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An etching of Staple Inn, London, indistinctly signed and titled in pencil, together with one other, each 20x14cm

Valerie Thornton (British, 1931-1991), ‘Flatford Mill’. limited edition etching and aquatint in colours, signed, dated '71 and numbered 35/70 in pencil to lower margin, 40 x 62cm

Pat Schaverien (20th century British school), '2 Llamas', etching, artists proof, signed, titled and dated 1994 in pencil to lower margin, unframed, 12 x 16cm, together with an unframed etching by Joan Dannatt, 'Eggs', signed, titled and numbered 18/20 in pencil to lower margin, 11.3 x 12.7cm (2)

§ After Picasso, ‘The Frugal Repast’ (Le Repas Frugal). Lithograpic reproduction of the 1904 etching from the Saltimbanque series. Printed on Van Gelder paper in an edition of 250, this information printed verso and repeated on a label from the Herman Shikmann Gallery of New York.

Axel Herman Haig (1835-1921). First Communion in Amiens Cathedral (1891) Etching, monogrammed and dated in the plate, hand signed lower right. From an edition of 450. Presented in a substantial mahogany frame with applied and engraved ecclesiastically themed decoration. Note this is one of Haig’s earliest engravings, in later years he wrote ‘the interior of this Cathedral still is to me all that is most pure and beautiful in Gothic form’.

Valerie Thornton (British, 1931-1991), ‘Mosque Cordova’, limited edition etching, signed, titled and numbered 11/50 in pencil to lower margin, unframed, 40 x 53cm

§ Louis Icart (French 1880-1950) Parasol, signed drypoint etching, embossed blindstamp, le Graveur Modernes Paris. 28.5 x 42cm. Framed and glazed. Please note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information.

§ John Piper (British, 1903-1993). Notre Dame de l'Épine, near Rheims, limited edition etching, signed and numbered 22/50 in pencil. Plate size: 68.5 x 53.5cm. Framed, size of frame 100 x 81.5cm. There is an example of this print in the Tate (reference P02278). Please note that artist resale right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% on top of the hammer price. Please visit www.dacs.org for more information.

William Lionel Wyllie (British, 1851-1931), 'HMS Victory', etching, signed in pencil to lower left margin, 18 x 25cm Undulations in paper. Light discolouration.

Heckel, ErichHeckel, Erich (1883 Döbelin - Radolfzell 1970). Clown und Knabe. Kaltnade Heckel, Erich Heckel, Erich (1883 Döbelin - Radolfzell 1970). Clown und Knabe. Kaltnadelradierung 1924. Plgr. 24,6 x 16 cm. Unt. re. sign. u. dat. Unter Passep. u. Glas gerahmt (nicht ausgerahmt). Dube KN 150 II: 'Die Wange des Knaben mit Binnenzeichnung versehen, seine li. Körperkontur durch Schraffur verstärkt. Der Hintergrund li. vom Clown mit senkrechten Linien belebt. Der Frack des Clowns dunkler, sein li. Hosenbein mit Kreuzschraffuren gezeichnet u.a. mehr'. Eines von 30 Ex. - Clown and boy. Drypoint etching, bottom right signed and dated. Framed under passepartout and glass. One of 30 copies.

DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Portrait de Marguerite. Untertitel: Aus: Faust (La Nuit de Walpurgis). Datierung: 1968/69. Technik: Radierung, blau aquarelliert mit Goldauflage auf Japon nacré mit dem Prägestempel "Dali". Montierung: Auf Passepartout aufgezogen. Darstellungsmaß: 32 x 23,5cm. Blattmaß: 37 x 28cm. Bezeichnung: Bezeichnet und nummeriert. Herausgeber: Graphik Europa Anstalt Robbe (Hrsg.). Exemplar: 75/145. Rahmen: Rahmen. Zustand: Umlaufend minimaler Lichtrand. Blatt fest im Passepartout aufgezogen. Ansonsten in sehr gutem Zustand. WVZ. Michler/Löpsinger, Nr. 298. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Porträt Papierarbeit Radierung DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Portrait de Marguerite. Subtitle: From: Faust (La Nuit de Walpurgis). Date: 1968/69. Techinque: Etching, blue watercolour with gold plating on Japon nacré with the blind stamp "Dali". Mounting: Matted. Depiction Size: 32 x 23,5cm. Sheet Size: 37 x 28cm. Notation: Inscribed and numbered. Publisher: Graphik Europa Anstalt Robbe (publisher). Number: 75/145. Frame: Framed. Condition: Circumferential minimal light-edge. Sheet permanently matted. Otherwise in very good condition. Cat. rais. Michler/Löpsinger, no. 298. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Prints 1960s Portrait Works on paper Etching

RAINER, ARNULF RAINER, ARNULF 1929 Baden bei Wien Titel: Ohne Titel. Technik: Farbradierung. VelinMaße: 32 x 43,5 x 53 x 69,5 x Bezeichnung: Signiert und nummeriertExemplar: 29/60. Sockel/Rahmen: Rahmen. Zustand: Leichte Bestoßungen und Knickspuren in den Randbereichen. Vereinzelte kleine Stockflecken und Verschmutzungen. Erläuterungen zum Katalog Arnulf Rainer Österreich Surrealismus Tachismus Informel Nachkriegskunst Grafik Druckgrafik Farbradierung RAINER, ARNULF RAINER, ARNULF 1929 Baden by Vienna Title: Untitled. Technique: Colour etching. vellumMeasurement: 32 x 43,5 x 53 x 69,5 x Notation: Signed and numberedNumber: 29/60. Frame/Pedestal: Framed. Slight bumpings and creases in the margins. Occasional small foxmarks and stainings. Explanations to the Catalogue Arnulf Rainer Surrealism Tachism Informel Post-War Art Prints Print Colour etching

FÖRG, GÜNTHER FÖRG, GÜNTHER 1952 Füssen - 2013 Freiburg i. Brsg Titel: Baum. Datierung: 2003. Technik: Aquarell über Radierung auf Velin. Maße: 100 x 74,5cm. Bezeichnung: Signiert und datiert unterhalb der Radierung rechts: Förg 03. Thomapyrin® Kunstedition (Hrsg.). Rahmen/Sockel: Passepartout. Außerhalb der Auflage von 100 signierten und nummerierten Exemplaren. Durch die individuelle Bearbeitung hat jedes Unikatcharakter. Aus der 2004 erschienenen, 13-teiligen Mappe (verschiedene Künstler) "Schmerztransformation" zugunsten von Unicef.. Erläuterungen zum Katalog Günther Förg Deutschland Abstraktion Nachkriegskunst Unikate 2000er Pflanzen Papierarbeit Mischtechnik FÖRG, GÜNTHER FÖRG, GÜNTHER 1952 Füssen - 2013 Freiburg i. Brsg Title: Baum. Date: 2003. Technique: Watercolour over etching on vellum. Measurement: 100 x 74,5cm. Notation: Signed and dated below the etching right: Förg 03. Thomapyrin® Kunstedition (publisher). Frame/Pedestal: Mat. Outside of the edition of 100 signed and numbered copies. Through the individual editing it has unique character. From a 2004 publication, 13-part portfolio (various artists) "Schmerztransformation" for the benifit of Unicef. Explanations to the Catalogue Günther Förg Germany Abstraction Post-War Art Post War 2000s Plants Works on paper Mixed media

MAPPENWERKTitel: La double vue. MAPPENWERKTitel: La double vue. Datierung: 1964. Buch mit einem Multiple von Marcel Duchamp sowie Texten von Robert Lebel. Buch: Lose Textseiten auf BFK Rives (Wasserzeichen), mittig gefalzt. 28,5 x 22cm. Im Impressum signiert (Autor) und nummeriert. Multiple: La pendule de profil. Collage und Lithografie auf Velin. 28,3 x 22cm. Signiert, datiert und nummeriert. In originalem Einband und Schuber (29,5 x 24,5 x 4cm). Le Soleil Noir, Éditions (Hrsg.). Ex. 14/111. - Multiple leicht unregelmäßig gebräunt mit Knickspur und Stockfleck. Textseiten partiell leicht gebräunt. Umschlag, Einband und Schuber mit leichten bis deutlichen Gebrauchsspuren.. Es fehlt die 2-teilige Radierung von Alberto Giacometti. Multiple: WVZ. Schwarz, Nr. 373. Erläuterungen zum Katalog Mappenwerk Grafik 1960er Abstrakt Druckgrafik Lithografie Schrift MAPPENWERKTitel: La double vue. PORTFOLIOTitle: La double vue. Date: 1964. Book with a multiple by Marcel Duchamp as well as text from Robert Lebel. Book: Loose pages on BFK Rives (watermark), folded in the middle. 28,5 x 22cm. In imprint signed (author) and numbered. Multiple: La pendule de profil. Collage and Lithograph on vellum. 28,3 x 22cm. Signed, dated and numbered. In original cover and slipcase (29,5 x 24,5 x 4cm). Le Soleil Noir, Éditions (publisher). Number 14/111. - Multiple slightly irregularly discoloured with crease and foxing. Pages partially slightly discoloured. Case, cover and slipcase with slight to distinct traces of use.. The 2-part etching from Alberto Giacometti is missing. Multiple: Cat. rais. Schwarz, no. 373. Explanations to the Catalogue Portfolio Prints 1960s Abstract Print Lithograph Writing

CHAGALL, MARC CHAGALL, MARC 1887 Witebsk - 1985 St. Paul de Vence Titel: Le retour de l'enfant prodigue. Untertitel: Aus: Songes. Datierung: 1981. Technik: Farbradierung auf Velin. Maße: 30,5 x 23,7 x 50,4 x 37,7cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Modellrahmen. Zustand: Blatt in den Randbereichen leicht gebräunt. Stockfleck im rechten Randbereich mittig. Verso leicht gebräunt. Reste alter Montierung in den oberen Ecken. Stockfleck in der linken oberen Ecke. WVZ. Cramer, Nr. 122. Erläuterungen zum Katalog Marc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1980er Mutter und Kind Druckgrafik Farbradierung CHAGALL, MARC CHAGALL, MARC 1887 Vitebsk - 1985 St. Paul de Vence Title: Le retour de l'enfant prodigue. Subtitle: From: Songes. Date: 1981. Technique: Colour etching on vellum. Measurement : 30,5 x 23,7 x 50,4 x 37,7cm. Notation: Signed and numberedFrame/Pedestal: Craftman's frame. Condition: Sheet in the margins slightly discoloured. Foxing in right margin middle. Verso slightly discoloured. Remains of an old mounting in the upper corners. Foxing in the upper left corner. Cat. rais. Cramer, no. 122. Explanations to the Catalogue Marc Chagall Surrealism Modern Art Prints 1980s Mother and child Print Colour etching

RAINER, ARNULF RAINER, ARNULF 1929 Baden bei Wien Titel: Ohne Titel. Technik: Kaltnadelradierung über Heliogravure auf BFK RIVES FRANCE (Wasserzeichen). Darstellungsmaß: 21,7 x 16cm Blattmaß: 30 x 21cm. Bezeichnung: Signiert und nummeriert. Exemplar: 12/50. Rahmen: Rahmen. Zustand: Blattrand minimal vergilbt. Leichte Knickstellen entlang des oberen Blattbereichs. Vereinzelte Stockflecken im linken unteren Bereich. Verso montiert. Erläuterungen zum Katalog Arnulf Rainer Österreich Surrealismus Tachismus Informel Nachkriegskunst Grafik Figur / Figuren Druckgrafik Kaltnadelradierung auf Heliogravure RAINER, ARNULF RAINER, ARNULF 1929 Baden by Vienna Title: Untitled. Techinque: Drypoint etching over photogravure on BFK RIVES FRANCE (watermark). Depiction Size: 21,7 x 16cm. Sheet Size: 30 x 21cm. Notation: Signed and numbered. Number: 12/50. Frame: Framed. Condition: Sheet edge minimally yellowed. Slight creases along the upper sheet area. Occasional foxmarks in the lower left area. Verso mounted. Explanations to the Catalogue Arnulf Rainer Surrealism Tachism Informel Post-War Art Prints Figure / Figures Print

KOLLWITZ, KÄTHE KOLLWITZ, KÄTHE 1867 Königsberg - 1945 Moritzburg Titel: Selbstbildnis. Datierung: 1912. Technik: Radierung, Kaltnadel und Vernis mou. KupferdruckkartonMaße: 14 x 10 x 32,5 x 24 x Bezeichnung: SigniertSockel/Rahmen: Rahmen. Zustand: Knickspuren in den Randbereichen. Blatt im Passepartoutausschnitt leicht gebräunt. Vereinzelte Stockflecken. Verso bräunliche Flecken und Reste alter Montierung. WVZ. von dem Knesebeck, Nr. 126/VII/c. Aus einer Auflage von 30 Exemplaren, die bei Emil Richter, Dresden, erschien. Erläuterungen zum Katalog Käthe Kollwitz Deutschland Expressionismus Berliner Sezession Moderne Kunst Grafik 1910er Selbstporträt Druckgrafik Radierung Frau KOLLWITZ, KÄTHE KOLLWITZ, KÄTHE 1867 Königsberg - 1945 Moritzburg Title: Selbstbildnis. Date: 1912. Technique: Etching, drypoint and vernis mou. copperprint cardMeasurement: 14 x 10 x 32,5 x 24 x Notation: SignedFrame/Pedestal: Framed. Creases in the margin. Sheet in mat window slightly discoloured. Occasional foxing. Verso brown spots and remains of an old mounting. Cat. rais. from the Knesebeck, no. 126/VII/c. From an edition of 30 copies, which were published by Emil Richter, Dresden. Explanations to the Catalogue Käthe Kollwitz Germany Berlin Secession Modern Art Prints 1910s Self-portrait Print Etching Woman

Dürer, Albrecht Nürnberg 1471 - 1528 21,7 x 31,8 cm Landschaft mit Kanone (Die große Kanone; Die Kanone). Eisenradierung, 1518. Provenienz: Aus einer württembergischen Privatsammlung. B. 99; Meder 96, wohl d; Schoch/Mende/Scherbaum 85. Wz. Doppeladler. Von 1515 bis 1518 experimentierte Dürer mit der Technik der Eisenradierung. Für seinen fünften und letzten Versuch wählte er ein großes Querformat. Die weite Landschaft ist mit perspektivischer Klarheit bis in die Tiefe detailliert durchgestaltet und ist vor allem eine eindrucksvolle Landschaftsdarstellung. Das fränkische Dorf im Tal, auf das der Blick von einer Anhöhe hinüber fällt, wurde neuerdings vom Leiter der Wiener Albertina, Christof Metzger, als Eschenau (heute ein Ortsteil von Eckental) identifiziert. DÜRER, ALBRECHT (1471-1528). Landschaft mit Kanone (Die große Kanone; Die Kanone). Iron etching, 1518. B. 99; Meder 96, probably d; Schoch/Mende/Scherbaum 85. Watermark Double Eagle.

Marieschi, Michele Venedig 1710 - 1743 31,2x47,1cm,o.R. Campo San Rocco. Radierung, 1741. Succi A 17, 4 (von V). MARIESCHI, MICHELE (1710-1743). Campo San Rocco. Etching, 1741. Succi A 17, 4th state (of V).

Marieschi, Michele Venedig 1710 - 1743 31,2x46,5cm,o.R. Regata auf dem Canal Grande bei den Palazzi Balbi und Foscari (Regata in Volta di Canal). Radierung, 1741. Succi A 24, 1 (von IV). MARIESCHI, MICHELE (1710-1743). Regata on the Grand Canal between Palazzi Balbi and Foscari (Regata in Volta di Canal). Etching, 1741. Succi A 24, 1st state (of IV).

Dali, SalvadorDali, Salvador (1893 Figueres 1989). The Return of Ulysses (Angelic Choir Dali, Salvador Dali, Salvador (1893 Figueres 1989). The Return of Ulysses (Angelic Choir dancing a Sardana). Kaltnadelradierung und Farblithographie auf Papier. Sign., num. 26/125, nicht dat. (1978). 76 x 55 cm. - Unter Glas (nicht geöffnet, winzige Abplatzungen). - Michler/Löpsinger 934. - Minimal gebräunt. - Drypoint etching and colour lithography on paper. Signed and numbered (26/125). Under glass. Tiny flakings, slightly browned.

Giacomo Manzù 1908 - 1991 Etching and acquatint on paper H50 x L64 cm (H19.69 x L25.20 in ), 1970 Signature lower right. Edition lower left Ex. 91/125. The work is part of the folder “Touchstone Suite”, 15 titles, edited in 1970 in New York in 125 examples Provenance Private Collection, Milan

Paul Cézanne 1839 - 1906 Etching H32.5 x L25.5 cm (H12.80 x L10.04 in ) Plate dimensions 15,6 x 11,5 cm Provenance Private Collection, Milan Literature P. Gachet, "Cézanne à auvers, Cézanne graveur", Les Beaux Arts, édition d'etudes et de documents, Paris

Harland Miller (British 1964-), 'Tonight We Make History', 2018, etching with silver chine colle on wove paper, signed in pencil front, numbered from an edition of 50 in pencil verso, published by Manifold Editions; sheet: 104 x 73cm (Framed) ARR

Pablo Picasso (Spanish 1881-1973), 'Le Peintre et son Modele', 1963, etching on cream Richard de Bas paper, signed and numbered from an edition of 150 in pencil, published by Cercle d'Art, Paris; 40.5 x 50cm inc frame ARR

Eduardo Chillida (Spanish, 1924-2002)Barrenean (Koelen 73019) Etching and aquatint, 1973, on wove, signed and numbered 41/50 in pencil, printed by Atelier Morsang, Paris, published by Maeght Éditeur, Paris, with full margins, 450 x 355mm (17 3/4 x 14in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eduardo Chillida (Spanish, 1924-2002)Bikaina VIII (Koelen 87005) Etching and aquatint, 1987, on wove, signed and numbered 25/50 in pencil, printed by Taller Hatz, San Sebastián, published by Polígrafa S.A., Barcelona, with full margins, 650 x 500mm (25 5/8 x 19 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Graham Sutherland O.M. (British, 1903-1980)Form in a Desert (Tassi 144) Etching and aquatint printed in colours, 1974, on wove, signed and numbered 30/90 in pencil, printed and published by 2RC Edizioni d'Arte, Rome, with their blindstamp, the full sheet, 940 x 950mm (37 x 37 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Doric Grey Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 32/50 in pencil, printed by Burnet Editions, New York, with full margins, 203 x 286mm (8 x 11 1/4in)(SH); together with the accompanying exhibition catalogue housed within the original grey cloth-covered solander box, overall 323 x 238 x 35mm (12 3/4 x 9 3/8 x 1 3/8in)(Folio)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully R.A. (Irish, born 1945)Doric Light Etching and aquatint printed in colours, 2010, on wove, signed, titled, dated and numbered 5/50 in pencil, printed by Burnet Editions, New York, with their blindstamp, with full margins, 406 x 381mm (16 x 15in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Mirror and Plant; Paper Flowers Etching and aquatint, 1996, on wove, signed and inscribed 'a/p' in pencil, an artist's proof aside from the numbered edition of 25, printed by Hope (Sufferance) Press, London, with margins, 290 x 250mm (11 3/8 x 9 7/8in)(PL); together with 'Paper Flowers', etching, 1996, on wove, signed and numbered 12/25 in pencil, printed by Hope (Sufferance) Press, London, with full margins, 355 x 380mm (14 x 15in)(SH)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Untitled (Cables) Etching and aquatint with collage elements, circa 1958, on wove, signed in pencil, the full sheet printed to the edges, 210 x 210mm (8 1/4 x 8 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Michael Craig-Martin R.A. (Irish, born 1941)Sofa, from 'The Catalan Suite II' Etching with embossing, 2013, on wove, signed, dated and numbered 13/20 in pencil, printed and published by Polígrafa Obra Gráfica, Barcelona, with full margins, 450 x 450mm (17 3/4 x 17 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)Kate Moss 2000 Polymer gravure etching, 2006, on wove, signed, titled, dated and numbered 22/250 in pencil, published by White Cube, London, the full sheet, 410 x 585mm (16 1/8 x 23in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)No Time Softground-etching, 2010, on Somerset, signed, titled, dated and numbered 20/100 in pencil, printed by Paupers Press, London, published by Counter Editions, London, with wide margins, 145 x 210mm (5 3/4 x 8 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Ancient Music (BM 7163) Etching with hand-colouring, 1787, on wove, published by S. W. Fores, London, with margins, 405 x 542mm (16 x 21 3/8in)(I)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Monstrous Craws at a New Coalition Feast (BM 7166) Etching and aquatint with hand-colouring, 1787, on wove, published by S. W. Fores, London, with margins, 375 x 469mm (14 3/4 x 18 1/2in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Weird Sisters – Ministers of Darkness: Minions of the Moon (BM 7937) Etching and aquatint with hand-colouring, 1791, on wove, published by H. Humphrey, London, with margins, 250 x 348mm (9 7/8 x 13 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Balance of Power. -or- 'The Posterity of the Immortal Chatham, turn'd Posture Master' (BM 7846) Etching with hand-colouring, 1791, on wove, published by H. Humphrey, London, with narrow margins, 347 x 245mm (13 1/2 x 9 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)French Democrats Surprising the Royal Runaways (BM 7882) Etching with hand-colouring, 1791, on wove, published by H. Humphrey, London, with full margins, 251 x 351mm (9 7/8 x 13 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Frying Sprats, Vide. Royal Supper (BM 7922) Etching and aquatint with hand-colouring, 1791, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 222 x 143mm (8 3/4 x 5 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Alecto and her Train, at the Gate of Pandaemonium:-or-The Recruiting Sarjeant Enlisting John-Bull, into the Revolution Service (BM 7989) Etching with hand-colouring, 1791, on laid, published by S. W. Fores, London, with narrow margins, 393 x 435mm (15 1/2 x 17 1/2in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A Duet; A Decent Story (BM 8161; BM 8753) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with trimmed margins, 328 x 244mm (12 7/8 x 9 5/8in)(SH)(unframed); together with 'A Decent Story' (BM 8753), etching with hand-colouring, 1795, on wove, published by H. Humphrey, London, with full margins, 245 x 345mm (9 1/2 x 13 5/8in)(PL)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Power of Beauty;–St. Cecilia Charming the Brute; -or- the Seduction of the Welch Ambassador (BM 8158) Etching with hand-colouring, 1792, on laid, published by H. Humphrey, London, with trimmed margins within the platemark, 253 x 353mm (10 x 13 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Reception of the Diplomatique & His Suite, at the Court of Pekin (BM 8121) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with margins, 317 x 398mm (12 1/2 x 15 7/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Temperance Enjoying a Frugal Meal (BM 8117) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 361 x 291mm (14 1/4 x 11 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Anti-saccharrites, -or- John Bull and his Family leaving off the use of Sugar (BM 8074) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with narrow margins, 313 x 397mm (12 3/8 x 15 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)French Liberty. British Slavery (BM 8145) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 243 x 343mm (9 5/8 x 13 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Sin, Death, and the Devil. Vide Milton (BM 8105) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with trimmed margins, 322 x 402mm (12 5/8 x 15 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A New Way to Pay the National-Debt; Presentation of the Mahometan Credentials -or- The Final Resource of French Atheists; John Bull's Progress (BM 6945; BM 8356; BM 8328) Etching, 1786, on wove, published by W. Holland, London, with margins, 418 x 513mm (16 1/2 x 20 1/4in)(PL)(unframed); together with 'Presentation of the Mahometan Credentials -or- The Final Resource of French Atheists' (BM 8356), etching, 1793, on wove, published by H. Humphrey, London, with margins, 315 x 364mm (12 3/8 x 14 3/8in)(PL)(unframed); together with 'John Bull's Progress' (BM 8328), etching, 1793, on wove, published by H. Humphrey, London, with margins, 304 x 378mm (12 x 14 7/8in)(PL)(unframed)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Zenith of French Glory; – The Pinnacle of Liberty (BM 8300) Etching with hand-colouring, 1793, on wove, published by H. Humphrey, London, with full margins, 350 x 248mm (13 3/4 x 9 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Miss, I Have a Monstrous Crow to Pluck with You!! (BM 8557) Etching with hand-colouring, 1794, on wove, published by H. Humphrey, London, with full margins, 256 x 333mm (10 1/8 x 13 1/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Dumourier dining in State at St James's, on the 15th of May, 1793 (BM 8318) Etching with hand-colouring, 1793, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 302 x 355mm (11 7/8 x 14in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Fatigues of the Campaign in Flanders (BM 8327) Etching with hand-colouring, 1793, on wove, published by H. Humphrey, London, with the British Museum Duplicate inkstamp with 'JKR' inscribed in black ink verso (initials of John K. Rowlands, Keeper of Prints and Drawings, British Museum), with margins, 352 x 505mm (13 7/8 x 19 7/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Death of the Great Wolf (BM 8704) Etching with hand-colouring, 1795, on wove, published by H. Humphrey, London, with margins, 340 x 444mm (13 3/8 x 17 1/2in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Presages of the Millenium; - with - The Destruction of the Faithful (BM 8655) Etching and aquatint with hand-colouring, 1795, on wove, published by H. Humphrey, London, with margins, 325 x 374mm (12 3/4 x 14 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Patriotic Regeneration,-viz.-Parliament Reform'd, a la Françoise, -that is-Honest Men (I.E.-Opposition.) In the Seat of Justice (BM 8624) Etching with hand-colouring, 1795, on laid, published by H. Humphrey, London, with margins, 312 x 422mm (12 1/4 x 16 5/8in)(PL)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Light Expelling Darkness, - Evaporation of Stygian Exhalations,-or- The Sun of the Constitution, rising superior to the Clouds of Opposition (BM 8644) Etching with hand-colouring, 1795, on wove, published by H. Humphrey, London, with trimmed margins, 355 x 463mm (14 x 18 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Retribution: Tarring and Feathering;-or-the Patriots Revenge (BM 8698) Etching with hand-colouring, 1795, on wove, published by H. Humphrey, London, with trimmed margins close to the platemark, 352 x 245mm (13 7/8 x 9 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Affability (BM 8616) Etching and aquatint with hand-colouring, 1795, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 342 x 240mm (13 1/2 x 9 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com