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Luigi Rossini- 'Veduta di porzione delgi avanni dell'Ambulacro del piano terra nel Colosseo', 1821; etching, 46x40cm: with one other etching by the same hand, titled: 'Terza Veduta della rovina della gran Basilica di S. Paolo fuori le mura, e principalmente del muro della gran nave di mezzo quazzi tutto atterrato dalle fianne dell'incendio accaduto li 15 Luglio 1823', (2)
Herbert Thomas Dicksee R.E. (1862-1942) "HARVEST TIME", TWO FARM BOYS WITH THREE SHIRE HORSES CUTTING CORN, WITH AN EXTENSIVE LANDSCAPE BEYOND. Signed artist's proof, also initialled and dated 1917 within the image, also bearing the blindstamp for the Fine Art Trade Guild, black and white etching, 41.5cm by 67.5cm (161/4in by 263/4in)
Herbert Thomas Dicksee R.E. (1862-1942), after Rosa Bonheur (1822-1899) A LION AND LIONESS WITH THEIR CUBS IN THE SHADE OF A TREE ON A ROCKY PLATEAU. Signed artist's proof, also signed within the plate "Rosa Bonheur" together with the date 1887, black and white etching, 49.5cm by 67. 5cm (191/2in by 263/4in); together with a further unsigned example entitled "RAIDERS", inscribed with the title and originally published by Frost & Reed, Print Sellers, of London, Bristol & Clifton, October 1st 1898, Berlin, Stiefbold & Co, 49 Kronen Strasse, copyright registered, a black and white etching, 41cm by 67cm (161/4in by 261/2in) pl (2)
William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "TORPEDO BOAT DESTROYERS". Signed artist's proof, also inscribed on a later label verso with the title of the work and the artist's name, together with a further inscription on the backing board, a black and white drypoint etching, 15.5cm by 24.5cm (61/4in by 91/2in).
After James Jacques Joseph Tissot (1836-1902) "(PRINTEMPO) SPRINGTIME", A FASHIONABLE YOUNG LADY STANDING IN A GARDEN HOLDING A FAN IN HER RIGHT HAND. Stamped with the artist's monogram, extensively inscribed with the artist's name and the title on an old exhibition label verso, drypoint with etching, 38cm by 13.5cm (15in by 51/2in) (pl)
Christopher Richard Wynne Nevinson A.R.A., R.I., R.O.I., R.B.A., N.E. A.C., N.S. (1889-1946) "ROOF TOPS, NEW YORK". Signed artist's proof, also extensively inscribed with the title and exhibition details together with the original purchasers name on a later label verso, black and white etching, 20cm by 13.5cm (8in by 5in)
Hooghe (Romeyn de, 1645 - 1708). No Monarchy, No Popery. Herstelling der Waere Godstienst en Grondwetten in G: Brittanien. Door S. K. H. Met Weguluchten van het hof ende familie van de K: Jacob de II en Koningin van Engeland, pub. L. Tangena, 1689, b&w etching, showing the progress of James II in England and France, in 1689, contained in eleven sequential narrative scenes, with decorative top margin, approx. 480 x 570 mm, mounted on backing paper (1)
Drury (Paul). A head - and - shoulders portrait of a man wearing a panama hat, 1926, uncol. etching, signed and dated in pencil, image size approx. 95 x 95 mm (3.75 x 3.75 ins), framed and glazed, together with Wilson (Edgar), Under Lambeth Bridge, 1930, uncol. etching, signed, titled and dated in pencil to lower margin, image size approx. 105 x 127 mm, framed and glazed (2)
Haig (Axel Herman, 1835 - 1921). Interior of Amiens Cathedral, 1897, signed in pencil, approx. 290 x 380 mm, framed and glazed, together with Martin (M. E.), Chartres, uncol. aquatint, signed and titled in pencil, approx. 300 x 225 mm, framed and glazed, plus one other late 19th c. etching entitled "Old Chelsea, Cheyne Walk", by Percy Harvey [ - ], approx. 240 x 175 mm, signed and titled in the image (signature indistinct), framed and glazed (3)
Renison (William, 1893 - 1938). Rustic scene showing a haycart with two figures passing alongside an estuary with fields and rocky cliffs on the far side, c. 1920s, original ethcing, some light browning across plate impression, 190 x 285 mm, together with another etching by the same artist, showing a few boats and figures on the seashore, 100 x 140mm, mounted, both etchings signed in pencil lower right (2)
Rushbury (Sir Henry George, R.A. R.E., 1880 - 1968). St. Martins - in - the - Fields, 1944, Horse - Guards Parade, together two uncol. etchings, both signed in pencil, the second with some light overall browning, together with three other etchings by Rushbury, including two scenes of wartime London, one showing St. Pauls in the background, the other with the tower of a London church, and one other landscape etching of buildings on a rocky outcrop, all signed in pencil, approx. 300 x 260 mm, or 240 x 280 mm, or similar, all in matching gilt frames, glazed (5)
Wyllie (William Lionel, R.A. 1851 - 1931). The Kaiser Class with the Flag of Admiral von Reuter flying in the "Friedrich der Grosse" being taken to Scapa Flow for internment by the Second Division of the Grand Fleet 25th November 1918, uncol. etching by A. E. Howarth, after W. L. Wyllie, approx. 340 x 710 mm (13.5. x 28 ins), contemp. oak frame, glazed (1)
Dali (Salvador, 1904 - 1989). 'King of Aragon', col. etching, printed by Atelier Rigal, signed in pencil, numbered 54/250, image size approx. 350 x 270 mm (13.75 x 10.5 ins), sheet size 670 x 500 mm (26 x 20 ins), aluminium frame, glazed. With Christie's Contemporary Art printed Certificate of Authentication, to verso, signed by the Director. (1)
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71174 item(s)/page