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Click here to subscribeδ Salvador Dalí (1904-1989)Portrait aux Signatures (Field 73-1-N)Etching with aquatint and pochoir colouring, 1971, signed in pencil, numbered from the edition of 200, on Richard de Bas handmade paper, with full margins, sheet 655 x 510mm (25 ¾ x 20 1/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong PlateEtching, drypoint and engraving, circa 1639, a good but 18th century impression of New Hollstein's third state (of five), with the small cross in the lower left but before later rework, on laid paper without watermark, sheet 215 x 289 mm (8 1/2 x 11 3/8 in), thread margin or trimmed just within the platemark, small repair to perforation in the upper left quadrant (unframed)Literature:New Hollstein 184 iii/v
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on buff wove paper without watermark, sheet 151 x 116 mm (6 x 4 1/2 in), thread margins, small area of restoration just below Lazarus, fine split/printers' crease running from upper centre diagonally left, upper centre with small careful restoration to margin (unframed)Literature:New Hollstein 206 ii/ii
** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's sixth state (of eight), with the address of Justus Danckerts coarsely burnished out but before the addition of the 'Lamoureux' address in the lower right corner, an evenly printed impression on cream wove paper without watermark, some signs of wear in the plate but before later rework, platemark 530 x 410 mm (20 7/8 x 16 1/8 in), sheet 620 x 480 mm (24 1/2 x 18 7/8 in), repaired marginal tear in the lower right corner, old folds within the margins, some toning and scattered light spotting (unframed)Literature:New Hollstein 119 vi/viii** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Pablo Picasso (1881-1973)La Sauterelle (Blcoh 358, Baer 605 II A/C)Aquatint with etching, 1936, a fine richly inked proof impression with the title printed and before steel-facing and the bevelling of the plate, signed in red crayon, one of 5 impressions in this stated as cited by Baer, on Montval laid paper, with full margins, sheet 444 x 335mm (17 ½ x 13 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Georg Baselitz (b.1938)Baume (Trees) (Jahn 140)Etching with drypoint, 1974, signed and dated in pencil, a proof aside aside from the edition of 30, on Chine-colle on Fabriano hand-made paper, with full margins, sheet 700 x 500mm (27 1/2 x 19 2/3in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh')Etching with drypoint, 1655, but a later albeit very good impression from the cut plate, probably New Hollstein's fourth state (of 6), on laid paper with possible indistinct watermark, sheet 95 x 71 mm (3 3/4 x 2 3/8 in), trimmed within the image, old folds visible (unframed)Literature:New Hollstein 292 iv/vi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Five impressions of the etching, 1873, all from the posthumous edition printed after 1906, on laid paper, with full margins, each sheet 250 x 165mm (9 7/8 x 6 ½ in) (unframed)Saleroom notice: Please note there are five impressions included in this lot.Please note there are five impressions included in this lot.
δ Pablo Picasso (1881-1973)Le Bellier (Blcoh 349, Baer 579 II A/C)Aquatint with etching, 1936, a fine richly inked proof impression with the title printed and before steel-facing and the bevelling of the plate, signed in red crayon, one of 6 impressions in this stated as cited by Baer, on Montval laid paper, with full margins, sheet 444 x 335mm (17 ½ x 13 1/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Katherine Bradford (b.1942)Two BathersEtching printed in colours, 2013, signed and numbered from the edition of 10 in pencil, on wove paper, with full margins, 460 x 406mm (18 1/8 x 16in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Simone Cantarini (1612-1648)Rest on the Flight into EgyptEtching, circa 1630-1648, a very good impression of the only state on thick laid paper without watermark, sheet 227 x 173 mm (8 7/8 x 6 3/4 in), small margins, some wiping marks and scattered surface dirt and browning (unframed)Literature:Bartsch 5; Massari 1997, no. 17
δ D*Face b.1978Death and GloryEtching with aquatint and hand-colouring, 2007, signed and numbered from the edition of 50 in pencil, on wove paper, published by Black Rat Press, London, with margins, sheet 580 x 560mm (22 3/4 x 22in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Salvador Dalí (1904-1989)Don Juan. Le Banquet (Field 70-6-B)Etching with pochoir colouring, 1970, signed in pencil, numbered from the edition of 250, on Arches paper, with wide margins, sheet 660 x 445mm (26 x 17 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Salvador Dalí (1904-1989)Vigor of Youth (Field 79-1-A)Etching printed in colours, 1977, signed and inscribed H.C. in pencil, an hors commerce impression aside from the edition of 200, on Arches paper, with full margins, sheet 315x435mm (12 3/4 x 17 1/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)The Legacy (Field 80-1-N)Etching with aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 125, as included in the portfolio Historia de Don Quichotte de la Mancha, published by Levine and Levine, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 760 x 565mm (29 7/8 x 22 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on wove paper without watermark, sheet 91 x 114 mm (3 5/8 x 4 1/2 in), trimmed to or just within the platemark, lower left corner with small loss to borderline, minor nicks to extremities (unframed)Literature:New Hollstein 128 iii/iv
Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good but later impression of the third state (of five), on laid paper without watermark, before re-work to the shadows and arch, sheet 167 x 126 mm (6 1/2 x 4 3/8 in), thread margin or trimmed just within the platemark, repaired split above the signature and minor restoration to lower right corner, faint damp-stain to upper quadrant, even toning and minor surface dirt (unframed)Literature:New Hollstein 243 iii/v
Rembrandt van Rijn (1606-1669)Christ at Emmaus: The Larger PlateEtching with drypoint, 1654, a very good but later impression of New Hollstein's fourth state (of five) before further rework, on laid paper without watermark, sheet 211 x 161 mm (8 3/8 x 6 3/8 in), thread margins, some faint signs of expert restoration to upper margin, not affecting the platemark (unframed)Literature:New Hollstein 283 iv/v
** δ Marc Chagall (1887-1985)Die Begierde II (Kornfeld 55)Etching with drypoint printed in red, 1925, signed in pencil, the edition was 33, on China paper, with full margins, sheet 250 x 190mm (9 7/8 x 7 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, a good but later impression of New Hollstein's third state (of four), some faint signs of burr visible, with the accidental scratch behind St Philip's head and with the small cross in the lower left corner, on laid paper without watermark, sheet 188 x 220 mm (7 1/4 x 8 3/4 in), expert restoration to blank area above horse at centre left, restored marginal loss to lower left and lower right corners, minor surface dirt (unframed)Literature:New Hollstein 186 iii/iv
δ Salvador Dalí (1904-1989)Don Quixote (Field 71-1-A)Etching printed in colours, 1971, signed in pencil, numbered from the edition of 100, on Auvergne hand-made paper, with full margins, sheet 790 x 573mm (31 1/8 x 22 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)San Francisco. City Hall (Field 70-4-A)Etching, a proof without the lithographic colouring, 1970, signed and inscribed E.A., an artist's proof there was an edition of 150 printed in colours, published by Jean Schneider, Basel, on BFK Rives paper, with full margins, sheet 660 x 500mm (26 x 19 ¾ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Abraham Francen, ApothecaryEtching, drypoint and burin, circa 1657, a good but later impression of New Hollstein's eleventh state (of twelve) before later reworking, on thin buff laid paper without watermark, platemark 160 x 206 mm (6 1/4 x 8 1/8 in), small repaired tear upper centre, even toning to sheet (unframed)Literature:New Hollstein 301 xi/xii
δ Salvador Dalí (1904-1989)Piensa en el Angelus de Millet (Field 77-3-40)Etching with aquatint with pochoir colouring, 1977, signed in pencil, numbered from the edition of 200, as included in Les Caprices de Goya, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 ½ x 12 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Nube Infinitesimal (Field 77-3-20)Etching with aquatint with pochoir colouring, 1977, signed in pencil, numbered from the edition of 200, as included in Les Caprices de Goya, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 ½ x 12 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)The Mirror of Chivalry (Field 80-1-I)Etching with aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 125, as included in the portfolio Historia de Don Quichotte de la Mancha, published by Levine and Levine, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 760 x 565mm (29 7/8 x 22 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)Zootrope et Tour Boullée(Field 73-20-IJ)Etching printed in colours with engraving, 1973, signed in pencil, numbered from the edition of 210, as included in the portfolio Dix Recettes D'Immortalité, published by Audouin-Descharnes, Paris, on Auvergne Vélin Narcisse Richard de Bas with a watermark designed by the artist, the full sheet printed to the edges, sheet 393 x 570mm (15 ¾ x 22 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, but a later impression of New Hollstein's second state (of two), delicate details printing clearly with good contrasts, on wove paper without watermark, sheet 95 x 144mm (3 3/4 x 5 7/8 in), trimmed to platemark with some thread margins, small marginal nicks and loss to upper left and lower right corner (unframed)Literature:Hind 277; New Hollstein 281 ii/ii
Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a later impression of New Hollstein's final state (of 5), on ivory laid paper without watermark and printing with plate tone, platemark 104 x 128 mm (4 1/8 x 5 in), sheet 114 x 140 mm (4 1/2 x 5 1/2 in) (unframed)Literature:New Hollstein 251 v/v
δ Salvador Dali (1904-1989)Marguerite (Field 69-1A; M&L 298k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 145, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Stanley William Hayter (1901-1988)Rideau (Black and Moorehead 388)Engraving, etching, and soft-ground etching printed in colours, 1976-1977, signed, dated and inscribed 'Trial Proof' in pencil, a proof aside from the edition of 75, on Rives BFK paper, printed by Hector Saunier, with full margins, 750 x 535mm (29 1/2 x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Salvador Dalí (1904-1989)San Francisco. Chinatown (Field 70-4-D)Etching, signed and inscribed E.A. in pencil, an artist's proof before the colour plate, on BFK Rives paper, with full margins, 650 x 495mm (25 5/8 x 19 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669) Old Bearded Man in a High Fur Cap with Eyes ClosedEtching, circa 1635, but a later impression on laid paper without watermark, platemark 111 x 102 mm (4 1/4 x 4 in), sheet 122 x 110 mm (4 3/4 x 4 1/4 in), minor even toning, some minor wear within the plate (unframed)Literature:New Hollstein 148 iv/iv
δ Salvador Dalí (1904-1989)Querubines (Field 77-3-32)Etching with aquatint with pochoir colouring, 1977, signed in pencil, numbered from the edition of 200, as included in Les Caprices de Goya, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 ½ x 12 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dalí (1904-1989)The Golden Helmet of Madrino (Field 80-1-F)Etching with aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 125, as included in the portfolio Historia de Don Quichotte de la Mancha, published by Levine and Levine, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 760 x 565mm (29 7/8 x 22 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Monogrammist G.N. (active 1550-1650)Reclining nude [?Ulysses], possibly after Francesco Primaticcio (1503-1570)Etching, late 16th century or early 17th century, printing with delicate plate tone and inky edges, wiping marks visible, on laid paper without watermark, sheet 109 x 158 mm (4 1/4 x 6 1/4 in), hinged onto mount bearing attribution 'Parmaticcio', with further pencil inscription verso 'Primaticcio', trimmed to or just within the platemark, spit to lower centre, repaired (unframed)⁂ The present author has been unable to trace another impression, or any other work by the Monogrammist G.N. A highly intriguing etching, both in its distinctive style and application of line, as well as its unique perspective. Attributions to mid- to late-16th century Italian engravers, and printmakers associated with the School of Fontainebleau suggest associations and influences, but do not appear to yield firm attributions; apparently a "forgotten" 16th century peintre-graveur.
** Rembrandt van Rijn (1606-1669)Self Portrait in a Velvet Cap and PlumeEtching, 1638, a good but later impression of New Hollstein's third state (of four), on laid paper affixed onto support, sheet 132 x 104 mm (5 1/4 x 4 1/8 in), mounted on card support, careful restoration to loss of upper third section of the sheet, restored just above the line of the cap (unframed)Literature:New Hollstein 170 iii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Marino Marini (1901-1980)Miracolo (A.210)Etching with aquatint printed in colours, 1978, signed and numbered from the edition of 75 in pencil, published/printed by ZWR, London, on Arches paper, with full margins, sheet 760 x 565mm (30 x 22 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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![Monogrammist G.N. (active 1550-1650)Reclining nude [?Ulysses], possibly after Francesco Primaticcio (1503-1570)Etching, late](https://cdn.globalauctionplatform.com/df8dd1ca-6cc3-45e7-88f5-ad9f00bbacfc/cc9a0153-e602-409f-a1b1-ad9f00e5288f/468x382.jpg)
