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Lot 180
NO RESERVE Judaism.- Conversion to Judaism.- Bran (R.) Lord George Gordon, President of the Protestant Association, etching and engraving, 360 x 250 mm (14 1/8 x 9 3/4 in), under glass, some spotting and browning, framed, published by E. Evans, [1780]; together with a framed wood-engraving of the Jewish boxer Daniel Mendoza, 'The Third Battle between Daniel Mendoza and Richard Humphries, at Doncaster, September, 29th, 1790', 190 x 220 mm (7 1/2 x 8 3/4 in), framed, 19th century (2)
![NO RESERVE [Fores (Samuel William, publisher)] Eccentricities, Monstrosities, or Bell's and Beau's of 1799, etching with orig](https://cdn.globalauctionplatform.com/000945ca-6f1d-4be5-a1b9-aee700ed4404/d94ed352-e9a5-4db9-b96d-aee700f97c04/468x382.jpg)
Lot 284
NO RESERVE [Fores (Samuel William, publisher)] Eccentricities, Monstrosities, or Bell's and Beau's of 1799, etching with original hand-colouring, sheet c.265 x400mm (10 1/2 x 15 3/4in), tipped onto album leaf, lightly surface dirt and one or two faint spots, unframed, [BM Satires 9455], 1799; together with a quantity of printed ephemera in a folder, including hand-coloured maps and loose engraved plates etc., v.s., v.d. (qty)
Lot 408
A group of framed and glazed watercolours, signed limited edition prints, an etching, and mixed media pictures to include Jill Aldersley (1943-2007) - Rydal Water - mixed media, signed and titled to mount; P W Smith - Cutty Sark etching; John Bell - mixed media of a stone cottage in a mountainous landscape, and others (8) Location: LWM
Lot 110
After Pierre Adolphe Valette (1876-1942)'The picnic' etching, unsigned, 6cm x 7cm, 'Untitled nude figures', unsigned, 6cm x 7cm, and one other by the same artist 'Untitled landscape' etching, signed in pencil lower right, 10cm x 7.5cm (3)Two of the etching are in one frame. Overall scuffs and some marks. Slight foxing and marks in places, most notably to the landscape.
Lot 200
Rima Farah (b.1955) 'Ducru Beaucaillou', etching and aquatint, artists proof, signed in pencil lower right, 50cm x 63cm, 'Untitled tent like structure', etching and aquatint, numbered 4/150, signed in pencil lower right, 57cm x 75cm, 'Untitled rugs on the ground', etching and aquatint, numbered 52/150, signed in pencil lower right, 58cm x 76cm, 'Untitled doorway', etching and aquatint, numbered 129/225, signed in pencil lower right, 57cm x 57cm and 'D' Estournel Cos', etching and aquatint, artists proof, signed in pencil lower right, 65cm x 50cm (5)Overall wear and some minor display scuffs to the frames, otherwise seems ok.
Lot 251
Ayrton (Michael, 1921-1975). Spears (Archilochos Suite), 1975, etching with drypoint, numbered V from the edition of only 16, studio stamp to lower right, deckle edge at bottom, image size 22.3 x 17.5 cm (8 3/4 x 6 7/8 ins), sheet size 46 x 38.6 cm (18 x 15 1/4 ins), framed and glazed (55 x 46 cm)QTY: (1)NOTE:Produced by Ayrton for Archilochos, a book he illustrated and translated, published posthumously by Secker & Warburg in 1977.
Lot 294
Fores (S. W. publisher). Taking Physic, March 20th 1801, an unattributed etching with contemporary hand-colouring based on an earlier caricature by James Gillray, 300 x 205 mm, mounted, framed and glazedQTY: (1)NOTE:Gillray's original etching was published by H. Humphreys on 6th February 1800. This is a plagiarised version with no artist credited. The lack of attribution is not surprising because - although difficult to enforce - copyright laws existed; but copies, re-issues and pirated versions of works of art, especially caricatures, were commonplace. Many were published in Ireland thereby avoiding English law.
Lot 302
Gillray (James). Britannia between Death and the Doctors - "Death may decide when Doctors' Disagree", H. Humphrey, 1804, but H. G. Bohn edition, circa 1850, hand-coloured etching, 255 x 375 mm, mounted, framed and glazed, with another uncoloured example, with an additional caricature printed on the verso, together with Visiting the Sick, H. Humprey 1806, but H. G. Bohn edition, circa 1850, hand-coloured etching, 260 x 365 mm, mounted, framed and glazed, with The Gout, H. Humphrey, 1799, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 355 mm, plus Brisk Cathartic, H. Humphrey 1804, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 260 x 210 mm, mounted, and Very Slippy Weather, H. Humphrey 1808, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 200 mm, mounted, together with Mental Energy, H. Humphrey, 1801, but H. G. Bohn edition, circa 1850, uncoloured etching, with an partial caricature printed on the verso, 260 x 200 mm, plus Heath (William, alias Paul Pry). Dr Arthur & his Man Bob giving John Bull a Bolus, T. McLean, 1829, etching with contemporary hand-colouring, slight adhesion scaring to the verso, 245 x 355 mmQTY: (8)NOTE:A collection of caricatures, all with a medical theme.
Lot 358
Westall (Richard, 1765-1836). Telemachus & Mentor, discovered by Calypso on the Shores of her Island, London: Clay & Scriven, 1810, hand-coloured stipple engraving with some etching, by Edward Scriven (1775-1841), some small areas of surface abrasion or loss, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), together with Telemachus relating his adventures to Calypso, London: Clay & Scriven, 1810, hand-coloured stipple engraving, by Thomas Williamson (active 1801-1825), some closed tears and minor surface loss, some surface bloom towards lower left, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), (unexamined out of frames)QTY: (2)NOTE:Both engravings are rare in this hand-coloured form.
Lot 355
Pictures, to include: A. Dyson, 'Aspirations', limited-edition etching, signed in pencil to margin, 23 x 7.5cm, twentieth-century watercolour landscape, 13 x 35cm, c. 1900 etching depicting a Venetian canal, signed indistinctly in pencil to margin, 31.5 x 24cm, among various other framed prints and pictures. (1 box)
Lot 50
Henry Martin (1835-1908), 'Fishing vessels off St Michaels Mount, with coastline in distance', signed monochrome watercolour, 16.5 x 26.5cm, together with a watercolour 'Rocky Coast' signed E M Salt?, 21.5 x 29cm and an aquatint etching after Claude Rowbotham titled 'View from Ashingdon, Essex', (3).
Lot 82
Clade H Rowbotham 'In Calm Waters', aquatint, signed lower right, framed and glazed, 15.5cm x 20cm together with R Herdman-Smith, 'The Fruit Vendor' and 'A Quiet Game', both signed lower right, framed and glazed, 14cm x 19cm; Henry G Walker, 'Soft Ground', etching, signed lower right, framed and glazed, 22cm x 32cm and further pictures and prints (12)Frames all with surface dents, marks and scratches; Rowbotham print with some slight foxing and discolouration; Herdman-Smith prints with discolouration to the mounts but in good condition; Walker in good condition
Lot 118
A Victorian etching after Walter Dendy Sadler entitled Over The Nuts And Wine, mounted and framed under glass, approximately 34 cm x 45 cm image size, a framed South East Asian print on fabric, floral marquetry panel and a Victorian stoneware water filter marked Lipscombe & Co Carbon Filter 82 Market Street Manchester, approximately 60 cm (h) including cover. [4]
![Artist Proof- Coloured etching titled 'Renaissance' [Mary. E. Taylor] [Will not post]](https://cdn.globalauctionplatform.com/5768619f-6781-4f25-bc64-aee800f930e1/c7b73d82-ef74-4d47-9d66-aeea00ae8f57/468x382.jpg)
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78391 item(s)/page