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Lot 113
Winifred Marie Louise Austin RI RE - `Hole in the Ice`, tufted ducks on marshland, black and white dry point etching, signed in pencil in the margin, 18cm by 29cm, inscribed title label to verso; Ducks in Flight, black and white dry point etching, signed in pencil in the margin, 23cm by 30cm; a Cock Pheasant in Flight, black and white dry point etching, signed in pencil in the margin, 25.5cm by 23cm (3 - all in ebonised frames)
Lot 597
REGINALD GREEN - artist`s proof etching "Minehead Church Steps" signed and titled in pencil; MARCEL AUGIS - Eglise de Loo Belgique 1916, aquatint, signed and titled in pencil and another Rouen; J DAVRIL - Rouen, aquatint, signed and titled in pencil and a small etching of Lynmouth, all unframed (5)
Lot 2
* Bowles & Carver (publishers). ‘Quarrelsome Taylors or two of a Trade Seldom Agree’, n.d. c.1790, mezzotint ‘droll’ with original watercolour and gouache hand colouring, trimmed to margins, 340 x 250mm, contemp. carved frame, together with, Black Eyed Susan, n.d. c.1810, uncoloured stipple engraving, trimmed to image, lacks title and letters, 315 x 305mm, near contemp. frame, with, Bretherton (Charles), The Sailors Return from Portsmouth to London, pub. J.Bretherton, March 2nd. 1772, [but later impression], uncoloured etching, 220 x 320mm, framed and glazed (3)
Lot 3
* Bunbury (Henry William). The Damnation of Obadiah, pub. W.Bunbury , 1798, etching with original hand colouring, engraved by J.Bretherton, trimmed to image, 255 x 380mm (10 x 15 inches), framed mounted and glazed. One from the series of illustrations to ‘Tristram Shandy’.Not examined out of frame. (1)
Lot 4
* Cruikshank (George). The Hobby Horse Dealer, pub. G.Humphrey, July 25th 1819, etching with original hand colouring, trimmed to image and laid on later paper, 250 x 355mm, together with, Pyall (Henry), The Cut Celestial, pub. Thos. McLean, 1827, aquatint on wove after ‘M.E.’, original hand colouring, seven lines of humorous verse below image, two closed marginal tears not affecting image, 345 x 250mm, with, Mr. Mathew’s “At Home”, “I Like fun - Let’s have some fun”. pub. Thos. McLean, 1826, aquatint engraving with original hand colouring, laid an an album page, 300 x 200mm, with two others similar (5)
Lot 6
* Cruikshank (Isaac Robert, 1786-1856). Johny Bull giving Boney a Pull, pub. Ackermann’s Gallery, August 7th. 1803, etching with original hand colouring, 240 x 340mm, mounted, framed and glazed, together with Gillray (James), Temperance enjoying a Frugal Meal, pub. H.Humphrey, July 28th 1792 [but later state], hand coloured etching, trimmed to image and laid on card, 355 x 280mm, mounted framed and glazed (2)
Lot 11
* Rowlandson (Thomas attrib.). “How came you thus?”, n.d. c.1800, pen and watercolour drawing, signed in lower right corner, 205 x 175mm (8 x 6.75 inches), framed mounted and glazed, with caption in later brown manuscript on mount. Sold with etching on wove with early hand colouring, titled “How came you so?” inserted in sleeve on verso of frame. This image not recorded in Grego. (1)
Lot 14
* Rowlandson (Thomas). A Trip to Gretna Green, pub. T.Rowlandson October 25th 1811, etching with original hand colouring, occ. spotting, two marginal closed tears, repaired, 345 x 230mm (13.5 x 9 inches), framed, mounted and glazed. A pretty young girl and an army officer are married in the open air outside the Blacksmith’s shop at Gretna Green. The elderly snaggle-toothed presiding cleric with wig askew, pince-nez and frayed top coat is in direct contrast to the very handsome couple. The drama is witnessed by a grinning coachman, who is possibly a faithful servant who has driven the eloping couple to this hurried matrimonial rendezvous. (1)
Lot 52
* The Duke of Rutland Alais (Alfred Clarence). Untitled shooting engraving, pub. Henry Graves & Co., January 13th. 1879, hand coloured mixed method engraving on india wove after Francis Grant, proof before title, 625 x 795mm, together with, Smith (Alfred), The Egg Gatherers, n.d. c.1870, etching before mezzotint on india wove after James Clarke Hook, proof before title, 760 x 540mm (2)
Lot 66
MARIAN KRATOCHWIL (Polish, 1906-1997) `Don Quixote and Sancho Panza`, signed in pencil lower right and inscribed `Warszawa 1936` lower left, drypoint etching, 14 1/2" x 19 1/2" This and a dozen other prints on similar subjects were made by the artist in London 1961, from plates he had designed in Poland before the war.
Lot 80
MARIAN KRATOCHWIL (Polish, 1906-1997) Don Quixote and Sancho, signed lower right and inscribed `Warsawa 1936` lower left, drypoint etching, 5" x 7", together with two silk screen prints in red of scenes from Don Quixote, each signed and dated `Marian 1951` lower right, unmounted and unframed (3)
Lot 337
EDGAR WILSON (British, 1861-1918) `Thames from the Monument`, 7/30, signed and numbered in pencil lower left and titled lower right, etching, 6" x 11 1/2"; Edwin Charles Pascoe Holman (British, 19th/20th Century), Moonlit Pines, Dorset, signed lower right and titled lower left, etching, 5" x 6 3/4" and two further prints (4)
Lot 94
Prout (Samuel). [Picturesque Delineations in the Counties of Devon and Cornwall, pub. T. Palser, 1812], lacks title page at front, twenty-three plates (containing seventy illusts.) in soft-ground etching, mostly picturesque and rustic subjects, including castles, cottages, views in Devon and Cornwall, river scenes, boats and shipping, without letterpress, occn. minor marks and soiling, mostly to margins, short closed tear to fore-margin of final plate, not affecting image, orig. calf backed plain boards, soiled and marked, some wear to edges, large oblong folio (1)
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73306 item(s)/page