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Lot 278

GRAHAM OVENDEN, SIGNED AND DATED ’71 IN PENCIL TO MARGIN, LIMITED EDITION (10/10) ROUGE ETCHING, Young Girl, 10” x 6” (unframed)

Lot 284

INDISTINCTLY SIGNED AND DATED 1970 IN PENCIL TO MARGIN, LIMITED EDITION (62/90) BLACK AND WHITE ETCHING, Inscribed “Drei Nymphei”, 9 ½” x 15 ½”

Lot 297

PATRICK PROCKTOR, BLACK AND WHITE ETCHING, Figure Studies, 8” x9 ½”

Lot 334

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (42/100) HAND COLOURED ETCHING, The Fisherman, 7” x11”

Lot 335

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (53/75) HAND COLOURED ETCHING, Spaniel and Widgeon, 10” x 14”

Lot 336

GEORGE VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (43/75) HAND COLOURED ETCHING, Spaniels by Waters Edge, 10” x 11 ½”

Lot 337

GEORGE VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (3/75) HAND COLOURED ETCHING, Black Labrador Retrieving a Mallard from the River, 9 ½” x 12”

Lot 538

After Jackson Simpson The Keilanmans Haugh and Benachie Etching, signed in pencil and inscribed with title, 19 x 26cm

Lot 262

A ROYAL WORCESTER ETCHED COPPER PLATE DEPICTING " LULGRAVE MANOR " USED BY THE COMPANY TO PRODUCE THE TRANSFER PRINTS USED IN THE DECORATING AND PAINTING OF THE PORCELAIN - FROM THE CLOSURE SALE 2009. IT IS PROBABLE THAT THIS ETCHING WAS USED FOR PLATES AND PLAQUES, FROM IT`S SIZE

Lot 15

AFTER DAVID INSHAW (B. 1943) "Tree study", black and white etching, artist`s proof, signed bottom right, image size 12.7 x 12.7 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Lot 16

AFTER DAVID INSHAW (B. 1943) "Half woman`s face", a study, black and white etching, artist`s proof, signed bottom right, 10.5 x 10.8 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Lot 17

AFTER DAVID INSHAW (B. 1943) "Woman`s face", a study, black and white etching, artist`s proof, signed bottom right, image size 16.5 x 15.2 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Lot 18

AFTER DAVID INSHAW (B. 1943) "Be my Valentine", a study, black and white etching, artist`s proof, signed bottom right, image size 10.5 x 25 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Lot 19

AFTER DAVID INSHAW (B. 1943) "Naked couple in woodland glade, a fox in the background", black and white etching, artist`s proof, signed bottom right, image size 16 x 10.5 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Lot 20

AFTER DAVID INSHAW (B. 1943) "Batsman at the crease", black and white etching, artist`s proof, signed bottom right, image size 31 x 26 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Lot 110

AFTER WILLIAM LIONEL WYLLIE (1851-1931) "Fishing boats on Hamilton Bank", a black and white dry point etching, bears signature in the margin, image size 17 x 21.5 cm (ILLUSTRATED)

Lot 111

AFTER HENRY RUSHBURY (1889-1968) "Stirling Castle", a dry point etching, signed in pencil in the margin, image size 21 x 30 cm, together with TOM MAXWELL "Gilmore Hill in snow", a black and white dry point etching, signed in pencil in the margin, also inscribed in mount, image size 25 x 36 cm

Lot 112

AFTER FERDINAND SHMUTZER (1870-1928) AUSTRIA "Die `kleine` Klostersuppe" (Free Soup), a black and white etching, signed in pencil in the margin, also bears "Klostersuppe" and "Free Soup" in pencil in the margin, plate size 18 x 20 cm

Lot 116

AFTER CARL LUCKHARDT (1886-1970) "Workmen alongside a team of shire horses and cart with town and river in the distance", a black and white dry point etching, signed in pencil in the margin, 17.5 x 28 cm

Lot 145

AFTER ALBANY E HOWARTH (1872-1936) "A town gateway", black and white etching, signed in pencil in the margin, ENGLISH SCHOOL "A pair of headland seascapes", watercolours, mounted as one, unsigned, 20TH CENTURY SCHOOL "Study of a cormorant", pencil, nine various loose prints and a framed black and white etching of a young girl wearing medieval dress

Lot 412

Lubboch, a full length portrait of a young girl, signed, pastel, and a coloured etching of a girl

Lot 688

David Tindle - First State Artist`s Proof etching, entitled Garden East Haddon, signed in pencil on mount, 20 x 14in.

Lot 704

Two oil paintings, coloured etching of cats after Percy Macquoid and other pictures

Lot 178

An etching by C.O. Murray after G.L. Seymour "Cliefden Woods" and two other framed prints.

Lot 426

An early 20th century Chinese coloured etching of a young woman with parasol in a rickshaw. Signed, 24cm x 21xm in moulded wood glazed frame.

Lot 747

Sir Frank Brangwyn (1867-1956), "Men with Performing Animals", signed in pencil in the margin, published in 1911, etching, plate size 27 x 36cm.; 10.75 x 14.25in.

Lot 748

Sir Frank Brangwyn (1867-1956), "Fish Porters, Billingsgate", signed in pencil in the margin, published in 1920, etching, 27.5 x 35cm.; 11 x 13.75in.

Lot 749

Sir Frank Brangwyn (1867-1956), "Old Bridge, Rome", signed in pencil in the margin, published in 1921, etching, plate size 30 x 35.5cm.; 12 x 14in.

Lot 750

Sir Frank Brangwyn (1867-1956), "Rabbis", signed in pencil in the margin, published in 1923, etching, plate size 32.5 x 42.5cm.; 12.75 x 16.75in.

Lot 751

Sir Frank Brangwyn (1867-1956), `Via Dolorosa", signed in pencil in the margin, published in 1923, etching, plate size 38 x 35cm.; 15 x 13.75in.

Lot 758

Seven assorted framed etchings and lithographs to include Sylvia Melland (1906-1993), "Sanary", signed and numbered 6/25 in pencil in the margin, with gallery label on verso, etching, plate size 33 x 50.5cm.; 13 x 20in; Liam Bailey, "Bonfire Night", titled and dated `Nov1997` on artist`s label verso, photographic print, 46 x 23cm.; 18 x 9in; Alistair Grant (1925-1997), "Mirror and Window: Brown", signed and inscribed Artist`s Proof in pencil in the margin, aquatint and etching, plate size 51.5 x 60cm.; 20.25 x 23.75in (7).

Lot 767

Sir Frank Brangwyn (1867-1956), "Pont Neuf, Paris", signed in pencil in the margin, published in 1923, etching, plate size 55.5 x 34cm.; 22 x 13.5in.

Lot 768

Sir Frank Brangwyn (1867-1956), "Title Page from the Brangwyn Portfolio published by E.F. D`Alignan and Paul Turpin", signed and numbered 69/120 in pencil in the margin, published in 1927, etching, plate size 44.5 x 36cm.; 17.5 x 14.25in.

Lot 846

William Lionel Wyllie R.A. (1851-1931), "Rochester", signed and titled in pencil in the margin, with blindstamp, published in 1904, etching, plate size 24 x 44cm.; 9.5 x 17.5in, together with Alfred Brunet-Debaines (After W.L. Wyllie), Busy river scene with various shipping, etching, plate size 12 x 27.5cm.; 4.75 x 11in (2).

Lot 848

James McBey (1883-1959), "The Quai, Gambetta, Boulogne", signed and numberd XXV in ink in the margin, etching, plate size 20 x 29cm.; 8 x 11.5in, together with an etching by H. Edwin Law, "The Exchange", etching, image size 14 x 15cm.; 5.5 x 6in and another "Why Not the Birds?", signed and numbered 19/20, plate size 34.5 x 28.5cm.; 13.5 x 11.25in (3).

Lot 65

§ JOHN BYRNE (SCOTTISH B.1940) SWEET DREAMS Colour etching, artist`s proof. Signed in pencil and inscribed A/P 6.2cm x 6.2cm (2.4in x 2.4in) and another by the same hand OHYAH! (2)

Lot 101

§ GUNTER GRASS (GERMAN B.1927) BOOT AND FOOTMARK Etching, signed in pencil, dated `74 and numbered 30/250 33cm x 39cm (13in x 39in) plate size Exhibited: `Gunter Grass First London Exhibition`, Patrick Seale Prints Ltd, London, 22nd May- 11 June 1974. Includes signed exhibition catalogue.

Lot 728

JAMES GILLRAY - `More pigs than teats`, etching hand-coloured on `J. Ruse` watermarked paper, 10" x 14"

Lot 729

JAMES GILLRAY - `The Magnanimous Ally`, etching hand-coloured, 14 1/2" x 10 1/4"

Lot 738

FRANK HARDING, Blackfriars Bridge with steam tugs heading up river, monochrome etching, signed in pencil, 6" x 14", framed.

Lot 756

J. H. WILEY - Edinburgh from Calton Hill, etching, pencil signed and titled in the margin, 4" x 9"

Lot 760

THOMAS ROWLANDSON - `The Sanctified Sinner`, etching, hand-coloured, 7 1/4" x 6"; and seven further similarly erotic etchings, each titled and with prose, all unframed (8)

Lot 413

Three 19th century coloured mezzotints, 18th century scenes, framed and glazed and a signed etching of a cathedral interior

Lot 363

Framed etching of a keep and an oil painting of a stag. (2)

Lot 397

Wooden-framed etching on an wooden easel frame.

Lot 821

J McArdle: a signed etching, "Loch Etive", in ebonised strip frame, and an English early 20th Century pencil and white chalk study of sleeping youth, in ebonised strip frame

Lot 860

A Japanese woodblock print, peony, a modern etching, Venetian scene, and a watercolour, garden scene

Lot 292

A.J. Meyer, Black and White Etching "St. Anne`s Gate, Salisbury", signed in pencil in black frame, 19.5cm x 24cm, a black and white etching depicting buildings on river`s edge with castle on hill top, in black frame, and a pencil sketch depicting courtyard, in black frame (3)

Lot 513

A framed and glazed 19th Century colour etching titled One Mile from Gretna, coaching scene.

Lot 557

A glass and silver plated claret jug with floral etching and a silver topped pin jar.

Lot 2031

An early 20th century original etching showing Tewkesbury by Lewis Whiter, signed in pencil bottom right, in gilt frame.

Lot 2154

Three pictures from original Etching, signed Judy Ball

Lot 356

AFTER F ROBSON "Henley-on-Thames", and "The dark entry-Canterbury Cathedral", black and white etchings, inscribed and signed in the mount, four similar by the same artist, EDWARD CHERRY-black and white etching, LESLEY AUSTIN "Peter Pan in Kensington Gardens", black and white print, and one further etching

Lot 368

AFTER HENRY WILKINSON "Black retriever with cock pheasant in mouth", coloured etching, Limited Edition 38/150, signed in pencil in mount, a set of six of coloured engraved fox hunting prints, and various other prints

Lot 1721

GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DELLA BASILICA DI S. GIOVANNI LATERANO (Hind 8; Wilton-Ely 139) Etching, first published 1749 37 x 54cm. ++ Old vertical crease where formerly folded; damp stains in margins but image generally good

Lot 1734

CHRISTOPHER RICHARD WYNNE NEVINSON, RA (1889-1941) LA CITE, PARIS (Guichard 85) Etching, with plate tone, probably 1931, the full sheet, unframed 17.4 x 27.5cm. ++ Some very slight light staining; a few spots of foxing; generally good condition

Lot 1735

GERALD LESLIE BROCKHURST, RA (1890-1978) THE WEST OF IRELAND Etching, 1928, from the edition of 111, unframed 12 x 14.2cm. ++ Slight light staining; original mount

Lot 1739

ARCHIBALD STANDISH HARTRICK, RWS (1864-1950) AN INTERESTING GROUP OF WORKS to comprise a watercolour of fieldworkers attributed to Hartrick, 24 x 31.5cm.; four signed lithographs (mother and child, two bellringers, country crafts and a figure by a church gate); and an etching of two woodworkers, signed, various sizes, two framed (6) ++ The watercolour needs a clean; the others good

Lot 1740

GRAHAM SUTHERLAND, OM (1903-1980) THE BARN Etching with drypoint, signed, inscribed with title and dedicated To Charles Lapworth, unframed 16.5 x 14.5cm. ++ A little foxing; needs a clean; taped to mount along top edge

Lot 1743

DIANA THORNE (American b.1895) JAZZ Etching, signed, inscribed with title and further inscribed with dedication To Major Haldane MacFall with my compliments, unframed 24 x 16cm. ++ Old horizontal fold; some handling marks

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