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Lot 139

ETCHING OF PERTH BRIDGE BY D.Y. CAMERON

Lot 50

Edmund Blampied : (1886-1966) The Old Complaint (Three Old Parties) (Arnold & Appleby 139), drypoint etching, 1929, signed and numbered 29/100, with margins, 25.5 x 19.5cm. framed.

Lot 772

An 18th century black and white engraving of a rural landscape with male and female characters walking along a country road inscribed verso, original etching by Paul Sandby, 23 x 18cm in gilt frame

Lot 780

A signed coloured limited edition etching by Graham Sutherland showing a study of a wasp in tones of yellow, olive green and black, signed bottom right, Sutherland, edition number 55/66, 43 x 34cm in wooden frame

Lot 795

A 20th century oil painting on canvas of a standing bulldog, signed bottom right E P Rotherham, 35 x 45cm in gilt frame with linen slip, together with further prints relating to dog subjects including a signed coloured limited edition print after Nora Howarth, showing a Staffordshire Bull Terrier and a further terrier on a sofa, a signed etching of the head of a Setter dog by Alice Bamwell, a humorous coloured print of the head of a Terrier after Cecil Aldin, etc together with a portfolio of coloured prints after Canaletto

Lot 796

A quantity of 19th century and later pictures and prints including a print after Lucy Dawson showing a wirehaired dachshund, a late 19th century black and white etching of a musical performance after L Balesterien, a watercolour of a continental garden scene with blossom tree, an oil painting on canvas of a still life of a vase of poppies indistinctly signed bottom right, an early 19th century watercolour of landscape with pond and cottage with cattle in burrwood frame with gilt slip etc

Lot 812

A black and white etching by Gwen Raverat of a wooded landscape, signed bottom right G Raverat, Walnut Trees, 6 x 8cm in simple wooden frame

Lot 816

A portfolio containing a quantity of pictures and prints including an etching of a camel drawn cart, signed in pencil R Middleton, a watercolour of a garden scene, a watercolour of a village street scene with general store, etc

Lot 819

Two Swiss coloured posters for art exhibitions for Genis at the Galerie Des Chaudronnies Genève, 1980 the other for Bardone at Les Salle Du Palais, Genève 76 x 55cm maximum size approx, both in black frames together with a signed limited edition etching by Barry Cottrell showing Clifton College produced to commemorate the 125th anniversary edition number 99/125 25 x 34cm in simple black frame

Lot 103

Micheal Farrell (1940-2000) I DON'T MIND HOW YOU PAINT MY SOUL BUT GET MY TIE CORRECT, 1999 etching and lithograph; (no. 134 from an edition of 150) signed and dated in the margin lower right; titled lower centre; numbered lower left 9¼ x 7¾in. (23½ x 19.69cm) Leinster Gallery, Dublin, 2005;Private collection Sheet size 21 by 15.75in.

Lot 126

Pablo Picasso (1881-1973) LA CÉLESTINE (SERIE 347), 1968 etching; (no. 27 from an edition of 50) signed in pencil lower right margin; numbered lower left 10 x 12in. (25.40 x 30.48cm) With Certificate of Authenticity issued by Fine Art Wholesalers Inc., Pompana Beach, Florida.

Lot 129

Salvador Dalí (Spanish, 1904-1989) WOMAN ON HORSE BACK [FEMME A CHEVAL] 1969 drypoint etching with roulette on Japon paper; (10/145) signed in pencil lower right margin; with the Dalí blindstamp embossed in lower right margin; numbered lower left 14½ x 10¼in. (36.83 x 26.04cm) Field, The Official Catalog of the Graphic Works of Salvador Dalí, no. 68-6E, pp. 40-41 (illustrated); Michler/Lopsinger, Salvador Dalí Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980, no. 364, pp. 177-179 (illustrated) With Certificate of Authenticity issued by Fine Art Wholesalers Inc., Pompana Beach, Florida. From the series Venus in Furs. Published by Editions Argillet, Paris. Pierre Argillet Archives no. 109

Lot 213

An original Goya etching from Los Caprichos series. 'Donde va Mama'. fourth re strike edition from original plate original purchased from Bloomsbury auctions.

Lot 116

Kathe kollwitz original etching entitled whetting the scythe, with blind stamp to bottom right corner.

Lot 13

Graham Clarke, a pair of limited edition 'History of England, etching and aquatints depicting London, one titled 'Fireworks' 193/200 the other titled 'The Wooden O' depicting the Globe Theatre 20/200, both signed

Lot 156

H.R.Robertson - A trial proof etching depicting two women shrimping, 38.5cm x 22cm, framed

Lot 323

*UNATTRIBUTED (Late Nineteenth/early Twentieth century) WATERCOLOUR View across an estuary with boats and town in the distance 10" x 13 3/4" (25.4cm x 33.7cm) PRINT FROM AN ETCHING Street scene with lady with hat box red printed stamp 11" x 4" (28cm x 10.1cm) AND A QUANTITY OF BOOKS, VARIOUS AUTHORS SUNDRY WORKS (6 BOXES)

Lot 168

An etching 'Rent Day, The Earl of Mulgrave'

Lot 78

* TRACEY EMIN (b 1963),NO SUBSTITUTE FOR YOUR LOVEsoft ground etching, signed, numbered 88/300 and dated '03 in pencil27.5cm x 32cmMounted, framed and under glass

Lot 61

CONTEMPORARY SCHOOL,FROM THE NORTH IIIsugarlift etching, signed indistinctly and titled in pencil37cm x 31cmMounted, framed and under glass

Lot 488

HENRY MOORE, 'Mother and child', etching and aquatint, hand signed and numbered in pencil, 3/50, 13cm x 16cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

Lot 50

HENRI MATISSE, 'Flowers - With Two Remorques', original etching on Arches paper, 1932, edition 145, 33cm x 25cm, framed and glazed.

Lot 236

SALVADOR DALI, 'Freud with a snail head', original drypoint etching in colours on BFK Rives watermarked paper, hand signed in pencil, 1974, 51cm x 65cm.

Lot 2095

Sydney Ure Smith (1887-1949) "Cottage Clarendon" etching, 32/50, signed lower right, 13 x 13cm

Lot 2127

J. Hookbz "Tea With Bird" limited edition etching 2/10, signed in pencil lower right, 9 x 12 cm

Lot 2149

Sydney Ure Smith (1887-1949) "Old Fisherman's House Windsor", etching, 33/50, signed lower right and initialed upper left, 12 x 16.5cm, Provenance: The Sedon Galleries, Melbourne,

Lot 2334

Elioth Gruner (1882-1939) "The Cascade" dry point etching, signed lower left, 16.5 x 12.5cm, with Elioth Gruner, 'The texture of Light' exhibition catalogue 2014, Provenance: Artarmon Galleries, Artarmon 2013

Lot 2345

Sandi Rigby "Croajingolong VI" limited edition etching 1/15, signed verso, 19 x19 cm together with a Vida Pearson linocut and another small European screen print

Lot 2385

Sheila Sharp, "Three", aluminium plate etching edition 6/10, signed lower right, 7 x 7cm

Lot 2017

John Brunsdon (1933-2014) ''End of Harvest'' Signed, inscribed and numbered 65/150, etching and aquatint, 52.5cm by 67cm

Lot 2004

Henry Moore OM, CH, RBA, RBS (1898-1986) ''Head of Prometheus'' Signed in pencil and dated (19)50, artist's proof aside from the edition of 50, coloured etching, 33.5cm by 25cm

Lot 2014

After Michael Ayrton (1921-1975) ''V Spears'' Bears the stamp of the Michael Ayrton Estate and numbered 64/75, a black and white etching, 30cm by 25cm (pl) Sold together with the exhibition catalogue for ''The Graphics of Michael Ayrton'', Bruton Gallery, 1977

Lot 2018

Martin Leman RBA, RWS (b.1934) ''Playing'' Signed, inscribed, numbered 18/95 and dated (19)98, etching in colour, 17.5cm by 18cm

Lot 2026

Piers Browne (b.1949) ''While Not a Leaf Seems Faded... Wordsworth, The Langdale Pikes'' Signed in pencil and inscribed, A/P, etching, together with a further etching by the artist ''Ye Visions of the Hills! And Souls of Lonely Places'', 18cm by 15.5cm and 12cm by 9cm respectively (2)

Lot 2024

Piers Browne (b.1949) ''Lovliest of Trees...'' Signed in pencil and dated (19)82, inscribed and numbered 20/100, etching, 34.5cm by 24.5cm

Lot 2016

John Houston (1930-2008) Poppies and other flowers in a vase Signed in pencil and numbered 1960, etching, together with a watercolour entitled ''Orchids and Lightening'' by Donald Manson and a watercolour of figures at the coast by Anthony Eyton 27.5cm by 36cm and various other sizes (3) Provenance: John Houston - The Scottish Gallery Donald Manson - The Open Eye Gallery, Edinburgh

Lot 151

'Greasbrough Dusk', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 48cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 152

'Tag Row', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 36cm x 48cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 153

'Monumental Landscape', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 36cm x 48cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 154

'High House', limited edition etching no.96/200 after George Guest signed, numbered and titled in pencil with blind stamp pub. Christies Contemporary Art 48cm x 36cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 201

'By the Beck', limited edition etching no. 20/150 after J Handford signed, titled and numbered in pencil unframed 30cm x 37cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 88

Vessel out at Sea, etching after Harold Wyllie (1880-1973) signed in pencil 23cm x 27cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 170

Martin Tobias (b. 1932) 'Seaward', etching and aquatint with embossing, 77x57cm

Lot 204

Phil Greenwood (b. 1943), Sky Anvil, etching and aquatint, signed by the artist 60x71cm

Lot 327

Herbert Dicksee (1862 - 1942) "Ready" etching, HD 1928, 54cm x 33cm

Lot 444

Slightly curved single fuller blade, nickel plated and etched on right side “PRESENTED/TO SERGT. CHARLES/T. CAHILL/5TH SECTION/INFANTRY” in a panel on a gold background surrounded by military motifs and at top, the other side etched “ANCIENT/AND HONORABLE/ARTILLERY/CO.” with scrolls, military motifs and marked at top “E.O./BERTEL/BOSTON/MASS.” Nickel-plated guard with relief cast Acanthus leaves on each branch and relief sun bursts and stars on both sides of guard with Bakelite grip; pommel with relief wreaths. Nickel plated scabbard large relief eagle between ring mounts and relief engraved drag. Excellent condition, blade with a few light marks from scabbard and some light rust specks, gold wash on etching partially worn off, hilt shows light oxidation and grip has tuned brown. Scabbard with scattered rust spots and missing much of the nickel plating. Blade Length-31-3/4"; Overall Length-37";

Lot 634

Manufactured by Colt to celebrate 100 years of service. Manufactured in 2011, standard features include 5" barrel, blued finish, semi automatic, fixed sights, gold medallion grips, chambered for the .45 ACP cartridge, this special edition features engraved etching on left side of slide with gold inlay pony 1911 - 2011. Gold Colt on left rear, right side of slide has gold pony at rear, gold banner reads 100 Years of the Model 1911. Has all early features including checkered short wide spur hammer, slide lock and safety, long smooth trigger, U-notch rear sight, flat main spring housing with lanyard loop. Gun remains in new unfired condition with the special high polish Colt blue finish. Comes in the original box, with all paperwork, one extra magazine, also comes with a glass front red velvet line display case. Serial Number-19110591; Manufacturer-Colt; Model-1911; Caliber-.45 A.C.P.; Barrel Length-5"; FFL Status-Modern;

Lot 903

The capstan is small on a pommel that is surmounted with a heavy teardrop that bears nice molding. The raised edges are prevalent throughout the stately hilt. Stirrup knuckle bow has two half-moon buildups at its origin and a heavy line, which blends with the backstrap, and is carried into the slotted counter guard. The slots are bridged by circles of heavy silver and marked on the upper portion of the guard “I B” in Roman, capitals surmounted by crown in a conforming punch and on the underside of the knuckle bow is a different hallmark, “I B” in a rectangular punch separated with a crown bearing more lobes above. The grips are completely covered with four strands of chevron-shaped twisted wire in between each flat band. There is a red felt buffer between the hilt and the blade. The straight tapered spadroon blade has a broad center fuller and a smaller rudimentary fuller. The etching on the blade is vine work with a crude patriotic eagle and stars around the head and a stand of arms on both sides. Hilt: 5-1/4”. Total: 32”. Copy of "American Silver-Hilted Revolutionary and Early Federal Swords by Daniel Hartzler", featuring this sword will be included. Sword is featured on page 437, figure 392. Excellent condition; blade retains about 40% blue finish with traces of guilt, especially near top, some scattered dark areas in unblued portion. Hilt and grip are excellent, knuckle bow with a few light marks and slight bend near pommel intersection. Blade Length-29"; Overall Length-35";

Lot 1156

Features round high polish factory blue barrel with no provision for sights, blued J.P. Sauer action, French satin nickel hand engraved trigger guard and floorplate with etching of a wolf and engraver's initials, typical Weatherby stock with diamond skip checkering, contrasting forend and grip cap with solid white diamond, and solid red rubber pad. The floorplate and triggerguard were engraved by Belgian master engraver Paul Dubois. The stock is inletted with exotic three different wood panel on right side and all three sides of the forearm. Rifle sports a Weatherby Imperial 6x62 scope with engraved rings. Notwithstanding some minor storage wear on scope, rifle is in near new condition inside and out. Serial Number-S4855; Manufacturer-Weatherby; Model-MKV Varmintmaster; Caliber-.224 Magnum; Barrel Length-24"; FFL Status-Modern;

Lot 233

AFTER JAMES ABBOTT MCNEIL WHISTLER A late 19th century scene of Old Fulham Toll Bridge as seen from the Chelsea embankment, an Etching, 13cm x 20cm plate mark, signed with butterfly device within the plate, plain mounted in slender black frame

Lot 139

WILLIAM LIONEL WYLLIE: published 1903, a print of an etching of an industrial harbour scene, pencil signed, 23 x 43cm

Lot 101

A signed Percy Robertson etching and a coloured engraving of Lichfield Cathedral after Mackenzie

Lot 1798

Henry Rushbury, 'Stirling Castle' signed, etching, pl.20 x 30cm; together with another pencil signed etching; an old map of Sussex; and another.

Lot 331

A good antique 19th century etching titled 'HMS Victory At Rest, Portsmouth Harbour.' By CE Holloway. Framed and glazed, 68cm x 78cm 

Lot 245

Hedley Fitton (1859-1929), etching of Rialto Bridge Venice, signed in pencil in the margin, approx 33 x 37 cms

Lot 250

Miscellaneous Pictures and Prints, including etching of 'The Chapel' at Haddon Hall, 'Sophie' by Owen Smith, 'Boats at Low Tide' J S Coleman, two black and white etchings of Ancient Cities, 'Autumn' B. Judge, two watercolours by Hindes dated 1981 and two original watercolours of Anenome's amongst others, all framed and glazed.

Lot 204

ANDERS ZORN (1860-1920) Julli II Etching, signed in pencil and framed, 19cm x 15cm and another etching of a gentleman by Zorn, unframed 16cm x 12cm (2)

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