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Lot 15

Mixed pictures to include a signed Russell Flint etching entitled 'Roast Chestnuts and Sweet Potatoes', Heintzelman etching and others Location:

Lot 151

After Simone Cantarini, called il Pesarese, 17th CenturyThe Rest on the Flight into Egypt bears extensive inscription (on verso)red chalk on paper heightened with white22.2 x 17.3cm (8 3/4 x 6 13/16in).Footnotes:ProvenanceCollection of Ilario Massaron and thence by descent to the present ownerThe present work is after a lost original by Cantarini known through his etching (see: British Museum, acc. no. U,3.41).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 655

W. L. WYLLIE, signed etching "View of Ryde on the Isle of Wight", 10cm x 33cm

Lot 700

F.J. WIDGERY signed etching, 'Overlooking the Island' 18cm x 24cm

Lot 350

A collection of pictures, prints, etc. to include AFTER LOW "Winston", 23.5 cm x 16.5 cm, various Vanity Fair prints to include "Statesman No. 6", "Statesman No. 10", etc., AFTER W. P. FRITH "The road to ruin - Arrest", black and white etching, published, 44 cm x 54 cmm, together with "Ascot", etc. (1 box - 6 loose)

Lot 392

ENGLISH SCHOOL IN THE 19TH CENTURY MANNER A set of five studies of orchids and other botanical studies, watercolours, inscribed with Latin names 23 cm x 35 cm, AFTER T WORLIDGE "Mrs Brookes" printed for John Bowles & Son at the Black House in Cornhill, black and white etching 35 cm x 25 cm together with box of assorted books (2 boxes)

Lot 399

AFTER R STANLEY G DENT "Hospital scene", engraving, signed and dated '34 lower right, 17 cm x 21 cm, AFTER FRANK HARDING "Blackfriars Bridge", black and white etching, signed and titled in pencil lower left and right, 17 cm x 36.5 cm, together with various other decorative pictures, prints, etc. (1 box)

Lot 30

Charles Bartlett; A framed limited edition 6/60 polychrome etching 'Winter Sun' frame size 57 x 54cm.

Lot 148

George Vertue (British, 1684-1756) Thomas Hardy Earl of Arundel and Surrey and Aletha Talbot Countess of Arundel and Surrey with their family, dated 1743, engraving, unframed, figures include [left to right] Lady Katherine daughter of Henry Lord Maltravers / Alethea Talbot Countess of Arundel and Surrey / Thomas Howard Earl of Arundel and Surrey / Sr Henry ord Maltravers Knt of ye Bath / Thomas Howard Esq. Ob. S. P. / Gilbert Howard Esqr. Ob. S. P. / Sr William Howards Ld. Stafford Knt Bath ancestor to the pt. Earls Stafford. / Charles Howard ob. S. P. / a Dwarf Domestick together with another rendition of the same plate at a later date, with an ink inscription ÔÔthis copy was givenÉÉ..me by his Grace the Duke of Norfolk, in whose profession the original plate É.. 2nd August 1763Õ, featuring Hans Holbein the YoungerÕs portrait of Thomas Howard, Third Duke of Norfolk (1473-1554) etching engraving, mounted on linen, after Sir Anthony Van Dyke original oil painting (2) the first approx plate size 425 x 568mmCondition: Wear commensurate with age, viewing recommended in person.The print was a commission from the Duke of Norfolk and never sold publicly, according to Walpole. Similar later examples can be seen in the British Museum Archive. Museum number: P,2.148

Lot 629

Michael Chaplin RE, Boathouse on Ullswater, signed in pencil lower right, dated '83, inscribed with title and numbered 51/200, etching. 13 x 17 cm (PL).

Lot 625

After Wenceslaus Holler (1607-1677), bust of a young man, an etching after an original work by Holbein. 13.5 x 9 cm (PL), margins trimmed, together with a further three works after Holler "Mulier Diepana", "Mulier Hibernica" and "Oni Maioris Sive Pretoris". Each +/- 9.5 x 6 cm (PL) (4), all unframed. (see illustration).

Lot 571

After E.P. Burrow (British School early 20th century), The chapel From Brewhouse Yard Eton, signed in pencil lower right, etching. 28 x 20 cm (SH), together with a further four prints, one depicting the long chamber at Eton in the mid 19th century, a map of Rutland, engraving with later hand colouring, a map of Northamptonshire engraving with later hand colouring and a copper plate engraving a view of Eton College in Buckinghamshire, engraved for the modern universal British traveller. All various sizes by different hands (5). (see illustration).

Lot 488

After Rev E.P. Owen (British, early 19th century),A battle scene,Etching on paper (published 1822),13cm x 21cm,Mounted with a further 19th century etching on paper depicting the Battle of Shrewsbury,12.5cm x 13.5cm,Framed and glazed,46.5cm x 35cm overall

Lot 528

Walter Richard Sickert (British, 1860-1942),'Noctes Ambrosianae',Etching on paper,Signed and titled in the print,The plate 22.5cm x 25.5cm,Framed and glazed CONDITION REPORT:The print in framed under glass and has not been removed for inspection.  The paper appears to have darkened slightly over time, but is still relatively bright showing no obvious foxing.  The print shows a minor undulation across the surface.  The corners of the print each shows a bright white dot approximately 5mm diameter.  It is not clear how these dots have been produced or if they're are part of the original work.  The frame appears to be structurally sound.

Lot 661

Hubert Von Herkomer (1849-1914). Gwenddydd, dry point etching, signed, 15cm x 15cm, and another, labels verso Phillips 46/2, handwritten label and title to one. (2)

Lot 681

After C Fitzgerald. Town scenes with timber framed buildings, indistinctly titled, artist signed coloured etching, a pair, 24cm x 32cm.

Lot 1

Anthony Gross (1905-1984), Landscape with Praying Mantis, etching, signed in pencil lower right, numbered 58/250, H.35cm W.45cm

Lot 8

Victor Brauner (Romanian, 1903-1966), Tire d'Arc, 1962, etching, signed in ink lower right, H.25cm W.30cm ARR

Lot 89

Roland Langmaid R.N. (British, 1897-1956), The Mother of Parliaments, etching, signed in pencil, H.15cm W.39cm. Provenance: Deightons Strand Gallery, Charing Cross, London

Lot 94

William Lionel Wyllie (1851-1931), River Thames, London, etching, signed in pencil lower left, H.22cm W.37cm

Lot 590

A set of 9 saucer champagnes with floral etching; decorative glassware

Lot 182

William Lionel Wyllie (1851-1931): Shipping on a river, drypoint etching, 22 cm x 10 cm, signed to margin.

Lot 14

*Julian Trevelyan (British, 1910-1988) Sahara (1973) hand-signed and marked Artist's Proof to the lower margin colour etching the sheet 59 x 78cm (unframed)

Lot 15

*Julian Trevelyan (British, 1910-1988) Camels (1972) hand-signed and edition numbered to the lower margin colour etching the sheet 59 x 78cm (unframed)

Lot 18

*Julian Trevelyan (British, 1910-1988) Durham Wharf hand-signed and marked Artist's Proof to the lower margin colour etching sheet 59 x 78cm (unframed)

Lot 23

*Julian Trevelyan (British, 1910-1988) Sahara (1973) hand-signed and marked Artist's Proof to the lower margin colour etching the sheet 58 x 79cm (unframed)

Lot 7032

ANITA KLEIN (b1960) A framed and glazed limited edition etching of a female portrait. Pencil signed, No.19/100 and dated '08. Plate size 12cm x 10cm

Lot 7033

ANITA KLEIN (b1960) A framed and glazed limited edition etching of a male and female nude. Pencil signed, No.82/100 and dated '02. Plate size 10cm x 12cm

Lot 7036

LEONARD BASKIN (1922-2000) A framed and glazed limited edition etching, portrait of a man. Pencil signed and No.140/200. Image size 32cm x 20cm

Lot 7088

After Norman Alfred Williams Lindsay (Australian 1879-1969) A framed and glazed facsimile etching 'Under The Stars', No.406 from an edition of 550. Blind stamped and with facsimile signature. Image size 25cm x 20cm. With certificate from Lindsay, Yates & Partners Pty Limited.

Lot 7092

MORTIMER LUDDINGTON MENPES (Australian 1855-1938) A framed and glazed coloured etching of a Japanese potter with vase. Pencil signed bottom right, one of a limited edition of 50 artists proofs. Image size 13.5cm x 11.5cm

Lot 7093

HENRY RAYNER (1902-1957) An unframed dry point etching, portrait of King George VI. Pencil signed lower right. Plate size 7.8cm x 12.2cm

Lot 1109

French or Belgian School, early 20th c - Sunday Morning, etching, aquatint and hand colouring, indistinctly signed by the artist in pencil and numbered 16/18, blindstamped, 25 x 34cm Light mount stain

Lot 1137

Cotman (John Sell), The Architectural Antiquities of Normandy, London: Printed for John and Arthur Arch, Yarmouth: J.S. Cotman, 1821, defective, 25 copperplate etchings only, various divisional titles, portions of text, etc., disbound, earlier 17th c Dutch vellum binding, gilt panelled, blocked and tooled with scrolling foliage, worn, folio (53 x 36.5cm), with [Mary Dawson Turner (1774-1850)], after John Scarlett Davis (1804-1845), John Sell Cotman, author of Antiquities &c., portrait, etching, s.l., s.n., 1818, 31.5 x 23.5cm, three topographical named-view prints by Cotman, lithographed by Vincent Brooks, etc., (6) The folio defective as catalogued and sold as a collection of plates not subject to return; its binding with wear and worn losses. The mixed media prints unexamined our of their respective frames &/or mounts, some foxing, other faults apparent from image.

Lot 714

After Lionel Lindsay - 'The Clock, Old Fishmarket, Naples', etching, pencil signed to margin, numbered 100, 25 x 17.5 cm

Lot 715

After Arthur William Heintzleman - 'La Grand Mére Forain', etching, pencil signed to margin, 30 x 21.5 cm

Lot 716

After William Russell Flint - 'Amazons on a Breton beach', etching, signed to margin, 20.5 x 34 cm

Lot 717

After Edmund Blampied (1886-1966) - Fishermen returning, etching, pencil signed to lower right margin, 17 x 23.5 cm 

Lot 89

An 1827 Pattern Naval officer's sword, the pipe back blade with a spear point, etched with a coat of arms and an anchor, the brass hilt with a hinged guard and lion head pommel enclosing a fish skin grip, complete with bullion sword knot and leather scabbard, blade 79cm total 94cmShipping disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportBlade with wear to the etching, some minor knocks to the blade edge. Wear and some losses of colour to the scabbard. The top portion of the scabbard bends when the sword in present, although no splits or holes can be seen. Grip appears to have a painted finish. General knocks and wear commensurate with age.

Lot 90

An 1846 pattern officer's naval sword, the shagreen handle, with engraved initials, with its field case, 91.5cm long, blade 74cm longShipping disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportThe blade does not appear to be plated, but heavily polished. As a result, the etching is nearly entirely missing, with only remnants visible towards the grip. Please see the additional images.

Lot 229

A framed and glazed Etching, Gentlemen unafraid, Charles Johnson Payne 'Snaffles'

Lot 234

A framed and glazed Etching, Anzac, Charles Johnson Payne 'Snaffles'

Lot 17

Georges Clairin (French 1843-1919), "Frou Frou" 1892, framed black and white etching print

Lot 27

Joseph William Simpson British 1879-1939, self portrait etching

Lot 919

A. Simpson (20th Century, British), a monochrome etching, 'Old Battery, Morecambe', signed in pencil to the lower right, framed, mounted, and under glass, 16cm x 24cm, & 42cm x 42cm, together with two other etchings of similar age, to comprise 'Old Heysham' and a Continental castle

Lot 1058

Malcolm Osborne (1880-1963) - Semur, etching, signed in pencil to the margin, 20 x 37cm; together with one other etching of boats in a harbour (2)

Lot 1088

Stanley Anderson RA (1884-1966) - La Lieutenance, Honfleur, drypoint etching, signed lower right, 19.5 x 37.5cmSome browning to edges outside of margin.Some very light marks and a couple of spots to the etching.Overall the etching is in very good condition.

Lot 1300

Bob Dylan (American 1941-) Train Tracks (red), from The Drawn Blank Series 2014. A giclée print on 350gsm Hahnemühle Museum Etching paper ,signed and numbered 256/295 in pencil. Printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks. Image size 76.5 x 58cm, paper size 91.5 x 71cm. With certificate of authenticity from Washington Green Fine Art. In contemporary silver toned frame.

Lot 1301

Bob Dylan (American 1941-) Brooklyn Heights, from the series The Beaten Path, 2016. A giclée print, signed and numbered 142/295 in pencil on Hahnemühle 350gsm Museum etching paper. Published by Washington Green Fine Art in association with Black Buffalo Artworks. Image size 61 x39.4cm, paper size 76.2 x 58.5cm. Framed.

Lot 1331

Henry G Walker, two original etchings, 'The Fish Quay, Brixham' and 'Morning Breezes, Sheringham', both with labels to the reverse stating 'Strictly limited editions of artist's signed proofs, in colour.' 22 x 27.5cm and 21 x 32cm. Both with pencil signatures lower right. Also a colour etching by James D. Carter of a quayside, pencil signature lower right. 24 x 30.5cm

Lot 696

A 9 carat gold chain link bracelet with padlock and etching to alternate links. Weight 24gm.

Lot 175

Oliver Hall (British, 1869-1957), etching, a village scene with fort on the hill behind. Signed in pencil lower left. Plate size 20cm x 30cm. Framed and glazed

Lot 2059

A framed and mounted C.P. Slocombe Etching of Tintern Abbey, along with a colour etching of cattle crossing a stone bridge, horse and cart and figures sat.

Lot 299

An etching of Brayford, Lincoln and other assorted pictures

Lot 300

Five Edward Cherry etchings, a M. Henderson etching and others

Lot 310

THERESA PATEMAN (contemporary, b. 1962) - 'The Temptation of Spike', colour etching numbered 17/100, titled and signed in pencil in the lower margin (33 x 27 cm). (Frame 62 x 46 cm).

Lot 319

Twelve pictures and prints to include: Henry Walker (1876-1932): a Hogarth framed and glazed coloured etching 'Landing Fish, Brixham', signed in pencil; a pair of gilt-framed and glazed engravings after George Morland 'Morning or the Benevolent Sportsman' and 'Evening or The Sportsman's Return'; a gilt-framed cud still life by Anne Cotterill; still life floral prints by Adelene Fletcher; watercolour study 'Le Petit Moulin' by Perigueux; two gilt-framed coloured Naval prints after JW Carmichael; a 19th century gilt-framed and glazed (later) hand-coloured map engraving 'Gloucestershire'; a gilt-framed and glazed monochrome engraving 'Hever Castle' (from an original sketch); a small gilt-framed and glazed engraving '1632- Old Houses Evesham'.

Lot 322

HENRY WILKINSON (British, 1921-2011): Border terriers in a landscape, coloured etching, signed in pencil and numbered 61/150 lower margin (22.7 x 28.7 cm). (Gilt frame 42 x 48 cm.)Acidic mount. Sheet slightly cockled, faint toning, good overall.

Lot 6548

William Lionel Wyllie (British 1851-1931): 'Valletta Harbour', etching signed and numbered LXXX in pencil 16cm x 38cm

Lot 6604

Malcolm Osborne (British 1880-1963): Portrait of Arthur James Grant (1891-1927) Professor of History at Leeds University, drypoint etching signed in pencil and dated 1928 in the plate 30cm x 23cm (unframed)

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