There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeδ Bill Jacklin (b.1943)Bathers IEtching, 1992, signed and numbered from the edition of 30 in pencil, on wove paper, as included in the Coney Island Suite, with full margins, the image, 240 x 312mm (9 1/2 x 12 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bill Jacklin (b.1943)The BatherEtching, 1992, signed and numbered from the edition of 30 in pencil, on wove paper, as included in the Coney Island Suite, the image, with full margins, 315 x 240mm (12 1/4 x 9 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bill Jacklin (b.1943)Two Men TalkingEtching, 1992, signed and numbered from the edition of 30 in pencil, on wove paper, as included in the Coney Island Suite, with full margins, the image, 240 x 315mm (9 1/2 x 12 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Francisco Goya (1746-1828)Al Toro y al Aire Darles Calle (Lluvia de Toros), from: 'Los Proverbios'Etching with aquatint, circa 1824, on cream laid paper with text as published in L'Art, sheet 240 x 350 mm (9 1/2 x 13 3/4 in), trimmed within the platemark, minor abrasion to extremities of sheet in the lower left corner (unframed)Literature:Delteil 223; Harris 269
δ Victor Pasmore (1908-1998)Points of Contact No. 19 (Bowness and Lambertini 34)Etching with aquatint printed in colours, 1973, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the edition of 70, printed by Kelpra Studio, published by Marlborough Graphics, London, with full margins, image 795 x 535mm (31 1/4 x 21in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Julian Trevelyan (1910-1988)Wallington, Clock Tower (Turner 317)Etching, aquatint and soft-ground printed in colours, 1975, signed and titled in pencil, a proof aside from the edition of 52 in pencil, on T H Saunders wove paper, printed by Studio Prints, Ltd, published by Leslie Waddington Graphics, London, with full margins, sheet 610 x 774mm (24 x 30 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Doig (b.1959)Echo LakeEtching printed in green, 2000, signed in pencil, numbered from the edition of 100, on wove paper, as included in the Cubitt Portfolio, with full margins, sheet 260 x 210mm (10 ¼ x 8 ½in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Claude Lorrain (1600-1682)Le Bouvier (The cowherd)Etching, circa 1650-1651, a well inked impression of Mannocci's fourth state (A), with tree study in black chalk verso tracing the etched tree, on laid paper without watermark, sheet 134 x 202 mm (5 1/4 x 8 in), repaired tear to upper left corner, (unframed)Together with:Le Troupeau en marche par un temps orageux (The herd returning in stormy weather)Etching, circa 1650-1651, a good impression of Mannocci's second state (B), before the scratch of (C), on laid paper without watermark, sheet 160 x 220 mm (6 1/4 x 8 3/4 in), some brown spots (unframed)Literature:Mannocci 18 iv (A); 40 ii (B)
δ Damien Hirst (b.1965)Oh My God ... and for those really stubborn stains!!!!!?? (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)Tie a Yellow Ribbon Round the Old Oak Tree (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Chagall (1887-1985)Musique (See Cramer Books 112)Etching with aquatint printed in colours, 1981, signed and inscribed 'Essai Pour Fernand' in pencil, a working proof aside from the total edition of 50, with unique colour workings, on BFK Rives wove paper, as included in 'Songes', printed by Fequet Baudier, published by Editions Gérald Cramer, Paris, the full sheet, plate 305 x 240mm (12 x 9 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Sator (Field 69-1F; M&L 301g)Etching with hand colouring in gold, blue and purple, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Harland Miller (b.1964)In Shadows I Boogie (Blue)The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 x 253 x 45mm (13 1/2 x 9 7/8 x 1 6/8 in) (folio) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, but a later impression of New Hollstein's fourth state (of four), on laid paper without watermark, sheet 140 x 171 mm (5 1/2 x 6 3/4 in), trimmed to or just within platemark, tipped at upper corners onto support, even toning with scratches to surface (unframed)Provenance:F. C. Th. Baron van Isendoorn à Blois ((1784-1865) [L. 2610]Literature:Hind 126; New Hollstein 139 iv/iv
δ Salvador Dali (1904-1989)Chevalier a genou (Field 69-1K; M&L 305g)Etching with hand colouring in gold, blue and purple, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Philosophe ecrase par le cosmos (M&L 642a; Field 74-12-A)Etching and lithograph printed in colours with embossing, 1974, signed by the artist and publisher and numbered from the edition of 195 in pencil, on watermarked Arches wove paper, published by Lavigne, Paris, full sheet, 981 x 700mm (38 1/2 x 27in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)L'Etalon Blanc (Hommage au cheval) (Field 74-9; M & L 639b)The scarce etching printed in sepia, 1973-1974, signed and inscribed 'AP.' in pencil, an artist's proof aside from the edition of 50, on Japan paper, printed by Torrents, published by Ärzte-Sammlerkreis, with full margins, plate 495 x 645mm (19 1/2 x 25 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later and somewhat compromised impression of New Hollstein's sixth state (of eight), on laid paper without watermark and mounted on support, sheet 540 x 412 mm (21 1/4 x 16 1/4 in), numerous areas of loss, particularly to upper edge, upper corners, and lower left corner, handling creases, damp-stains and toning to sheet, nicks and tears to extremities (unframed)Literature:Hind 103; New Hollstein 119 vi/viii
Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good but later impression of the third state (of five) on laid paper without watermark, printing with plate tone and faint wiping marks, platemark 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 169 x 134 mm (6 5/8 x 5 1/4 in), small nick to lower centre (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v
Rembrandt van Rijn (1606-1669)Beggar Man and Beggar Woman ConversingEtching, 1630, but a later impression of New Hollstein's third state (of three) with the horizontal scratch through the cap of the man removed, on laid paper without watermark, platemark 76 x 65 mm (3 x 2 1/2 in), sheet 95 x 86 mm (3 3/4 x 2 3/8 in), some faint spotting (unframed)Together with:'A Beggar Woman Leaning on a Stick', etching, 1646, but a later impression of New Hollstein's fourth state (of five), platemark 84 x 64 mm (3 1/4 x 2 1/2 in), sheet 95 x 75 mm (3 3/4 x 2 7/8 in), some spotting and pin-sized rust spots, careful marginal repairs (unframed)Literature:Hind 7; New Hollstein 45 iii/iii; 229 iv/v
A FINE SPORTING KNIFE WITH DAMASCUS BLADE AND BONE HILT, UNSIGNED,recent, with 4 1/2in. clip-point blade false edged for the last 3in, the damascus patterning enhanced by acid-etching, fancy scalloped back, the patterning continuing along the back-edge of the tang and around the pommel, the voids with black infill, white polished bone hilt and brass pins and guard, together with a bolstered leather sheath with belt-loop. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
JOAN MIRO (SPANISH 1893-1983) Le Dedans et le Dehors, published by GLM, Paris, 1966 etching with aquatint on Arches paper plate mark: 14.5 x 11 cm (5 3/4 x 4 3/8 in.), full sheet measuring 24 x 17.5 cm (9 1/2 x 6 7/8 in.) signed lower right, inscribed with edition H.C. lower left (of an edition of 60 with 15 hors commerce copies) PROVENANCEMagna Gallery, San FranciscoAcquired at the above by the present owners August 30, 1986. (Copy of certificate of authenticity available upon request).
JOAN MIRO (SPANISH 1893-1983) Le monocle, published by Maeght, Paris, 1958 etching with aquatint on BFK Rives paper plate mark: 25.5 x 33.5 cm (10 x 13 1/4 in.), 34 x 38.5 cm (13 3/8 x 15 1/8 in.) [sight] signed lower right, inscribed with edition hors commerce lower left (of a total edition of 195) PROVENANCEMagna Gallery, San FranciscoAcquired at the above by the present owners April 20, 1985. (Copy of certificate of authenticity available upon request).LITERATUREDupin 153
ASSADOUR BEZDIKIAN (LEBANESE B. 1943) No Man's Land, 1972 etching plate mark: 30 x 45 cm (11 3/4 x 17 3/4 in.), full sheet measuring 50 x 66 cm (19 3/4 x 26 in.) signed and dated lower right, inscribed with edition 70/80 lower left, titled lower center, and blindstamped Editions Empreinte lower left PROVENANCECollection of a prominent Armenian-American Family
JOAN MIRO (SPANISH 1893-1983) Escargot Enjoue, 1973 etching with aquatint plate mark: 24 x 33 cm (9 1/2 x 13 in.), 35 x 44.5 cm (13 3/4 x 17 1/2 in.) [sight] signed lower right, inscribed with edition hors commerce lower left PROVENANCEMagna Gallery, San FranciscoAcquired at the above by the present owners August 30, 1986. (Copy of certificate of authenticity available upon request).
OLEG KUDRYASHOV (RUSSIAN B. 1932) Empty Room, 1985 etching and aquatint comprising 24 leaves, largest measuring 127 x 96 cm (50 x 37 3/4 in.), dimensions when assembled: 507 x 541 cm (199 5/8 x 213 in.) signed and dated lower right, inscribed with edition 1/1 and plate no. 1277 lower left PROVENANCEThe Nasher Museum of Art at Duke University, Durham
Brake Baldwin (British 1885-1915): 'Woman on Bed', etching signed in pencil 16cm x 15cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian Hill from Michael Parkin Fine Art 'Brake Baldwin' exhibition 1990 No.89, receipt inc. Condition Report Click here for further images, condition, auction times & delivery costs
Peggy Hinaekian (USA Contemporary): 'La Muse', artists proof etching signed titled and marked E/A (Epreuve d'artist) published Christie's Contemporary Art 21cm x 30cm Provenance: from the collection of the late Brian Hill of Bridlington purchased by Brian hill from Juliet Winters Gallery Hull 1977, info. verso Condition Report Click here for further images, condition, auction times & delivery costs
Jane Sterret (USA 1942-): 'Roads toward unknown regions II', coloured etching signed, titled numbered 7/75 and dated 1975 in pencil 28cm x 32cmProvenance: from the collection of the late Brian Hill of Bridlington Condition Report Click here for further images, condition, auction times & delivery costs
Marja Ruta (Sweedish 1942-): 'Masshing' - Sleeping Child, limited edition etching signed titled and dated '93 in pencil 42cm x 52cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian Hill from the artist 1979, original paperwork verso Condition Report Click here for further images, condition, auction times & delivery costs
Gordon House (British 1932-2004): 'Highbury Quadrant', limited edition block etching signed titled and numbered 63/75 in pencil printed by White Ink Ltd 68cm x 48cm Provenance: from the collection of the late Brian Hill of Bridlington purchased from Austen Hayes Galleries, The Shambles, York Condition Report Click here for further images, condition, auction times & delivery costs
MERLYN EVANS etching and aquatint - two opposing cynically grinning figures, entitled verso 'The Chess Players 1951', 45 x 45cms Auctioneer's Note: the image was influenced by the scene of Molotov and Ribbentrop, the Foreign Ministers of Soviet Union and Nazi Germany, enduring the act of raising a glass together at The Kremlin during the signing of the Soviet-Nazi Non-Aggression Pact of 1939, shortly before the outbreak of war
A J LAVENDER etching - Swansea Grammar School and gardens, title to mount and dated 1936, signed, 22 x 38cms Auctioneer's Note: Mr Lavender was a former art teacher at the school and former pupil Dylan Thomas mentions him in a letter, identifying him as the artist of a drawing that appeared in a 1930 issue of the school magazine, edited by Thomas
Loading...
