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Herbert Thomas Dicksee (1862-1942) - large original late Victorian etching entitled 'Anxious Hearts'. Published by The Fine Art Society, 1899. In a vintage wooden frame (size approx. 94.5cm x 73.5cm). A small tear to bottom margin (1cm in length).

Margaret Ashman Storms Photo Etching on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Margaret Ashman was born in 1959 in Northampton. After an Oxford degree and short career in Physics, she later went on to study Fine Art at the University of Hertfordshire and Printmaking at the University of Brighton. She is Fellow of the Royal Society of Painter Printmakers and member of the Printmakers Council which she chaired from 2011 - 2017. She exhibits widely throughout the UK and overseas, and her work is in many collections. She lives and works in London. Education MA Printmaking and Professional Practice, University of Brighton and London Print Studio 2003 - 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Select Exhibitions/Awards   EXHIBITIONS 2022 Solo Show - The Swiss Church, London 2021/2020/2019 The Royal Academy Summer Exhibition 2019 Solo Show - The Muse Gallery 2020 Figurative Art Now Mall Galleries 2010 ING Discerning Eye Exhibition 2018 Novosibirsk Triennial - Russia 2017 Light Matter - Grunwald Gallery, Indiana 2016 Shifting Subjects Film - Usher Gallery 2015 Good Figures, Mall Galleries - London 2014 Reading People, National Art Museum - Shanghai AWARDS AND RESIDENCIES 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery 2012 Intaglio Printmaker Award, RE Members exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial 2009 Artist in Residence, Guanlan Print Base, China Gallery Representation Printroom Studio - Suffolk Bankside Gallery, London The Muse Gallery, Notting Hill Rheged Gallery, Penrith   Statement about AOAP Submitted Artwork This set of small photo etchings were developed from video footage of the Chinese contemporary dancer Lico, or Kehua Li - with her permission. Each work is printed from two etching plates on a traditional Rochat etching press on heavy etching paper, using muted colours. The titles of the works are borrowed from songs by Fleetwood Mac and Stevie Nicks, reflecting their strong emotional charge.

Margaret Ashman Nightbird Photo Etching on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Margaret Ashman was born in 1959 in Northampton. After an Oxford degree and short career in Physics, she later went on to study Fine Art at the University of Hertfordshire and Printmaking at the University of Brighton. She is Fellow of the Royal Society of Painter Printmakers and member of the Printmakers Council which she chaired from 2011 - 2017. She exhibits widely throughout the UK and overseas, and her work is in many collections. She lives and works in London. Education MA Printmaking and Professional Practice, University of Brighton and London Print Studio 2003 - 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Select Exhibitions/Awards   EXHIBITIONS 2022 Solo Show - The Swiss Church, London 2021/2020/2019 The Royal Academy Summer Exhibition 2019 Solo Show - The Muse Gallery 2020 Figurative Art Now Mall Galleries 2010 ING Discerning Eye Exhibition 2018 Novosibirsk Triennial - Russia 2017 Light Matter - Grunwald Gallery, Indiana 2016 Shifting Subjects Film - Usher Gallery 2015 Good Figures, Mall Galleries - London 2014 Reading People, National Art Museum - Shanghai AWARDS AND RESIDENCIES 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery 2012 Intaglio Printmaker Award, RE Members exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial 2009 Artist in Residence, Guanlan Print Base, China Gallery Representation Printroom Studio - Suffolk Bankside Gallery, London The Muse Gallery, Notting Hill Rheged Gallery, Penrith   Statement about AOAP Submitted Artwork This set of small photo etchings were developed from video footage of the Chinese contemporary dancer Lico, or Kehua Li - with her permission. Each work is printed from two etching plates on a traditional Rochat etching press on heavy etching paper, using muted colours. The titles of the works are borrowed from songs by Fleetwood Mac and Stevie Nicks, reflecting their strong emotional charge.

Margaret Ashman Songbird Photo Etching on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Margaret Ashman was born in 1959 in Northampton. After an Oxford degree and short career in Physics, she later went on to study Fine Art at the University of Hertfordshire and Printmaking at the University of Brighton. She is Fellow of the Royal Society of Painter Printmakers and member of the Printmakers Council which she chaired from 2011 - 2017. She exhibits widely throughout the UK and overseas, and her work is in many collections. She lives and works in London. Education MA Printmaking and Professional Practice, University of Brighton and London Print Studio 2003 - 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Select Exhibitions/Awards   EXHIBITIONS 2022 Solo Show - The Swiss Church, London 2021/2020/2019 The Royal Academy Summer Exhibition 2019 Solo Show - The Muse Gallery 2020 Figurative Art Now Mall Galleries 2010 ING Discerning Eye Exhibition 2018 Novosibirsk Triennial - Russia 2017 Light Matter - Grunwald Gallery, Indiana 2016 Shifting Subjects Film - Usher Gallery 2015 Good Figures, Mall Galleries - London 2014 Reading People, National Art Museum - Shanghai AWARDS AND RESIDENCIES 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery 2012 Intaglio Printmaker Award, RE Members exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial 2009 Artist in Residence, Guanlan Print Base, China Gallery Representation Printroom Studio - Suffolk Bankside Gallery, London The Muse Gallery, Notting Hill Rheged Gallery, Penrith   Statement about AOAP Submitted Artwork This set of small photo etchings were developed from video footage of the Chinese contemporary dancer Lico, or Kehua Li - with her permission. Each work is printed from two etching plates on a traditional Rochat etching press on heavy etching paper, using muted colours. The titles of the works are borrowed from songs by Fleetwood Mac and Stevie Nicks, reflecting their strong emotional charge.

Gina Parr Mysore India 2013 Photograph Printed on Hahnemuehle 310gsm German Etching Paper with Archival Inks Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Scape, memory and identity are ever present in my work. My childhood, spent diversely in wide-open spaces with my father fishing for mackerel and at home with my mother's hoarding and mental health issues, defined my relationship to the sea and land: The uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. I do not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present and to not be afraid of the material of my past. My work is an expression of the intermingling of both joy and pain: the human condition. Education Originally trained as a Fine Artist at Coventry University, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study set design, leading to a 25-year career in Production Design, working on many prestigious shows for television. She returned to her Artist's practice in 2007. Select Exhibitions/Awards Solo Exhibitions / Commissions 2021 Commission of 4 large works at Neon Gallery London for Squire & Partners London 2019 "Deceived with Ornament" Renata Maiblum Gallery Copenhagen 2019 Solo show "Night Fishing" David Lolly Gallery Cambridge 2018 Solo show "Casting off" Brook Contemporary Budleigh Salterton Devon 2018 Commission Belmond Cadogan Hotel London - Artefact Hotel Consultants 2018 Commission Belgium - Artefact Hotel Consultants 2017 Commission for 2 large works for the Middle East - Artefact Hotel Consultants 2014 Solo show Candida Stevens Gallery Chichester 2013 Four paintings purchased by Keble College Oxford Permanent Collection   Awards 2021 Associate member of Society of Women Artists 2020 Shortlisted and Exhibition The Chaiya Art Awards (online) 2017 Aesthetica Art Prize Longlisted 2014 Aesthetica Art Prize Longlisted 1981 Awarded Arts Council England Grant 1980 Awarded Arts Council England Grant Gallery Representation Irving Contemporary Oxford, The Stratford Gallery Broadway, The Archive Gallery Salisbury, Rise Art London.   Statement about AOAP Submitted Artwork When she is traveling and away from her painting studio, Parr uses a camera as her way of 'painting' whilst on the move, often mistaken as reproductions of her paintings, her photographs are Original Limited-Edition pieces. Renata Maiblum Art Consultancy Copenhagen says of Parr's work: Parr´s approach is a microcosm of surface, fragments of diversity founded on variety of exteriors; some human made, others adopting form by natural causes. Their very strong presence lends them the appearance of enlarged particles, those vibrant atoms of the country. The images exist by themselves, without need for definitions or description and, with their tactile and lively texture, seem as paintings. These 4 Photographs which were taken, paradoxically, in the overpopulated and chaotic streets in Southern India become chimerical worlds and fictional places.

Gina Parr Mahabalipuram India 2013 Photograph Printed on Hahnemuehle 310gsm German Etching Paper with Archival Inks Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Scape, memory and identity are ever present in my work. My childhood, spent diversely in wide-open spaces with my father fishing for mackerel and at home with my mother's hoarding and mental health issues, defined my relationship to the sea and land: The uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. I do not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present and to not be afraid of the material of my past. My work is an expression of the intermingling of both joy and pain: the human condition. Education Originally trained as a Fine Artist at Coventry University, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study set design, leading to a 25-year career in Production Design, working on many prestigious shows for television. She returned to her Artist's practice in 2007. Select Exhibitions/Awards Solo Exhibitions / Commissions 2021 Commission of 4 large works at Neon Gallery London for Squire & Partners London 2019 "Deceived with Ornament" Renata Maiblum Gallery Copenhagen 2019 Solo show "Night Fishing" David Lolly Gallery Cambridge 2018 Solo show "Casting off" Brook Contemporary Budleigh Salterton Devon 2018 Commission Belmond Cadogan Hotel London - Artefact Hotel Consultants 2018 Commission Belgium - Artefact Hotel Consultants 2017 Commission for 2 large works for the Middle East - Artefact Hotel Consultants 2014 Solo show Candida Stevens Gallery Chichester 2013 Four paintings purchased by Keble College Oxford Permanent Collection   Awards 2021 Associate member of Society of Women Artists 2020 Shortlisted and Exhibition The Chaiya Art Awards (online) 2017 Aesthetica Art Prize Longlisted 2014 Aesthetica Art Prize Longlisted 1981 Awarded Arts Council England Grant 1980 Awarded Arts Council England Grant Gallery Representation Irving Contemporary Oxford, The Stratford Gallery Broadway, The Archive Gallery Salisbury, Rise Art London.   Statement about AOAP Submitted Artwork When she is traveling and away from her painting studio, Parr uses a camera as her way of 'painting' whilst on the move, often mistaken as reproductions of her paintings, her photographs are Original Limited-Edition pieces. Renata Maiblum Art Consultancy Copenhagen says of Parr's work: Parr´s approach is a microcosm of surface, fragments of diversity founded on variety of exteriors; some human made, others adopting form by natural causes. Their very strong presence lends them the appearance of enlarged particles, those vibrant atoms of the country. The images exist by themselves, without need for definitions or description and, with their tactile and lively texture, seem as paintings. These 4 Photographs which were taken, paradoxically, in the overpopulated and chaotic streets in Southern India become chimerical worlds and fictional places.

Gina Parr Coast Exmouth 2012 Photograph Printed on Hahnemuehle 310gsm German Etching Paper with Archival Inks Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Scape, memory and identity are ever present in my work. My childhood, spent diversely in wide-open spaces with my father fishing for mackerel and at home with my mother's hoarding and mental health issues, defined my relationship to the sea and land: The uncertainty of the deep, the spirit and memory of the open space, evoking freedom and connectedness. I do not wish to recreate those experienced places, but to unearth the truth, to centralise the feelings and emotions that were and are present and to not be afraid of the material of my past. My work is an expression of the intermingling of both joy and pain: the human condition. Education Originally trained as a Fine Artist at Coventry University, graduating with a First Class BA Honours Degree, she went on to Chelsea College of Art to study set design, leading to a 25-year career in Production Design, working on many prestigious shows for television. She returned to her Artist's practice in 2007. Select Exhibitions/Awards Solo Exhibitions / Commissions 2021 Commission of 4 large works at Neon Gallery London for Squire & Partners London 2019 "Deceived with Ornament" Renata Maiblum Gallery Copenhagen 2019 Solo show "Night Fishing" David Lolly Gallery Cambridge 2018 Solo show "Casting off" Brook Contemporary Budleigh Salterton Devon 2018 Commission Belmond Cadogan Hotel London - Artefact Hotel Consultants 2018 Commission Belgium - Artefact Hotel Consultants 2017 Commission for 2 large works for the Middle East - Artefact Hotel Consultants 2014 Solo show Candida Stevens Gallery Chichester 2013 Four paintings purchased by Keble College Oxford Permanent Collection   Awards 2021 Associate member of Society of Women Artists 2020 Shortlisted and Exhibition The Chaiya Art Awards (online) 2017 Aesthetica Art Prize Longlisted 2014 Aesthetica Art Prize Longlisted 1981 Awarded Arts Council England Grant 1980 Awarded Arts Council England Grant Gallery Representation Irving Contemporary Oxford, The Stratford Gallery Broadway, The Archive Gallery Salisbury, Rise Art London.   Statement about AOAP Submitted Artwork When she is traveling and away from her painting studio, Parr uses a camera as her way of 'painting' whilst on the move, often mistaken as reproductions of her paintings, her photographs are Original Limited-Edition pieces. Renata Maiblum Art Consultancy Copenhagen says of Parr's work: Parr´s approach is a microcosm of surface, fragments of diversity founded on variety of exteriors; some human made, others adopting form by natural causes. Their very strong presence lends them the appearance of enlarged particles, those vibrant atoms of the country. The images exist by themselves, without need for definitions or description and, with their tactile and lively texture, seem as paintings. These 4 Photographs which were taken, paradoxically, in the overpopulated and chaotic streets in Southern India become chimerical worlds and fictional places.

Lucy MJ Ball Looking Back Pen, Ink and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucy was born in 1956 and has lived in the UK since then. She studied at Swansea College of Art on the foundation course and at Canterbury College of Art on the Fine Art course, specialising in painting. Later on, as a mature student, she studied History of Art at Birkbeck College, University of London. Before moving to Devon from Oxfordshire in 1997, Lucy was principally a painter, once in Devon her practice as an artist went on hold for many years and for very many reasons. Returning to her practice she found herself producing very different work. Having done very little printmaking previously, she became captivated by the medium and in particular etching and aquatint. She exploits the darkness of the technique which perfectly suits much of her imagery which is often of dark subject matter peppered with a similarly dark humour. Subject matter is mostly to do with the human condition, relationships of people, of people and place and of people and animals. Lucy's subject matter is also informed by literature and myth. She also sees it as a cathartic process. The alchemical violence of the etching process perfectly suits this subject matter. She enjoys the unpredictability of printmaking and the surprises it creates. The process of etching provides her with a feeling of alchemically creating magic. It is a process requiring both creativity and a patient, often slow but considered adherence to technical considerations. Considerations which can of course, be bent and manipulated. Lucy suggests that monotype printmaking satisfies a need for intuitive and often unlikely outcomes, this medium along with drawing feeds and adds to her library of images and scenarios.   Select Exhibitions/Awards 2021 Selected for Woolwich Contemporary Print Fair November 2021 Selected for RA Summer exhibition September '21-January '22 2021 Limekiln Gallery, Cornwall Summer Exhibition 2020/21 Journey: A Mayflower 400 Project. A Transatlantic Touring Exhibition. Tamar Valley Printmakers UK and Printmakers of Cape Cod USA - Torre Abbey and Plymouth exhibitions 2020/21 RWA 168 Annual Open Exhibition 2020 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall 2019 Red Dot Art Mini Print Exhibition 2019 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2019 RWA 167 Annual Open Exhibition 2018 RWA 166 Annual Open Exhibition 2018 Red Dot Art Mini Print Exhibition 2018: RBSA Print Prize Open exhibition (third prize winner) 2018: International Mini Print - Seacourt (group) 2018: Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2017: Endelienta, open exhibition, Cornwall (group) 1991: HallRichards Gallery, London (solo) 1990: Cole and Cole Solicitors, Oxford (group) 1988: RWA, Bristol (136th annual open) 1988: Oxford Billboard project 1988: Red in Tooth and Claw, Westgate Exhibition Room, Oxford (group) 1987/8: Cahill and Grebler Gallery, London. Christmas show (group) 1986: Women on Men, Cahill and Grebler Gallery, London (group) 1980's: Open studio shows during the decade.

Lucy MJ Ball Showroom Pen, Ink, Watercolour and Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucy was born in 1956 and has lived in the UK since then. She studied at Swansea College of Art on the foundation course and at Canterbury College of Art on the Fine Art course, specialising in painting. Later on, as a mature student, she studied History of Art at Birkbeck College, University of London. Before moving to Devon from Oxfordshire in 1997, Lucy was principally a painter, once in Devon her practice as an artist went on hold for many years and for very many reasons. Returning to her practice she found herself producing very different work. Having done very little printmaking previously, she became captivated by the medium and in particular etching and aquatint. She exploits the darkness of the technique which perfectly suits much of her imagery which is often of dark subject matter peppered with a similarly dark humour. Subject matter is mostly to do with the human condition, relationships of people, of people and place and of people and animals. Lucy's subject matter is also informed by literature and myth. She also sees it as a cathartic process. The alchemical violence of the etching process perfectly suits this subject matter. She enjoys the unpredictability of printmaking and the surprises it creates. The process of etching provides her with a feeling of alchemically creating magic. It is a process requiring both creativity and a patient, often slow but considered adherence to technical considerations. Considerations which can of course, be bent and manipulated. Lucy suggests that monotype printmaking satisfies a need for intuitive and often unlikely outcomes, this medium along with drawing feeds and adds to her library of images and scenarios.   Select Exhibitions/Awards 2021 Selected for Woolwich Contemporary Print Fair November 2021 Selected for RA Summer exhibition September '21-January '22 2021 Limekiln Gallery, Cornwall Summer Exhibition 2020/21 Journey: A Mayflower 400 Project. A Transatlantic Touring Exhibition. Tamar Valley Printmakers UK and Printmakers of Cape Cod USA - Torre Abbey and Plymouth exhibitions 2020/21 RWA 168 Annual Open Exhibition 2020 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall 2019 Red Dot Art Mini Print Exhibition 2019 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2019 RWA 167 Annual Open Exhibition 2018 RWA 166 Annual Open Exhibition 2018 Red Dot Art Mini Print Exhibition 2018: RBSA Print Prize Open exhibition (third prize winner) 2018: International Mini Print - Seacourt (group) 2018: Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2017: Endelienta, open exhibition, Cornwall (group) 1991: HallRichards Gallery, London (solo) 1990: Cole and Cole Solicitors, Oxford (group) 1988: RWA, Bristol (136th annual open) 1988: Oxford Billboard project 1988: Red in Tooth and Claw, Westgate Exhibition Room, Oxford (group) 1987/8: Cahill and Grebler Gallery, London. Christmas show (group) 1986: Women on Men, Cahill and Grebler Gallery, London (group) 1980's: Open studio shows during the decade.

Lucy MJ Ball Train Window - Rain Pen, Ink, Watercolour and Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucy was born in 1956 and has lived in the UK since then. She studied at Swansea College of Art on the foundation course and at Canterbury College of Art on the Fine Art course, specialising in painting. Later on, as a mature student, she studied History of Art at Birkbeck College, University of London. Before moving to Devon from Oxfordshire in 1997, Lucy was principally a painter, once in Devon her practice as an artist went on hold for many years and for very many reasons. Returning to her practice she found herself producing very different work. Having done very little printmaking previously, she became captivated by the medium and in particular etching and aquatint. She exploits the darkness of the technique which perfectly suits much of her imagery which is often of dark subject matter peppered with a similarly dark humour. Subject matter is mostly to do with the human condition, relationships of people, of people and place and of people and animals. Lucy's subject matter is also informed by literature and myth. She also sees it as a cathartic process. The alchemical violence of the etching process perfectly suits this subject matter. She enjoys the unpredictability of printmaking and the surprises it creates. The process of etching provides her with a feeling of alchemically creating magic. It is a process requiring both creativity and a patient, often slow but considered adherence to technical considerations. Considerations which can of course, be bent and manipulated. Lucy suggests that monotype printmaking satisfies a need for intuitive and often unlikely outcomes, this medium along with drawing feeds and adds to her library of images and scenarios.   Select Exhibitions/Awards 2021 Selected for Woolwich Contemporary Print Fair November 2021 Selected for RA Summer exhibition September '21-January '22 2021 Limekiln Gallery, Cornwall Summer Exhibition 2020/21 Journey: A Mayflower 400 Project. A Transatlantic Touring Exhibition. Tamar Valley Printmakers UK and Printmakers of Cape Cod USA - Torre Abbey and Plymouth exhibitions 2020/21 RWA 168 Annual Open Exhibition 2020 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall 2019 Red Dot Art Mini Print Exhibition 2019 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2019 RWA 167 Annual Open Exhibition 2018 RWA 166 Annual Open Exhibition 2018 Red Dot Art Mini Print Exhibition 2018: RBSA Print Prize Open exhibition (third prize winner) 2018: International Mini Print - Seacourt (group) 2018: Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2017: Endelienta, open exhibition, Cornwall (group) 1991: HallRichards Gallery, London (solo) 1990: Cole and Cole Solicitors, Oxford (group) 1988: RWA, Bristol (136th annual open) 1988: Oxford Billboard project 1988: Red in Tooth and Claw, Westgate Exhibition Room, Oxford (group) 1987/8: Cahill and Grebler Gallery, London. Christmas show (group) 1986: Women on Men, Cahill and Grebler Gallery, London (group) 1980's: Open studio shows during the decade.

Gillian Garnica Etosha Carborundum on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Gillian's work is about paring down line and form to a minimum in order to create a quiet yet powerful presence. Her background as a photographer informs her approach to printmaking as she seeks out chance compositions in the world, reducing structures to their most basic, as if discovering a found drawing. These spare compositions convey a repose from the noise and fast pace of contemporary life. Education First-Class Degree in Photography and a Masters in Multidisciplinary Printmaking from University of the West England.   Select Exhibitions/Awards Winner of the Galleries Magazine Award at BITE: Artists Making Prints and Rebecca Smith Award. Recipient of UWE Print Fellowship with bursary to study etching at Crown Point Press in San Francisco.   Gallery Representation Smithson Gallery   Statement about AOAP Submitted Artwork Whilst printing with carborundum, a fine silicon carbide, it reminded me of a natural salt pan. Meaning great white place, Etosha is a print based on the earth and dust covering the National Park of the same name in northern Namibia.

Vicky Oldfield Bee Screenprint on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Vicky is an artist and printmaker who likes to find beauty in the everyday - some weeds on a roadside, or a cluttered windowsill can set off a new collection. She treasures both the eccentric and the ordinary, inspired by collections of found objects and natural forms; she is fascinated with the structure and design found in flowers and plants, often redrawing the same plant many times over to explore the subtle variations in its form. Paintings often tell a story using collage and drawing, referencing a memory, time, or place. She starts with drawing often directly on to the plate, which is then drawn into and collaged with a variety of materials, card, fabric, paper, string, sand, and anything else that may come to hand; it's recycling at its most creative! The plates are then sealed, inked up and printed in intaglio or relief on damp paper using an etching press. The embossed textural quality of the print is unique to this method. They are often printed in one colour and then hand painted. Thanks to the process itself, Vicky can make small editions of the image; each edition will vary within its run due to the process itself and her desire to experiment. Each print produced is then unique. Education BA(Hons) Design   Select Exhibitions/Awards She was elected a member of The Royal Society of British Artists in 2021. Her work has been exhibited in many major shows including the Royal Academy Summer exhibition and, she has also exhibited in America and Japan. Her work can currently be seen in many galleries across the UK.

Vicky Oldfield Fragments Etching on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Vicky is an artist and printmaker who likes to find beauty in the everyday - some weeds on a roadside, or a cluttered windowsill can set off a new collection. She treasures both the eccentric and the ordinary, inspired by collections of found objects and natural forms; she is fascinated with the structure and design found in flowers and plants, often redrawing the same plant many times over to explore the subtle variations in its form. Paintings often tell a story using collage and drawing, referencing a memory, time, or place. She starts with drawing often directly on to the plate, which is then drawn into and collaged with a variety of materials, card, fabric, paper, string, sand, and anything else that may come to hand; it's recycling at its most creative! The plates are then sealed, inked up and printed in intaglio or relief on damp paper using an etching press. The embossed textural quality of the print is unique to this method. They are often printed in one colour and then hand painted. Thanks to the process itself, Vicky can make small editions of the image; each edition will vary within its run due to the process itself and her desire to experiment. Each print produced is then unique. Education BA(Hons) Design   Select Exhibitions/Awards She was elected a member of The Royal Society of British Artists in 2021. Her work has been exhibited in many major shows including the Royal Academy Summer exhibition and, she has also exhibited in America and Japan. Her work can currently be seen in many galleries across the UK.

Vicky Oldfield Connected Etching on Paper Signed on Front and Verso 10 x 15cm (3¾ x 5¾ in.) About Vicky is an artist and printmaker who likes to find beauty in the everyday - some weeds on a roadside, or a cluttered windowsill can set off a new collection. She treasures both the eccentric and the ordinary, inspired by collections of found objects and natural forms; she is fascinated with the structure and design found in flowers and plants, often redrawing the same plant many times over to explore the subtle variations in its form. Paintings often tell a story using collage and drawing, referencing a memory, time, or place. She starts with drawing often directly on to the plate, which is then drawn into and collaged with a variety of materials, card, fabric, paper, string, sand, and anything else that may come to hand; it's recycling at its most creative! The plates are then sealed, inked up and printed in intaglio or relief on damp paper using an etching press. The embossed textural quality of the print is unique to this method. They are often printed in one colour and then hand painted. Thanks to the process itself, Vicky can make small editions of the image; each edition will vary within its run due to the process itself and her desire to experiment. Each print produced is then unique. Education BA(Hons) Design   Select Exhibitions/Awards She was elected a member of The Royal Society of British Artists in 2021. Her work has been exhibited in many major shows including the Royal Academy Summer exhibition and, she has also exhibited in America and Japan. Her work can currently be seen in many galleries across the UK.

Vicky Oldfield Patterns of Absence Etching on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Vicky is an artist and printmaker who likes to find beauty in the everyday - some weeds on a roadside, or a cluttered windowsill can set off a new collection. She treasures both the eccentric and the ordinary, inspired by collections of found objects and natural forms; she is fascinated with the structure and design found in flowers and plants, often redrawing the same plant many times over to explore the subtle variations in its form. Paintings often tell a story using collage and drawing, referencing a memory, time, or place. She starts with drawing often directly on to the plate, which is then drawn into and collaged with a variety of materials, card, fabric, paper, string, sand, and anything else that may come to hand; it's recycling at its most creative! The plates are then sealed, inked up and printed in intaglio or relief on damp paper using an etching press. The embossed textural quality of the print is unique to this method. They are often printed in one colour and then hand painted. Thanks to the process itself, Vicky can make small editions of the image; each edition will vary within its run due to the process itself and her desire to experiment. Each print produced is then unique. Education BA(Hons) Design   Select Exhibitions/Awards She was elected a member of The Royal Society of British Artists in 2021. Her work has been exhibited in many major shows including the Royal Academy Summer exhibition and, she has also exhibited in America and Japan. Her work can currently be seen in many galleries across the UK.

Jasmine De Silva Crystal Queen Sofa Giclée Print on Hahnemühle German Etching Signed on Verso 12.7 x 17.8cm (5 x 7 in.) About Combining retrofuturism, hyperreal aesthetics, pop-art style colours and diamond studded female bodies, Jasmine De Silva playfully satirises the desire for physical perfection, holding up a mirror to our own dehumanising obsession with appearances, aiming to expose society's unrealistic standards of beauty. Jasmine studied at the London College of Fashion, completing a BA and MA in Fashion Photography. Upon graduating in 2019, Jasmine has won awards for emerging talent in both Photography and Directing.   Education MA in Fashion Photography at London College of Fashion   Select Exhibitions/Awards Winner Best Brand Campaign Fashion Film RD Festival 2021 Nomination for Channel 4 Random Acts Award LSFF 2020 Best picture of the month Art Jobs May 2020 Winner Best Emerging Talent Bokeh Fashion Film Festival 2019 PDN Emerging Photographer Winner 2019 Nomination Best Idea New Talent Barcelona FFF 2019 Fresh Eyes Gup Magazine Award 2019 September 2021 | Photo London x Public Offerings Series Talks May 2021 | Holy Art Infinity virtual exhibition October 2020 | Boomer Gallery Colour July 2019 | Festival Pil'Ours June 2019 | Fresh Eyes PhotoBook Selection Presented at Arles May 2019 | Espy Photography Award May 2019 | fotofestival Lenzburg Searching for Beauty April 2019 | ShutterHub Everything I Ever Learnt March 2019 | LCF Fashioned Worlds Oxo Tower Bargehouse January 2019 | Artistree Hong Kong Beyond Fashion February 2018 | Noiascape London Mirrors and Windows September 2016 | Notting Hill Curate Events London Winner June 2015 | LCFBA15 Shoreditch London   Statement about AOAP Submitted Artwork The images I have submitted to AOAP are from my ongoing series, Crystal Queens. This series focuses on expressing how the world is our pageant show, that even in our most mundane ritualistic moments we can feel the pressure to be perfect. The Crystal face speaks of the vulnerabilities we have and it acts as an armour, a shell we have learnt to protect ourselves with from the exhaustive cycle of being compared to the constantly fluctuating barometer that is society's beauty ideals.

Jasmine De Silva Crystal TV Giclée Print on Hahnemühle German Etching Signed on Verso 12.7 x 17.8cm (5 x 7 in.) About Combining retrofuturism, hyperreal aesthetics, pop-art style colours and diamond studded female bodies, Jasmine De Silva playfully satirises the desire for physical perfection, holding up a mirror to our own dehumanising obsession with appearances, aiming to expose society's unrealistic standards of beauty. Jasmine studied at the London College of Fashion, completing a BA and MA in Fashion Photography. Upon graduating in 2019, Jasmine has won awards for emerging talent in both Photography and Directing.   Education MA in Fashion Photography at London College of Fashion   Select Exhibitions/Awards Winner Best Brand Campaign Fashion Film RD Festival 2021 Nomination for Channel 4 Random Acts Award LSFF 2020 Best picture of the month Art Jobs May 2020 Winner Best Emerging Talent Bokeh Fashion Film Festival 2019 PDN Emerging Photographer Winner 2019 Nomination Best Idea New Talent Barcelona FFF 2019 Fresh Eyes Gup Magazine Award 2019 September 2021 | Photo London x Public Offerings Series Talks May 2021 | Holy Art Infinity virtual exhibition October 2020 | Boomer Gallery Colour July 2019 | Festival Pil'Ours June 2019 | Fresh Eyes PhotoBook Selection Presented at Arles May 2019 | Espy Photography Award May 2019 | fotofestival Lenzburg Searching for Beauty April 2019 | ShutterHub Everything I Ever Learnt March 2019 | LCF Fashioned Worlds Oxo Tower Bargehouse January 2019 | Artistree Hong Kong Beyond Fashion February 2018 | Noiascape London Mirrors and Windows September 2016 | Notting Hill Curate Events London Winner June 2015 | LCFBA15 Shoreditch London   Statement about AOAP Submitted Artwork The images I have submitted to AOAP are from my ongoing series, Crystal Queens. This series focuses on expressing how the world is our pageant show, that even in our most mundane ritualistic moments we can feel the pressure to be perfect. The Crystal face speaks of the vulnerabilities we have and it acts as an armour, a shell we have learnt to protect ourselves with from the exhaustive cycle of being compared to the constantly fluctuating barometer that is society's beauty ideals.

Jasmine De Silva Crystal Queen Pink Giclée Print on Hahnemühle German Etching Signed on Verso 12.7 x 17.8cm (5 x 7 in.) About Combining retrofuturism, hyperreal aesthetics, pop-art style colours and diamond studded female bodies, Jasmine De Silva playfully satirises the desire for physical perfection, holding up a mirror to our own dehumanising obsession with appearances, aiming to expose society's unrealistic standards of beauty. Jasmine studied at the London College of Fashion, completing a BA and MA in Fashion Photography. Upon graduating in 2019, Jasmine has won awards for emerging talent in both Photography and Directing.   Education MA in Fashion Photography at London College of Fashion   Select Exhibitions/Awards Winner Best Brand Campaign Fashion Film RD Festival 2021 Nomination for Channel 4 Random Acts Award LSFF 2020 Best picture of the month Art Jobs May 2020 Winner Best Emerging Talent Bokeh Fashion Film Festival 2019 PDN Emerging Photographer Winner 2019 Nomination Best Idea New Talent Barcelona FFF 2019 Fresh Eyes Gup Magazine Award 2019 September 2021 | Photo London x Public Offerings Series Talks May 2021 | Holy Art Infinity virtual exhibition October 2020 | Boomer Gallery Colour July 2019 | Festival Pil'Ours June 2019 | Fresh Eyes PhotoBook Selection Presented at Arles May 2019 | Espy Photography Award May 2019 | fotofestival Lenzburg Searching for Beauty April 2019 | ShutterHub Everything I Ever Learnt March 2019 | LCF Fashioned Worlds Oxo Tower Bargehouse January 2019 | Artistree Hong Kong Beyond Fashion February 2018 | Noiascape London Mirrors and Windows September 2016 | Notting Hill Curate Events London Winner June 2015 | LCFBA15 Shoreditch London   Statement about AOAP Submitted Artwork The images I have submitted to AOAP are from my ongoing series, Crystal Queens. This series focuses on expressing how the world is our pageant show, that even in our most mundane ritualistic moments we can feel the pressure to be perfect. The Crystal face speaks of the vulnerabilities we have and it acts as an armour, a shell we have learnt to protect ourselves with from the exhaustive cycle of being compared to the constantly fluctuating barometer that is society's beauty ideals.

Jasmine De Silva Crystal Queen Astronaut Giclée Print on Hahnemühle German Etching Signed on Verso 14.4 x 17.3cm (5½ x 6¾ in.) About Combining retrofuturism, hyperreal aesthetics, pop-art style colours and diamond studded female bodies, Jasmine De Silva playfully satirises the desire for physical perfection, holding up a mirror to our own dehumanising obsession with appearances, aiming to expose society's unrealistic standards of beauty. Jasmine studied at the London College of Fashion, completing a BA and MA in Fashion Photography. Upon graduating in 2019, Jasmine has won awards for emerging talent in both Photography and Directing.   Education MA in Fashion Photography at London College of Fashion   Select Exhibitions/Awards Winner Best Brand Campaign Fashion Film RD Festival 2021 Nomination for Channel 4 Random Acts Award LSFF 2020 Best picture of the month Art Jobs May 2020 Winner Best Emerging Talent Bokeh Fashion Film Festival 2019 PDN Emerging Photographer Winner 2019 Nomination Best Idea New Talent Barcelona FFF 2019 Fresh Eyes Gup Magazine Award 2019 September 2021 | Photo London x Public Offerings Series Talks May 2021 | Holy Art Infinity virtual exhibition October 2020 | Boomer Gallery Colour July 2019 | Festival Pil'Ours June 2019 | Fresh Eyes PhotoBook Selection Presented at Arles May 2019 | Espy Photography Award May 2019 | fotofestival Lenzburg Searching for Beauty April 2019 | ShutterHub Everything I Ever Learnt March 2019 | LCF Fashioned Worlds Oxo Tower Bargehouse January 2019 | Artistree Hong Kong Beyond Fashion February 2018 | Noiascape London Mirrors and Windows September 2016 | Notting Hill Curate Events London Winner June 2015 | LCFBA15 Shoreditch London   Statement about AOAP Submitted Artwork The images I have submitted to AOAP are from my ongoing series, Crystal Queens. This series focuses on expressing how the world is our pageant show, that even in our most mundane ritualistic moments we can feel the pressure to be perfect. The Crystal face speaks of the vulnerabilities we have and it acts as an armour, a shell we have learnt to protect ourselves with from the exhaustive cycle of being compared to the constantly fluctuating barometer that is society's beauty ideals.

Anja Carr Soup (Lobster) Giclée Print on Hahnemühle German Etching Signed on Front 15 x 10cm (5¾ x 3¾ in.) About Born in Bergen, Norway, lives and works in Oslo, Norway   Education 2011 - 2009: Master in Fine Art Academy of Fine Art, Oslo National Academy of the Arts (Prof. Henrik Plenge Jakobsen), Oslo (NO) 2009 - 2008: Exchange Department of sculpture, Kunsthochshule Berlin Weissensee (Prof. Susanne Weirich), Berlin (DE) 2009 - 2006: Bachelor in Fine Art Department of Fine Art, Bergan National Academy of the Arts (Prof. Karen Kipphoff and Amanda Steggell), Bergen (NO) 2006 - 2004: 2-year Fine Art Diploma Kunstskolen i Bergen / Bergen Art School, Bergen (NO)

Anja Carr Soup (Octopus) Giclée Print on Hahnemühle German Etching Signed on Front 15 x 10cm (5¾ x 3¾ in.) About Born in Bergen, Norway, lives and works in Oslo, Norway   Education 2011 - 2009: Master in Fine Art Academy of Fine Art, Oslo National Academy of the Arts (Prof. Henrik Plenge Jakobsen), Oslo (NO) 2009 - 2008: Exchange Department of sculpture, Kunsthochshule Berlin Weissensee (Prof. Susanne Weirich), Berlin (DE) 2009 - 2006: Bachelor in Fine Art Department of Fine Art, Bergen National Academy of the Arts (Prof. Karen Kipphoff and Amanda Steggell), Bergen (NO) 2006 - 2004: 2-year Fine Art Diploma Kunstskolen i Bergen / Bergen Art School, Bergen (NO)

Alice Irwin Postcard Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Alice Irwin Postcard (1) Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Alice Irwin Postcard (2) Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Alice Irwin Postcard (3) Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Tom McGuinness (1926-2006), The Caller, limited edition etching, signed and dated 1987, numbered 48/50, image 15cm by 11cm, framed.

German portrait etching of Mozart and pair London street scenes (3).

A Framed 19th Century Etching, Bolton Abbey, West End, 30x24cm

Bernard Eyre-Walker, Rydal Head and Fairfield, trial proof etching, 24x35cm; two other etchings by Eyre-Walker; and five other etchings (8).

Attributed to Cecil Aldin, Two puppies, colour print, 15x22cm; D E Donald, Algeciras, colour etching; together with a print of Bruges and a print of Paris. (4)

Hedley Fitton (British, 1859 - 1929) Bargate, Southampton Signed in pencil, etching, 41cm x 31.5cm.

Superb pack of chill-out sounds, to include approx 19 LPs, a boxset, 2 x 10", 14 x 12" with titles from: Peacefrog 10:100 (PF100LP, 5 x 12" box) , Sigur Ros - Untitled (10" w/ etching, 10fat02) Mind Over Rhythm Meets the Men From Plaid (RUMBLE LP1), Anthony & Georgio - Equilibrium (KICK 74, w/lbl promo), Schatrax comp (SCHATLPG001, 3 x LP), Telefon Tel Aviv - Fahrenheir Fair Enough (HEFTY 35, only one disc), Richard Davies - Safety (PUNKT13), John Beltran - Ten Days of Blue (PFO 49), Dan Curtin - The Silicon Dawn (PFO 18). Condition will vary but many from VG+ to Ex+.

Jak Marshall Hardy, coloured etching No.2 of 50, titled ' Magnolia ', in a modern frame, 10ins x 4.5ins

Original etching by Tatton Winter of Fordwich, Canterbury, gilt framed, 10ins x 14ins

Signed etching, figures around a table in a garden, No. 67 of 80, another of an abstract landscape, No. 6 of 15, indistinctly signed, another of Irises, modern, indistinctly signed and another, study of an ornamental fountain

Graham Clarke, artist signed Limited Edition coloured etching,' The Jetty ' No.37 of 300, 9.5ins x 11ins, framedIn excellent, clean condition

Brenda Hartill, artist signed Limited Edition etching, ' City Scape 1 ', No.166 of 175 dated 1986, 31.5ins x 23ins, framed

Rachel Ann Grigor, artist signed Limited Edition etching, ' From The Weir ',No.4 of 20 dated 1987, 10ins x 11ins, framed

Rachel Ann Grigor, artist signed Limited Edition etching, ' Shearwater ' No.5 of 20, dated 1987, 12ins x 9.5ins, framed

Limited Edition etching, ' St. Nectan's Glen, Tintagel ', signed N. Grafton, 9.5ins x 12.5ins, gilt framed

Published by: Vollaard from the etching series "bible", number 15 in that series.Provenance: kunsthandel Borzo- Den Bosch.I.: 29 x 23 cm / frame: 49 x 41,5 cm.

Signed and dated (in the image), etching, 19th-century print by Armand-Durand, with stamp Blue fox, and numbered 1/100 and annotated B. 233. (= Bartsch 233). With certificate Blue Fox Holland. Meas. 14,5 x 20,8 cm.

Local Bristol Interest - A large Victorian 19th century etching depicting St Mary Redcliff Church, Bristol. Frames and glazed. Measures 86cm x 63cm. 

A pair of 19th century Victorian etchings and lithograph. Etching to depict Newlyn harbour and being signed in pencil by the artist. The lithograph to depict the 'Great Eastern' on a voyage to New York. Both framed and glazed. Measures 51cm x 56cm 

Kosta Boda small vase with etching of a girl

Pencil signed etching of Dedham, and a coloured print of the Middlesex Hospital

Frank Brangwyn (1867-1956), etching, St. Peter's of the Exchange, Genoa, signed in pencil, 23 x 26cm

William Walcot RE, RBA (1874-1943), dry point etching, "Bull fight, Seville", signed in pencil, 14.5 x 34cm

John Hoskin (1921-1990), etching, 'Saluté Steps, Venice', monogrammed and inscribed 2/20, 15 x 13cm

Three assorted etching by A.H. Hague, S. Green and F. Robson, largest 26 x 18cm

Michael Blaker (1928-), coloured etching, Barge on the Medway, signed in pencil, 38/150, 27 x 37cm

Frank Brangwyn (1867-1956), etching, The Salute from the Giudecca, signed in pencil, 28 x 36cm

Frank Brangwyn (1867-1956), etching, Figures on a tree lined road, signed in pencil, 45 x 48cm

Of Local / Advertising Interest - An early 20th century glass bottle having acid etching lettering reading " Property of H W Carter & Co Ltd Bristol - Must be returned for credit. Measures 37cm.

Old Etching rowing boat on river signed J Robb .

Early etching depicting river and tree scene signed by artist .

Robert Herdman-Smith (British 1879-1945): 'The Cha Kau Players' 'The Cult Shrine' 'The Batwing Sail' and 'The Jetty', set four hand-coloured etching signed and titled 18cm x 23cm (4)

David Koster (British 1926-2014): 'Spring Creations', coloured etching signed titled and numbered 36/150, 21cm x 16cm

David Koster (British 1926-2014): 'Mountain Pansies', coloured etching signed titled and numbered 70/150, 21cm x 16cm

Paul Ritchie (Scottish 1948-): 'Sutherland Falls', limited edition colour etching signed in pencil and numbered 7/50, 30cm x 15cm