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Lot 59
REMBRANDT VAN RIJN (1606-1669) "The Virgin & Child with the Cat", R.63, H.275, first state with white spots, printed signature, dated 1654 and initialled cartouche "CABD" within the image, sunflower and letter "D" collectors stamp for the Donnadieu Collection, verso, etching, 3.75" x 5.75" (plate). See illustration Provenance: The collection of Captain Alcide Donnadieu (1791-1861)n (Lugt. 726) Collection recorded as being dispersed in three Sotheby`s sales: Sale I on 22nd June 1836 and Sale III on 4th May 1866 note engravings by Rembrandt.
Lot 61
REMBRANDT VAN RIJN (1606-1669) "Rembrandt and his wife Saskia", H.144, R.19, Muntz.21, second state, printed signature and date 1636 within the image, black collectors monogram for the Ginsburg Collection and indistinct pencil inscription "... W. Knighton`s ..." etching, 4.25" x 3.75" (plate). See illustration Provenance: The collection of Dr. Christian David Ginsburg (1831-1914) (Lugt.1145). The collection is recorded as being dispersed at Sotheby`s 20-23rd July 1915 and records a notable amount of Rembrandt engravings.
Lot 300
Misc. collection of art incl. a charcoal depicting a woman 14 x 7 cms, an etching depicting the wind and a black and white tribal figure 13 x 17 cms together with an original Japanese pen and ink drawing depicting three figures signed bottom right, Yoko inscribed Margaret and James, Yoko, provenance New York 19 x 14 cms together with an oil on board figure of a naked lady signed Yoko to the back of the painting. 41 x 30 cms.
Lot 213
*Elize von Holleben (German), `CURTAINS`, etching with aquatint, signed in pencil, inscribed with title and dated plate size 49 x 38.5cm; Diana England, `SWIMMING POOL NO.1` etching with aquatint, signed in pencil, inscribed and numbered 1/25 plate size 49.5 x 49.5cm; Jean Marriott, `BLIND GEESE AND DOORS` etching with aquatint, signed in pencil, inscribed and dated `75 and numbered 2/15 plate size 50 x 42.5cm, with lunette above (3)
Lot 215
*Olwen Jones RWS (b.1945), `MICROFORM I`; Lithograph printed in colours, signed in pencil and inscribed and numbered 27/30 Sheet size 60 x 52cm; and another by the same hand, `PLANET FORM I` Screenprint and etching with aquatint, signed in pencil, inscribed with title and numbered 1/20 plate mark 46 x 40cm (2)
Lot 19
Nelson interest: Three 19th century reverse glass pictures, `The Ever-to-be Lament`d DEATH of LORD NELSON, Who was Shot by a Mufket Ball in the Brave & GLORIOUS VICTORY over the Combin`e Fleets, of FRANCE & SPAIN, NEAR Cape Trafalgar Oct. 21. 1805`, 8½ x 6½in (21.2 x 16cm), `LORD NELSON`S FUNERAL CAR`, `A Monumental Design to perpetuate the Memory of Lord Nelson who Fell Octr. 21 1805`, `Pub. June 1, 1806 by P. Barnaschina, 43 Leather Lane, Holborn`; `Genealogical Tree of British Naval Victors`, etching and coloured aquatint, designed by H. Innes and engraved by James Egan, `London, 1841, Published by I. W. Laird, 1 Leadenhall Street`, 24¼ x 18in (61.7 x 45.5cm), in a bird`s eye maple frame; a cut-paper picture engraved with a profile bust of Nelson, `TRAFALGAR, COPENHAGEN, THE NILE`, with a mirror back; a collage picture of Nelson, with printed and silkwork elements; a Pears print `SALUTING THE ADMIRAL`, a mirror picture engraved `H.M.S. Victory` and a pencil sketch of Nelson, signed `J. W. Devis`. (9) Provenance: The Property of Dr & Mrs Emanuel.
![A.R. PENCK [GERMAN B. 1939], PARTIAL SUITE OF GRAPHICS, 13, H 30" X W 42" SHEET: From "Expedition to the Holyl](http://lot-images.atgmedia.com/SR/33875/2890132/2047-201382210195_468x382.jpg)
Lot 2047
A.R. PENCK [GERMAN B. 1939], PARTIAL SUITE OF GRAPHICS, 13, H 30" X W 42" SHEET: From "Expedition to the Holyland"; graphics in silkscreen, engraving/etching, aquatint and lithography; 1983; printed at the Burston Graphic Center, Jerusalem on Arches Velin paper; this edition pencil signed and numbered in Hebrew letters [corresponding to I-XIV]; Private edition - Joshua Gessel; includes the contents and justification page and the text page. Two graphics are framed with the rest of the lot being unframed and contained in a non-original large, black cloth covered hard shell portfolio case.
![GIOVANNI BATTISTA TIEPOLO [ITALIAN 1696-1770], ETCHING, LATE POSTHUMOUS PRINTING, 8 1/2`` X 7``: Mago seduto, fanciullo e qua](http://lot-images.atgmedia.com/SR/33875/2890132/2048-201382210197_468x382.jpg)
Lot 2048
GIOVANNI BATTISTA TIEPOLO [ITALIAN 1696-1770], ETCHING, LATE POSTHUMOUS PRINTING, 8 1/2`` X 7``: Mago seduto, fanciullo e quattro figure [from Scherzi`] or Le magicien assis observant des crânes [seated magician, boy and four figures]; plate signed lower left; framed. 15" x 10 3/4" laid paper size - no watermark found.
Lot 344
David Hockney (b.1937), Figure with still life, from The Blue Guitar (S.A.C. 208) etching and drypoint in colours, 1976-77, on wove paper, signed in pencil, numbered 38/200 (there were also 37 artist`s proofs), published by Petersburg Press, New York and London, plate size 42.5 x 34.5cm.; 16.75 x 13.5in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
Lot 1271
LOUIS ICART (1888-1950) BLUE SASH 1914 etching with drypoint, printed in colour and finished by hand, with margins, signed by the artist in pencil and numbered 76, published by Jules Hautcoeur & Fils, Paris and blindstamped, oval, 34 x 41cm, s.46.5 x 53cm Some light surface dirt beneath the glass and marginal stain at 4 o`clock. In what is probably the original gilt frame with on the reverse a Belgian framer`s label
Lot 109
Maurice Farman, circa 1913. A sepia print, mounted on card, of the Type Militaire Shorthorn training aircraft, framed and glazed, 32cm x 46cm; a folio of twenty-two original press photographs of Paris Aviation Exhibitions, circa 1930-35; an interesting collection of ex Aeroplani Caproni archive photographs of early type (10); an etching, with embossed company seal, signed by the artist; together with a folio of press cuttingsrelating to the career of Jean Mernioz and Aero Club de France air-race literature. Provenance: The Maxwell-Hunt Collection.
Lot 540
A four divisional wine cooler with shaped outline together with a silver plated tankard, a further pewter tankard together with a cut glass cased decanter with globular stopper and cut decoration, an Italian figure of a boy standing beside a street lamp, a further porcelain figure together with a framed etching "Chapel of the Knights of the Bath, Westminster Abbey", signed in pencil Charles Bird
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