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Lot 44

Leslie Moffatt Ward (1888-1978): Mounted signed etching; Houns Tout Hill, signed and titled to margin, number 10 (23.5 x 17cm).

Lot 47

Leslie Moffatt Ward (1888-1978): Framed & glazed etching; Cape Liner Balmoral castle taking in cargo at Southampton docks (37.5 x 50 cm).

Lot 47A

Leslie Moffat Ward: Framed and glazed, signed and dated etching: A Timber Steam Boat above Bridge Poole, signed and dated to margin in pencil.

Lot 46

Leslie Moffatt Ward (1888-1978): Mounted signed and titled etching; Ruins on the Dorset Heath, signed and titled to margin (26.5 x 24.5 cm).

Lot 49

Leslie Moffatt Ward (1888-1978): Mounted signed and dated etching; On Ballard Down,signed and dated 1919 to margin, number 7. (28 x 21.5 cm).

Lot 48

Leslie Moffatt Ward (1888-1978): Mounted signed and dated etching; Newfoundland Warehouse Poole, signed and dated in pencil to margin (23.5 x 31 cm)

Lot 45

Leslie Moffatt Ward (1888-1978): Mounted signed and titled trial proof etching : A Purbeck Farmstead, signed and titled to margin. (28 x 14.5 cm)

Lot 43

Leslie Moffatt Ward (1888-1978): Mounted signed etching; Poole from Beacon hill, signed in pencil to margin, number 17 (21 x 11.5 cm).

Lot 42

Leslie Moffatt Ward (1888-1978): Mounted signed etching; Eastington Farm, signed and titled in pencil to margin (36 x 11.5 cm). Leslie Moffatt Ward was a painter, and etcher of landscapes and coastal scenes who studied at Bournemouth arts school. He is well known for his local scenes around Poole and the Purbeck's, and these works are from the collection remaining at his studio at the time of his death.

Lot 1174

John Osborne, 20th century gouache - remote cottage, signed, William Strang Edwardian etching, 1920s pencil sketch of a girl and one other watercolour - river view, each framed and glazed (4)

Lot 1136

Fulvio Ara, contemporary signed limited edition black and white etching - Glauco, 2 / 25, in glazed frame, 18.5cm x 47cm, together with a signed copy of Oeuvre Gravé 1957 - 1987, with dedication from the artist

Lot 1097

William Lionel Wyllie (1851 - 1931), signed black and white etching - The Bay of Naples, in glazed gilt frame, 18.5cm x 39.5cm

Lot 1177

Thomas Rowlandson (1756 - 1827), black and white etching - romantic couple and a dog beneath a tree, watermark 1810, mounted, plate size 25cm x 17cm

Lot 682

A Bavarian infantry officer’s sword (1825-48), slightly curved, pipe backed blade 32”, with traces of etching, ornamental brass hilt, turn down quillon, inverted “sunburst” langets, guard incorporating small scroll, forward angled lion’s head pommel, no backstrap, darkwood grip fluted on the inner side and diced on the outer, which incorporates lozenge panel embossed with the cypher of Ludwig I (1825-48), in its steel scabbard with brass mounts and 2 rings. GC (some age wear, light pitting to blade) Plate 9

Lot 713

A mid 18th century hunting sword, slender tapering fullered blade 22”, with narrow back fuller to central section and faint traces of etching, brass crossguard with spiral fluted centre section (finials bent), finely spiral fluted ivory grip (cracked along the back edge) rounded pommel cap embossed with lion’s head and shell, stud button tip. GC for age. Plate 8

Lot 34

A 19th Century etching, Oswald Fletcher, Bootham Bar, York

Lot 700

A pre war .177” BSA break action air rifle, number B4203 (1937-38), 41½” overall, barrel 18½”, with very faint traces of air chamber etching, the walnut butt with impressed chequered panels. GWO & C (age patina overall).

Lot 2140

REMBRANDT VAN RIJN (DUTCH 1606-1669), BASAN EDITION ETCHING, PLATE SIZE: H 3 1/2", W 3 1/4", "THE CARD PLAYER"Plate signed and dated "Rembrandt f. 1641"; paper size: 4 3/4" x 3 3/8"; framed. Provenance: purchased from Bellette Hofmann, NYC in the late 1980's (Certificate of authenticity from Bellette Hofmann is in the customer file. Dutch, 1606-1669.As viewed under room light in the unopened frame: paper is browning; has thread margins; floated - appears not to be laid down. .rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.

Lot 2141

REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP"Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8"; References: Bartsch #368 and Hind #152; framed. Provenance: purchased fro Bellette Hofmann, NYC in the late 1980's; certificate of authenticity from Bellette Hofmann in customer file. Dutch, 1606-1669.As viewed under room light in the unopened frame: thread margins; floated; appears not to be laid down; appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.

Lot 2142

EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA"From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi; paper size: 5 1/4" x 8 3/4"; framed. Purchased from Bellette Hofmann, NYC in the late 1980's; certificate of authenticity from Bellette Hofmann in customer file. French, 1832-1883.As viewed under room light in the unopened frame: appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.

Lot 2143

PIERRE AUGUSTE RENOIR (FRENCH 1841-1919), ETCHING, C. 1906, PLATE SIZE: H 5 3/8", W 7 3/8", "FEMME COUCHEE (TOURNEE A GAUCHE)"Second state of two; exact date that this print was pulled is unknown; sight paper size: 6" x 8 1/2"; reference: Stella #15; framed. Provenance: purchased from Bellette Hofmann, NYC in the late 1980's - certificate of authenticity from same in customer file. French, 1841-1919.As viewed under room light in the unopened frame: appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.

Lot 2438

REYNOLD WEIDENAAR, ETCHING, H 12", W 16", BUILDING BRIDGE MACKINAC STRAITSFramed.- For High Resolution Photos visit Dumouchelles website.

Lot 66

Vincent Sheridan (b.1945) CORVIDS I Etching 18" x 28 1/2" (46x72.5) signed and inscribed. edition 10/25

Lot 66

* WILFRED CRAWFORD APPLEBY (SCOTTISH b. 1889), GLASGOW UNIVERSITY etching, titled and dated 1919 in the plate, signed and titled in pencil 29cm x 21.5cm Mounted, framed and under glass

Lot 63

* SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), HOLYROOD IN 1745 original etching, signed in the plate 34cm x 48.5cm Mounted, framed and under glass Label verso: Taylor & Brown, Edinburgh

Lot 10

* SIR DAVID YOUNG CAMERON RA RSA (SCOTTISH 1865 - 1945), PERTH BRIDGE and CASTLE MOYLE each etching on paper, each signed each 18cm x 27cm label verso: No.28 'The etching of drypoints of Sir D. Y. Cameron 1887 - 1932' (2)

Lot 67

* WILFRED CRAWFORD APPLEBY (SCOTTISH b. 1889), GLASGOW CATHEDRAL INTERIOR etching, signed and titled in pencil 27cm x 15cm Mounted, framed and under glass

Lot 213

JOAN MIRO (Spanish, 1893-1983), 'Le Petit Chaperon Noir' (S. ta245), original etching, signed by artist, 14cm x 20.3cm, edition 14/25, printed and published by PAB, framed. (Please Note Clause 6 of Buyers Conditions)

Lot 344

SALVADOR DALI (Spanish,1904-1989) 'Freud with a snail head' 1974, original drypoint etching in colours signed by artist in pencil, framed, published by Transworld Art, 40cm H x 30cm.(Please Note Clause 6 of Buyer's Conditions)

Lot 505

MARC CHAGALL (Russian-French, 1887-1985), 'Men Hauling', original etching, 1948, on arches watermarked paper, signed in the plate, Marc Chagall Les Livres Illustres by Patrick Cramer, no. 17, published by Teriade. (Please Note Clause 6 of Buyer's Conditions)

Lot 856

Assorted pictures to include; palette knife oil, etching etc

Lot 902

Norfolk Broads scene, etching

Lot 909

Alfred Blundell - A bit of Lavenham, etching; and a Victorian painted milk glass panel (2)

Lot 899

Graham Clarke - Etching, artist proof etching, signed and further titled in pencil to the margin, 27 x 17cm Condition Report / Extra Information Two areas of spotting to right hand edge. Does not appear to be faded. Framed and glazed.

Lot 359

C. Baskett, 19th century, 'Sunrise at Whitstable', etching, signed in pencil to the margin, together with two other prints, paintings and an oval mirror

Lot 642

JULIAN TREVELYAN (1910 - 1988) Framed, signed, numbered, '9/65' and titled 'Avignon' in pencil to margin, etching with aquatint on paper, 77.5cm x 58cm. Provenance: The Waddington Galleries, London, see label verso. (ARR).

Lot 315

BARBARA NEWCOMB. Framed, signed, numbered '58/150' and titled, 'Summertime I' in pencil to margin, coloured etching on paper, 47cm x 53.8cm.

Lot 334

A collection of framed prints of varying subjects to include a silhouette portrait of an admiral, indistinctly signed, and a signed etching of a pig by DAVID BIRTWHISTLE.

Lot 317

After David Pelley Etching "Moon Stalker", cat prowling, signed and dated 1991, limited edition 9/12, bearing publisher stamp "Studio One Inc, Canberra" Watercolour drawing Flowers and two further pictures (4)

Lot 335

Limited edition print John Austin 166/500"The Flyer" at Cheltenham Spa together with Colour etching "Transition lights and arches, Rievaulx Abbey, Yorkshire" depicting a ruined abbey, cow in foreground

Lot 342

Quantity of pictures and prints including etching after H Toussaint entitled on mount "Oxford - city of dreaming spires", etc.

Lot 263

REPRODUCTION REMBRANDT ETCHING titled 'The Return of the Prodigal Son', signed by modern etcher in pencil, in a large cream mount; together with a three pieces by Guy Porkill, one a watercolour of a garden by the sea, the other two of life drawing figures in conte crayon, inside a plastic folio

Lot 230

AN ETCHING OF SETTERS, indistinctly signed, framed and glazed, approx. 15 x 19 cmBuyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping

Lot 347

Olwen Jones (b. 1945) - Greenhouse Lilies, etching, numbered 1/50 and signed, Bankside Galleries label verso; Charles Bartlett (b. 1921) - Winter Sun, etching, numbered 4/60 and signed; and Llana (?) Richards - Rio, lithograph, artist proof, signed (3)

Lot 351

Rowland Hilder (British, 1905-1993) - Norfolk Farm, etching with aquatint, numbered 1/75 and signed and dated '1984'; and Oast Houses, etching with aquatint, signed, number obscured by mount, with Bankside Gallery label verso (2)

Lot 326

G Gregory study of a terrier oil on canvas , a companion and a black and white etching. (3)

Lot 371

Fred Slocombe: etching, two ladies on a track collecting firewood, 14" x 21", in silvered frame, and another signed remarqu‚ etching, Rydal Water, Lake District by Richard D Winter

Lot 361

Greg Hyde: a set of three signed limited edition coloured prints, "Sydney", "Bondai" and "Zoo", together with a signed coloured etching, view of Pjemish, Poland

Lot 456

Valerie Thornton (British, b.1931)'GRANARY'Signed l.r., numbered 23/100 l.l., titled to l.c., colour etching27 x 37cm;'DUCK SHOOTING''PARTRIDGE SHOOTING''GROUSE SHOOTING'Three, etching with added colour8.5 x 12cm

Lot 332

Four pictures of local interest, comprising; E M WIlliams, Near Guy's Head, etching, artist's proof, 22cm by 31.5cm, Derick Abel, Burnham Overy, watercolour, signed, 17.5cm by 31.5cm, Jill Maischner, Roadside at Metheringham, Bloxholme Lane, pastel, titled verso, 26cm by 21.5cm, and David Hollinshead, The Vicarage, pastel, signed, dated '80, 29cm by 30cm. (4)

Lot 578

Dorothy Woodlands, river scene with Scotch pines, uncoloured etching, signed in pencil. Framed and glazed.

Lot 320

A. H. Haig (Late 19th / early 20th century school), Doorway at Wear, etching, signed in pencil lower right. H: 30cm W: 21cm

Lot 653

After Arthur Trevor Briscoe (1873-1943): 'James and John', and 'The Trawler', two plates of the original drypoint etchings, the former dated '28 to the plate, being plates from 'Modern Masters of Etching' published in 1930 by H.C.Dickens (2).

Lot 385

A Pair of Oils, Seascapes In Gilt Frames. Each 31 x 36cm overall, along with an etching of two dogs and a still life engraving of a water lily.

Lot 500

A Monochrome Etching, St. George's, Kingston 1832. With carriage outside, signed Paz along with A Monochrome Etching by William Ashton, Middle Eastern Scene, circa 1920. Signed in pencil. 7 x 4 inches.

Lot 384

Monk, industrial etching; and four further pictures (5)

Lot 56

Continental School (19th century): A lady in a cottage interior in the early Dutch manner, watercolour, unsigned, 26 x 26 cm; together with a hand signed etching depicting Regency-era figures in an interior by Edward Jackson Stodart (1879-1929) (2)

Lot 28

Brenda Hartill, R.E. (British, contemporary): Three hand-signed etching and aquatints, Pastoral Elements III & IV, dated '98, & Elemental IV dated '95, each hand signed & numbered /100, impression size 50 x 39 cm

Lot 239

A 19th century Etching by Lucien Margelidon of a scene painting by Meisonnier. CONDITION REPORT; Available on request. Catalogue descriptions and condition reports are offered as a guide only and we highly recommend inspecting any lot to satisfy yourself as to its condition. Kruger Gibbons Auctioneers offers no guarantee on authenticity or physical condition

Lot 14

A late 19th Century etching, hunting scene

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