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Lot 440
Victor Pasmore (1908-1998) The Pool of Narcissus 73/100, monogrammed and numbered in pencil etching and aquatint in colours published by 2RC Edizioni d'art, Rome, with their blind stamp the full sheet 32cm x 56cm, unframed, together with Victor Pasmore: A Catalogue Raisonne of the Paintings Constructions and Graphics, signed by the artist and the book jacket numbered 273/400, Rizzoli International Publications, New York, 1980 (2).
Lot 1323
French School (mid-18th century), a set of nine prints of Roman antiquities, comprising Jeux d'Enfans Naumachie, after Étienne Dupérac (1525-1604); Chaussures, after Filippo Bonanni, S.J. (1638-1723); Habits des Romains [from the] Arc de Constantine; Barque Chargée de Soldats, Col. de Theodose; Timoclée Menée Devant Alexandre (sic); Chars a Deux Roües, Chars a Quatre Roues; Chars [from Trajan's Column, Rome]; [Horses from Trajan's Column]; Tombeaux Des Septentrionaux, full-page monochrome copperplate engravings, from a contemporary folio, possibly a publication by the Baron d'Hancarville, 43.5cm x 26.5cm; pages 3-4 of volume I en suite, engraved sub-title vignette, 43.5cm x 26.5cm; French School, unusual roller coaster print, La Ramasse, Le Bon Genre, No. 99, 1931 restrike, hand-coloured copperplate etching, 30cm x 40cm; French School (early 20th century), a set of six fashion prints, Les Modes du XIX Siècle, Grand Ouvrage Illustré, Paul Ollendorff, Paris [c. 1905], (folio)
![London.- After Wenceslaus Hollar (1607-1677) [Long View of London from Bankside], sheet 3 only (of 7), possibly by Richard Pr](https://cdn.globalauctionplatform.com/5d8dce2e-5231-4872-adfb-a825010f01aa/ffd2a005-c2f6-4ee8-8ebb-e12421f18443/468x382.jpg)
Lot 451
London.- After Wenceslaus Hollar (1607-1677) [Long View of London from Bankside], sheet 3 only (of 7), possibly by Richard Pricke, etching and engraving, on laid paper with small fleur-de-lis watermark, 490 x 395 mm. (19 1/4 x 15 1/2 in), good margins, some damp-staining and surface dirt, unframed, [circa 1660 and later]; together with a large engraved view of St Paul's dome from the West, 520 x 725 mm (20 1/2 x 28 1/2 in), [probably 18th century] § Nicholls (Sutton) The West Side of London Bridge; The East Side of London Bridge, from: Britannia Illustrata, double prospect of the old bridge, each view with sail ships and other river craft in the foreground, text panel below, engraving on two sheets, joined, sheet approx. 590 x 915 mm. (23 1/4 x 36 in), published by John Smith, [circa 1710]; together with George Vertue's The Inside Perspective View of the Under Chappel of St Thomas within London Bridge from the West to the East, and A West View of the West Front of the Chapel dedicated to St Thomas on London Bridge, and The View of the Charity-Children in the Strand, upon the 7th of July 1713, engravings, central vertical folds, minor nicks and tears, handling creases, surface dirt and browning, all unframed, 1715-1747; and with four other views of London, including The Illustrated London News View of London from St. Paul's, On Lord Mayor's day, engravings and lithographs, largest 390 x 570 mm. (15 1/4 x 22 1/2 in), all unframed, [19th century], (10)
Lot 39
A DIAMOND AND GOLD BROOCH, BY STERLÉ, CIRCA 1955Of stylised fern motif, highlighted with round brilliant-cut diamonds and one marquise-shaped diamond accent, mounted in 18K gold, signed Sterlé Paris, numbered, maker's mark, French assay mark, length 8.5cmSterléSon of a family of bankers, Pierre Sterlé was sent to live with his uncle, a jeweller in Paris, after the death of his father during the First World War. In 1934 he founded his own establishment and was supported by many large jewellery houses, such as Boucheron and Chaumet, for whom he was already designing jewellery. Sterlé quickly acquired both international renown and a clientele who enjoyed the exclusive nature and originality of his style. His reputation was cemented when he won the De Beers Diamond Award, a major achievement in the jewellery profession, for 3 consecutive years 1953, 1954 and 1955.The style of Pierre Sterlé is characterised by its inspirational designs, artistic treatment and technical mastery. His recurring themes derived from nature, such as birds, wings, feathers, animals and various types of flowers, feature asymmetry and a type of baroque extravagance, contrasted with geometric forms and opulent arabesques, observed in the traditional jewellery of the era. Sterlé managed to manipulate metal like no other before him. The technique used on the metal suggests dripping, freezing or etching, resulting in braided, twisted and flexible ropes of gold.Despite coming from a family of financiers, Sterlé was a poor businessman, his perfumes and boutique were financial disasters, leading to the liquidation of his company in 1976. During the final years of his life, he became a technical consultant at Chaumet. However, thirty years after his death, the items created by him continue to have a strong following at auction.
Lot 174
Dieter Roth (1930-1998) Duett (Duet) (Dobke 182)Etching with drypoint printed in black, 1971, signed, dated and numbered from the edition of 30 in pencil, on wove paper, printed by Karl Schulz, Braunschweig, published by Petersburg Press, London, with full margins, sheet 780 x 940mm (30 3/4 x 37in)(unframed)
Lot 175
Dieter Roth (1930-1998)An der See (By the Sea) (Dobke 236)Drypoint with etching, 1971, signed, dated and numbered from the edition of 50 in pencil, on wove paper, printed by Karl Schulz, Braunschweig, published by Petersburg Press, London, and Dieter Roth, Solothurn, with full margins, sheet 780 x 960mm (30 3/4 x 37 3/4in) (unframed)
Lot 32
δ Marc Chagall (1887-1985)Bucheron and Mercury (Plate 52 from Fables of Fontaine) (Cramer 22)Etching, 1952, signed and inscribed '52' in pencil, from the total edition of 200, on Montval paper, printed by Maurice Potin, published by Tériade Éditeur, Paris, with full margins, sheet 420 x 340mm (16 x 13 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 33
δ Marc Chagall (1887-1985)Death and the Woodsman (Plate Eight from Fables of Fontaine) (Cramer 22)Etching, 1952, signed and inscribed '8' in pencil, from the total edition of 200, on Montval paper, printed by Maurice Potin, published by Tériade Éditeur, Paris, with full margins, sheet 420 x 340mm (16 x 13 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 35
δ Marc Chagall (1887-1985)Dance of Miriam (from Bible) (Cramer Books 30)Etching with hand colouring in watercolours, 1958, initialled and numbered from the edition of 100 in pencil, on Arches wove paper, with margins, 290 x 228mm (11 3/8 x 8 3/4in) (I)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 39
δ Salvador Dali (1904-1989)The Stag Reflected in the Water (from La Fontaine's Bestiary Dalinized) (M & L 659; FIeld 74-1-G)Etching with drypoint and pochoir printed in colours, 1974, signed and numbered from the edition of 250 in pencil, on Arches paper, printed by Ateliers Rigal, published by Mouret, Paris, with margins, 580 x 400mm (22 3/4 x 15 3/4in) (PL)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 40
δ Salvador Dalí (1904-1989)Portrait of Goya (from Les Caprices de Goya de Dali) (M & L 848b; Field 77-3-80)Etching with pochoir printed in colours, 1977, signed and inscribed 'E.A.' in pencil, one of twenty artist's proofs aside from the edition of 200, on Rives paper, printed by Ateliers Rigal, published by Berggreuen Editions, Paris, sheet 445 x 306mm (17 1/2 x 12in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 49
δ Henri Matisse (1869-1954)Nu Epoque du Chapeau Jaune (Duthuit 220)Etching, 1929, signed and numbered from the edition of 25 in pencil, on Chine applique, with full margins, sheet 248 x 120mm (9 ¾ x 11 ¾in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 55
δ Pablo Picasso (1881-1973)Le Sauvetage de la Noyee I (Bloch 244; Baer 272)Etching, 1932, signed in pencil, a proof aside from the posthumous edition of 40 (with the stamped signature), printed by Frelaut, Paris, with full margins, 196 x 276mm (7 3/4 x 10 3/4in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 66
δ Pablo Picasso (1881-1973)L'abduction (from Séries 156) (Bloch 1419)Etching, 1966, stamp signed (as issued), numbered from the edition of 50 in pencil, on wove paper, published by Galerie Louise Leiris, Paris, 1978, with full margins, sheet 225 x 320mm (8 7/8 x 12 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 84
δ David Hockney (b.1937)Serenade (from The Blue Guitar) (M.C.A. Tokyo 196)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on Inveresk mould-made wove paper, published by Petersburg Press, New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 109
Roy Lichtenstein (1923-1997)Auto Poesie en Cavale de Bloomington (Corlett 268)Etching with aquatint printed in colours, 1992, signed and numbered from the edition of 80 in pencil, as included in La Nouvelle Chute de L'Amerique, on Arches paper, published by Les Editions du Solstice, Paris, with full margins, sheet 375 x 278mm (14 ¾ x 10 15/16in) (unframed)
Lot 145
δ Tracey Emin (b.1963)Kate MossPolymer gravure etching, 2006, signed, titled, dated and numbered from the edition of 250 in pencil, on wove paper, the full sheet, sheet 410 x 585mm (16 1/8 x 23in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 165
δ Anish Kapoor (b.1954)Untitled Etching with aquatint printed in colours, 1989, signed and numbered from the edition of 125 in pencil, on wove paper, with full margins, sheet 770 x 689mm (30 1/4 x 27in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 166
δ Anish Kapoor (b.1954)Untitled Etching with aquatint printed in colours, 1989, signed and numbered from the edition of 125 in pencil, on wove paper, with full margins, sheet 768 x 689mm (30 1/4 x 27in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 17
** δ Victor Pasmore (1908-1988)Senza Titolo 2 (Lynton G.53)Etching with aquatint printed in colours, 1988, signed and numbered from the edition of 90 in pencil, on Fabriano paper, printed by Vigna Antoniniana Stamperia d'arte, Rome, published by Marlborough Graphics, Ltd, London/ 2RC Edizioni d'Arte, Rome, with margins, sheet 975 x 1000mm (38 3/8 x 39 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
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71174 item(s)/page