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Lot 218

§ Kathleen Frances Barker (1901-1969) The Terrier Man (Otter Hunting) signed etching and with FATG blindstamp 23 x 21cm; together with George Vernon Stokes signed drypoint etching of dogs, 26 x 21cm, framed 38 x 43cm (2)

Lot 196

§ Frederic Whiting RSW, RI, RP (1874-1962) Greyhounds in leashsigned etching24 x 30cm; framed 40 x 54cm

Lot 209

Joseph Denovan Adam Jr, exh 1900-1931 The very last horse - an auction scenesigned in pencil lower right and inscribed with titleetching23 x 31cm; framed 34 x 49.5cm  

Lot 238

§ Edmund Blampied (Channel Islands 1886-1966) Vraic Seasonsigned in ink 'E. Blampied' (lower left)drypoint etching24.8 x 37cm Vraic or seaweed was traditionally gathered by horse and cart in Grouville and St. Ouen's Bay, in the Channel Islands, and then spread over potato fields before planting in late winter and sprin Light undulations to paper. Age toning to the edges. Signature slightly faded. Very light spotting to the sky. Overall good, bold impression. Framed 41 x 52.5cm

Lot 229

Cecil Charles Windsor Aldin (1870-1935) Terrier in a chairsigned etching, numbered 27/100 26 x 19cm; framed 48 x 34cm

Lot 237

§ Edmund Blampied (Channel Islands 1886-1966) The Farmer Dentistsigned in pencil 'E. Blampied' (lower centre)drypoint etching17.7 x 25.8cm (Pl.) Framed 37.5 x 44cm

Lot 195

§ Frederic Whiting RP, RSW, RI (1874-1962) Jockeyssigned etching23 x 21cm; framed 55 x 40cm

Lot 231

Cecil Charles Windsor Aldin (1870-1935) Well Oversigned lower right and numbered 72/100 lower leftdrypoint etching, original label verso19.5 x 19cm; framed 41 x 33.5cm

Lot 215

§ George Vernon Stokes (1873-1954) The Day's Bag - Gun dogs with pheasantssigned limited edition etching, numbered lower left21 x 26cm; framed 43 x 47cm; together with another signed limited edition coloured etching of mallards

Lot 20

Pablo Picasso, Lâ age de Soleil, framed and glazed etching. 47cm x 38.5cm

Lot 722

A pencil signed etching, continental cathedral scene

Lot 288

Malcolm  Osborne pencil etching Cheyne Walk, Chelsea

Lot 244A

Mixed Lot: Black and white etching of train tracks signed Siseru Kimura together with a further black and white etching by Beth Van Haesen, framed and glazed (2)

Lot 156

Mixed Lot: Black and white engravings of Newgate, a further unframed ground floor plan of Newgate, an etching of Hurst Pierpoint College and various others

Lot 692

William Lionel Wyllie (1851-1931), drypoint etching, 'Hunting the U-boat', signed in pencil, 8.5 x 33cm, unframed

Lot 730

Graham Clarke (b.1941) colour etching triptych, 'The Royal Star', signed in pencil, limited edition 313/400, overall 79 x 42cm

Lot 637

SIX 20TH CENTURY CONTINENTAL TOPOGRAPHIAL ETCHINGS WITH COLOURS, comprising two Tanna Kasmir-Hoernes (1887-1972) views of Augsburg, largest approximately 55cm x 43cm including visible margins, with four Josef Eidenberger (1899-1991) etchings, a view of the Grand Canal in Venice, approximate size 38cm x 32cm, together with three winter Alpine views, largest approximately 12cm x 15cm, Condition Report: one of the small Eidenberger etching has foxing, frames marked in places

Lot 684

CUCA ROMLEY (SPAIN 1933-) 'PARIS PLACE De VOSGES', an etching with colours depicting the square in the Marais district in France, signed, titled and numbered 111/150 to lower margin, approximate size including visible margins 40cm x 54cm, Condition Report: good overall condition

Lot 671

A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include six Boris O'Klein signed etchings - three with foxing, two Edith E. Matthews watercolours depicting scenes in Ludlow and Henly in Arden, Henry Wilkinson etching depicting two Dachshund dogs, a pastel portrait of a frontiersman wearing a Davy Crockett hat, modern miniature portraits of Napoleon and Wellington, an unsigned miniature portrait of Sir Brisbane Douglas, two watercolours depicting birds, allegedly painted using the blood of the artist George Hughes Jarvis of the Argyll and Sutherland Highlanders, initialled and dated 1945, a picture of a bird of prey hand engraved onto glass, signed Grant 1978 etc

Lot 641

A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include Vincent Selby (1919-2004) a winter landscape with farmhouse, signed bottom right, oil on wood panel, approximate size 24cm x 37cm, two watercolours depicting hunting dogs with prey, signed and dated 1922, approximate sizes 17cm x 15cm, unsigned late 20th century still life study of flowers in a vase, oil on canvas, approximate size 19cm x 24cm, Tim Bulmer limited etching, pencil sketch depicting a nude female figure from behind, Signed Elsie '88, together with other pictures

Lot 640

WILLIAM LIONEL WYLLIE (1851-1931) 'THAMES LIGHTERMEN', a dry point etching, signed in pencil within the image, approximate visible image 24cm x 36cm, together with four other etchings comprising after Johannes Vermeer 'Officer and Laughing Girl' signed in pencil P. J. Arendsen with etching of a cat to lower margin, approximate size 30cm x 24cm including visible margins, J. Lewis Stant etching 'The Warren, Polperro' a Cornish scene, Percy Robertson etching depicting a river estuary at low tide and an indistinctly signed etching depicting the cross and stocks of the village of Ripple in Worcestershire

Lot 47

A small red translucent glassware with cut leaves and etching that reads: C. Leech Bristol Exhibition 1884. Dimensions: 2.25"W x 3.5"HCondition: Age related wear.

Lot 20

Original etching on paper of a man's profile drawn in a caricatural style. His name is written in cursive directly in the plate as well as the artist's signature and date: 1930. Written in pencil below the plate on the lower left: 1/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 1 of 100 Condition: Age related wear.

Lot 19

Rare original etching on paper of Bengali literary, philosophy and artistic genius Rabindranath Tagore. He is represented looking to the side, in a three-quarter view portrait. His name is written in cursive directly in the plate, with the signature of the artist and the date: 1926. Written in pencil below the plate on the lower left: 4/100. Signature in pencil on the lower right: E. Barta (?) Sight size: 7.50"L x 9.50"H. Mat size: 11"L x 14"H. Issued: c. 1930Edition Number: 4 of 100 Country of Origin: United StatesCondition: Age related wear.

Lot 428

Johnstone Baird (1872-1935, British), etching, A Scottish loch landscape, signed to the lower right framed, mounted, and under glass, 23cm x 33cm, & 43cm x 55cm overall

Lot 53

Antique Coastal Scene Fisherman Etching by Frank Short (1857-1945) - 41x53cm inc frame

Lot 60

EVE DOOLITLE (b.1947) 'Mustangs in the Mountains: Hide and Seek', coloured etching, 55cm x 70cm, signed and numbered, framed.

Lot 4074

Edgar Holloway (British 1914-2008): 'Hurstpierpoint' West Sussex, drypoint etching signed and numbered 3/100 in pencil, signed titled and dated 1976 in the plate 20cm x 27cm; 'Keymer', miniature drypoint etching signed and inscribed 'Best Wishes 1979' in pencil, titled in the plate 5cm x 7cm with full margins (10cm x 13cm full sheet) (unframed) (2)

Lot 1049

Alfred Blundell - The End of the Island, etching, signed and titled in pencil to the margin, 21x35cm, together with one other by the artist entitled Reeves Barn, Hawstead (2)

Lot 183

An 18th century wine glass, circa 1770, having a bucket shaped bowl, on a multi series opaque twist stem, h.16cm; together with an 18th century ale glass, circa 1770, having an elongated conical bowl, on a double series opaque twist disc knopped stem, h.18cm (2)Both have some chipsWine glass has a crack to the base of thebowlAle glass has later etching to the bowl

Lot 489

A 19th century etching of water crossing scene with a lurcher and a horse with a framed watercolour of the Ross Shire Mountains, largest 18x27cm exc frames (2).

Lot 2104

Three framed hunting pictures to include 'Hare Coursing' published by R. Ackerman, a framed and mounted print of a Fox Huntsman Inspecting the Hounds, and a wooden cross framed coloured etching titled 'Unearthing the Fox'.

Lot 2164

A framed and mounted etching by Bartholomew Esteban Murillo 'L'Assumption', 26'' x 33''.

Lot 2105

A framed coloured etching by H. Alken titled 'Sparring at the Fives Court', published by Jones and Co, 1821, along with a framed cutting from a Sports Paper.

Lot 2102

A wooden framed etching titled 'Crop' published by J. Pitman, Warwick Square along with a wooden framed etching titled 'Maniac' also published by J. Pitman, Warwick Square, 11 3/4" x 10 1/4"

Lot 304

After Edmund Blampied (1886-1966) - Fishermen returning, etching, pencil signed to lower right margin, 17 x 23.5 cm

Lot 352

Mixed pictures including Anne Shingleton 'Sheep-Goat chimaera', etching; Shelagh Popham etching of a hen; diminutive etchings, watercolour etc (box)

Lot 303

After Lionel Lindsay - 'The Clock, Old Fishmarket, Naples', etching, pencil signed to margin, numbered 100, 25 x 17.5 cm

Lot 111

PETER BEESON, (Contemporary) British (AR), Shelducks, a signed limited edition etching, numbered 2/50 and signed to the margin. 36 x 13 cm.

Lot 113

SUE KAVANAGH (20/21 century) British (AR), Winter Snowdrops, a signed limited edition etching, numbered 23/50 and signed to the margin. 30 x 24 cm.

Lot 5228

Edward Sharland (British 1884-1967): 'Bridge of Sighs - Venice', coloured etching signed and titled in pencil, together with a similar etching by HP Huggill (2)

Lot 5503

E River (British 20th century): Jockeys Taking a Fence, etching signed 16cm x 28cm

Lot 1006

Winifred Austin (1876-1964) ''Doormouse''Signed and inscribed in pencil, dry point etching, 12.5cm by 15.5cm

Lot 1070

After Daniel King (17th Century)"The North Prospect of the Cathedral Church of Durham""The South Front of the Cathedral Church of Durham"Etching, 19.5cm by 30cm; together with engravings and prints of Yorkshire, Northumberland, Isle of Mull and Isle of Skye, (qty)

Lot 1038

David Biglands (Contemporary)''Little Tree, Lend Me Your Shadow'' (Formentera, Spain)Signed gouache, together with a Percy Smith etching of a lady feeding a goat and S A Preston ''Lismore Castle, Co. Waterford'' mixed media (3)

Lot 1048

~ After George Vernon Stokes (1873-1954)Spaniel and duckSigned and number 5/75, etching, together with a further etching by the same hand depicting blue tits and three prints after Henry Alken (5)

Lot 52

MAX SLEVOGT (1868-1932)Selbstbildnis beim Zeichnen, 1911 signed in penciletching, on laid paperSheet 18.7 x 13.1cm (7 3/8 x 5 3/16in).Footnotes:LiteratureJ. Sievers & E. Waldmann, Max Slevogt: Das druckgraphische Werk, Erster Teil, 1890-1914, Heidelberg and Berlin, 1962, no 424.For further information on this lot please visit Bonhams.com

Lot 809

John Bellany (1942 - 2013), Fealty, etching, artist's proof, signed in pencil, plate 25cm x 20cm, clip frameSlight paper discolouration along the top edge in the margin and a very small stain in left-hand corner margin, no foxing

Lot 626

Anthony GROSS (British 1905-1984) Rustic Pupils, dry point etching, image size 18cm x 21cm, signed 'Anthony Gross 1924' lower right, framed and glazed.Some minor browning to plate / paper.

Lot 731

William Blake (1757-1827) engraver after John Flaxman (1755-1826), stipple engraving and etching on paper, Echidna The Untameable of Soul, from Compositions from the Works, Days and Theogony of Hesiod, published byLongman, Hurst, Rees, Orme and Brown 1817, 13cm x 28cm, mounted, glazed and framed. Flaxman, a close friend of Blake, was the much more successful artist at thetime and used his name to help the struggling Blake with engraving commissions. According to The William Blake Archive, the Hesiod etchings “are one of Blake’smajor endeavours as a commercial etcher/engraver of designs by other artists … Without the Hesiod project, Blake and his wife Catherine might have descended intodire poverty."

Lot 789

Julian Trevelyn (1910 - 1988), Tuscany, coloured etching with embossing, artist's proof, signed in pencil, 37cm x 55cm, framedSeveral light creases, otherwise good condition

Lot 754

Rembrandt after Jan Lievens, Oriental head, etching with drypoint, plate 14.5cm x 12.5cm, framedA few very light fox marks and stains, no paper damage

Lot 182

NO RESERVE Dighton (Robert) A View near Hyde Park Corner, etching with original hand-colouring, faintly inscribed in ink 'Mr Tattersall' in the lower right corner, sheet 203 x 142 mm (8 x 5 5/8 in), unframed, 1802; together with a later Bohn edition of Gillray's 'Sandwich-Carrots!, hand-coloured, unframed, (2)

Lot 38

Satirical Broadside.- La Rareté de Prague - De Praagsche Rariekiek, engraved titles in French and Dutch, central fold, tears in top right corner and lower left corner without loss, browned, 550 x 425mm., [BM Satires Catalogue 2504], Amsterdam, by Jan 'T Lam, Boekverkooper bezuyden 't Stadhuys, naer de Copy van London, Publish'd According to Act of Parliament, by T. Cooper, at the Globe in Pater-Noster-Row, [c. 1745].⁂ A Dutch broadside after an English broadside published by Cooper, satirising Cardinal Fleury (1653-1743), chief minister of Louis XV of France and other European heads of states and politicians prior to their march against Prague. The etching showing the interior of a room, at its centre a table with a map of Europe, surrounded by various heads of state and politicians pointing at certain areas. In mid-1741 France, Spain, Bavaria and Prussia forged an alliance, in which they promised each other support in exchange to the rights of certain territories conquered from the Austrian forces. In the same year the allied forces marched against Prague, which was stormed by the French in November 1741.

Lot 31

*DAME ELISABETH FRINK (1930-1993) 'The Old Man of the Sea' from the 'Children of the Gods' series (Wiseman 148), signed and numbered 17/70 in pencil to the margin, etching with aquatint in brown, printed at Kelpra Studio on Velin Arches paper, plate size 54cm x 37.5cm

Lot 184

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: The 'Train Tracks' Portfolio a set of four sealed standard format giclee prints on Hahnmuhle 350gsm Museum etching paper, each signed by the artist, 53 from the numbered edition of 295, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet size 70cm x 56cm each work with a signed and numbered certificate of authenticity (4, all unframed in sealed envelopes as new)Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

Lot 30

*DAME ELISABETH FRINK (1930-1993) 'Hermes' from the 'Children of the Gods' series (Wiseman 145), signed and numbered 18/70 in pencil to the margin, etching with aquatint in brown, printed at Kelpra Studio on Velin Arches paper, plate size 56cm x 37.5cm

Lot 195

Nora Scholly (Slovakian / Austrian, 1905-1965), Fairy, small scale hand coloured etching, signed Nora Scholly to lower right. Scholly wrote a total of 16 Children’s books between 1930 to the 1960’s which she illustrated herself. In her books she often gave animals, trees and flowers a human face. In this way, Scholly tried to bring the unity of humanity and nature closer to children. Framed and glazed, ‘Scholly Verlag Badischl’ label to reverse. 8cm x 11cm.

Lot 1499

†Henry G. Walker: a vintage oak framed small format coloured etching, depicting moored sailing vessels on a river - signed in pencil to the margin

Lot 1143

Winifred Pickard (1908-1996) - A young girl reading with flowers in a vase with fruit on table top, etching with aquatint, signed and dated Xmas 86 in pencil, unframed, 16.5cm x 21.5cm, also seven other etchings by the same hand. (8)

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