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Lot 1

W J Cooper, British 19/20th century- 'Limehouse'; etching, signed titled and dated 1878 within the plate and signed and inscribed 'No 4' in pencil, 19x30.5cm: H Papprill- 'This View of Her Majesty's Steam Frigate Cyclops, off Spithead...', after Knell, publ. March 2nd 1857 by Ackermann & Company, 96 Strand; hand-coloured aquatint, 46x62.3cm: Thomas Shotter Boys- 'The Bank, Looking towards the Mansion House'; lithograph: together with a reproduction print after Thomas Shotter Boys, (4), (part unframed)

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Phyllis Gorlick King 20th century- 'Rites I; drypoint etching, 30x22cm, and one further etching titled 'Jonah's Whale; artists proof. (2)

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After Pablo Picasso- 'Girl and Mirror'; etching, signed within the plate and numbered 91/100 in pencil, 38x27cm. Note: part of the suit to illustrate the poems 'Les Amours De Picasso' 1963 by Genevieve Laporte.

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Tristram James Ellis, 1844-1922- 'The Old Ships, Portsmouth, Dawn'; etching, signed and dated 1887 within the plate, signed, titled and inscribed 'Final Proof' in pencil, 27.5x43cm

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AFTER MORGAN DENNIS 'The Campbells are Coming' (Two Scotties at a window) Etching Signed and inscribed in pencil 9.5in x 9.5in (24 x 24cms)

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AFTER HERBERT DICKSEE 'Fire Worshippers' Etching 15.75in x 25.75in (40 x 65.6cms)

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AFTER HERBERT DICKSEE 'Oh for the touch of a vanished hand' Etching Published by The Fine Art Society 13.75in x 25.75in (35 x 65.5cms)

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AFTER FRANK PATON 'Tree'd (Cats up a tree pursued by terriers) Etching 22.5in x 10.75in (57 x 27.5cms)

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AFTER F BLOMFIELD SMITH The Fisherman's Prayer Etching Signed in pencil 7in x 4.5in (18 x 11.5cms)

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AFTER GEORGE VERNON STOKES Three Blue Tits on a branch Etching Signed in pencil and numbered 24/75 9.5in x 12in (24 x 30.5cms)

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NORMAN C. JACQUES, (twentieth century) ETCHING, Falkner Street from Portland Street, Manchester, signed and numbered 1/50, 9 ?" x 11 ?"

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A CONTINENTAL ARTILLERY OFFICERS SWORD. Single edged curved blade, with 7/8 fuller, 81cm, 91cm overall length. Some etching to blade, with brass knuckle-bow hilt and scabbard.

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GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DELL'INGRESSO DELLA CAMERA SEPOLCRALE DI L. ARRUNZIO Etching with engraving, full titles and narrow margins 39 x 60cm.; with another engraving by the same hand, "Veduta di una parta de' fondamenti del Teatro di Marcello", 58.5 x 39cm. (2) ++ The former with a few small tears extending into image and foxing; the latter satisfactory; each in need of a clean

Lot 1

WALTER GREAVES (1846-1930) THE LAST CHELSEA REGATTA, c.1871 Etching with drypoint, signed in pencil, bears number 8 in a different hand, on cream laid, the full sheet, unframed Image 26 x 55cm. * This etching is Greaves' most ambitious etched work and shows the steam boat pier below Battersea Bridge (soon after dismantled). The buildings on the left were demolished for the building of Cheyne Walk. See also lot 1178 ++ A few soft handling creases

Lot 1

WALTER GREAVES (1846-1930) BATTERSEA FROM CHELSEA Etching, signed in pencil, bears number 14 in a different hand, on cream laid, the full sheet, unframed Image 13 x 20.5cm. ++ A good impression; in good condition

Lot 1

WALTER GREAVES (1846-1930) OLD PUTNEY BRIDGE Etching, signed in pencil, bears number 9 in a different hand, on cream laid, the full sheet, unframed Image 18.7 x 27.5cm. ++ A good impression; in good condition

Lot 1

WALTER GREAVES (1846-1930) CREMORNE AIR BALLOON, CHELSEA Etching, signed in pencil, bears number 3 in a different hand, on cream laid, the full sheet, unframed Image 15.7 x 22.3cm. ++ A good impression; in good condition

Lot 1

WALTER GREAVES (1846-1930) CHELSEA, NEAR "THE ADAM AND EVE" Etching, signed in pencil, bears number 20 in a different hand, on cream laid, the full sheet, unframed Image 11 x 22cm. ++ A good impression; in good condition

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ALBANY E. HOWARTH (1872-1936) BAMBOROUGH CASTLE Etching, printed in sepia, with FATG blindstamp, signed in pencil, a good impression 39.5 x 55cm. ++ Good condition

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STANLEY ANGUS (Fl.1932-1938) BAMBOROUGH CASTLE Etching, signed in pencil 23.5 x 41.5cm. ++ Some very slight backboard staining within the image; otherwise in good condition

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NORMAN WILKINSON (1878-1971) LOCH AWE AND KILCHURN CASTLE Etching, signed in pencil 16 x 22cm. ++ A few pale spots of foxing, otherwise in good condition

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W.Woollett after Geo. Stubbs ‘Shooting’ Copper engraving and etching 44cm x 54cm published by Thos. Bradford 1769 - 1770 (4)

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Norman Wilkinson PRI ROI RSMA (1878-1971) Fishermen on a rocky upland river Etching Pencil signed lower right p. 22.5cm x 30cm

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Winifred Austen (1876-1964) ‘Two for Mirth’ Etching Signed 21cm x 29cm; Together with another of tufted duck by the same artist (2)

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Henry Wilkinson (b. 1921) Wrestling a big ‘un Coloured etching Pencil signed to margin Limited edition 90/100 p. 20.5cm x 15.5cm; After Norman Wilkinson ‘Trout fishing on the Test’ Monochrome reproduction p. 15cm x 20cm (2)

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M Bauer 'Bazaar in Damascus' etching, pen signed, 57cm x 69cm

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Alex Wilson 'John Knox's House' etching 30cm x 37cm

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DOUGLAS BOOTH AN ETCHING 'The Old Barn', signed in pencil, 6 1/2" x 12 1/4" together with a print by J Kenworthy 'The Forge', etching, 6" x 8" (2)

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WALTER W BURGESS R.E. (1856-1908), 'In Academia Oxoniae Prospectus', etching, pencil signed in the margin and with vignette of Oriel College to the bottom right corner, 17 3/4" x 27 1/4".

Lot 1

J A C STADLER after J FARINGTON, 'Blenheim', etching with aquatint, hand coloured, 8 1/2" x 12 1/2" and three further to include a view of Oxford after Westall; a view of Carfax Conduit after Donowell and the Ancient North Entrance into Oxford after Malchair, all mounted but unframed. (4)

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FRED A FARRELL (1882-1935), 'Windsor Castle from the River', a rowing eight in the foreground, etching pencil signed in the margin, 9" x 14".

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FRED A FARRELL (1882-1935), 'Cannes', etching, pencil signed in the margin, 9" x 14 3/4", and 'A View of Grasse' by the same hand, both mounted but unframed. (2)

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ASSORTED ENGRAVING TO INCLUDE a view of Oxford after W Turner; William Daniell 'Castle Head Westmoreland'; Windsor Castle on the terrace; the Camp at Chobham; view of the village of Hambledon; view of Sandhill Park Somersetshire; Cricklade and an etching of the Royal Agricultural College Cirencester by Gertrude Hayes, all mounted but unframed. (8)

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Freda Marston - 'Arundel, Sussex', early 20th Century monochrome etching, signed in pencil recto, title to label verso.

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Freda Marston - 'Snowdon', early 20th Century monochrome etching, signed recto, title to label verso.

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19th Century British School - View of a River within a Landscape, watercolour, together with a coloured etching.

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After Wouvermens - 'Going to the Ferry', monochrome etching, together with a collection of other 19th Century prints, the majority portraits.

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After Velazquez - Philip the Second of Spain receiving the Key from a Nobleman, monochrome etching by Macbeth, approx 80cm x 94cm, within a gilt composition frame.

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After D.Y. Cameroon - 'Arran', early 20th Century monochrome etching.

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A 19th Century French hand coloured etching, study of a bird on a branch, titled ÒLe Griverou Male', 11Ó x 9Ó, framed

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EARLY 19TH CENTURY ENGLISH SCHOOL. Oil on canvas, cattle watering by a river, unsigned, 8.5" x 9.5", framed, losses; JAMES BASIRE, etching, Classical mourners, 8" x 7.5", unframed. (2).

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Etching, "Maria Mater Gratiae", virgin and child, 9" x 6.5", framed; engraving, figures in a Classical garden, 6.5" x 5", framed. (2).

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A late 19th Century etching child strumming a guitar, 5" x 4"; aquatint "Chloe lamenting...", 6" x 4.5"; 19th Century French lithograph, young girl hanging a picture, 10" x 7", two coloured lithographs, a lady in a garden and a lady in a hat. All framed.(5).

Lot 1

A DECORATIVE ETCHING OF A POEM, hand signed by Marjory Williams, 6" x 8", a watercolour of a girl beside a bed and a gilt leather bound scrap book having belonged to Frances Mary Ellis, with various prints and photographic stamps inside (4)

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William Walcot, Figures near an Italianate terrace, etching, signed in pencil, unframed, 19 x 25cm.

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David Young Cameron, Berwick, etching, signed and initialed in pencil, 16cm x 28cm.

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After Edgar Degas - Danseuses Dans La Coulisse (Dancers in the wings) etching, 14cm x 10.5cm

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After Frank Paton, 'Every Dog has his Day', signed in pencil, etching, 21cm x 26cm to mount, and 7 others by the same hand.

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After C.W. Anderson Black and white etching of two horsedrawn carriages, a pair of signed engravings after Ernest Roth of Florence, signed in pencil

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Carl Dehmann THE SAVOY PLAZA Etching, and three other etchings

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Hedley Fitton etching, 'London Bridge', signed in the lower margin, 15.5 x 15.5"

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BRANGWYN (FRANK) THE BRITISH EMPIRE PANELS DESIGNED FOR THE HOUSE OF LORDS, with original signed etching by Frank Brangwyn and signed by the author, limited edition no. 64 of 200, cloth, dustwrapper, (torn with loss), 4to, 1933.

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A dry point etching of Horse Guards Parade, Whitehall, 1947, by Henry Rushberry RA, and four other Rushberry etchings. (5)

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Enoch Hendryk Enrico Glicenstein, 1870-1942- A Rabbi with the Torah; etching, signed in pencil, 15x15cm: together with a drawing of figures in pen and black ink by the same hand, signed, 11x17.5cm., (2), (unframed)

Lot 1

After George Stubbs, ARA- 'Tygers at Play', publ. by Observer Art, 1974; etching, 37.5x47.5cm. A booklet produced by the publishers, 'Commentary & Notes', by Leslie Parris accompanies this lot.

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Henry William Bunbury, 1750-1811- 'Patience in a punt', publ. May 1st 1792 by W Dickinson, No 24 Old Bond Street; hand-coloured stippler engraving, 29x40cm: I Cruikshank- 'The Disappointed King of Spain- or, the downfall of his Mucheron King Joe Bonaparte late pettifogging Attorneys Clerk!', publ. July 19th 1808 by Ackermann's Repository of Arts, 101 Strand; hand-coloured etching: together with a mixed folio of caricatures and cartoons by and after different hands, English, titled: 'The White Feather'd Donkey's Exaltation- A Civic Entertainment', 'The English Ladies Dandy Toy', 'The Battle of the Cataplasm', 'The Rats at Work- or How to get out of the Bag', and others, many hand-coloured, (a lot), (unframed)

Lot 1

*James Gillray, 1757-1815- 'Smelling out a Rat or The Atheistical-Revolutionist disturbed in his Midnight Calculation', publ. Dec 3 1790 by H Humphrey No 18 Old Bond Street; etching on laid, watermark, 24.5x35cm., (unframed)

Lot 1

After William Alexander, 1767-1816- A Chinese warrior standing with a fort and village beyond, publ. Jan 1st 1804 by W Miller, Old Bond Street, from the Earl of Macartney's expedition to China, 1792-94; soft-ground etching, 27x32.3cm: together with approximately 22 other prints from the same or related suite(s) after the same hand, (a lot), (unframed)

Lot 1

Salvator Rosa 1615-1673- Satyrs in the waves; etching, signed with monogram within the plate, 9.3x20.5cm: together with a mixed folio of prints and reproductions and correspondence, (a lot), (unframed)

Lot 1

Anthony Gross, RA, 1905-1984- '(Small) Children going out to the Fields'; etching, signed within the plate, signed, titled and inscribed 'Artist's Proof' in pencil, 22x28cm

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