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Click here to subscribeAFTER HENRI JOURDAIN "Agricultural buildings and lock" colour etching No'd 128, signed lower right 58 cm x 46.5 cm together with a collection of various paintings and works of art by PRESILEY SIKES (NEE INCHBALD) AKA LUMLEY SAVILE mainly South African subject matter etc together with a framed print of lions etc (23)
Group of assorted prints and furnishing pictures to include: etching of a ballet dancer signed by Graham Clilverd, folio of modern Heath Robinson prints, portrait of Nijinsky after John Singer Sargent, print of 'My Friend Maier', by Rick Bower coloured print, signed in pencil by the artist together with a study of Cilgerran Castle in watercolours. Framed and glazed. (6) (B.P. 21% + VAT)
Herbert Thomas Dicksee RE (1862-1942)'On Velvet', a puppy sleeping original etching on vellum,1922, signed in pencil l.l., with blind stamp, edition limited to 325, published by Frost & Reedimage 23 x 38cmCondition Reportoverall: 52 x 69.5cmSome light time staining and rippling. Unexamined out of glazed frame.
Herbert Thomas Dicksee RE (1862-1942)'The Flight into Egypt', after S H Vedder (1833-1880)etching on wove, published by Arthur Lucas, London, 1900image 44 x 68cmCondition ReportOverall 73.5 x 97.5cmSome time staining and light foxing. with handling creases to the margins.Unexamined out of glazed frame.
Collection of late 19th/early 20th century bookplates, variously etching and drypoint, etching and aquatint, engraving, to include 'George Frederick Ernest Albert, Prince of Wales', 'Herbert John Gladstone', 'William Bottomley', 'Lady Marjorie Binney' and a quantity of unframed engravings to include 'A Mandarin Administering Justice' by T Wallis after W M Craig and 'A Person of Rank in Congo Carried by His Slaves' (1 folder). 40+ items.
BRYAN INGHAM.* 'Sowerby, North Yorkshire'. Etching. Signed & dated 1973. Artist's proof No.1. (A/P I). 54 x 69cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
*George Soper (British 1870-1942), The Count, dry point etching, signed bottom right, the left dated 1919, framed glazed and mounted, frame size 45cm x 36cm *ARR may apply to this lotFoxing and staining to the mount, possibly water damage to the top section, minor wear to both corners, pease see images attached.
Edmund Blampied, Jersey 1866-1966 - Absent-Minded; pencil on paper, signed and titled lower right 'E. Blomfied Absent-minded', 27.6 x 20.8 cm: together with an etching on paper by the same artist, 'Un précieux, 1936', signed and numbered '2/56' and signed again and dated in the plate, image size 30 x 22.2 cm (2) (ARR)
AFTER JOHN EVERETT MILLAIS 'FOR THE SQUIRE' A MEZZOTINT PRINT, engraved by George H. Every, the mount has cut apertures bearing pencil signatures of Millais and Every, label for Thomas Agnew & Sons verso, approximate size including frame 67cm x 54cm, together with a Hans Hering pen and ink sketch depicting a landscape with letter or poem verso, a signed Heaton Cooper print with personal inscription verso 'To Jennifer with all good wishes for Christmas 1948, from all the Heaton Coopers', an etching by Tianey Timec depicting a water buffalo, a small early 20th century painting on wood depicting a religious figure, late 19th century handmade needlepoint picture etc (box and loose)
â–´ James McIntosh Patrick RSA (1907-1998)'The Three Sisters, Glencoe', 1928drypoint etching, signed 'McIntosh Patrick' and inscribed with title in brown ink plate mark 18 x 25cmProvenance: With the Fine Art Society, London, May 1997.Condition ReportFramed size 36 x 42cmNot viewed out of glazed frame. Paper overall stained brown, foxing. Pin holes to lower margin near mount.
â–´ Gerald Leslie Brockhurst RA (1890-1978)'Aglaia'etching, 1926, signed 'GL Brockhurst' in pencil l.r. and in reverse in plate l.l.plate 13.8 x 10.4cmCondition ReportFramed: 40 x 30cmLight time staining with two small brown spots to the upper right corner near the plate edge. Unexamined out of glazed frame.
â–´ James McBey (1883-1959)'Rouen'etching, signed 'James McBey' in pen l.r., and numbered 'XXXV' l.l., also signed, inscribed with title and dated 1916 in plateplate 16.5 x 36cmCondition ReportFramed: 37 x 54.5cmSome light time staining. There are small indentations to the paper visible throughout the sky. Unexamined out of glazed frame.
â–´ James McBey (1883-1959)'Macduff'etching, signed 'James McBey' in pen l.r., and numbered 'IX' l.l., also signed, inscribed with title and dated 1921 in plateplate 30 x 18.5cmCondition ReportFramed: 50 x 37cmTime staining with some small specks of light surface dirt. Unexamined out of glazed frame.
â–´ James McBey (1883-1959)'Avila'etching, signed 'James McBey' in pen l.r., and numbered 'IX' l.l., also signed, inscribed with title and dated 1911 in plateplate 17 x 27.5cmCondition ReportFramed: 37.5 x 46cmLight time staining with a couple of spots of foxing starting to emerge. Unexamined out of glazed frame.
â–´ Norman Ackroyd RA (b.1938)'The Flannan Isles - Roariem'etching and aquatint, signed and dated 'Norman Ackroyd 12' in pencil l.r., inscribed as titled and numbered '12/90'plate 32 x 50cmExhibited: Royal Academy of Arts, London, Summer Exhibition, 2014, cat no.176.Condition ReportFramed: 57 x 74.5cmSome light time staining. Well presented and ready to hang. Unexamined out of glazed frame.
Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) Oil on Canvas. Signed and dated (1942) lower left. Artist to the Mobile, Alabama Museum of Art. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 19.75 x 15.5 in. Overall Framed Size: 23.5 x 19.5 in. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life?s collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition.
Johnny FRIEDLAENDER (1912 - 1992). 8 Blatt aus "Paare"50 cm x 33 cm Blattgröße. Je Graphik / Druck / Aquatinta - Radierung? Edition 95 Abzüge. Je handsigniert. Referenz: Schmuckling 419 - 426. Siehe auch "Paare und Blumen (1971)". Zustand siehe Fotos. Leicht lichtrandig nach alter Passepartoutfassung. Nicht ausgerahmt. Versand kann organisiert werden.Johnny FRIEDLAENDER (1912 - 1992). 8 sheet from "Couples". Each graphic / print / aquatint - etching? Edition 95 prints. Each signed by hand. Reference: Schmuckling 419 - 426. See also "Couples and flowers (1971)". Condition see photos. Lightly light-margined after old mount. Not unframed. Shipping can be organized.
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