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Lot 506
Eric James Melon (British 1925-2014), Persephone Returns to the Realm of The Dead Accompanied by Musicians, monochrome lithograph, signed, dated 1978 and inscribed with title 5/25. 31 cm x 20 cm (SH), together with an etching depicting Natalie Clein, young musician of the year 1994, signed by the artist in the margin and a further etching by the same hand of a young lady, in addition a collection of pamphlets and exhibition programmes relating to the artist. ARR
Lot 154
Bob Dylan, American b.1941- Sunflowers, 2009; giclee print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 260/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Lot 155
Bob Dylan, American b.1941- Sidewalk Cafe, 2008; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 211/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Lot 156
Bob Dylan, American b. 1941- Train Tracks; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 284/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 123 x 91.5 cm, (framed) Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Lot 157
Bob Dylan, American b.1941- Train Tracks, 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 110/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Lot 159
Bob Dylan, American b. 1941- Train Tracks (white), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA, issued by Washington Green Fine Art. Please refer to department for condition report
Lot 160
Bob Dylan, American b. 1941- Train Tracks (blue), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Lot 161
Bob Dylan, American b. 1941- Train Tracks (green), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Lot 265
Louise Bourgeois, French 1911-2010- Be Calm, 2005; screenprint with embroidery on linen tea towel, signed in the plate, numbered 703/1000 in black pen, in original paper packaging, published by Third Drawer Down and Tate, London, sheet: 68 x 49.5 cm, (unframed) (ARR) Note: In 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.Please refer to department for condition report
Lot 267
Peter Doig, Scottish, b. 1959- Untitled (Canoe) from Grasshopper Series; etching on wove, numbered 25/35 and signed in pencil, 45 x 55.5 cm, (framed) (ARR) Provenance: With the Contemporary Art Society Market (according to a label on the reverse) Please refer to department for condition report
![AMENDMENT- please note this lot is unframed.Georges Braque, French 1882-1963, Green Head [Vallier 58], 1950; etching with aqu](https://cdn.globalauctionplatform.com/373dc0dc-a142-4fca-8d37-af4300fa0295/95719589-ad56-4749-ac26-af43010e442b/468x382.jpg)
Lot 29
AMENDMENT- please note this lot is unframed.Georges Braque, French 1882-1963, Green Head [Vallier 58], 1950; etching with aquatint in colours on wove, signed and numbered 25/30 in pencil, sheet: 49.8 x 32.5 cm, (framed) (ARR) Note: this book is accompanied by the monograph 'George Braque Printmaker', published by The Tate Gallery.Please refer to department for condition report
Lot 363
Tracey Emin CBE RA, British b. 1963- Closed, 2013; etching on Somerset soft white wove, signed, titled, dated and numbered 149/200 in pencil, published by Emin International and come with certificates from IMMA Art Editions, 36.5 x 38.0 cm, (unframed) (ARR) Please refer to department for condition report
Lot 364
Tracey Emin CBE RA, British b. 1963- You forgot who you are, 2013; etching on Somerset soft white wove, signed, titled, dated, numbered 154/200 in pencil, published by Emin International, and comes with a certificate from IMMA art editions sheet: 36.5 x 40.5 cm, (unframed) (ARR) Note: This was made available by IMMA Art Editions for Tracey Emin's exhibition Desire: A Revision from the 20th Century to the Digital Age, September 2019 - March 2020Please refer to department for condition report
Lot 385
Mimmo Paladino, Italian b. 1948- Camera degli Sposi, 1985; etching with drypoint, aquatint, spit-bite, and engraving printed chine collé on wove, signed, dated and numbered 38/40, printed by Harlan & Weaver, New York, published by Waddington Graphics, London, plate: 24.5 x 32 cm, (framed) (ARR) Note: One can find a similar example in The Museum of Fine Arts, Houston, accession number: 2016.183Please refer to department for condition report
Lot 394
Donald Sultan, American b. 1951- Pomegranates, 1990; etching with aquatint in colours on Somerset wove, initialled, dated, titled and numbered AP 10/13 in pencil, aside from the edition of 60, published by Waddington graphics, sheet: 90.7 x 121.2 cm, (unframed)Please refer to department for condition report
Lot 395
Donald Sultan, American b. 1951- Pomegranates, 1990; each etching in black and white on wove, (i) signed with initials, titled, dated and numbered AP 7/13 in pencil, (ii) signed with initials, titled, dated and numbered AP 9/13 in pencil, (iii) signed with initials, titled, dated and numbered AP 9/13 in pencil, (iv) signed with initials, titled, dated and numbered AP 10/13 in pencil, each 121 x 91 cm, (unframed) (4)Please refer to department for condition report
Lot 403
Grayson Perry CBE RA, British b.1960- Untitled, 'Curiosity, Ambition'; Untitled, 'Artists, Potters, Printers'; etching on wove, together with a pen and ink and pencil drawing on wove, inscribed 'Happy birthday Kate, love Grayson' in pencil, image (etching): 24.1 x 28.7 cm, sheet (drawing): 27 x 21.1 cm, (framed) (ARR) (2) Provenance: The vendor's wife is a friend of Grayson Perry. Please refer to department for condition report
Lot 428
Mimmo Paladino, Italian b. 1948, Flores Seraphici, the complete set of 15 hand-coloured etchings, 1992-1995; each etching in colours with drypoint and photoengraving on Magnani wove paper, each signed, dated '93 and numbered AP 3/10, edition of 25, published by Waddington Graphics, London, eight plates: 27 x 19 cm, five plates: 27 x 18.5 cm, one plate: 27.5 x 9 cm, one plate: 29.5 x 19 cm, (framed) (ARR) together with etched frontispiece and a poem by Giuseppe Conte in cloth-bound folio case, (16) Please refer to department for condition report
Lot 468
Johnny Friedlaender, German/French 1912-1992, Campagne D'Ete; etching with aquatint in colours on BFK Rives watermarked wove, signed and inscribed 'Epreuve d'Artiste' (Artist's Proof) and 'Campagne d'ete' in pencil, image: 64.2 x 48.3 cm, (framed) (ARR) Please refer to department for condition report
Lot 62
Henry Moore OM CH FBA, British 1898-1986, Reclining Figure 5, from the Reclining Figure Portfolio, 1978; etching on Richard de Bas wove, signed, and inscribed Pl.5 G18/25 in pencil, printed by Lacourière et Frelaut, Paris, published by Ganymed with the Louisiana Museum, sheet: 44.5 x 51.8 cm, (unframed) (ARR) (VAT charged on hammer price) Note: see Tate Britain, accession no P02634, for another impression.Please refer to department for condition report
Lot 63
Henry Moore OM CH FBA, British 1898-1986, Ideas for Sculpture, from the book ‘Henry Moore’ by Ionel Jiahou, 1969; etching on wove, signed and numbered 92/100 in pencil, plate: 24 x 30.6 cm, (framed) (ARR)Note: see Tate Britain accession no. P02097, for another impression.Please refer to department for condition report
Lot 73
Tom Phillips CBE RA, British b.1937-Dante Alighieri, the Divine Comedy: Inferno, 1983;etching, aquatint, lithographs, silkscreens on 100% rag Inveresk acid-free mould-made 250gsm wove in three volumes, boxed, each print initialled in pencil, each sheet watermarked by Tom Phillips, a limited edition of an unknown size, printed by The Talfourd Press, published by Tom Phillips, box: 45 x 35 x 19 cm, (unframed) (ARR)Note:Typography by Ian Mortimer, and printed at IM Imprimit, London.Binding by Pella Erskine Tulloch.Project coordinator Anthea Toorchen.Intaglio plates worked, proofed and editioned by Nick Tite and the artist at the Talfourd Press between 1979 and 1983, and completed by John Duffin in 1989.Lithographs worked and proofed by Nick Hunter at the Talfourd Press, and editioned at the Dog's Ear Press, London between 1979 and 1983.Silkscreens proofed and editioned under the direction of Chris Betambeau at Advanced Graphics, London between 1979 and 1983.Additional silkscreens proofed and editioned by Brad Faine at the Coriander Press, London in 1982.Please refer to department for condition report
Lot 511
JOHN ABBOTT WHITE "Mother and child", pen and ink, initialed and dated "1826" lower left, 15.5 cm x 11 cm, together with MARGARET M RUDGE (1885-1972) "Harbour scene with cottages", black and white etching, signed in pencil lower right, 24 cm x 26.5 cm and A MAUDE PARSONS "Church of St. Mary the Virgin and Radcliffe Camera Oxford", black and white etching, signed and dated "1935" lower right, 36 cm x 22.5 cm (3)
Lot 255
Finnish Puukko Knife Belonging to a German Army Doctor Hans Schurig, superbly detailed example of the traditional knife of the Finnish people known as a Puukko knife, this example with its ebony handle has been finely etched in silver with the rampant lion and shield insignia of the Finns and swastika below in circle, the reverse side with similar etching “An Dr med HANS SCHURIG Zur Errinerung von H&A KOSKENHOVI”, Very top of the dagger handle appears to have the date 1933. Dagger housed in traditional leather scabbard with motifs. Blade with lightly etched decoration and fuller to the back edge. Slightly curved blade. Some staining to the blade and some light areas of loss to the finish but generally a good example. It would appear that Koskenhovi is a small region of Finland, can only assume that Shurig was a doctor in this area. Worthy of further research.
Lot 258
WW2 German Infantry Regiment Nr 41 Engraved Parade Dress Bayonet by WKC, good example of a standard WW2 German army parade bayonet with two piece chequered grips. Housed in its original scabbard with leather bayonet frog attached. Blade with etching to one side, having foliage and gothic script “Fur Erinnerung an meine Dienstzeit beim Inftr-Regt 41 Bayr-Ostmark”, WKC trade mark to the base. Some light areas of plating lifting but otherwise good condition.
Lot 147
ENGLISH SCHOOL; 19th century. A moorland scene with figures on a path, oil on paper. 7½” x 11½”; & GEORGE WAINWRIGHT (by & after) “The college of St. Nicholas and Harnham Bridge…respectfully dedicated with permission to The Right Revered Thomas Burgess, Lord Bishop of Salisbury”, coloured etching, 7”x8½” (both framed & glazed: 13¼”x17¼” & 14”x15¼” respectively).
Lot 70
“The Bull of Merida”, signed artist’s proof, inscribed ‘first plate’ ‘unique’, black and white etching, 23x15cm (pl); together with a pencil drawing on tracing paper depicting the same subject (in reverse) and instructions to the printer concerning number of strikes etc; also “The East River, New York” signed artist’s proof, state II; A portrait of Eugene Noble and William McFee, signed and inscribed with the title; A study of a seated gentleman, signed in pencil; A black and white etching of Porthcothan, Cornwall; a trial proof of the cathedral at Santiago; and a further colour print, (a collection).
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71174 item(s)/page