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AFTER HENRY RUSHBURY (1889-1968) "Stirling Castle", a dry point etching, signed in pencil in the margin, image size 21 x 30 cm, together with TOM MAXWELL "Gilmore Hill in snow", a black and white dry point etching, signed in pencil in the margin, also inscribed in mount, image size 25 x 36 cm
AFTER ALBANY E HOWARTH (1872-1936) "A town gateway", black and white etching, signed in pencil in the margin, ENGLISH SCHOOL "A pair of headland seascapes", watercolours, mounted as one, unsigned, 20TH CENTURY SCHOOL "Study of a cormorant", pencil, nine various loose prints and a framed black and white etching of a young girl wearing medieval dress
Seven assorted framed etchings and lithographs to include Sylvia Melland (1906-1993), "Sanary", signed and numbered 6/25 in pencil in the margin, with gallery label on verso, etching, plate size 33 x 50.5cm.; 13 x 20in; Liam Bailey, "Bonfire Night", titled and dated `Nov1997` on artist`s label verso, photographic print, 46 x 23cm.; 18 x 9in; Alistair Grant (1925-1997), "Mirror and Window: Brown", signed and inscribed Artist`s Proof in pencil in the margin, aquatint and etching, plate size 51.5 x 60cm.; 20.25 x 23.75in (7).
William Lionel Wyllie R.A. (1851-1931), "Rochester", signed and titled in pencil in the margin, with blindstamp, published in 1904, etching, plate size 24 x 44cm.; 9.5 x 17.5in, together with Alfred Brunet-Debaines (After W.L. Wyllie), Busy river scene with various shipping, etching, plate size 12 x 27.5cm.; 4.75 x 11in (2).
James McBey (1883-1959), "The Quai, Gambetta, Boulogne", signed and numberd XXV in ink in the margin, etching, plate size 20 x 29cm.; 8 x 11.5in, together with an etching by H. Edwin Law, "The Exchange", etching, image size 14 x 15cm.; 5.5 x 6in and another "Why Not the Birds?", signed and numbered 19/20, plate size 34.5 x 28.5cm.; 13.5 x 11.25in (3).
AFTER F ROBSON "Henley-on-Thames", and "The dark entry-Canterbury Cathedral", black and white etchings, inscribed and signed in the mount, four similar by the same artist, EDWARD CHERRY-black and white etching, LESLEY AUSTIN "Peter Pan in Kensington Gardens", black and white print, and one further etching
ARCHIBALD STANDISH HARTRICK, RWS (1864-1950) AN INTERESTING GROUP OF WORKS to comprise a watercolour of fieldworkers attributed to Hartrick, 24 x 31.5cm.; four signed lithographs (mother and child, two bellringers, country crafts and a figure by a church gate); and an etching of two woodworkers, signed, various sizes, two framed (6) ++ The watercolour needs a clean; the others good

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78388 item(s)/page