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Lot 304
Sarah van Niekerk (British, 1934-2018), Pxxxxx Farm, signed and dated 1990 l.r., titled below, woodcut No.55/100, 16 by 20cm, letter from the artist verso, with Catherine Grubb (British, 1945), The Secret Lane, signed l.r., titled below, colour etching No.7/60, 25 by 20cm and Sarah Dunton (British, 20th Century), Illustrator with Cat, signed l.r., titled below, etching No.7/50, 20 by 15cm, all framed (3). Note: Artist Resale Rights apply
Lot 207
Broadside.- Dibdin (Charles) Bachelors' Hall: written and composed by Mr. Dibdin, for his entertainment called The oddities, scarce broadside, etching with hand-colouring, letterpress underneath, sheet 365 x 225 mm (14 1/2 x 8 3/4 in), under glass, some minor surface dirt, framed, S.W. Fores, 1791; together with a group of 14 mounted vues d'optique, and over several hundred engraved portraits, all unframed, mainly 17th to 19th century (Sm. qty.)
Lot 94
NO RESERVE Trade cards.- Parisian dealers.- Laboureur (Jean-Émile) and others. [Invitation from art dealer Henri M. Petiet in Paris], etching, drypoint, letterpress printing, etching platemark 83 x 115 mm (3 1/4 x 4 1/2 in), sheet 115 x 290 mm (4 1/2 x 11 1/2 in), central fold as issued, unframed, [circa 1925]; together with two variant states of Laboureur's trade card for Camille Bloch, both inscribed in ink, and 7 proof book illustrations, etchings, unframed, [c.1920s] (
Lot 132a
JACOBEAN'S WALK, CLIFFORD'S INN, AN ETCHING BY R M C LEEPER ALONG WITH TWO OTHERS etching on paper, signedMounted, framed and under glass.Label verso: James Connell & Sons, Fine Art Dealers, Glasgow, the two others depicting The New Chirch.... Amsterdam, and an architectural piece after Fourdrinier (3) etching size 28cm x 19cm
Lot 381
Stuart Teal Loughridge (American, b. 1978). Etching titled "Stone Arch Bridge" depicting the Stone Arch Bridge over the Mississippi River in Minneapolis, Minnesota, 2011. Signed along the lower right; titled along the lower center; inscribed AP for Artist Proof along the lower left.Image; height: 3 3/4 in x width: 9 1/2 in. Sight; height: 4 3/4 in x width: 10 1/2 in. Framed; height: 11 in x width: 16 in.Condition: There do not appear to be any rips, losses, or restorations. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Lot 482
David Rathman (American, b. 1958). Etching and aquatint on paper titled "Montana's Killing Me." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Signed along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The sheet has light undulation throughout. The sheet is floating on the frame; all four margins are visible. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 483
David Rathman (American, b. 1958). Etching and aquatint on paper titled "That’s as Fair as I Know How to Make It." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The sheet is floating on the frame and has light undulation throughout; all four margins are visible. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 484
David Rathman (American, b. 1958). Etching and aquatint on paper titled "It's Just my Rough Habits, I Guess." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The sheet has light undulation and floating on the frame; all four margins are visible. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 481
David Rathman (American, b. 1958). Etching and aquatint on paper titled "Butterfly Mornings, Wildflower Afternoons." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: There are no visible rips, losses, or restorations when inspected under UV light. Slight undulation to the sheet. The artwork is floated in frame. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Lot 485
David Rathman (American, b. 1958). Etching and aquatint on paper titled "I Forgot It Was Sunday." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print. From a suite of five prints.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible creases, tears, or losses. No visible sign of restoration under UV light. The sheet has light undulation and is floating on the frame. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 275
Julian Trevelyan (1910-1998)Windsor, 196928/75, signed, titled, and numbered in pencil (in the margin)etching and aquatint59 x 77cm, unframed.Condition good overall. One scuff mark approx. two inches top left extending from edge of sheet into margin but well clear of image.Small tear approx. 1/3 inch lower left at edge of sheet into margin.Provenance: Private collection. It does not look like it has been framed before.
Lot 328
Leonard Russell Squirrell (1893-1979)Wymondham Abbey, Norfolk, 1934signed in pencil (in the margin)mezzotint26 x 38cm; and an etching by the same artist, Brig O'Gowrie, Deeside, 26 x 36cm (2).Squirrell Abbey - area horizontal tear at upper border following plate mark approx two thirds of way across image. Otherwise ok.Squirrell Brigg - condition apppears fine.
Lot 28
George Dannatt (1915-2009)Study for an Etching Slate & White No 1inscribed (to reverse)oil on board10.5 x 13cm. Provenance:The collection of Margaret Bailey.Appears to be in good condition overall, except for a patch of brown staining to the white canvas backing just below the slate. Framed behind glass.
Lot 255
Group of nine miscellaneous etchings on paper including:Three prints by Emily Anne Page. One titled "Lizards and their Suns," depicting two lizards against an abstract background; pencil signed along the lower right; numbered 3/6 along the lower center; titled along the lower left. One depicting two seated figures; pencil signed along the lower right; numbered 1/2 along the lower center; inscribed "Aquatint" along the lower right. One depicting a nude female figure; pencil signed along the lower right; inscribed "Woodcut" along the lower left.One print depicting a running female figure; pencil signed illegibly along the lower right; titled illegibly along the lower left.One print after Jean-Francois Millet's "The Sheepfold, Moonlight" (1856-1860), engraved by Benjamin Damman. Signed in plate along the lower right.One print by Henry G. Walker (English, 1876-1932) titled "York (High Petergate)" depicting a city street. Pencil signed along the lower right; titled along the lower left.One work after Joseph M.W. Turner (English, 1775-1851) depicting "Inverary Pier" depicting a view of Scotland.One work after Richard C. Bishop titled "Mississippi Mallards" depicting ducks in flight. Signed in plate along the lower right and titled along the lower left.One reproduction print of an etching depicting Wells College in Aurora, New York.Height ranges from 8 1/2 in to 16 in; width ranges from 9 1/4 in to 17 1/2 in.Condition: All sheets are toned. There is wear, signs of handling marks, and soiling to all. One print depicting a running figure has tape affixed along all corners and has a large loss along the upper left edge. Two works by Emily Anne Page (one depicting a nude woman and one depicting two seated figures) are taped along all four edges to a matboard.
Lot 197
Rembrandt Harnenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "Christ and the Woman of Samaria" depicting the biblical passage John 4:5-30 in which Christ interacts with a Samaritan woman. Signed in plate just above the lip of the well along Christ's torso. Fourth state printing in which Christ's face has been slightly reworked.Literature: Hollstein, B.70 III, pgs. 36 (text), 57 (plate); New Hollstein, plate 302 IV, pgs. 281 (text), 181 (plate).Provenance: Sotheby's, New York, July 10th, 1978; Private collection, Minnesota.Unframed; height: 5 in x width: 6 in. Framed; height: 18 in x width: 20 in.Condition: The print is free from tears, losses, major creases, or apparent restorations. There is a slight undulation to the sheet. The sheet is slightly toned. Some wear to the verso that does not affect the recto. Some pencil inscriptions along the verso. The sheet is hinged along the top right and left margin. Framed under glass; some wear to the frame including some minor losses and separation of the joints.
Lot 47
KATHE KOLLWITZ (GERMAN, 1867-1945)Beim Dengeln signed in pencil 'Kathe Kollwitz' (in lower margin) etching 29 x 29cm (unframed)Condition reportImage itself looks largely ok, although there are some minor pale marks/spots in places upon close inspection.Foxing to margin and sheet.Stains, creases, tears and losses to wider sheet and edges.Old piece of sellotape to lower sheet.Please see images online.
Lot 26
WALTER SICKERT (BRITISH, 1860-1942)Barnett’s Veterans (They Also Serve) signed in pencil 'Sickert' (in lower margin) etching 13.5 x 21cm Provenance: The Estate of the late Professor Jonathan & Mrs Deanna Brostoff, https://www.bellmans.co.uk/story/the-collection-of-professor-jonathan-and-mrs-deanna-brostoff
Lot 54
JAMES ABBOT MCNEILL WHISTLER (AMERICAN, 1834-1903)The Pool etching 13.5 x 21.4cm Provenance William Weston Gallery, Albemarle Street, London; Private collection, UKCondition reportNot hand signed. The signature is in the plate.However, it does appear to be very faintly inscribed in lower left margin.Some of the brown/orange marks appear to be on the underside of the glass, mainly to centre left and upper left.However, there is some foxing/marks/small stains in places, including to upper right near mast where there is a brown spot which appears to be on the paper.Some discolouration to paper.Under glass and not examined out of frame.
Lot 41
VERNON HILL (BRITISH, 1887-1972)The Ring signed and titled 'Vernon Hill' (in lower margin) etching 22 x 21cm ARR Provenance The Seymour Stein CollectionCondition reportWhite drip marks in online photo are on glass, not on the work.A little foxing and some small pale brown spots/marks in places, including to centre.Otherwise appears generally good.Under glass and not examined out of frame.
Lot 27
GERALD LESLIE BROCKHURST (BRITISH, 1890-1978)Elizabeth signed in pencil 'GL Brockhurst' (in lower margin) etching 14 x 10.7cm ARR Provenance: The Estate of the late Professor Jonathan & Mrs Deanna Brostoff, https://www.bellmans.co.uk/story/the-collection-of-professor-jonathan-and-mrs-deanna-brostoff
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71174 item(s)/page