1930, drypoint etching, signed in pencil to lower margin, pub. by James Connell in an edition of forty proofs, plate size approx. 215 x 378mm, mounted (1)

Live Auction

* Shot Tower, Waterloo Bridge, 1931, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty

Dominic Winter Book Auctions

Lot 1

* Shot Tower, Waterloo Bridge, 1931, etching, signed in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 240 x 380mm, mounted (1)

Live Auction

* Autumn Reflections, 1931, drypoint etching, signed by the artist in pencil to lower margin, pub. by James Connell in an ed

Dominic Winter Book Auctions

Lot 1

* Autumn Reflections, 1931, drypoint etching, signed by the artist in pencil to lower margin, pub. by James Connell in an edition of sixty proofs, plate size approx. 252 x 380mm, mounted (1)

Live Auction

* Amsterdam, 1934, drypoint etching, signed in pencil by the artist to lower margin, pub. by James Connell, 1935, in an edit

Dominic Winter Book Auctions

Lot 1

* Amsterdam, 1934, drypoint etching, signed in pencil by the artist to lower margin, pub. by James Connell, 1935, in an edition of sixty proofs, plate size approx. 252 x 353mm, mounted (1)

Live Auction

* Icart (Louis, 1888-1950). New Friends, 1925, oval colour etching, pub. Les Graveurs Modernes, Paris, 1925, signed in penci

Dominic Winter Book Auctions

Lot 1

* Icart (Louis, 1888-1950). New Friends, 1925, oval colour etching, pub. Les Graveurs Modernes, Paris, 1925, signed in pencil, and numbered 127, image size approx. 380 x 460mm (15 x 18 in), framed and glazed (1)

Live Auction

Dominic Winter Book Auctions

Lot 1

* Tupke-Grande (Helene, 1871-1946). Sailing Boats, colour woodcut, signed in pencil to lower margin, image size approx. 130 x 150mm (5 x 6ins), mounted, together with Ritter (Karl, 1888-1977), Imaginary Execution, 1919, etching, signed, dated 1919, and titled in pencil to lower margin, approx. 90 x 180mm (3.5 x 7ins), mounted, plus Jungnickel (Ludwig Heinrich, 1881-1965), Tierfabeln, 1919, colour lithograph, signed in pencil to lower margin, image size approx. 130 x 100mm (5 x 4ins), mounted, and four other early 20th c. German signed etchings and similar, including Max BrŸning, P. Hayn, Sepp Frank, etc. (7)

Live Auction

James Beale, The Voyage - Baudelaire, artists Proof, Pencil signed, titled and dated 1973 to the margin, etching and aquatin

Bellmans Auctioneers & Valuers

Lot 1

James Beale, The Voyage - Baudelaire, artists Proof, Pencil signed, titled and dated 1973 to the margin, etching and aquatint, 37.5 x 49 cm, and another by the same artist of the same title, 49 x 34.2 cm (2).

Live Auction

Bellmans Auctioneers & Valuers

Lot 1

A quantity of cut glassware by Walsh, grapevine etching, including a pair of decanters.

Live Auction

Eileen Alice Soper, RMS (1905-1990) ‘In School 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

Dreweatt Neate Bristol Salerooms

Lot 1

Eileen Alice Soper, RMS (1905-1990) ‘In School 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

Live Auction

Eileen Alice Soper, RMS (1905-1990) ‘The Go-Cart Race 1923’ Etching Signed in pencil within the margin lower right S. 12cm x

Dreweatt Neate Bristol Salerooms

Lot 1

Eileen Alice Soper, RMS (1905-1990) ‘The Go-Cart Race 1923’ Etching Signed in pencil within the margin lower right S. 12cm x 18.5cm

Live Auction

Eileen Alice Soper, RMS (1905-1990) ‘Playtime 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

Dreweatt Neate Bristol Salerooms

Lot 1

Eileen Alice Soper, RMS (1905-1990) ‘Playtime 1922’ Etching Signed in pencil within the margin lower right S. 12cm x 19cm

Live Auction

Harold Wyllie (1880-1973) Harbour scene with shipping; Ships at anchor off the coast Each etching Each signed in pencil with

Dreweatt Neate Bristol Salerooms

Lot 1

Harold Wyllie (1880-1973) Harbour scene with shipping; Ships at anchor off the coast Each etching Each signed in pencil within the margin lower left The first s. 16.5cm x 16.5cm The second s. 10.5cm x 12.5cm (2)

Live Auction

William Lionel Wyllie, RA, RE (1851-1931) ‘Portsmouth Harbour showing HMS Revenge Flag-ship’ Etching Signed in pencil within

Dreweatt Neate Bristol Salerooms

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Portsmouth Harbour showing HMS Revenge Flag-ship’ Etching Signed in pencil within the margin lower left Titled to typed label to backboard S. 17.5cm x 39cm Provenance: W. R. Howell & Co. (of London), Manchester Gallery, 9 Albert Square

Live Auction

William Lionel Wyllie, RA, RE (1851-1931) ‘Angel Tavern, Rotherhithe on the Thames’ Etching Signed in pencil within the marg

Dreweatt Neate Bristol Salerooms

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Angel Tavern, Rotherhithe on the Thames’ Etching Signed in pencil within the margin lower left S. 16.5cm x 36cm Provenance: Golden Lion Gallery, New York

Live Auction

William Lionel Wyllie, RA, RE (1851-1931) ‘The Highway of Nations-Thames’ Etching Signed in the block lower left S. 29.5cm x

Dreweatt Neate Bristol Salerooms

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘The Highway of Nations-Thames’ Etching Signed in the block lower left S. 29.5cm x 47cm

Live Auction

Walter Henry Sweet (1889-1943) Lynmouth Etching Signed in pencil within the margin lower right S. 25cm x 17.5cm; Three other

Dreweatt Neate Bristol Salerooms

Lot 1

Walter Henry Sweet (1889-1943) Lynmouth Etching Signed in pencil within the margin lower right S. 25cm x 17.5cm; Three others of the same subject; Together with multiples of other subjects by Sweet and others, including Worcester Cathedral, Durham Cathedral and Venice All unframed (100+)

Live Auction

William Lionel Wyllie, RA, RE (1851-1931) ‘Beached Schooner -Thames Estuary’ Etching Signed in pencil within the margin lowe

Dreweatt Neate Bristol Salerooms

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) ‘Beached Schooner -Thames Estuary’ Etching Signed in pencil within the margin lower left S. 24.5cm x 36.5cm

Live Auction

William Lionel Wyllie, RA, RE (1851-1931) Children playing with pond yachts on Scarborough beach Etching Signed in pencil wi

Dreweatt Neate Bristol Salerooms

Lot 1

William Lionel Wyllie, RA, RE (1851-1931) Children playing with pond yachts on Scarborough beach Etching Signed in pencil within the margin lower left S. 14cm x 38cm

Live Auction

William Walcot, RE (1874-1943) West End, Edinburgh Etching Signed in pencil within the margin lower right S. 9.5cm x 13cm

Dreweatt Neate Bristol Salerooms

Lot 1

William Walcot, RE (1874-1943) West End, Edinburgh Etching Signed in pencil within the margin lower right S. 9.5cm x 13cm

Live Auction

Rowland Langmaid, RI, RBA (1897-1956) Tower Bridge on the Thames Etching with drypoint Signed within the margin lower right

Dreweatt Neate Bristol Salerooms

Lot 1

Rowland Langmaid, RI, RBA (1897-1956) Tower Bridge on the Thames Etching with drypoint Signed within the margin lower right FATG blindstamp within the margin lower left S. 20.5cm x 32cm Unframed

Live Auction

Rowland Langmaid, RI, RBA (1897-1956) St Paul’s Cathedral from The Thames Etching with drypoint Signed within the margin low

Dreweatt Neate Bristol Salerooms

Lot 1

Rowland Langmaid, RI, RBA (1897-1956) St Paul’s Cathedral from The Thames Etching with drypoint Signed within the margin lower right FATG blindstamp within the margin lower left S. 29cm x 21.5cm Unframed

Live Auction

Rowland Langmaid, RI, RBA (1897-1956) City of London and St Paul’s and part of Waterloo Bridge Etching with drypoint Signed

Dreweatt Neate Bristol Salerooms

Lot 1

Rowland Langmaid, RI, RBA (1897-1956) City of London and St Paul’s and part of Waterloo Bridge Etching with drypoint Signed within the margin lower right S. 14cm x 26.5cm Unframed

Live Auction

Dame Laura Knight 11 3/4in. x 7 3/4in. (30 x 19.5cm) "Watching the aerial act"-etching, signed proof.

Anderson & Garland

Lot 1

Dame Laura Knight 11 3/4in. x 7 3/4in. (30 x 19.5cm) "Watching the aerial act"-etching, signed proof.

Live Auction

George Edward Horton 8 1/2in. x 11 3/4in. (21.5 x 30cm) "Winter" Etching, signed proof.

Anderson & Garland

Lot 1

George Edward Horton 8 1/2in. x 11 3/4in. (21.5 x 30cm) "Winter" Etching, signed proof.

Live Auction

William Lionel Wyllie 8 1/2in. x 14 3/4in. (21.6 x 37.5cm) Ships moored along the Quay at Newcastle upon Tyne-etching Signed

Anderson & Garland

Lot 1

William Lionel Wyllie 8 1/2in. x 14 3/4in. (21.6 x 37.5cm) Ships moored along the Quay at Newcastle upon Tyne-etching Signed proof.

Live Auction

Morphets of Harrogate

Lot 1

AFTER ROWLANDSON. Doctor Drainbarrel Conveyed Home In Order To Take His Trial For Neglect Of Family Duty, hand coloured etching, circa 1810, image size 20.5 x 31cm; AFTER GILRAY, Visiting The Sick, hand coloured etching, 24 x 35cm (2)

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71082 item(s)

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