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After Simone Cantarini, called il Pesarese, 17th CenturyThe Rest on the Flight into Egypt bears extensive inscription (on verso)red chalk on paper heightened with white22.2 x 17.3cm (8 3/4 x 6 13/16in).Footnotes:ProvenanceCollection of Ilario Massaron and thence by descent to the present ownerThe present work is after a lost original by Cantarini known through his etching (see: British Museum, acc. no. U,3.41).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A collection of pictures, prints, etc. to include AFTER LOW "Winston", 23.5 cm x 16.5 cm, various Vanity Fair prints to include "Statesman No. 6", "Statesman No. 10", etc., AFTER W. P. FRITH "The road to ruin - Arrest", black and white etching, published, 44 cm x 54 cmm, together with "Ascot", etc. (1 box - 6 loose)
ENGLISH SCHOOL IN THE 19TH CENTURY MANNER A set of five studies of orchids and other botanical studies, watercolours, inscribed with Latin names 23 cm x 35 cm, AFTER T WORLIDGE "Mrs Brookes" printed for John Bowles & Son at the Black House in Cornhill, black and white etching 35 cm x 25 cm together with box of assorted books (2 boxes)
AFTER R STANLEY G DENT "Hospital scene", engraving, signed and dated '34 lower right, 17 cm x 21 cm, AFTER FRANK HARDING "Blackfriars Bridge", black and white etching, signed and titled in pencil lower left and right, 17 cm x 36.5 cm, together with various other decorative pictures, prints, etc. (1 box)
George Vertue (British, 1684-1756) Thomas Hardy Earl of Arundel and Surrey and Aletha Talbot Countess of Arundel and Surrey with their family, dated 1743, engraving, unframed, figures include [left to right] Lady Katherine daughter of Henry Lord Maltravers / Alethea Talbot Countess of Arundel and Surrey / Thomas Howard Earl of Arundel and Surrey / Sr Henry ord Maltravers Knt of ye Bath / Thomas Howard Esq. Ob. S. P. / Gilbert Howard Esqr. Ob. S. P. / Sr William Howards Ld. Stafford Knt Bath ancestor to the pt. Earls Stafford. / Charles Howard ob. S. P. / a Dwarf Domestick together with another rendition of the same plate at a later date, with an ink inscription ÔÔthis copy was givenÉÉ..me by his Grace the Duke of Norfolk, in whose profession the original plate É.. 2nd August 1763Õ, featuring Hans Holbein the YoungerÕs portrait of Thomas Howard, Third Duke of Norfolk (1473-1554) etching engraving, mounted on linen, after Sir Anthony Van Dyke original oil painting (2) the first approx plate size 425 x 568mmCondition: Wear commensurate with age, viewing recommended in person.The print was a commission from the Duke of Norfolk and never sold publicly, according to Walpole. Similar later examples can be seen in the British Museum Archive. Museum number: P,2.148
After Wenceslaus Holler (1607-1677), bust of a young man, an etching after an original work by Holbein. 13.5 x 9 cm (PL), margins trimmed, together with a further three works after Holler "Mulier Diepana", "Mulier Hibernica" and "Oni Maioris Sive Pretoris". Each +/- 9.5 x 6 cm (PL) (4), all unframed. (see illustration).
After E.P. Burrow (British School early 20th century), The chapel From Brewhouse Yard Eton, signed in pencil lower right, etching. 28 x 20 cm (SH), together with a further four prints, one depicting the long chamber at Eton in the mid 19th century, a map of Rutland, engraving with later hand colouring, a map of Northamptonshire engraving with later hand colouring and a copper plate engraving a view of Eton College in Buckinghamshire, engraved for the modern universal British traveller. All various sizes by different hands (5). (see illustration).
Walter Richard Sickert (British, 1860-1942),'Noctes Ambrosianae',Etching on paper,Signed and titled in the print,The plate 22.5cm x 25.5cm,Framed and glazed CONDITION REPORT:The print in framed under glass and has not been removed for inspection. The paper appears to have darkened slightly over time, but is still relatively bright showing no obvious foxing. The print shows a minor undulation across the surface. The corners of the print each shows a bright white dot approximately 5mm diameter. It is not clear how these dots have been produced or if they're are part of the original work. The frame appears to be structurally sound.
Cotman (John Sell), The Architectural Antiquities of Normandy, London: Printed for John and Arthur Arch, Yarmouth: J.S. Cotman, 1821, defective, 25 copperplate etchings only, various divisional titles, portions of text, etc., disbound, earlier 17th c Dutch vellum binding, gilt panelled, blocked and tooled with scrolling foliage, worn, folio (53 x 36.5cm), with [Mary Dawson Turner (1774-1850)], after John Scarlett Davis (1804-1845), John Sell Cotman, author of Antiquities &c., portrait, etching, s.l., s.n., 1818, 31.5 x 23.5cm, three topographical named-view prints by Cotman, lithographed by Vincent Brooks, etc., (6) The folio defective as catalogued and sold as a collection of plates not subject to return; its binding with wear and worn losses. The mixed media prints unexamined our of their respective frames &/or mounts, some foxing, other faults apparent from image.
An 1827 Pattern Naval officer's sword, the pipe back blade with a spear point, etched with a coat of arms and an anchor, the brass hilt with a hinged guard and lion head pommel enclosing a fish skin grip, complete with bullion sword knot and leather scabbard, blade 79cm total 94cmShipping disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportBlade with wear to the etching, some minor knocks to the blade edge. Wear and some losses of colour to the scabbard. The top portion of the scabbard bends when the sword in present, although no splits or holes can be seen. Grip appears to have a painted finish. General knocks and wear commensurate with age.
An 1846 pattern officer's naval sword, the shagreen handle, with engraved initials, with its field case, 91.5cm long, blade 74cm longShipping disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportThe blade does not appear to be plated, but heavily polished. As a result, the etching is nearly entirely missing, with only remnants visible towards the grip. Please see the additional images.
Bob Dylan (American 1941-) Train Tracks (red), from The Drawn Blank Series 2014. A giclée print on 350gsm Hahnemühle Museum Etching paper ,signed and numbered 256/295 in pencil. Printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks. Image size 76.5 x 58cm, paper size 91.5 x 71cm. With certificate of authenticity from Washington Green Fine Art. In contemporary silver toned frame.
Bob Dylan (American 1941-) Brooklyn Heights, from the series The Beaten Path, 2016. A giclée print, signed and numbered 142/295 in pencil on Hahnemühle 350gsm Museum etching paper. Published by Washington Green Fine Art in association with Black Buffalo Artworks. Image size 61 x39.4cm, paper size 76.2 x 58.5cm. Framed.
Henry G Walker, two original etchings, 'The Fish Quay, Brixham' and 'Morning Breezes, Sheringham', both with labels to the reverse stating 'Strictly limited editions of artist's signed proofs, in colour.' 22 x 27.5cm and 21 x 32cm. Both with pencil signatures lower right. Also a colour etching by James D. Carter of a quayside, pencil signature lower right. 24 x 30.5cm
Twelve pictures and prints to include: Henry Walker (1876-1932): a Hogarth framed and glazed coloured etching 'Landing Fish, Brixham', signed in pencil; a pair of gilt-framed and glazed engravings after George Morland 'Morning or the Benevolent Sportsman' and 'Evening or The Sportsman's Return'; a gilt-framed cud still life by Anne Cotterill; still life floral prints by Adelene Fletcher; watercolour study 'Le Petit Moulin' by Perigueux; two gilt-framed coloured Naval prints after JW Carmichael; a 19th century gilt-framed and glazed (later) hand-coloured map engraving 'Gloucestershire'; a gilt-framed and glazed monochrome engraving 'Hever Castle' (from an original sketch); a small gilt-framed and glazed engraving '1632- Old Houses Evesham'.
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71174 item(s)/page