David Belilios : Aydon say, etching, 3/25, signed, 19 cm x 6 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
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David Belilios : High Borrans, etching, signed, 20 cm x 15 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
David Belilios : Kielder Dam, etching, signed, 27 cm x 26 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
William Lionel Wyllie (1851-1931) signed etching - Tower Bridge, 32cm x 55cm, in glazed frame The work has not been removed from the frame and therefore it is not possible to state whether it has been stuck down or not. There are a number of scratches and scuffs to the surface, as seen in the images.
John Crome (1768-1821) etching, 'At Woodrising' circa 1812 on chine collé laid to wove support published 1834 edition 60, image size 6cm x 19cm, unframedSome browning and spotting to the mount, as seen in the images, crease to the paper lower right. No sign that it has been stuck down previously. No tears or holes to the paper. Sheet size 12.5cm x 24.5cm.
John Crome (1768-1821) soft-ground etching, Tree study, on chine collé laid to wove support, published 1834 edition of 60, image size 23c x 18cm, unframed Some browning/staining to the paper as seen in the images. No sign that it has been stuc down previously. No tears or holes to the paper. Unevenly cut margins. Sheet size 30cm x 23.5cm.
John Crome (1768-1821) etching, Back of the Mills, on chine collé laid to wove support, image size 23cm x 18cm, unframed Some browning/staining to the paper and the odd spot to the mount, as seen in the images. No sign that it has been stuck down previously. No tears or holes to the paper. Unevenly cut margins. Sheet size 30cm x 24.5cm.
Attributed to Pietro Testa (1611-1650), etching - family group in landscape, 30.5cm x 22cm, in decorative gilt frame Please see images of the lot removed from the frame illustrating the condition. The work has been stuck down on all four sides. Bottom left corner is torn and missing.Provenance- private local client.
Alphonse Legros RA (1837-1911) Nude studysanguine chalk on papersigned and inscribed in pencil, 41.5 x 24cm and an etching, Self portrait, signed in the plate, 21 x 16cm.Sanguine chalk on paper, the image is feint, and the ground paper perhaps slightly discoloured, paper showing undulation throughout so not laid down, a number of small scattered dirt marks throughout, signed at 6 o'clock in the same sanguine chalk inscribed in pencil'Ecole Francais XIXESE lower left, old card mount and slim gilt frame, Leicester Galleries 1961 Exhibition label verso with purchasers Sir Geoffrey Hutchinson, Fine Art Society 1980 label and Abbott & Holder label along with a Christie's stencil mark.Etching with acid stains around the mount. Clean oak frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Legros RA (1837-1911), Alphonse
Samuel L. Margolies (American, 1897-1974) Bridge to Babylon, c.1940aquatint and etchingfrom the edition of approximately 200. Signed and titled in pencil, lower margin. Published by the Miniature Print Society.6.4 x 7.6cmVery good clean condition, a slight outward bulge of the paper but no real faults noted, housed in a stepped card mount and silvered wood frame, with attribution label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 6.4 x 7.6cmMargolies (American, 1897-1974), Samuel L.
Man Ray (American, 1890-1976) 'Concert', from Ballarde de Dames Hors du Temps, 1970,etching and aquatint on papersigned in pencil and marked H.C. (hors catalogue), 1/V, total edition of 100 (Anselmino, 60D)overall 51 x 67cmPaper in a floating mount showing some slight surface undulation and some scattered fox marks, otherwise in good order, stained black frame with some chipping around the edges, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. overall 51 x 67cmRay (American, 1890-1976), Man
§ § Sir Terry Frost R.A. (1915-2003) Lament for Ignacio Sanches Mejias from the Lorca Suite (Kemp 98)etching and aquatintsigned in pencil, 18/7556 x 37.5cmTabbed down with a floating mount so some undulation of the paper, some fine scattered dirt specks most of which are on the glass rather than the print itself, plain card mount and slim ebonised frame, glass has been broken and will be removed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 56 x 37.5cmFrost R.A. (1915-2003), Sir Terry
WATERCOLOUR, PRINTS AND EPHEMERA, comprising an unsigned watercolour of Scotney Castle, approximate size 18cm x 27cm, a steel point engraving of Scotney castle published 1786, signed etching of Christs Hospital School Hertford by A. E. Wardle, antique book plate engraving, book 'Blue skirts into blue stockings' by Louie Angus, booklet, postcards and tea towel all relating to Christs Hospital School
Goltzsche, Dieter - - Novalis. Heinrich von Ofterdingen. Ein Roman. Nachw. von H. Czechowski und 21 Wiedergaben nach Kaltnadelradierung von D. Goltzsche. Berlin, Der Morgen, 1986. 203 S. OLwd. im ill. OUmschlag u. Pp.-Schuber Eins von 100 num. Exempl. der Vorzugsausgabe mit 1 beigelegten sign., bezeichn. u. numer. Original-Radierung "Sitzende" von Goltzsche. - Beigegeben: Paul Éluard. Ich bin nicht allein. Gedichte. Auswahl und Schriftgrafik Irmgard Horlbeck-Kappler. Mit Lithographien von Gunter Horlbeck. Leipzig, Seemann, 1965. 17 Bll. in Blockheftung. 2°. Ill. OBrosch. in ill. OPp.-Schuber. Eins von 1000 Exemplaren. Im Druckvermerk von den Künstlern signiert. - Süßer als Liebe ist nichts. Gedanken und Gefühle griechischer Frauen. Mit 1 sign. u. num. Offsetlithographie von Inge Jastram. Leipzig, Teubner, 1988. 4°. 79 S. Frz. Broschur in ill. OPp-Schuber. Afterw. by H. Czechowski and 21 reproductions after drypoint etching by D. Goltzsche. Berlin, Der Morgen, 1986. 203 p. - One of 100 num. Copy of the special edition with 1 enclosed signed, inscribed and numbered original etching "Sitzende" by Goltzsche. original etching "Sitzende" by Goltzsche.
Konkrete und visuelle Poesie - - Heinz Gappmayr. Opus 2. Gesamtverzeichnis der visuellen und theoretischen Texte 1991-1996. / Catalogue raisonne of the visual and theoretical texts 1991-1996. Mit 1 num., sign. u. dat. OGrafik von H. Gappmayr und mehr als 1000 schwarz-weiß Abbildungen. Mainz und München, Chorus-Verlag, 1997. 287 S. 4°. OLwd. im OSchutzumschalg (minimal angeschmutzt). Eins von 60 Exemplaren der Vorzugsausgabe (GA 1500) mit einer num. u. sign. ORadierung. Concrete and visual poetry - With 1 numb., signed and dated original graphic by H. Gappmayr and more than 1000 b/w illustrations. - One of 60 copies of the de luxe edition (full ed. 1500) with a numb. and signed etching. - Original cloth in orig. typographic wrapper (minimally stained).
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Sur la plage, a berneval". Medium: Original etching. Date: Composed c1892. Printed later. Dimensions: Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [1398-2-225]
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Baigneuse debout, a Mi-Jambes". Medium: Original etching. Date: Composed c1906. Printed later. Dimensions: Overall size: 14 13/16 x 11 3/8 in. (376 x 289 mm). Image size: 6 3/4 x 4 5/16 in. (171 x 110 mm).Lot Note(s): Cream wove paper. Full margins. Very good impression. Fine condition. Literature/catalogue raisonne: Delteil 23; Stella 23. Comment(s): During the second half of the nineteenth century, France was experiencing a printmaking renaissance. Despite this artistic trend, Impressionists were not quick to adopt the medium as they were accustomed to painting in plein air. However, Renoir learned the medium, creating his first etching in 1890 and his first lithograph two years later. During this time, Renoir was 49 and already an established painter. Yet, he executed a total of 59 prints in his lifetime, producing almost equal amounts of lithographs and etchings. Impressively, he was able to develop his own style of etching independent of his development as a painter [courtesy Masterworks Fine Art]. [2646-3-300]
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue couchee, tournee a droite, 2e Planche". Medium: Original etching. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 11 1/8 x 14 7/8 in. (283 x 378 mm). Image size: 5 5/16 x 7 11/16 in. (135 x 195 mm).Lot Note(s): Cream wove Arches paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 14; Stella 14. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. According to "Gordon's Art Reference" the auction record is $3,450 at Swann Galleries (Works of Art on Paper, Sale #1877) - 11/09/2000 - lot #376. Image copyright © Artists Rights Society (ARS), New York. [2648-3-300]
Artist: Lucian Freud (German/English, 1922-2011). Title: "Triple Portrait". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 10 1/8 x 11 1/2 in. (257 x 292 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29184-2-800]
Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]
Militaria Ausland - Frankreich : Frankreich: Säbel der Garde Nationale, 1830. Vergoldetes Bügelgefäß mit Dekor von Lorbeerblättern. Griff mit etwas gelockerter Drahtwickelung. Prächtige gekehlte Rückenklinge, die obere Hälfte fein gebläut und vergoldet und mit vergoldeter Zierätzung. Terzseitig "GARDE NATIONALE" , darüber der Lorbeerumflorte Gallische Hahn und die Inschrift "LIBERTE". Quartseitig die vergoldete Inschrift: "ORDRE PUBLIC", darüber widerum der von Lorbeerzweigen bekrönte Gallische Hahn, Symbol des Bürgerkönigtums, und die Inschrift: "FRATERNITÈ". Auf den Fehlschärfen Herstellergravur: "Coulaux Frères à Klingenthal". Auf dem Rücken: "Juillet 1830". Originale schwarze Lederscheide mit vergoldeten Beschlägen mit graviertem Dekor von Waffentrophäen und Arabesken. An Trageknopf. Lnge: 90 cm. Klinge: 75 cm. Prächtige, besonders fein ausgeführte Blankwaffe, die den Beginn des Bürgerkönigtums (Monarchie de Juillet), bzw. die Juli - Revolution im Jahr 1830 verkörpert.Foreign Militaria - France : Frankreich: Säbel der Garde Nationale, 1830. Gilt hilt with decoration of laurel leaves. Handle with somewhat loosened wire wrapping. Magnificent fullered single-edged blade, the upper half finely blued and gilded and with gilded decorative etching. On the reverse "GARDE NATIONALE", above the laurel-wreathed Gallic cock and the inscription "LIBERTE". On the obverse side the gilt inscription: "ORDRE PUBLIC", above it the Gallic cock crowned with laurel branches, symbol of civic royalty, and the inscription: "FRATERNITÈ". On the ricasso engraved: "Coulaux Frères à Klingenthal". On the back: "Juillet 1830". Original black leather scabbard with gilded fittings with engraved decoration of weapon trophies and arabesques. On carrying knob. Length: 90 cm. Blade: 75 cm. Magnificent, particularly finely executed edged weapon, which embodies the beginning Monarchie de Juillet and the July Revolution in 1830.
Ansicht von Augsburg: Weinmarkt mit Merkurbrunnen, um 1750.Guckkastenblatt von B. F. Leizel. Kupferstich auf Bütten, altkol., von B. F. Leizel. Gestoch. Schritrand mit ausführl. zweisprachiger Bez. "Prospect des Mercurius Brunnen auf dem Weinmarck Plaz (...), Titel seitenverkehrt. Im unt. Blattrand Einrisse und Knitterfalten. 29,5 x 40,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 45 x 54,5 cm View of the city of Augsburg: Weinmarkt, optical print, ca. 1750. Copper etching, coloured, condition lacks in lower margin. Framed with glass and passepartout. Frame: 45 x 54,5 cm
Hachulla, Ulrich. Geb. 1943 Heydebreck/ Oberschlesien, lebt und arbeitet in Leipzig."Jüdischer Friedhof in Prag", 1977. Radierung/ Bütten, sign., dat., betitelt und num. Ex. 83/ 150. Gegilbt mit einzelnen Stockflecken. 20 x 19,5 cm (Pl)/ 42 x 29 cm (Bl). Hinter Glas gerahmt. Ra. 44 x 31,5 cm Ulrich Hachulla, born 1943: Jewish cemetery in Prague, 1977, etching, signed, dated, numbered copy 83 of 150. 44 x 31,5 cm incl. frame.
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71174 item(s)/page