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Lot 92

David Belilios : Aydon say, etching, 3/25, signed, 19 cm x 6 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.

Lot 94

David Belilios : High Borrans, etching, signed, 20 cm x 15 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.

Lot 71

David Belilios : Kielder Dam, etching, signed, 27 cm x 26 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.

Lot 108

VIETNAMESE SCHOOL etching - traditional dancing figures with presentation plaque to the glass - Presented to Mr O C Wearne by the Assistant for Veterans Affairs, South Vietnam 1968, 40 x 63cms

Lot 396

Large 19th century pencil drawing "Luthers First Study of the Bible" signed J Roberts & hand coloured Dendy Sadler etching "Home Brewed"

Lot 403

Gilt framed etching "Sinai July 1917 1919" by James McBey, (Scottish 1883-1959) signed to mount and numbered A19 (appears to have been cut down) 26cm x 17cm frame size 45.5cm x 36cm, with Albert Roullier Art Galleries Chicago label applied to back of frame

Lot 1016

J M W Turner, 19th century etching, aquatint and mezzotint - The Junction of The Severn and The Wye, from Liber Studiorum, published June 1811, 22cm x 30cm, in glazed frame

Lot 1017

J M W Turner, 19th century etching and mezzotint - Young Anglers, published June 1811, from Liber Studiorum, 21.5cm x 30cm, in glazed frame

Lot 1073

William Lionel Wyllie (1851-1931) signed etching - Tower Bridge, 32cm x 55cm, in glazed frame The work has not been removed from the frame and therefore it is not possible to state whether it has been stuck down or not. There are a number of scratches and scuffs to the surface, as seen in the images.

Lot 1103

*Valerie Thornton (1931-1991) signed artists proof etching - Arles, signed and dated '75, 61cm x 40cm, in glazed frame

Lot 1107

John Crome (1768-1821) etching, 'At Woodrising' circa 1812 on chine collé laid to wove support published 1834 edition 60, image size 6cm x 19cm, unframedSome browning and spotting to the mount, as seen in the images, crease to the paper lower right. No sign that it has been stuck down previously. No tears or holes to the paper. Sheet size 12.5cm x 24.5cm.

Lot 1108

John Crome (1768-1821) soft-ground etching, Tree study, on chine collé laid to wove support, published 1834 edition of 60, image size 23c x 18cm, unframed Some browning/staining to the paper as seen in the images. No sign that it has been stuc down previously. No tears or holes to the paper. Unevenly cut margins. Sheet size 30cm x 23.5cm.

Lot 1109

John Crome (1768-1821) etching, Back of the Mills, on chine collé laid to wove support, image size 23cm x 18cm, unframed Some browning/staining to the paper and the odd spot to the mount, as seen in the images. No sign that it has been stuck down previously. No tears or holes to the paper. Unevenly cut margins. Sheet size 30cm x 24.5cm.

Lot 1185

Attributed to Pietro Testa (1611-1650), etching - family group in landscape, 30.5cm x 22cm, in decorative gilt frame Please see images of the lot removed from the frame illustrating the condition. The work has been stuck down on all four sides. Bottom left corner is torn and missing.Provenance- private local client.

Lot 391

Alphonse Legros RA (1837-1911) Nude studysanguine chalk on papersigned and inscribed in pencil, 41.5 x 24cm and an etching, Self portrait, signed in the plate, 21 x 16cm.Sanguine chalk on paper, the image is feint, and the ground paper perhaps slightly discoloured, paper showing undulation throughout so not laid down, a number of small scattered dirt marks throughout, signed at 6 o'clock in the same sanguine chalk inscribed in pencil'Ecole Francais XIXESE lower left, old card mount and slim gilt frame, Leicester Galleries 1961 Exhibition label verso with purchasers Sir Geoffrey Hutchinson, Fine Art Society 1980 label and Abbott & Holder label along with a Christie's stencil mark.Etching with acid stains around the mount. Clean oak frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Legros RA (1837-1911), Alphonse

Lot 434

Samuel L. Margolies (American, 1897-1974) Bridge to Babylon, c.1940aquatint and etchingfrom the edition of approximately 200. Signed and titled in pencil, lower margin. Published by the Miniature Print Society.6.4 x 7.6cmVery good clean condition, a slight outward bulge of the paper but no real faults noted, housed in a stepped card mount and silvered wood frame, with attribution label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 6.4 x 7.6cmMargolies (American, 1897-1974), Samuel L.

Lot 443

Man Ray (American, 1890-1976) 'Concert', from Ballarde de Dames Hors du Temps, 1970,etching and aquatint on papersigned in pencil and marked H.C. (hors catalogue), 1/V, total edition of 100 (Anselmino, 60D)overall 51 x 67cmPaper in a floating mount showing some slight surface undulation and some scattered fox marks, otherwise in good order, stained black frame with some chipping around the edges, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. overall 51 x 67cmRay (American, 1890-1976), Man

Lot 474

§ § Sir Terry Frost R.A. (1915-2003) Lament for Ignacio Sanches Mejias from the Lorca Suite (Kemp 98)etching and aquatintsigned in pencil, 18/7556 x 37.5cmTabbed down with a floating mount so some undulation of the paper, some fine scattered dirt specks most of which are on the glass rather than the print itself, plain card mount and slim ebonised frame, glass has been broken and will be removed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 56 x 37.5cmFrost R.A. (1915-2003), Sir Terry

Lot 1203

HOFKER WILLEM GERARD (1902-1980), sign. l.l., Carraige, etching 16 x 44 cm.HOFKER WILLEM GERARD (1902-1980), ges. l.o., Bierkar, ets 16 x 44 cm.

Lot 1107

WITSEN WILLEM (1860-1923), sign. and dated in plate, sign. L.R. Canalview, etching, 1900, H. 31,5 cm W. 38 cmWITSEN WILLEM (1860-1923), gesign. en gedat. in plaat en in potlood, r.o. Gracht, ets 32 x 38 cm

Lot 1596

GILLE ELMAR (1947-2015), sign. bottom right, The tower of Babel, etching 49 x 82 cm.GILLE ELMAR (1947-2015), ges. r.o. De Toren van Babel, ets 49 x 82 cm.

Lot 1583

BRUNING MAX (1887-1968), sign. b.r., Female figure, etching 27 x 31 cm.BRUNING MAX (1887-1968), ges. ro., Vrouw met bananen, ets 27 x 31 cm.

Lot 1608

BES, PETER (1945), signed and dated l.r. Home Sweet Home, etching, 1972, H. 53cm, W. 64cmBES PETER (1945), ges. en gedat. r.o. 1972 "Home Sweet Home", ets 53 x 64 cm

Lot 1537

LEVY BENJAMIN (1940), sign. l.l., Untitled, etching 24 x 31 cm.LEVY BENJAMIN (1940), ges. l.o., Figuur met uil en ballon, ets 24 x 31 cm.

Lot 1663

KUIT GUUS (1952), sign. l.r., 'Uitzicht', etching 7/14 12 x 19 cm.KUIT GUUS (1952), ges. r.o., oplage 7/14 'Uitzicht', ets 12 x 19 cm.

Lot 1661

MANKES JAN (1889-1920), sig. b.r. two mice, etching 10 x 12 cmMANKES JAN (1889-1920), ges. r.o. twee muisjes, ets 10 x 12 cm

Lot 1507

Lambert Andre (1884-1967) La Colere, etching 50 x 37 cm. (water damage)LAMBERT ANDRE (1884-1967), "la Colere", ets 50 x 37 cm. (waterschade)

Lot 1658

MEIJER, SAL (188=77-1965), signed l.r. Overhaal bij het Rijksmuseum, etching, H. 20 cm, W. 25 cmMEIJER SAL (1877-1965), gesigneerd r.o. Overhaal bij het Rijksmuseum, ets, H. 20 cm, B. 25 cm

Lot 1794

KORTLANG, CEES (1926-2008), signed and dated l.r. Cold Blue, 1988, etching, ed. 2/10, H. 93 cm, W. 73 cmKORTLANG, CEES, (1926-2008), gesign. en gedat. r.o. Cold Blue, 1988, ets, ed. 2/10, 63 x 64 cm.

Lot 1508

GERRITZ HARRIE (1940), sign. and dated 1975 l.r., 'Winterbrieven', etching 8/40 37 x 27 cm.GERRITZ HARRIE (1940), ges. en gedat. 1975 r.o., "Winterbrieven", ets 37 x 27 cm.

Lot 1153

Bauer Marius Alexander (1867-1932), mono. high right a Vizier, etching 38 x 53 cm.BAUER MARIUS ALEXANDER (1867-1932), ges. in plaat en potlood "een Vizier", ets 38 x 53 cm.

Lot 1135

Unkwown, uncl. sign. l.r., Barbison Maison de Miller, etching 26 x 21 cm.Onbekend, onduid. ges. r.o., Barbison, Maison de Miller, ets 26 x 21 cm.

Lot 1078

FELIX PAUL EMILE, sign b.r., Female figure listening to music, etching 33 x 43 cm.FELIX PAUL EMILE, ges r.o., Naakt vrouwen figuur luisterend naar muziek, ets 33 x 43 cm.

Lot 1057

Unkwown, uncl. sign. l.r., Little Red Riding Hood, etching 32 x 24 cm.Onbekend, onduid. ges. r.o., Roodkapje en de wolf, ets 32 x 24 cm.

Lot 1587

BERSERIK HERMAN (1921-2002), sign. l.m., dated. 1974, Portret, etching 36 x 31 cm.BERSERIK HERMAN (1921-2002), ges. m.o. en gedat 1974, Portret, ets/ aquatint 14/20, 36 x 31 cm.

Lot 1598

KRUININGEN, VAN, HARRY (1906-1996), signed l.r. Vissersboot, etching, H. 46 cm W. 53 cmKRUININGEN, VAN, HARRY (1906-1996), gesign. r.o. Vissersboot, ets, 46 x 53 cm

Lot 1793

KORTLANG, CEES (1926-2008), signed and dated l.r. Untitled, 1995, etching, ed. 5/10, H. 93 cm, W. 73 cmKORTLANG, CEES (1926-2008), gesign. en gedat. r.o. Zonder titel, 1995, ets, ed. 5/10, 62 x 46 cm

Lot 1125

Unkown, sign. l.r., Boy in the river banks, etching 26 x 21 cm.Onbekend, ges. r.o., Fluitende jongen in struikgewas met lepelaars, ets 26 x 21 cm. Herkomst: Goudriaan Galerie, Amsterdam

Lot 285

A Norfolk Wherry Albion print; and a barge etching by David Farquarson

Lot 777

A Stuart Robertson pencil signed black and white etching "Crown Court"

Lot 500A

WATERCOLOUR, PRINTS AND EPHEMERA, comprising an unsigned watercolour of Scotney Castle, approximate size 18cm x 27cm, a steel point engraving of Scotney castle published 1786, signed etching of Christs Hospital School Hertford by A. E. Wardle, antique book plate engraving, book 'Blue skirts into blue stockings' by Louie Angus, booklet, postcards and tea towel all relating to Christs Hospital School

Lot 1664

William Lionel Wyllie (1851-1931), etching, 'Shipping off Portsmouth', signed in pencil, 15 x 35cm

Lot 1667

Bryan Pearce (1929-2006), etching, Still life with jug, signed and dated 2001, 9/75, sheet 28 x 28cm

Lot 1701

George Soper (1870-1942), etching, Woman harvester, signed in pencil, 14 x 20cm

Lot 1704

Graham Clarke (1941-), etching and aquatint, Farmstead, signed in pencil, 72/100, 34 x 26cm

Lot 1712

Graham Clarke (1941-), etching and aquatint, 'Industry', signed in pencil, 96/100, 34 x 54cm

Lot 1728

Robin Tanner (1904-1988), etching, White violets, signed in pencil, 131/150, 12 x 9.5cm

Lot 1734

Wenceslaus Hollar Von Prachna (1607-1677) 'The Bolognese Terrier'etchingsigned in the plate and dated 16498 x 12.5cm

Lot 118

Goltzsche, Dieter - - Novalis. Heinrich von Ofterdingen. Ein Roman. Nachw. von H. Czechowski und 21 Wiedergaben nach Kaltnadelradierung von D. Goltzsche. Berlin, Der Morgen, 1986. 203 S. OLwd. im ill. OUmschlag u. Pp.-Schuber Eins von 100 num. Exempl. der Vorzugsausgabe mit 1 beigelegten sign., bezeichn. u. numer. Original-Radierung "Sitzende" von Goltzsche. - Beigegeben: Paul Éluard. Ich bin nicht allein. Gedichte. Auswahl und Schriftgrafik Irmgard Horlbeck-Kappler. Mit Lithographien von Gunter Horlbeck. Leipzig, Seemann, 1965. 17 Bll. in Blockheftung. 2°. Ill. OBrosch. in ill. OPp.-Schuber. Eins von 1000 Exemplaren. Im Druckvermerk von den Künstlern signiert. - Süßer als Liebe ist nichts. Gedanken und Gefühle griechischer Frauen. Mit 1 sign. u. num. Offsetlithographie von Inge Jastram. Leipzig, Teubner, 1988. 4°. 79 S. Frz. Broschur in ill. OPp-Schuber. Afterw. by H. Czechowski and 21 reproductions after drypoint etching by D. Goltzsche. Berlin, Der Morgen, 1986. 203 p. - One of 100 num. Copy of the special edition with 1 enclosed signed, inscribed and numbered original etching "Sitzende" by Goltzsche. original etching "Sitzende" by Goltzsche.

Lot 166

Konkrete und visuelle Poesie - - Heinz Gappmayr. Opus 2. Gesamtverzeichnis der visuellen und theoretischen Texte 1991-1996. / Catalogue raisonne of the visual and theoretical texts 1991-1996. Mit 1 num., sign. u. dat. OGrafik von H. Gappmayr und mehr als 1000 schwarz-weiß Abbildungen. Mainz und München, Chorus-Verlag, 1997. 287 S. 4°. OLwd. im OSchutzumschalg (minimal angeschmutzt). Eins von 60 Exemplaren der Vorzugsausgabe (GA 1500) mit einer num. u. sign. ORadierung. Concrete and visual poetry - With 1 numb., signed and dated original graphic by H. Gappmayr and more than 1000 b/w illustrations. - One of 60 copies of the de luxe edition (full ed. 1500) with a numb. and signed etching. - Original cloth in orig. typographic wrapper (minimally stained).

Lot 3071

Douglas Ion Smart (1879-1970): aquatint etching, continental harbour, 31 x 22 cm, signed in pencil. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1443

Thomas Riley, (19th century), after, an etching, portrait study, dated 1898, 32 x 24cm, mounted oak framed and glazed, 60 x 52cm

Lot 2129

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Sur la plage, a berneval". Medium: Original etching. Date: Composed c1892. Printed later. Dimensions: Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [1398-2-225]

Lot 1555

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Baigneuse debout, a Mi-Jambes". Medium: Original etching. Date: Composed c1906. Printed later. Dimensions: Overall size: 14 13/16 x 11 3/8 in. (376 x 289 mm). Image size: 6 3/4 x 4 5/16 in. (171 x 110 mm).Lot Note(s): Cream wove paper. Full margins. Very good impression. Fine condition. Literature/catalogue raisonne: Delteil 23; Stella 23. Comment(s): During the second half of the nineteenth century, France was experiencing a printmaking renaissance. Despite this artistic trend, Impressionists were not quick to adopt the medium as they were accustomed to painting in plein air. However, Renoir learned the medium, creating his first etching in 1890 and his first lithograph two years later. During this time, Renoir was 49 and already an established painter. Yet, he executed a total of 59 prints in his lifetime, producing almost equal amounts of lithographs and etchings. Impressively, he was able to develop his own style of etching independent of his development as a painter [courtesy Masterworks Fine Art]. [2646-3-300]

Lot 1699

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue couchee, tournee a droite, 2e Planche". Medium: Original etching. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 11 1/8 x 14 7/8 in. (283 x 378 mm). Image size: 5 5/16 x 7 11/16 in. (135 x 195 mm).Lot Note(s): Cream wove Arches paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 14; Stella 14. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. According to "Gordon's Art Reference" the auction record is $3,450 at Swann Galleries (Works of Art on Paper, Sale #1877) - 11/09/2000 - lot #376. Image copyright © Artists Rights Society (ARS), New York. [2648-3-300]

Lot 1442

Artist: Lucian Freud (German/English, 1922-2011). Title: "Triple Portrait". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 10 1/8 x 11 1/2 in. (257 x 292 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29184-2-800]

Lot 1021

Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]

Lot 99

Militaria Ausland - Frankreich : Frankreich: Säbel der Garde Nationale, 1830. Vergoldetes Bügelgefäß mit Dekor von Lorbeerblättern. Griff mit etwas gelockerter Drahtwickelung. Prächtige gekehlte Rückenklinge, die obere Hälfte fein gebläut und vergoldet und mit vergoldeter Zierätzung. Terzseitig "GARDE NATIONALE" , darüber der Lorbeerumflorte Gallische Hahn und die Inschrift "LIBERTE". Quartseitig die vergoldete Inschrift: "ORDRE PUBLIC", darüber widerum der von Lorbeerzweigen bekrönte Gallische Hahn, Symbol des Bürgerkönigtums, und die Inschrift: "FRATERNITÈ". Auf den Fehlschärfen Herstellergravur: "Coulaux Frères à Klingenthal". Auf dem Rücken: "Juillet 1830". Originale schwarze Lederscheide mit vergoldeten Beschlägen mit graviertem Dekor von Waffentrophäen und Arabesken. An Trageknopf. Lnge: 90 cm. Klinge: 75 cm. Prächtige, besonders fein ausgeführte Blankwaffe, die den Beginn des Bürgerkönigtums (Monarchie de Juillet), bzw. die Juli - Revolution im Jahr 1830 verkörpert.Foreign Militaria - France : Frankreich: Säbel der Garde Nationale, 1830. Gilt hilt with decoration of laurel leaves. Handle with somewhat loosened wire wrapping. Magnificent fullered single-edged blade, the upper half finely blued and gilded and with gilded decorative etching. On the reverse "GARDE NATIONALE", above the laurel-wreathed Gallic cock and the inscription "LIBERTE". On the obverse side the gilt inscription: "ORDRE PUBLIC", above it the Gallic cock crowned with laurel branches, symbol of civic royalty, and the inscription: "FRATERNITÈ". On the ricasso engraved: "Coulaux Frères à Klingenthal". On the back: "Juillet 1830". Original black leather scabbard with gilded fittings with engraved decoration of weapon trophies and arabesques. On carrying knob. Length: 90 cm. Blade: 75 cm. Magnificent, particularly finely executed edged weapon, which embodies the beginning Monarchie de Juillet and the July Revolution in 1830.

Lot 304

Ansicht von Augsburg: Weinmarkt mit Merkurbrunnen, um 1750.Guckkastenblatt von B. F. Leizel. Kupferstich auf Bütten, altkol., von B. F. Leizel. Gestoch. Schritrand mit ausführl. zweisprachiger Bez. "Prospect des Mercurius Brunnen auf dem Weinmarck Plaz (...), Titel seitenverkehrt. Im unt. Blattrand Einrisse und Knitterfalten. 29,5 x 40,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 45 x 54,5 cm View of the city of Augsburg: Weinmarkt, optical print, ca. 1750. Copper etching, coloured, condition lacks in lower margin. Framed with glass and passepartout. Frame: 45 x 54,5 cm

Lot 771

Hachulla, Ulrich. Geb. 1943 Heydebreck/ Oberschlesien, lebt und arbeitet in Leipzig."Jüdischer Friedhof in Prag", 1977. Radierung/ Bütten, sign., dat., betitelt und num. Ex. 83/ 150. Gegilbt mit einzelnen Stockflecken. 20 x 19,5 cm (Pl)/ 42 x 29 cm (Bl). Hinter Glas gerahmt. Ra. 44 x 31,5 cm Ulrich Hachulla, born 1943: Jewish cemetery in Prague, 1977, etching, signed, dated, numbered copy 83 of 150. 44 x 31,5 cm incl. frame.

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