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Lot 138
Walter Greaves (1846-1930), a view of the Thames at Chelsea, pencil and watercolour, signed to lower right corner, 19 cm x 30 cm in unframed mount, together with an etching after the same hand, 'DukeStreet', signed in pencil to the margin, (and in the plate), 19.5 cm x 17 cm with margins, unframed mount.Qty: 2
Lot 209
Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "Adoration of the Shepherds with Lamp," depicting the shepherds gathered around the Virgin Mary and infant Jesus. Signed in the plate along the lower center. 18th c. posthumous impression.Sight; Height: 4 in x width: 5 1/4 in. Framed; Height; 17 1/2 in x width: 18 1/2 in.
Lot 210
Giovanni Battista (Giambattista) Piranesi (Italian, 1720-1778). Group of two etchings on paper depicting the Pantheon in Rome. One etching is affixed to a canvas backing.(Veduta del Pantheon) Unframed; Height: 22 1/2 in x width: 33 1/2 in. On Canvas; Height: 27 1/4 in x width: 35 1/2 in. (Veduta interna del Panteon) Height: 22 in x width: 31 3/4 in.
Lot 275
Gerald Brockhurst (English, 1890-1978). Etching on wove paper titled "Adolescence," 1932, depicting a young nude woman gazing at herself in the mirror. Pencil signed along the lower right and inscribed "W 75" along the lower left.The sitter for this artwork was the artist's second wife, Kathleen, with whom he fell in love while she was working as his artist's model.Sight; height: 15 1/4 in x width: 10 3/4 in. Framed; height: 23 in x width: 18 1/2 in.
Lot 277
Manuel Robbe (French, 1872-1936). Etching on paper titled "Le Manage," depicting two women overlooking two playing children. Pencil signed along the lower right and numbered "No. 63" along the lower left.Sight; Height: 15 3/4 in x width: 20 3/4 in. Framed; Height: 25 1/2 in x width: 29 3/4 in.
Lot 283
Reginald Marsh (American, 1898-1954). Etching on paper titled "Bread Line - No One Has Starved," 1932, depicting a crowded group of men in a bread line. Pencil signed Reginal Marsh by Marsh's widow, Felicia Marsh. Her initials follow the signature.Literature: Sasowsky 139Unframed; Height: 13 in x width: 16 in. Matted; Height: 15 in x width: 20 in.
Lot 293
Joan Miro (Spanish, 1893-1983). Etching, aquatint, carborundum in colors on Guarro wove paper. Plate VIII from Miro's 1975 "Espriu" series. Pencil signed along the center right and numbered 29/50 along the center left.Literature: Dupin 876.Sight; height: 33 1/2 in x width: 27 1/2 in. Framed; height: 45 in x width: 37 3/4 in.
Lot 294
Joan Miro (Spanish, (1893-1983). Etching and aquatint in colors on Arches paper titled "Pic de la Mirandole," 1975. Pencil signed along the lower right and numbered 49/50 along the lower left. With sale documents and a certificate of authenticity from Wolf Schulz Gallery, San Francisco, California.Literature: D. 761.Sight; Height: 40 in x width: 29 in. Framed; Height: 52 3/4 in x width: 39 3/4 in.
Lot 317
Rene Mels (Belgian, 1909-1977). Color etching titled "Noir Flohay," depicting abstract forms in muted browns, yellows, and grays. Signed in pencil along the lower left; titled and editioned 22/65 in pencil along the lower right. With a label from Ferdinand Roten Galleries, Baltimore, Maryland, affixed to the paper backing.Sight; Height: 13 1/4 in x width: 16 3/4 in. Framed; Height: 21 3/4 in x width: 25 1/4 in.
Lot 326
Friedrich Meckseper (German, 1936-2019). Group of two etchings with aquatint on paper of a group of three bottles and four balls. The etching of four balls is signed, dated 1968, and editioned 61/75 in pencil along the lower edge. The etching of three bottles is signed, dated 1967, and editioned 61/75 in pencil along the lower edge.(Three Bottles) Sight; Height: 15 1/2 in x width: 20 in. Framed; Height: 25 in x width: 29 1/4 in. (Four Balls) Sight; Height: 21 in x width: 24 3/4 in. Framed; Height: 31 in x width: 34 1/2 in.
Lot 333
Beth Van Hoesen (American, 1926-2010). Etching and aquatint in colors on wove paper titled "Sally," depicting a rabbit. Pencil signed and dated 1979 along the lower right, titled along the lower left, and numbered AP 1/4 along the lower center.Sight; Height: 12 1/2 in x width: 14 in. Framed; Height: 21 1/4 in x width: 22 in.
Lot 1012
Late 18th century Infantry Officer's spadroon sword of the 23rd Regiment, the straight fullered blade with faint traces of etching retaining a little original bluing to one third of the blade, gilt hilt with cross guard, slightly swollen lined ivory grip inset with gilt panel engraved with the Prince of Wales Feathers, original leather scabbard with brass mounts and rings, the locket engraved R Clarke & Son 62 Cheapside
Lot 280
Peter Cross (b.1951), From Dinosaurs to Dormice, original illustration, signed with monogram, watercolour and pen on paper, 12.5 x 9.5cm;Helen Craig (b.1934), Artist proof coloured etching for Blake Morrison's The Yellow House, signed and dated 1987, 'Helen Craig' (lower right), 16 x 19.5cm (pl) (2)
Lot 282
A collection of figural prints and artwork, most loose or mounted, including an etching 'La Toilette' by W Collette 1899, an etching by William Strang, an early 19th century head-studies pencil drawing marked 'dessine p. Alsel (?) a la hate' on laid paper, mounted; also character prints by William Nicholson, a pen and ink French drawing of a procession of marchers with banners (probably for a publication), and various others (36)
Lot 5
Five prints after Old Masters. Jachim von Sandrart (1606-1688), allegorical scene, engraving on laid paper, 19.5 x 15.5cm; Claes Berghem (1620-1683), shepherd playing a flute, etching on paper, 23 x 30cm pl.; Wenceslaus Hollar (1607-1677) after Hans Holbein, The Merchant, etching on paper, 7.5 x 5cm; Conrad Faber von Creuznach (1490-c.1552), a page taken from Germanic text depicting an assembled army, woodblock print on paper, 19 x 30cm (full page); Lucas van Leyden (1489-1534), The Return of the prodigal Son, etching on paper, 22 x 27cm
![After Rembrandt. Beggars receiving alms [1648], reproduction etching, inscribed below in pencil 'hand printed by Rae Boer', 1](https://cdn.globalauctionplatform.com/7f90c331-5071-4aed-b85d-ae6e00e5f45c/28c5c503-4957-48f0-b19d-ae7000b82df3/468x382.jpg)
Lot 53
Giovanni Battista Piranesi (Italian, 1720-1778)The Gothic Arch, pl. XIV from The Prisons (Carceri d'invenzione or 'Imaginary Prisons' series of 16 prints)etching, without letters, marked 'XIV' in the plate, 46.5 x 59.5cmmargins a little foxed and toned; On thick laid paper, central joint, without obvious watermark. Presumably a re-worked state.
Lot 7
Harmenszoon van Rijn Rembrandt (Dutch 1606-1669) The Goldsmith, etching and drypoint, 1655, Hollstein's third state (of three), 82 x 63mmLiterature: Bartsch, Hollstein 123; Hind 285; New Hollstein 289together with an etching of a bald headed old man, also known as the father of Rembrandt; and an etching of a man in a cap, in the manner of RembrandtThe Goldsmith - discolouration to sheet and tipped to the mount at the edges, not examined out of frame. We believe the Goldsmith is quite possibly a 17th century impression, the portrait of his father (?) is a later impression, the third portrait looks to be late 17th century.Please see images.
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71174 item(s)/page