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Lot 241
Grahame,Kenneth, 'The Wind in the Willows' Centenary Edition, October 1908, 'This Centenary Edition of Kenneth Grahame's The Wind in the Willows is limited to 1000 copies, each with an original copperplate etching', signed and numbered by the artist October 2008. (B.P. 21% + VAT) Very good condition, no obvious damage.
Lot 541
After Herbert Thomas Dicksee (1862-1942),"Head Of A Lion",Etching,Initialled "HD" to the plate, named, titled and dated "1891" to label verso,29cm x 21.5cm,Framed and glazed,With "His Royal Highness", Etching on paper published by The Art Journal, Initialled "HD" to the plate, named and titled to lower margin, 28.5cm x 19.5cm, Framed and glazed (2)
Lot 384
William Blake (1757-1827)/The Vision of God/an illustration from the Book of Job, plate 17/published 1826, edition of 100/etching, 22cm x 17cm/Provenance: Anthony Hepworth Fine Art/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com
Lot 113
William Lionel Wyllie (1851-1931) 'Unloading the Catch at St Michael's Mount', c.1900 drypoint etching, signed 'W L Wyllie' l.l., inscribed as titled and dated on label verso image 14 x 23cmCondition report: Housed in an acidic mount causing yellowing to the edges of the sheet, light rippling to the paper, otherwise condition is fine.
Lot 114
Frederick Landseer Griggs (1876-1938) 'Epiphany', 1918 (Comstock, 23) etching, inscribed 'To M.C. Gere from F.L. Griggs' in pencil, from an edition of 93 sheet 23.3 x 18cm, unframed The plate was not published, but was presented to Griggs' friends after the end of the First World War. The inscription is the first and second antiphons from the First Vespers of Christmas in the Roman breviary and reads: 'The King of Peace, whom the whole world desireth to see, hath shown his greatness; The King of Peace hath shown his Greatness above all the kings of the whole world.'. (Comstock)Condition report: The sheet is attached with two pieces of tape to the mount, some light soiling and a few areas of light foxing emerging, an old horizontal crease along top margin but this is well outside of the plate mark.
Lot 115
Frederick Landseer Griggs (1876-1938) 'Palace Farm', 1920 etching, signed 'F.L. Griggs' in pencil l.r., second state from an edition of 55 sheet 13.5 x 18.2, unframedCondition report: The sheet has been cut out close to the plate mark and stuck down flat onto card, it is mounted, there is time staining to the sheet rendering it an off-white tone, specks of foxing emerging.
Lot 117
*Gerald Leslie Brockhurst (1890-1978) 'Anais II', 1930 etching, signed in reverse in plate l.r., last state of eight, outside of the published edition of 111 plate 22.5 x 17.5cm This is a portrait of the artist's first wife, Anais. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, the work appears to be in good condition.
Lot 118
Seymour Haden (1818-1910) 'Shere Mill Pond No.1', 1874 etching, signed in pencil l.r., also signed in plate, fourth state of five plate 11.5 x 16.5cm, unframedCondition report: Printed on thin japon paper, taped to mount top corners, light time staining but generally good condition. Sheet 16 x 20.5cm
Lot 123
*Edward Julius Detmold (1883-1957) A scarlet macaw on a branch etching and aquatint in colours, signed 'E J Detmold' and numbered 4/12 in pencil plate mark 48.5 x 37cm, unframed *Artist's Resale Right may apply to this lot.Condition report: On very thin paper. Paper attached to back of mount. Foxing and staining obvious on border of print and mount. There are some spots of foxing to print, but in my opinion this does not
Lot 20
*Julian Trevelyan RA (1910-1988) 'The Bat' etching with debossing and gouache hand-colouring, signed 'Julian Trevelyan' in pencil l.r., inscribed as titled, dated '1936' and numbered 24/25 20 x 35cm *Artist's Resale Right may apply to this lot.Condition report: Foxing in the top half of the print, this causes brown stains in the grey area of the print which can be seen when looking under a bright light, some light undulations to the paper, please refer to images for detail; however, margins are clean and bright, and the print well-presented in mount and frame.
Lot 46
*Anthony Gross (1905-1984) 'Naaf River Arakan' etching, signed in plate 'A Gross' and inscribed as titled in plate plate 11.2 x 19.5cm *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, but appears to be in good condition. Some light dirt to the glass, otherwise well-presented.
Lot 80
*Stanley William Hayter (1901-1988) 'Sun Dancer' engraving and soft ground etching in colours, c.1951, signed 'S W Hayter' and numbered 19/200 in pencil image 42 x 26cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper overall a light orange/brown in colour. A few tiny spots of foxing.
Lot 150
Phil Greenwood, by and after, 'Stone Pool', signed, dated '71, titled, and numbered 12/50, in pencil to margin, coloured etching, 43cm x 32.5cm; Christopher Penny, by and after, 'Alfriston Clergy House', signed, titled, and numbered 179/250 in pencil to margin, coloured etching, 28cm x 38cm, (2). Provenance: collection label to verso
Lot 152
Moira Clark, by and after, 'View from the Kitchen', signed, titled, and numbered 5/10, in pencil to margin, coloured etching, 25cm x 22cm; Di Morris, by and after, 'The Righteous King', signed, linocut, 41cm x 30.5cm; G. Clements, by and after, 'Town Trees III', signed, titled, and numbered 3/5 artist's proofs, in pencil to margin, lithograph, 50cm x 50cm, (3). Provenance: collection label to verso
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