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§ Edmund Blampied (Channel Islands 1886-1966) Vraic Seasonsigned in ink 'E. Blampied' (lower left)drypoint etching24.8 x 37cm Vraic or seaweed was traditionally gathered by horse and cart in Grouville and St. Ouen's Bay, in the Channel Islands, and then spread over potato fields before planting in late winter and sprin Light undulations to paper. Age toning to the edges. Signature slightly faded. Very light spotting to the sky. Overall good, bold impression. Framed 41 x 52.5cm
SIX 20TH CENTURY CONTINENTAL TOPOGRAPHIAL ETCHINGS WITH COLOURS, comprising two Tanna Kasmir-Hoernes (1887-1972) views of Augsburg, largest approximately 55cm x 43cm including visible margins, with four Josef Eidenberger (1899-1991) etchings, a view of the Grand Canal in Venice, approximate size 38cm x 32cm, together with three winter Alpine views, largest approximately 12cm x 15cm, Condition Report: one of the small Eidenberger etching has foxing, frames marked in places
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include six Boris O'Klein signed etchings - three with foxing, two Edith E. Matthews watercolours depicting scenes in Ludlow and Henly in Arden, Henry Wilkinson etching depicting two Dachshund dogs, a pastel portrait of a frontiersman wearing a Davy Crockett hat, modern miniature portraits of Napoleon and Wellington, an unsigned miniature portrait of Sir Brisbane Douglas, two watercolours depicting birds, allegedly painted using the blood of the artist George Hughes Jarvis of the Argyll and Sutherland Highlanders, initialled and dated 1945, a picture of a bird of prey hand engraved onto glass, signed Grant 1978 etc
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include Vincent Selby (1919-2004) a winter landscape with farmhouse, signed bottom right, oil on wood panel, approximate size 24cm x 37cm, two watercolours depicting hunting dogs with prey, signed and dated 1922, approximate sizes 17cm x 15cm, unsigned late 20th century still life study of flowers in a vase, oil on canvas, approximate size 19cm x 24cm, Tim Bulmer limited etching, pencil sketch depicting a nude female figure from behind, Signed Elsie '88, together with other pictures
WILLIAM LIONEL WYLLIE (1851-1931) 'THAMES LIGHTERMEN', a dry point etching, signed in pencil within the image, approximate visible image 24cm x 36cm, together with four other etchings comprising after Johannes Vermeer 'Officer and Laughing Girl' signed in pencil P. J. Arendsen with etching of a cat to lower margin, approximate size 30cm x 24cm including visible margins, J. Lewis Stant etching 'The Warren, Polperro' a Cornish scene, Percy Robertson etching depicting a river estuary at low tide and an indistinctly signed etching depicting the cross and stocks of the village of Ripple in Worcestershire
Original etching on paper of a man's profile drawn in a caricatural style. His name is written in cursive directly in the plate as well as the artist's signature and date: 1930. Written in pencil below the plate on the lower left: 1/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 1 of 100 Condition: Age related wear.
Rare original etching on paper of Bengali literary, philosophy and artistic genius Rabindranath Tagore. He is represented looking to the side, in a three-quarter view portrait. His name is written in cursive directly in the plate, with the signature of the artist and the date: 1926. Written in pencil below the plate on the lower left: 4/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 4 of 100 Country of Origin: United StatesCondition: Age related wear.
Edgar Holloway (British 1914-2008): 'Hurstpierpoint' West Sussex, drypoint etching signed and numbered 3/100 in pencil, signed titled and dated 1976 in the plate 20cm x 27cm; 'Keymer', miniature drypoint etching signed and inscribed 'Best Wishes 1979' in pencil, titled in the plate 5cm x 7cm with full margins (10cm x 13cm full sheet) (unframed) (2)
An 18th century wine glass, circa 1770, having a bucket shaped bowl, on a multi series opaque twist stem, h.16cm; together with an 18th century ale glass, circa 1770, having an elongated conical bowl, on a double series opaque twist disc knopped stem, h.18cm (2)Both have some chipsWine glass has a crack to the base of thebowlAle glass has later etching to the bowl
MAX SLEVOGT (1868-1932)Selbstbildnis beim Zeichnen, 1911 signed in penciletching, on laid paperSheet 18.7 x 13.1cm (7 3/8 x 5 3/16in).Footnotes:LiteratureJ. Sievers & E. Waldmann, Max Slevogt: Das druckgraphische Werk, Erster Teil, 1890-1914, Heidelberg and Berlin, 1962, no 424.For further information on this lot please visit Bonhams.com
William Blake (1757-1827) engraver after John Flaxman (1755-1826), stipple engraving and etching on paper, Echidna The Untameable of Soul, from Compositions from the Works, Days and Theogony of Hesiod, published byLongman, Hurst, Rees, Orme and Brown 1817, 13cm x 28cm, mounted, glazed and framed. Flaxman, a close friend of Blake, was the much more successful artist at thetime and used his name to help the struggling Blake with engraving commissions. According to The William Blake Archive, the Hesiod etchings “are one of Blake’smajor endeavours as a commercial etcher/engraver of designs by other artists … Without the Hesiod project, Blake and his wife Catherine might have descended intodire poverty."
NO RESERVE Dighton (Robert) A View near Hyde Park Corner, etching with original hand-colouring, faintly inscribed in ink 'Mr Tattersall' in the lower right corner, sheet 203 x 142 mm (8 x 5 5/8 in), unframed, 1802; together with a later Bohn edition of Gillray's 'Sandwich-Carrots!, hand-coloured, unframed, (2)
Satirical Broadside.- La Rareté de Prague - De Praagsche Rariekiek, engraved titles in French and Dutch, central fold, tears in top right corner and lower left corner without loss, browned, 550 x 425mm., [BM Satires Catalogue 2504], Amsterdam, by Jan 'T Lam, Boekverkooper bezuyden 't Stadhuys, naer de Copy van London, Publish'd According to Act of Parliament, by T. Cooper, at the Globe in Pater-Noster-Row, [c. 1745].⁂ A Dutch broadside after an English broadside published by Cooper, satirising Cardinal Fleury (1653-1743), chief minister of Louis XV of France and other European heads of states and politicians prior to their march against Prague. The etching showing the interior of a room, at its centre a table with a map of Europe, surrounded by various heads of state and politicians pointing at certain areas. In mid-1741 France, Spain, Bavaria and Prussia forged an alliance, in which they promised each other support in exchange to the rights of certain territories conquered from the Austrian forces. In the same year the allied forces marched against Prague, which was stormed by the French in November 1741.
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: The 'Train Tracks' Portfolio a set of four sealed standard format giclee prints on Hahnmuhle 350gsm Museum etching paper, each signed by the artist, 53 from the numbered edition of 295, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet size 70cm x 56cm each work with a signed and numbered certificate of authenticity (4, all unframed in sealed envelopes as new)Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Nora Scholly (Slovakian / Austrian, 1905-1965), Fairy, small scale hand coloured etching, signed Nora Scholly to lower right. Scholly wrote a total of 16 Children’s books between 1930 to the 1960’s which she illustrated herself. In her books she often gave animals, trees and flowers a human face. In this way, Scholly tried to bring the unity of humanity and nature closer to children. Framed and glazed, ‘Scholly Verlag Badischl’ label to reverse. 8cm x 11cm.
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