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Lot 321
The District of Menteith - a boxed folio by R.B. Cunninghame Graham Containing an original etching by Sir D.Y. Cameron, R.A., LL.D., entitled 'Lake of Menteith', signed in pencil, 11 x 17.5cm, and ten reproductions of wash drawings A limited edition work, numbered 24 of 250 copies, signed by both author and illustrator Printed by The Observer Press, Scotland, 1930
Lot 10
EARLY CONTINENTAL SWORD possibly 17thc and probably Dutch/Flemish, with a highly decorated silver coloured metal hilt and double shell guard including various figures, with a colichemarde blade and etched decoration (etching is worn and some rust marks to blade). Devoid of a scabbard. Blade 80cms long
Lot 159
James Abbott McNeill Whistler, American (1834-1903) Etching "Black Lion Wharf from Thames Set 1859" Mounted on Cardboard. Impression measures 7" x 8-3/4", sheet measures 8-3/4" x 11-3/4", cardboard measures 10" x 13". Condition: Toning, creases, staining from age and mounting. Estimate: $200.00 - $400.00 Domestic Shipping: $58.00
Lot 281
* Broadsides and Bills. Lydiard Marsh Farm, In the parish of Lydiard Tregooze. To be sold by auction on Monday 23rd of March, 1818, all the live and dead stock, Farming and Dairy utensils &c. of Mr. W. Dore, who has given notice to quit the said farm..., 1818, small advertising bill, old folds, tipped on to later card, 280 x 220 mm, framed and glazed, together with, 5 Pounds Reward. Lost (supposed to be stolen), on Friday Night the 10th, or early on Saturday morning the 11th February from a farm yard at Oare in the parish of Wilcot, Wilts, a Bright-Bay Galloway, about 14 hands high, aged, long in the back, lame in the near leg behind, both knees broken and used to go in harness, February 13th, 1832, small advertising bill, some showthrough of ink manuscript on verso, tipped on to later card, 280 x 225 mm, framed and glazed, with, William Simon, Rat Destroyer, Four Crosses, Cilcen, Mold, 1844, small bill of sale for rat poison used over seven nights, signed by Mr. Simon, old folds, 180 x 145 mm, mounted, framed and glazed, plus, A whimsical description & pedigree of Spanker the famous trotting mare..., published S. W. Fores, 1820, small hand bill with an etching of the horse with jockey up, with a description of its achievements below, 205 x 285 mm, mounted, framed and glazed, and, John Gill's Advertiser, published J. White, Sheffield, circa 1870, large advertising broadside printed on yellow paper and advertising about forty different products and services, including a bookseller, tobacco, pubs, tailors, photographic studios, concert halls, hair dressers, printers and drapers, old folds, 465 x 365 mm, mounted, framed and glazed (Qty: 5)
Lot 320
* Hibbert (John). The Prize Ox at the Bath and West of England Society, 1803, Weight Ten Hundred, rough fat eight score and upwards, fed on grass and hay only, Bred and Grazed by Mr. Hall, Leigh Court, Somersetshire, [1803 or later],t uncoloured etching, slight spotting, 230 x 325 mm, mounted, framed and glazed (Qty: 1)Not in the Rothamsted collection.
![* Woodman (Richard). The print of the Celebrated Bull Alexander & the rest of the cattle, [1818], uncoloured etching with](https://cdn.globalauctionplatform.com/26655152-a6d8-43ec-bafb-aa41011fa6e3/41141a64-1997-4e84-b46e-aa42011c74bc/468x382.jpg)
Lot 357
* Woodman (Richard). The print of the Celebrated Bull Alexander & the rest of the cattle, [1818], uncoloured etching with aquatint after Benjamin Marshall, trimmed inside plate mark with loss of sub-title and publisher, 500 x 625 mm, framed and glazed in a large near contemporary swept gilt gesso moulding, (Qty: 1)Rothamsted collection number 44.
Lot 525
Lydekker (Richard) . Animal Portraiture, 1912, 50 colour plates with tissue guards, some light spotting throughout, publishers original gilt decorated brown cloth, folio, Wild Life of the World, 3 volumes, circa 1915, numerous colour and black & white illustrations, some light spotting, uniform original gilt decorated green cloth, boards & spines lightly rubbed to head & foot, 8vo, together with, Foster (Birket [illustrator]), Milton's L'Allegro and Il Penseroso, 1855, 30 black & white steel etching illustrations, some light spotting, original gilt decorated brown cloth, boards & spine slightly rubbed to head & foot, 8vo, and, Thomson (Hugh [illustrator]) , The Ballard of Beau Bruce and other poems of the XVIII Century, by Austin Dobson, 1892, numerous black & white illustrations, some minor spotting, original gilt decorated red cloth, boards & spine lightly rubbed, 8vo, plus other 19th & early 20th century illustrated & juvenile literature, including Percy F. Westerman, Arthur Conan Doyle, Charles Dickens, Harry Collingwood, all original decorative cloth, G/VG (Qty: 3 shelves)79 volumes
Lot 78
Thomas Cornell (1937-2012), Decartes, signed and numbered 83/100, dated '64, etching, 22 x 14cm (PL) together with another portrait etching by Thomas Cornell and a quantity of prints by a variety of hands to include: a lithograph after Steinlen, an Eric Gill woodcut entitled 'Stay Me with Apple', two Clifford Webb prints titled 'Eardisland', a wood engraving of magnolias signed Monica Poole, a lithograph titled 'Spring Morning' signed Stow Wengenroth, a woodcut titled 'The Thrush's Song' signed Margaret Wells, an Anglesey Farmyard by William T Rawlinson, two rural landscapes by Gwen Raverat, Garden of Satanic Delights by Barry Moser, Holly by Monica Poole, Apple Picking by Gwenda Morgan, a woodblock print of an old mill signed Valenti Angelo, two woodcuts of agricultural labourers by Claire Leighton, a woodcut of a farmyard dated 1935, a 'Harvest Mouse' and 'On the Hills' by Joan Hassell, a woodcut of a cottage signed Miriam McGregor, The Ship of Death, Martin Secker, a modern fine tempera painting titled 'Fruit of the Promised Land', a country garden woodcut by John Farleigh and a woodcut of a harvest scene by Agnes Miller Parker
Lot 590
PICTURES AND PRINTS, etc, to include lithographs by French artists Urbain Huchet 'Low Tide', Jean Pierre Laurant 'Port Breton' etching by Ann Tuttle, 'Autumn Whispers', together with collage and mixed media works by Anita Bell, four still life studies by Keith Edwards, oil on canvas and board, Jeremy Sancha Lino cut, signed and dated 76 and a photographic print of a Carlos Sancha painting, signed to the mount (box and loose)
Lot 81
Herbert Thomas Dicksee (1862-1942) Lion head, etching, late 19th century, 57cm x 45cm. Provenance; property from the late Sir David TangThis lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.
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71174 item(s)/page