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71174 item(s)/page
Lot 1
*Caricatures & satirical engravings. Vernet (Carl, after), Les Aveugles, c.1830s, hand coloured etching, approx. 290 x 395 mm, together wine two finely hand coloured aquatints of Swiss girls in regional dress, each approx. 155 x 115 mm, a hand coloured etched caricature of Wellington entitled 'The Man Wot Drives the Queen', pub. E.King, April 1829 and measuring approx. 340 x 240 mm, plus others similar (approx. 35)
Lot 1
*Mason (Frank H., 1876-1965). Sailing boats in calm waters, etching, signed in pencil, plate size approx. 165 x 213 mm (6.5 x 8.5 ins), together with Whitby Abbey with town below, etching, signed in pencil, plate size approx. 160 x 110 mm (6.25 x 4.25 ins), plus Birchall (William Minshall, 1884-1941), H.M.S. Monarch, 1919, watercolour with traces of pencil, on paper, heightened with bodycolour, signed, titled and dated, approx. 210 x 310 mm. (8.25 x 12 in.), and an orig. pencil sketch, attributed to Paul Sandby (1725-1809) showing a manor house amongst trees, sheet size approx. 117 x 186 mm. (4.5 x 7.25 in.), all framed and glazed (4)
Lot 1
*Military. Dixon (Robert, after), 'To the Officers and Volunteers of the Norwich Rifle Corps, This Plate of their Uniform is most respectfully Dedicated by their obliged Comrade, pub. R.Dixon, 15 October, 1804, hand coloured soft-ground etching by E.Bell, one small closed tear, somewhat toned, approx. 475 x 310 mm, framed and glazed See illustration inside rear cover of this catalogue. (1)
Lot 1
*Napoleonic Wars. Bowyer (R., pub.), 'Precipitate Flight of the French through Leipsic Pursued by the Allied Armies, 19th October 1813', pub. 1815, hand coloured aquatint, vertical crease where previously folded, approx. 305 x 520 mm, together with Bertaux (Duplessis, after), Bataille D'Austerlitz, contemp. hand coloured soft-ground etching with aquatint, approx. 365 x 460 mm, and Atkinson (J.A.), Baggage Waggon, pub. William Miller, 1 January, 1807, hand coloured aquatint, image approx. 225 x 345 mm, plus C.H.S., An Officer, Private & Driver of the Royal Waggon Train, pub. Colnaghi & Co., 1 April, 1812, hand coloured aquatint, plate dimensions approx. 220 x 310 mm, and two others including a large hand coloured maritime engraving in poor condition and an engraved view of St. Petersburg, most mounted (6)
Lot 1
William Lionel Wyllie (1851-1931) - Artist’s proof drypoint etching - “The Tower of London” - View of the River Thames with steam ships, tugs and lighters to foreground and the Tower of London to background, 9.75ins x 14.5ins, signed in pencil to lower left margin, in contemporary ebonised frame and glazed Illustrated
Lot 1
Gertrude Ellen Hayes 1872-1956- 'Grope Lane, Shrewsbury'; etching, signed in pencil, 25x15cm: John L Roget 1938-1908- 'Houses Near Welsh Bridge, Shrewsbury'; watercolour: Randall late 20th century- Farm yard; watercolour, signed: together with five other watercolours and prints by and after different hands, (7)
Lot 1
Soichi Hasegawa, b.1929- 'Ete en Touraine'; etching with aquatint printed in colours, signed, titled and numbered 79/110 in pencil, 53x63.5cm: together with two other etchings in colours by the same hand titled 'Lumiere Astrale', signed titled and numbered 88/110 and 'Songe Oceanique', signed titled and numbered 2/110, both 54x65cm., (3)
Lot 1
India-Jane Birley b.1961- 'Study of a Torso'; pencil, 28.5x42cm. Provenance: with David Kerr Fine Art, London according to label attached to the reverse: Erik Desmazieres, late 20th century- 'Atelier de Marc Antoine'; etching, signed, titled and dated 1986, 64x50.5cm: J Hatthaway, late 20th century- Studio interior; pencil and charcoal, signed and dated 88, 99x69.5cm., (3)
Lot 1
After William Banks (Scottish) 19th century- 'Views of the English Lakes'; Publ: by J Garnet, Windermere, line engravings, set of 30 in a bound volume, 15x22cm: Anthony Waterloo c.1610-1690- Pan and Syrinx; etching, initialed within the plate, 29x24cm: together with nine further 18/19th century prints, scrapbooks and books to include 'The English Struwwelpeter', and 'Kate Greenaway', (11) (part unframed)
Lot 1
Thomas Rowlandson 1756-1827- Title page of 'The Caricature Magazine or Mirror of Mirth being a Collection of Humorous & Satirical Caricatures', publ by Thomas Tegg, No 111 Cheapside; hand-coloured etching, 35x24cm: together with a small quantity of hand-coloured aquatints by Rowlandson, publ by Ackermann's, including nine prints from Dr. Synatax publ May 1 1812 and three others, (a lot)
Lot 1
Tom Whitehead 1886-1959- 'Three Nuns'; hand-coloured etching, signed in pen, 17.5x25cm: Robert Wallace Hester b.1866- Two puppies and a basket, after E Cladwell, publ May 2nd 1891 by J P Mendoza King St St James'; etching, signed by both print maker and artist in pencil, 22x27cm: After Sir William Orpen 1878-1931- 'The Breeze' and 'The Draughtsman and his Mode'; reproduction prints, printed signature on each, (4)
Lot 1
*Paton (Frank, 1856-1909). 'A Deep Dream of Peace', a study of young foxhounds surrounded by eight vignettes showing various sporting activities including polo, shooting, hunting, horse racing, etc., etching, signed in pencil, approx. 210 x 260 mm, together with two similar etchings signed by Paton and two further items of Grand National and shooting interest (5)
Lot 1
*Yorkshire. View of Hornby Castle, Yorkshire, 1849, watercolour, unsigned, approx. , framed and glazed (1) #100-150 62. *English School. Rural landscape with figures and cows by a lake, early to mid-19th c. gouache on paper, unsigned, approx. 205 x 335 mm (8 x 13 ins), framed and glazed, together with a watercolour study of a barn signed Mimpriss, and dated 1946, and an etching of Merton College, Oxford, by Ferdinand Giele (1867-1929), signed, titled and numbered 32/75, both framed and glazed (3)
Lot 1
*Simpson (Edwin, 20th century). The Potting Shed, oil on canvas, signed, approx. 240 x 350 mm, together with Mould (C.J.), Study of a young woman in a feathered hat, pencil, signed and dated 1913, approx. 385 x 255 mm, a sepia etching after Gainsborough, a marine watercolour and other drawings and prints including a Victorian group portrait of the Stafford family, mostly framed and glazed (11)
Lot 1
*Warren (Judith, late 20th c.). The Cockerel, pen, ink & watercolour of a cockerel amongst trees and undergrowth, signed and dated October 94, with artist's inscription to verso, approx. 550 x 420 mm (21.5 x 16.5 ins), framed and glazed, together with Wesselman (Frans, late 20th c.), 'Parrots', colour etching, signed, titled and numbered 18/50 in pencil, plate size approx. 290 x 295 mm (11 x 11.5 ins), framed and glazed, plus Knowland (D. G., 20th c.), Garden landscape with hills beyond, oil on canvas, signed, approx. 500 x 750 mm (19.75 x 29.5 ins), framed, and four others, various, including three small oils and an aquatint of Silkie bantams, all framed (7)
Lot 1
*Piranesi (Giovanni Battista). Joannis Baptistae Piranseii Antiquariorum Regiae Societatis Londinensis Socii Campus Martius Antiquae, Romae, 1762, uncol. etched title page, approx. 50 x 33.5 cm, some minor spotting, mainly to margins, together with Stylobata Columnae cochliodis Imp. Cae. M. Aurelii Antonini... , [1762], uncol. etching, approx. 19 x 29 cm, some minor scattered spotting, plus one other by Piranesi, all framed and glazed Ficacci 483 & 488. (3)
Lot 1
*Badmin (Stanley Roy, 1906-1989). Richmond Bridge, Surrey, etching, signed, titled, numbered 3/50, and additionally inscribed 'With Best Wishes', some light mount staining and a few foxing marks to margins, image size approx. 110 x 162 mm (4.25 x 6.5 ins), sheet size approx. 240 x 305 mm (9.5 x 12 ins), framed and glazed (1)
Lot 1
*Cain (Charles William, 1873-1962). Middle Eastern bazaar, uncol. etching, signed in ink, plate size approx. 250 x 372 mm (10 x 14.75 ins), wide margins, mounted, together with another etching by the same artist, entitled the Date Pickers, signed and titled in pencil, plate size approx. 110 x 215 mm (4.25 x 8.5 ins), with margins (2)
Lot 1
*Cameron (Sir David Young, R.E.). Old Houses on South Side of Rotten Row, Glasgow, 1899, uncol. etching, signed in pencil by the artist, approx. 13 x 16 cm, together with Davis (Phillip W.), The Flower Market, Munich, 1926, uncol. etching, signed in pencil by the artist, approx. 18.5 x 24.5 cm, plus Wilson (Edgar), The Main Street, Kingshead, early 20th c., uncol. etching, signed in pencil by the artist, approx. 13 x 18 cm, and one other (4)
Lot 1
*Cobb (Victor Ernest, 1876-1945). 'The Geelong Grammar School, Corio', 1931, etching, signed, titled and numbered 9/85 in pencil, plate size approx. 190 x 380 mm (7.5 x 15 ins), with margins, framed and glazed Victor Ernest Cobb was born in Melbourne, and studied at the National Gallery School under L. Bernard Hall. His reputation is based on his etchings of the architectural features of Melbourne, including views of the city, as well as coastal and countryside scenes. (1)
Lot 1
*Ditchfield (Arthur, 1842-1888). A collection of approx. eighty-five etchings, mostly landscapes and coastal scenes, etc., including duplicates, printed on various papers, including india paper, some marked in pencil (probably by the artist), with the etching state, a few marked 'printed by Mrs Edwards' or similar, various sizes, approx. 260 x 295 mm (10.25 x 11.5 ins), and smaller (approx. 85)
Lot 1
*Dodd (Francis, 1874-1949). Strand with Sky, uncol. etching, approx. 35 x 25 cm, together with Wright (C. Octavius), Abingdon, 1915, approx. 20 x 30 cm, plus Bentley (Alfred), Morlaix, Brittany, uncol. etching, approx. 19 x 33 cm, and thirteen other various etchings, all but one signed in pencil by the artist, all framed and glazed (16)
Lot 1
*Drury (Paul, 1903-1987). Ruins of St. David's, 1927, etching, signed and dated in pencil, plate size approx. 175 x 220 mm (7 x 8.5 ins), with margins, in good condition, together with an etched portrait of an old man wearing a hat, signed and dated '25, plate size approx. 90 x 90 mm (3.5 x 3.5 ins), with wide margins, in good condition, both mounted (2)
Lot 1
*Dunoyer de Segonzac (Andre, 1884-1974). Paysage, etching, signed and numbered 14/50 in pencil, plate size approx. 100 x 142 mm (4 x 5.5 ins), with margins sheet size approx. 250 x 325 mm, (10 x 13 ins), one or two minor marks to margins, framed and glazed Provenance: From the collection of Roger Fry; given by S. M. Fry to Mary Fisher, with inscription in ink to verso 'Segonzac Paysage from S. M. Fry, a memory of Roger Fry to whom it belonged, Xmas 1936'. (1)
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71174 item(s)/page