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Click here to subscribeSigned and dated indistinctly, watercolour with pen and black ink 21.5 x 32cm. with a coloured etching by Pocock of a similar subject, signed and dated 1816(?), 21.5 x 32cm, each in maple veneered frames. (2). *CR The watercolour with surface blemishes, scattered stains and fading; the etched work with foxing and orange discolouration; fading.
Etching, 1892, signed in pencil Image 14 x 19.5cm. * Derived from the oil `Hollandische Dorfecke`, illustrated in Karl Scheffler's book 'Max Liebermann`, p. 139 (Munich, 1922), a copy of which accompanies this lot (2). *CR The etching yellowed but a good impression; the book satisfactory but with spotting and some wear to bindings.
A collection of five prints Henry Heath after an unknown artist, 'ONCE!', dedicated to the King's cabinet ministers, coloured etching on paper; E Halpern, Holland, aquatint, numbered and signed to the margin '1 of 25 Halpern'; William Henry Pyne, 'Armies on the March', hand-coloured aquatint; a pair of copies after prints by C D Gibson in his "Americans" series, 'Fortune Telling Cards Made Easy' and 'The Expert What Makes You Think She Has a Heart? I Can Hear Nothing'.The largest 24cm x 36cm to the mount.Qty: 6In generally good condition throughout. A notable tear down the centre of the Henry Heath print.
Two pictures of Amsterdam The first Harry Moleiyaak, a canal scene, oil on canvas, signed lower left; the second Cornelis Brandenburg, Ledischegracht, Amsterdam, etching and drypoint, print, signed and titled to the lower margin.The first 39cm x 58cm. The second 35cm x 43cm to the plate mark.Qty: 2The first sits loosely in its frame, the frame in need of repair. Some surface dirt and some cracking to the painted surface.The second with notable toning and foxing throughout.
A collection of four prints The first Geraud Vidal (1742-1804) after Jacques Louis Davide (1748-1825) 'Paris and Helen', engraving with stipple work; the second 'Map of The World from the Best Authorities 1785', by William Guthrie, frontispiece to The New Royal Encyclopedia Globe Architecture Vol II c1796, engraved by G Noble; and an etching of The Armillary Sphere.Qty: 3The first cut within the plate mark. All in generally good condition with light toning and foxing throughout.
A collection of five decorative prints To include a pair after Bartolozzi, the first 'Prudence endeavouring to retain beauty from following the insinuation of love', the second 'Allegory of Nature', each 19cm x 23.5cm to the mount; together with a mezzotint engraving of Lord Townsend when young, after the portrait by Sir Godfrey Kneller; 'Elinor (Eleanor) Copley' after Sir Godfrey Kneller, mezzotint engraving; and J. Dawson after C.M. Metz, studies of classical figures, etching.The largest 32 x 41cm.Qty: 5In generally good condition.
Giovanni Battista Piranesi (Italian 1720-1778) ‘Veduta interna della Stanza’, etching; 38cm x 41cm; together with ‘Cavalier Piranesi’, etching.The larger print 64cm x 45cm to the plate mark.Qty: 2The Estate of the late Sabih Aykoler.Both framed and glazed. Some undulation to the paper. Slight browning in areas to the edges.
A collection of three architectural prints Consisting of Thomas White (c1730-c1775) after John Wolfe, the northeast front of Witham designed by Robert Adam, an engraving from Vitruvius Britannicus or The British Architect, 27cm x 71cm; together with two architectural elevations of Blenheim, the first of the front of of the house towards the gardens, an etching taken from a book, 47cm x 67.5cm, the second a further print of the front of Blenheim House, a later etching after Colin Campbell from Vitruvius Britannicus, 37.5cm x 77cm.Qty: 3The Thomas White with toning along the creased folds, some warping to the paper, and minor foxing notable particularly in the upper portion of the print. The first etching with a loss to the lower right, later redrawn in pen and ink, with some foxing across the paper and some creasing. The second etching in generally good condition, with notable surface dirt to the glaze.
Two etchings by George and Eileen Soper The first a timber team stuck in a rut, drypoint etching, signed to the margin 'George Soper'; the second a figure reading by the shoreside, drypoint etching, signed 'Eileen Soper'.The first 23cm x 35cm to the plate mark. The second 14cm x 20cm to the plate mark.The first with slight warping to the paper and somewhat notable mountburn. The second with warping to the paper and notable mountburn.
A QUANTITY OF PICTURES AND PRINTS ETC, to include ten watercolour miniature portraits presented in two frames, images include Napoleon, George III, King James VI and female portraits, together with portrait etching of Mrs William Urquhart signed in pencil Ernest Stamp, a portrait print of Lady Caroline Price engraved by John Jones, five crystoleum pictures, two small Chinese silk panels with flowers, birds and butterflies, large black and white Ikea wall art, assorted other prints etc
A QUANTITY OF LIMITED EDITION PRINTS AND ETCHINGS ETC, to include a Norman Wade print of Old Elvet bridge in Durham, Judy Boyes 'The Eskdale Jewels' print, Gillian McDonald 'Harbour I' print, two Leon Verdier etchings with colours of Bruges, Graham Evernden etching with colours 'Scragged Oak Tree', David Merrill 'Newtown Connecticut' winter townscape, A Sawyer 'Little Owl' linocut print, Debbie Gillingham Whippet print' sofa so good' together with three horse racing prints including a Graham Isom Cheltenham Gold Cup print
19th/20th Century School, etching, 'Hotel de Ville Loches', signed 'Cyril...' indistinctly to the lower right, framed, mounted, and under glass, measuring 17cm x 24cm, & 32cm x 42cm overall, together with another etching depicting 'Staple Inn, Holborn' after William Monk (1863-1937, British), and a print after Edward Dayes (1763-1804, British) titled 'View of Cat Tor' (3)
Louis ICART (1888-1950) Mignon. 1928. Aquatint etching and drypoint in colour signed lower right, dry stamp LI, one press and numbered E202, Copyright in the plate 1928 upper left, published by Les Graveurs Modernes. Normal wear - Weight: 3.20 kg - Shipping unavailable - Sizes: H 800MM X L 600MM AVEC CADRE / H 530MM X L 360MM
Folon and Alechinsky, folder FOLON with eau forte et aquatint X/L, signed and book Entre Zut et Zu with etching Pierre ALECHINSKY, numbered 26/51 and signedLot Folon en Alechinsky, map FOLON met eau forte et aquatint X/L, getekend en boek Entre Zut et Zu met ets Pierre ALECHINSKY, genummerd 26/51 en getekend15.5 x 10 & 15.5 x 13.5 cm
Roger Marcel WITTEVRONGEL (1933), watercolour painting, signed, etching n° 100/175, signed and dated ‘65 and a lithograph, n° 3/75 and signedRoger Marcel WITTEVRONGEL (1933), lot (3) van een aquarel, getekend, ets, n° 100/175, getekend en gedateerd '65 en een lithografie, n° 3/75 en getekend18.5 x 14, 35.5 x 27 & 58.5 x 37 cm
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