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"Un Printemps Suspendu" - limited edition, etching with aquatint, signed proof by Jean Solombre; "Wild Flowers", etchings with aquatint, limited edition, signed proof by Graham Evernden (a pair); and "Summer Solstice", etching, signed proof by David Beattie: all Christie's Contemporary Art. (4)
*James Jacques Joseph Tissot- Portrait of a lady seated turned to the right wearing a fur stole and a feathered hat; etching with drypoint, signed and dated 1876 within the plate, 26.2x16.5cm: together with one other etching of a lady standing full-length by a different hand, 22.7x11.2cm., (2), (unframed)
Robert Walker MacBeth, R. A.- Study of a fisherwoman; etching, signed, 20.8x17.1cm: together with a collection of artist's etchings and lithographs including those by: Phillip W. Davis, James Robert Glanville Exley, Robert Anning Bell, Sir David Young Cameron, Charles West Cope, Sydney Lee, Emerson H. Groom, Sir Frank Short, various sizes, (9), (unframed)
Luigi Rossini- 'Veduta degl' Avanzi del Tempio di Castore Polluce nella Citta di Cora', 1825; etching, 42x48.7cm: together with three other etchings by Rossini titled: 'Avanzi del Tempio di Giove Statore nel Foro Romano', 'Avanzi del Foro di Nerva', and 'Veduta degl Avanzi della Casa Aurea di Nerone sul Monte Palatino', various sizes, (4)
James Gilray- 'Effusions of a Pot of Porter,- or - Ministerial Conjurations for Supporting the War..', publ. Nov. 29th 1799 by H. Humphrey, 27 St. James's Street; hand-coloured etching, 36.5x26.2cm: Thomas Cornell. publ. 27 Jan 1789- 'To be seen at Mr. J..n's Menagerie The wonderful, Learned Hanover Colt...'; etching: together with one other caricature by a different hand, various sizes, (3), (unframed)
John Elias Ridinger- 'Der wilde Enten-Fall'; etching, 30.4x23cm: together with four other etchings of stag hunting, etc. from the same suite, 30.4x23cm., ea: After Karel Dujardin- Seated man putting on his boots; etching, signed and dated 1802: together with a mixed folio of prints by different hands, both European, Old Master and English schools, various sizes, (a lot), (unframed)
Charles Turner- 'Henry Brougham Esqr. M.P. & F.R.S.', after Lonsdale; mezzotint, 50.8x36.8cm: Kenneth Holmes- Italianate street scene; etching, signed and dedicated in pencil: together with a quantity of mostly 19th century prints, one in a maple veneered cushion moulded frame, various sizes, (a lot)
Rosamund C. Jones-'The Peasant Man'; etching, signed, titled and dated '71 in pencil, 46x54.3cm: After Jacques Wely- 'Polka des Anes pour Piano par Henri Bresles', publ. E. Coutarel, Paris; lithograph printed in colours: together with two watercolours by Rosalba Mostosi titled 'Bodmin Moor' and 'Sennen Cove, Cornwall', both signed, various sizes, (4)
Follower of Rowlandson- 'The Tax Collector'; pencil and watercolour, inscribed, 16.8x5.8cm: F. P. Nodder, No.15 Brewer St., publ. Jan 1st 1793- Tree frogs; hand-coloured etching: together with one other similar print, and one other titled 'The Bloomsbury Youth...', publ. A Hamilton Junr. Fleet Street Feb 1, 1784, various sizes, (4)
George Malcolm Patterson- Coastal ruins; etching, signed in pencil, 19.4x16.6cm: Charles W. Cain- Flooded forest; etching, signed in pencil: together with eight other artist's etchings and prints by different hands including: Percy Robertson, A. Brouet, A. Auger, Valliant, and others, various sizes, (11)
*Attributed to John Chalon- Portrait of a man, head and shoulders, possibly a self-portrait of the artist; etching on laid, 11.5x9cm: John William Buxton Knight- Figures on a bridge by an old inn; etching, signed with initials within the plate: together with a mixed folio of prints, including two etchings by Charles Robertson, various sizes, (a lot), (unframed)
K. Roubal- Pheasant in a tree in an alpine winter landscape; etching, signed and dated '26 within the plate, 18x14cm: together with four other etchings of wildlife by the same hand, and a quantity of heliogravures after European Masters from the 17/18th centuries, various sizes, (a lot), (unframed)
Richard Newton- 'Heigh Ho! for a Husband', publ. April 8, 1796 by William Holland No. 50 Oxford Str.; hand-coloured stipple engraving, 23. 2x33cm: Richard Dighton- 'A View taken from Chatham Row, Bath, publ. Jan 1809; hand-coloured etching: together with a mixed folio of prints by or after different hands, various sizes, (a lot), (unframed)
Charles Tomkins- 'Grand Tournament un the presence of the Emperor Charlemagne in his Chariot of Chivalry...', publ. by Akerman, No. 101 Strand; hand-coloured etching, 39.7x53cm: Jacobus Houbraken- 'John Duke of Marlborough', 1745, publ. J & P. Knapton, London: Together with a mixed folio of prints by or after different hands, various sizes, (a lot)
Adolphe Theodore J. Potemont- 'Hotel Nantes, Place de Carrousel, 1849'; etching, signed and inscribed with title within the plate, 14.1x22.1cm: After Spy- 'His Religion is the worship of all sorts of winged and finny freaks'; publ. by Vincent Brooks, Day & Son Ltd.; chromolithograph: together with a quantity of prints, including those by or after: A.G. Pym, A.Y. Cameron, Percy Robertson, Seymour Hayden, Beardsley and W. Nicholson, various sizes, (a lot), (unframed)
William Wynne Ryland- Dandies with musicians, 1763, after Fra. Albano; stipple engraving, 29x38.4cm: James Basire- Classical figures, 1 1769, after Carravaggio; etching with roulette: together with seven other late 18th century prints by different hands including: Simon Watts and Guercino, various sizes, (9), (unframed)
Thomas Rowlandson- 'The Sculptor'; hand-coloured etching on wove, 28.8x22.5cm: French School c1930- Cartoon of a man with spectacles in profile; black and coloured chalk, inscribed 'Biri, Biri, Biarritz, and dated 1935: Norman Stevens- 'Lilies'; black chalk, signed and dated '77, various sizes, (3), (unframed)
Ethelbert White- 'The Crooked Tree', 1923, illustration to Richard Jeffries "Story of my Heart"; wood engraving, signed, titled and numbered 3/50 in pencil, 11x13cm: together with one other wood engraving by the same hand titled 'The Chaff Cutting Shed', signed, titled and numbered 5/50 in pencil, and an etching by Seymour Hayden titled 'Felham', initialled and inscribed within the plate, various sizes, (3), (unframed)
PORTFOLIO containing: Double page engraved view of Dunham Massey, Cheshire, by Kip after Knyff (torn margins); Dubourg's Original View of Ancient Jerusalem . . . Drawn from the model by N. Whittock, tinted lithograph (spotted, defective margins); ten 18th c. engraved topographical views of Norfolk; engraved view of Chester Cathedral, 1854; large double page etching, partly hand coloured, of French lottery tickets by Cardieu after Gatteux. With nine other prints and photographs (23)

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78388 item(s)/page