We found 71174 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 71174 item(s)
    /page

Lot 119

ARTHUR BAYLIS ALLEN, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Cairo 1917", 5" x 7"

Lot 122

KENZO TAKEKOSHI, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Somerset House", 12" x 8"; plus GEORGE GOODWAY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Warwick Castle, 7" x 9" (2)

Lot 124

WILLIAM LEE HANKEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Wooded Landscape with Farmstead, 6" x 8" (mounted but unframed)

Lot 125

CHARLES JAMES WATSON, SIGNED IN PENCIL TO MARGIN, GROUP OF SEVEN BLACK AND WHITE ETCHINGS; plus three further UNSIGNED ETCHINGS, assorted subjected, assorted sizes; plus MINNA BOLINGBROKE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, (unframed)

Lot 126

DOROTHY SWEET, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "The Horseguards – Whitehall", 8" x 9" (unframed)

Lot 130

EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The Old Curiosity Shop, 4 ¼" x 5 ¼"

Lot 134

WILLIAM MONK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Interior Scene, 7" x 10" 135. ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE DRY POINT ETCHING, Inscribed "Tower Bridge", 6" x 8"

Lot 136

ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, DRY POINT ETCHING, Inscribed "Westminster", 5 ½" x 8 ½"

Lot 137

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Place Notre Dame", 5" x 2 ½"

Lot 139

FRANK HENRY MASON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Surrender of the German Fleet (see artist`s original label verso), 7" x 14"

Lot 146

GERTRUDE HAYES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A View of Eton, 7 ¾" x 9 ¾"

Lot 147

HENRY G WALKER, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, "On The Dart" (see label verso), 8" x 9 ½"

Lot 150

EILEEN A SOPER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Black Puss-Cats, 4 ½" x 7 ½"

Lot 151

EILEEN A SOPER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Hurt Paw, 5" x 8"

Lot 152

EILEEN A SOPER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Linnets Freedom, 4 ½" x 7"

Lot 153

AXEL TALLBERG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Skoflikaren", 10" x 7 ½"

Lot 155

AFTER FRED HALL, ETCHED BY LIONEL PERCY SMYTH, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (Published 1st May 1889 by Robert Dunthorne), The Goose that Laid the Golden Egg, 11 ½" x 8"

Lot 156

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "St Martin`s In The Field, 1944", 11" x 10"

Lot 157

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Horseguards, Whitehall, 1947" (see label verso), 8 ½" x 10 ½"

Lot 158

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Reconstruction near the Docks, London, 1943, 11" x 8"

Lot 159

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, La Rochelle, 8" x 13"

Lot 160

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Jervais, Paris, 9" x 12"

Lot 161

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Olave`s, Tooley Street, London, 11" x 8"

Lot 162

MARTIN HARDIE, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, Venetian Scene, 8" x 12"

Lot 163

PERCY ROBERTSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Piccadilly Circus" (see label verso), 7" x 10" 164. E BERRY, SIGNED IN PENCIL TO MARGIN, GROUP OF THREE BLACK AND WHITE ETCHINGS, Scottish subjects, assorted sizes (3)

Lot 170

WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Coletit", 6 ½" x 5"

Lot 172

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Changing London, Euston Road at St Pancras", 6" x 9 ½"

Lot 185

CLAUDE H ROWBOTHAM, SIGNED IN PENCIL TO MARGIN, HAND COLOURED ETCHING, Inscribed "Polperro", 2 ½" x 2"

Lot 211

STANLEY ANDERSON, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Strand Houses", 8" x 4"; plus five assorted PRINTS (6)

Lot 229

JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, TWO COLOURED PRINTS, Bird Studies, 9" x 12" and 4 ½" x 6"; and one further framed COLOURED PRINT AFTER THE SAME ARTIST (3) 230. ALFRED H PAGE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Danseuse Antique", 7" x 4 ¾"; plus two further PENCIL DRAWINGS by the same artist (3)

Lot 317

DAVID HOCKNEY, AQUATINT AND ETCHING, The Haunted Castle (Edition D), 13 ½" x 8" Provenance: Gold Mark Art, Uppingham, Rutland

Lot 320

ANTHONY GROSS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (29/50) BLACK AND WHITE ETCHING, Inscribed "Le Buisson Ardent", 15" x 19 ½" (mounted but unframed)

Lot 339

ATTRIBUTED TO JIM DINE, BLACK AND WHITE ETCHING, Abstract Composition, 7" x 7"

Lot 340

INDISTINCTLY SIGNED AND DATED 1964 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Portrait of a Seated Gent, 11" x 8"

Lot 350

JOHN COPLEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Dancer, 12" x 6 ½"

Lot 417

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (117/150) COLOURED ETCHING, Setters, 9" x 11 ½"

Lot 580

After Rembrandt; etching "Death Of A Virgin", 42 x 32cm, framed and glazed.

Lot 585

Philippe Mohlitz (French, born 1941); etching, Surrealist view of a shipwreck, signed in pencil and dated 1971, 29 x 29.5cm, framed and glazed.

Lot 587

J Fereday; artists proof etching "From Studio Windsor, Yarbridge, Isle of Wight", signed and dated 1978, also seven small colour prints of Isle of Wight scenes, booklet of prints etc.

Lot 153

Jacques Villon - Three-quarter Length Portrait of a Lady, early 20th Century drypoint etching, signed in pencil, approx 45cm x 29.5cm, within a gilt frame.

Lot 160

James Abbot McNeill Whistler - `La Soupe a Trois Sous`, monochrome etching, circa 1859, artist`s name and titled to William Weston Gallery label verso, approx 19cm x 25cm.

Lot 167

John Crome - `Hall Moor Road, near Hingham`, monochrome etching on chine appliqué, proof plate of 2nd state, circa 1812, approx 19cm x 24cm, within a gilt frame.

Lot 168

John Crome - `Footbridge at Cringleford`, monochrome etching on chine appliqué, first issue, circa 1810, approx 25cm x 19.5cm, within a gilt frame.

Lot 169

John Crome - `Bixley`, monochrome softground etching on chine appliqué, first issue, circa 1812, approx 17.5cm x 25.5cm, within a gilt frame.

Lot 171

Norman Wilkinson - Merchant Steam Ship in Coastal Waters, monochrome etching, inscribed in the plate `With Best Wishes for the New Year....`, approx 17.5cm x 23.5cm.

Lot 172

Leonard Griffith Brammer - View of a Continental Fortified Town, possibly Italy, monochrome etching, signed and dated 1931, approx 18.5cm x 28cm.

Lot 176

Francis Kelly - `Broken Mirror`, 20th Century monochrome etching, signed, titled and editioned 7/12 in pencil, approx 20cm x 15.5cm, within a gilt frame.

Lot 180

Allan Gwynne-Jones - View of the River Thames with Canon Street Bridge and Blackfriars Bridge, early 20th Century monochrome etching, signed in pencil, approx 18cm x 31cm, within a gilt frame.

Lot 181

Allan Gwynne-Jones - `Southwold Fair (1912)` (View of the Fairground), monochrome etching, signed, titled and dated 1927, approx 22cm x 34.5cm, within a gilt frame.

Lot 702

HENRY WILKINSON, 19th/20th century, Hunting Dogs, a pair, coloured dry point etching, limited editions signed in pencil, 10 3/4" x 14 3/4", framed

Lot 703

HAROLD WYLLIE (1851-1931), Estuary Scene with Sailboats, etching signed in pencil and numbered LXXVII, 7 1/2" x 9 1/2", ebonised frame

Lot 658

* Féclicien Rops, Belgian 1833-1898- "L`Incantation"; hand-coloured etching with extensive rocker-work, signed and numbered 169/200, collectors stamp for Gustave Pellet bottom right, the full sheet on wove paper, 48x31cm: After Alexander Theophile Steinlen 1859-1923- "A Saint-Lazare" par Aristide Bruant, frontispiece, lithograph and others, (a lot) (unframed)

Lot 680

* Circle of Stanley William Hayter 1901-1988- Conquest of Time; dry point etching printed with tone, on cream wove, signed, titled and numbered 2/50 in pencil, signed and dated 34 within the plate, full margins, 47x35cm: together with other 20th century etchings and engravings by and after various hands, (a lot) (unframed)

Lot 695

* James Abbott McNeil Whistler 1834-1903- "Soupe à Trois Sous"; (K.49) drypoint etching, c.1859, 1st & final state, on thin laid paper, fine impression, 15.5x22.5cm., (unframed)

Lot 696

* James Abbott McNeil Whistler 1834-1903- "Hurlingham" (K.181) etching and drypoint, c.1879, on cream wove, full margins, two examples, each with surface dirt and creasing, condition poor, 13.5x20cm, ea., (2) (unframed)

Lot 697

* James Abbott McNeil Whistler 1834-1903- "Bibi Lalouette" (K.51) 1859. Etching and drypoint, on thin laid paper, fine impression, printed with tone, signed and dated 1859 within the plate, minor defects, scattered foxing, staining etc, 23x15.2cm. Note: In the first state there were two heads in the lower part of the plate. They were removed and Whistler turned the plate upside down.

Lot 699

* James Abbott McNeil Whistler 1834-1903- Seymour, Seated; (K.29) etching and drypoint, printed with tone, on cream laid paper, c.1857-8 good impression, with margins, creasing and surface dirt, image largely unaffected, 14x9.8cm. Note: This was among the earliest etchings that Whistler made whilst staying with the family of his half-sister Deborah and her husband Seymour Haden. Whistler`s nephew Seymour was about seven years old at the time. (unframed)

Lot 701

* James Abbott McNeil Whistler 1834-1903- "Nursemaid and Child"; (K.37) etching and drypoint, c.1859, on thin laid cream paper, with good margins, hinged into a card mount, pale lightstaining, occasional scattered staining and foxing mainly in the margins, 10x13cm, (unframed)

Lot 705

* After Marc Chagall 1887-1985 & Jacgues Combet, act. 1960 -Portrait of Marc Chagall; circa 1960, etched by Jacques Combet and additionally "Peintre au chevalet"; painter at the easel, etching by Marc Chagall within the plate, signed within the plate in reverse, on wove, full margins, appears in good condition, unexamined out of the frame, 50x37cm

Lot 737

* Frank Martin 1921-2005- "Carol Lombard" circa 1968, etching with aquatint, artist`s proof, 40x54cm, (unframed)

Loading...Loading...
  • 71174 item(s)
    /page

Recently Viewed Lots