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Lot 570

WILLIAM LEE HANKEY, RWS, RE (1869-1952)PRAYERetching with aquatint on wove, a rich, velvety impression, signed by the artist in pencil, 24.5 x 16cm, s.28 x 18.5cmIn fine condition in old window mount in narrow ebonised frame by a Nottingham framer, c1920 and undisturbed since, unexamined out of the frame

Lot 346

William Alison Martin [1878-1936] - La Rochelle, Quai Valin - etching, signed and inscribed in pencil in the margin plate size 16.5 x 34cm.

Lot 1714

A Poole jug, Burmese brass dancing shield and an Edward Cherry signed etching.

Lot 610

Fabio de Sanctis Limited edition coloured etching "A Surrealist female figure" Signed and dated **75. Number 1/15. 49 x 20 cm

Lot 16

William Lionel Wyllie - Shipping in Coastal Waters, monochrome etching, signed in pencil, approx 19.5cm x 34cm, together with another etching by Brunet after Wyllie.

Lot 18

Augustus John - Head Portrait of Wyndham Lewis, early 20th Century monochrome etching, signed in pencil, approx 14cm x 11.5cm.

Lot 19

William Lionel Wyllie - View of the Victory in Portsmouth Harbour, monochrome etching, signed in pencil, approx 20cm x 26cm, within a gilt frame.

Lot 51

William Lionel Wyllie - `Last Trickle of the Flood`, monochrome etching, signed in pencil recto, titled label verso, approx 26cm x 38cm, within an ebonized frame.

Lot 52

William Lionel Wyllie - `Jenkin Swatchway`, monochrome etching, signed in pencil recto, titled label verso, approx 26cm x 39cm, within an ebonized frame.

Lot 66

William Lionel Wyllie - View of the Tower of London across the River Thames, monochrome etching, signed in pencil, approx 17.5cm x 39cm, within a gilt frame.

Lot 158

Canaletto - `Ale Porte del Dolo`, mid-18th Century monochrome etching, second state of three, approx 30cm x 43.5cm.

Lot 159

After Claude Gellée [Claude Lorrain] - Berger et Bergère Conversant, late 18th Century monochrome etching, approx 20cm x 26.5cm, within a painted frame. Note: a later pull from the original plate.

Lot 170

Graham Clarke - `Un Bon Cadre?`, 20th Century hand-coloured etching, signed and inscribed `Artist`s Proof` in pencil, approx 19.5cm x 15cm, within a blue-stained frame.

Lot 184

Mary Fedden - Etching Table, lithograph printed in yellow and black, circa 1972, signed in pencil, sheet size approx 56.5cm x 77cm.

Lot 410

A pair of 19th century Mary Gregory style glasses or beakers with floral etching, together with a ruby glass shaped bell with plain glass handle

Lot 545

Derrick Greaves, British b.1927- Abstract composition; etching with aquatint printed in colours, signed, dated `63 and inscribed `artists proof` in pencil, 39.8x39.8cm, (may be subject to Droit de Suite)

Lot 726

Carrington Bowles, Map & Printseller, No 69 St Pauls Church Yard, London, Publ- "Spring and "Summer"; mezzotints, a pair, 35x26cm., ea: Miss Ollivier, British act. 1785- "The Poor Soldier", after Charles Ansell, publ by Le Noir, under the Arches of the Royal Palace No 43; hand-coloured stipple engraving, 38x32cm: Pietro Bonato, Italian 1765-1820- "Werter contemplating Charlotte`s Wedding Ring", after Henry Kingsbury; stipple engraving printed in colours, 38x34cm: Mme Breton, French, Publ, Rue des Noyeres pres cette St Jacques No 30 au 2e, early 19th century- "Susan`n and Osmund"; stipple engraving printed in colours, 38x33cm: Francis Jukes, British 1747-1812- "This View of Sheene Bridge Co of Kerry Ireland", after Thomas Walmsley, publ Jan 1st 1800 by T Walmsley 15 Argyle St Bath and F Jukes 10 Howland St London; hand-coloured aquatint, 35.7x47cm: Samuel Alken, British 1756-1815- "Artullery Bridge between Kenmare and Killarney", after Thomas Walmsley, publ by F Jukes No 10 Howland Street Jun 20 1798; hand-coloured aquatint, 34.5x44.5cm: Francis Jukes, British 1746-1812- "View of Britain Ferry from Norton near the Mumbles", after Thomas Walmsley; aquatint printed in colours, 27x38cm: Francis Vivares, British 1709-1780- "View of the Ancient Temple of Minerva Medica at Rome Built by Augustus Caesar", after Thomas Smith of Derby, publ 15 July 1746; etching on paper laid down on canvas, 39x54.5cm., (9) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Lot 727

Albany E Howarth ARE, British 1872-1936- Venice; etching with drypoint, signed in pencil, 18.5x21cm: Princess Augusta Sophia, British 1768-1840- Head of a woman; etching in sepia, signed with monogram, inscribed, and dated 1785 within the plate, 21x18cm: Percy Thomas, British 1846-1922- Two Women seated by a window; etching with drypoint, signed within the plate, 7x11cm: After Alfred Dawson, British act 1858-1922- "Charles Kinglsey`s House & Church, Eversley Hants"; photogravure, signed in pencil, 11.5x17cm: Joseph Knight, British 1837-1909- Figure on a country lane at dusk; etching, signed and dated 1884 in pencil, 16x12cm: L Russell Conway, British b.1882- "Arlington Row at Bibury, Gloucester", 1934; etching, 12.8x15.5cm: together with three other etchings by the same hand, "The Church and Almshouses at Chipping Campden, Gloucester", "Arlington Row, Bibury, Gloucester" and a view of an old Tudor house, the latter signed and dated 1912 in pencil, 15.5x13cm, 6x8cm and 19x15cm: Axel Hermann Haig RE, Swedish 1835-1921- Figures in the doorway of a cloister; etching, signed with monogram and dated 1916 within the plate, signed in pencil, 38.5x25cm: Thomas James Harriss, British 1901-1930- "Interlude"; etching, signed, inscribed and dated 1928 in pencil, 24.5x16cm: Thomas James Harriss, British 1901-1930- "Haslemere, Surrey"; etching, signed, titled and dated 1927 in pencil, 25x16cm: Frances Sylvester Walker RHA RE, Irish 1848-1916- Tranquil river landscape; etching with drypoint, signed in pencil, 23x17cm., (12) (may be subject to Droit de Suite) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

Lot 771

John Brunsdon ARCA ARE, British, b.1933- "Houses of Parliament"; etching with aquatint printed in colours, signed, titled and inscribed `Artist Proof 4/15` in pencil, 38x42.5cm: together with three further etchings with aquatints printed in colours by the same hand entitled "Tower Bridge", "Tower of London" and "Hampton Court from the River", each signed, titled and inscribed in pencil, ea. approx. 38.42cm, (4), (unframed), (may be subject to Droit de Suite)

Lot 775

Julian Otto Trevelyan RA, British 1910-1988- "Villa Joyosa" (Turner 277); etching with aquatint printed in colours, signed, titled and numbered 35/50 in pencil, 35.4x47.5cm: Note: a number of proofs were taken in 1973 and signed `Artist Proof`, the plate was editioned in 1982 as part of the portfolio 35 Artists Printmaking, edition 50, 5 APs and 1 HC, on Whatman mouldmade, published Royal College of Art, London: Carl Toms, British 1927-1999- Covent Garden Opera House; lithograph printed in colours, signed and numbered 97/100 in pencil, 76x56cm, (2), (unframed), (rolled) (maybe subject to Droit de Suite)

Lot 817

Walter James Steggles, British 1908-1997- "Norton Hill Colliery" c.1927-8; etching, signed in pencil beneath the plate, 14x20cm., (unframed), (may be subject to Droit de Suite) Note: These works were exhibited at the Whitechapel Art Gallery no.103 A certificate of authenticity accompanies this lot, signed by the niece of the artist

Lot 828

Anthony Gross CBE RA, British 1905-1984- "Fish Pond, St Pastour"; etching, signed, titled, dedicated, numbered 9/40 and dated 1952 in pencil, 21.5x28cm, (may be subject to Droit de Suite)

Lot 82

Jacob Krämer (1892-1962): Bust Portrait, charcoal signed and dated '18 inscribed 'To Harold from Jacob' 30cm x 27cm; Bust Portrait, black ink inscribed 'To Harold from Jacob' 25cm x 20cm; 'The Blind Beggar', second impression artist's etching titled signed and dated 1918 in pencil also inscribed 'To J H Wood' 19cm x 22cm (all unframed) Provenance: Gift from the artist to John Harold Wood artist, author (Jamaican Palette 1955) and Landscape Gardener (Gold medal winner RHS Chelsea Flower Show 1913) DDS - Artist's resale rights may apply to this lot

Lot 154

Herbert Thomas Dicksee (1862-1942): 'Old African Lion', etching signed in pencil published Frost & Reed 1924 with blind stamp, original hand written title and artist's address label verso 16cm x 29cm

Lot 155

Herbert Thomas Dicksee (1862-1942): 'Tiger Drinking', etching signed in pencil published 1921 with blind stamp, original hand written title and artist's address label verso 21cm x 31cm

Lot 1264

A 1796 infantry officer’s sword, shortened blade 29½”, with traces of etching, regulation copper hilt with double shell guard, knucklebow, facetted urn shaped pommel, simulated copper wirebound grip, in brass mounted leather scabbard. Basically GC (some restoration)

Lot 1369

An early 19th century hunting hanger, straight SE blade 19”, with traces of etching, brass hilt with scalloped irregular shell guard, crossguard and hoof quillon, knucklebow and hoof terminal into plain pommel and backstrap, bone grips secured by 3 oval studs. GC (hilt a little loose and bent). Plate 9

Lot 1374

A silver hilted smallsword, c 1775, hollow triangular section blade 32½”, with traces of etching, pierced oval guard with studded panels around the edge and scrolled inner panel, the crossguard, token pas d’ane rings, hollow centre section, knucklebow and hollow ball pommel studded and engraved overall, simulated cord and crimped band grip, maker’s mark WK and lion to underside of guard and traces of marks to pas d’ane rings (William Kersill, London 1749-77). GC for age (blade cleaned over pitting, minor repairs to guard and damage to pommel) Plate 9

Lot 605

Adriaen Jansz van Ostade A Peasant Leaning on his Doorway etching Adriaen Jansz van Ostade (Dutch, 1610-1685) "A Peasant Leaning on his Doorway," c. 1672, etching, 4" x 3.25", signed in the plate, framed laid down; spots of brown staining; paper is trimmed Starting Price: $100

Lot 606

Lemuel D. Eldred Admirality Quay etching Lemuel D. Eldred (American, 1848-1921) "Admirality Quay," c. 1900, etching, 11.5" x 15.75", pencil signed lower right, framed not examined out of frame; heavy toning to paper; spots of foxing throughout Starting Price: $150

Lot 638

Otto August Kuhler The Riveters etching Otto August Kuhler (American, 1894-1976) "The Riveters," 1927, etching, 10.5" x 8.5", pencil signed, edition of 50, unframed hinge-mounted; light creasing to paper; otherwise in good condition Starting Price: $250

Lot 731

Stanley William Hayter Nautilus color etching Stanley William Hayter (British, 1901-1988) "Nautilus," 1969, color etching, 21.25" x 17.25", pencil signed, dated, titled and numbered, edition of 50, unframed taped to mat along upper and lower edges of verso; light creasing to paper; otherwise in good condition Starting Price: $250

Lot 737

James Coignard Composition color etching carborundum James Coignard (French, 1925-2008) "Composition," c. 1980, color etching with carborundum, 25.5" x 19", pencil signed lower right, numbered lower left, edition of 75, framed not examined out of frame; appears to be in good condition Starting Price: $100

Lot 753

Artist Unknown 50/50 color etching Artist Unknown (American, 20th century) "50/50," c. 1990, color etching, 30" x 22", pencil signed "Mao", titled and numbered, edition of 90, framed not examined out of frame; appears to be in good condition Starting Price: $100

Lot 231

E.T. Hurley etching Mt. Adams Through the Trees view from Kentucky E.T. Hurley etching, "Mt. Adams Through the Trees, (view from Kentucky)," 1936, 12" x 9", signed, framed, elaborate detail capturing Hurley`s ability as a world renowned etcher, great color and condition not examined out of frame; appears to be in good condition Starting Price: $250

Lot 232

E.T. Hurley etching Mt. Adams Incline E.T. Hurley etching, "Mt. Adams Incline," 1922/1928, aquatint, 8.75" x 12", signed, framed, rare and famous historic scene with exceptional color in great condition not examined out of frame; appears to be in good condition Starting Price: $250

Lot 562

Vieux Toits Paris 1921, signature indistinct, an etching and two others

Lot 204

A. Simes, Signed Black & White Etching "Stirling Castle", signed in pencil, in black frame and another A. Simes, signed black & white etching "Invercauld Bridge, Scotland", signed in pencil, in black frame (2)

Lot 374

ANDREW F. AFFLECK Venice canal scene Pencil signed, etching, 55.5cm x 36cm.

Lot 375

ANDREW F. AFFLECK Grand Canal, Venice, Pencil signed, etching, 16cm x 24cm; and another, Italian townscape with palace, 16cm x 26cm.

Lot 432

An etching of ships, signed lower left " W. Wyllie"

Lot 394

TOM CARR (1909 - 1999, British) THEIR FIRST HUNT Signed colour etching, 17 of 75, 25 x 35cm (9 3/4 x 13 3/4")

Lot 407

•JOHN BELLANY CBE, RA (b.1942, Scottish) ARTISTS OF BAT AND BRUSH, 1985 Signed artists proof etching, 32 x 49.5cm (12 1/2 x 19 1/2")

Lot 433

•JAMES McDONALD (b.1956, Scottish) MILLHALL FARM - STILL LIFE Signed etching, dated 1984, 14 x 33cm (5 1/2 x 13")

Lot 328

AFTER CALDWELL, ‘FOR THE SAFETY OF THE PUBLIC’ etching of a dog by E. Gilbert Hester, framed. 40cm x 30cm

Lot 2135

JOAN MIRO (Spanish 1893-1983) Village d`Oiseaux, 1969 Aquatint etching on Arches paper Plate: 36.5 x 25 inches/ 92 x 63.5 centimetersSheet: 41.5 x 29.5 inches/ 105.5 x 75 centimeters Signed in pencil lower right "Miro" Numbered lower left "E. A." Publisher/Printer: Maeght, Paris Included: Original sales reciept from "Graphics 1 & Graphics 2, June 1985" Frame: 48 x 36.5 inches/ 122 x 92.7 centimeters PROVENANCE: Private Collection, San Francisco, California Starting Price: $3000

Lot 2137

JOAN MIRO (Spanish 1893-1983) Grand Duc II, 1965 Colored etching on paper Plate: 27 x 20.9 inches/ 68.6 x 53 centimetersSheet: 35.25 x 25 inches/ 89.5 x 63.5 centimeters Signed in pencil lower right "Miro" Numbered lower left "63/75" Catalog Raisonne: 395, Dupin Frame: 37.25 x 27 inches/ 94.6 x 68.6 centimeters PROVENANCE: Private Collection, San Anselmo, California Starting Price: $1500

Lot 2142

ROBERT MOTHERWELL (American 1915-1991) Untitled (State I), 1977 Etching & aquatint on paper Sheet: 12.9 x 12.6 inches/ 32.7 x 32.1centimetersPlate: 7.75 x 9.75 inches/ 19.7 x 24.8 centimeters Signed in pencil lower left "Robert Motherwell" Numbered lower right "I, 15/30" Embossed lower right "Robert Motherwell" Verso: Gumps label & Shirley Cerf Gallery label, San Francisco Frame: 18.10 x 17.1 inches/ 46.3 x 43.5 centimeters PROVENANCE: Private Collection, Kentfield, California Starting Price: $1500

Lot 2144

WAYNE THIEBAUD (American b.1920) Slice of Pie, 1962 Etching on paper Plate: 5.75 x 4.25 inches/ 14.5 x 10.8 centimeters Signed in pencil lower right "Thiebaud" Numbered lower left "XII/XXV" Publisher: Parasol Press, New York Frame: 12.5 x 10.6 inches/ 31.7 x 27 centimeters PROVENANCE: Private Collection, Kentfield, California Starting Price: $1500

Lot 2147

JIM DINE (American b.1935) The New French Tools 4 -Roussillon, 1984 Etching on BFK Rives paper Sheet: 42.25 x 29.5 inches/ 107.3 x 74.9 centimeters Plate: 23.5 x 19.5 inches/ 59.7 x 49.5 centimeters Numbered, signed & dated in pencil lower left "48/50, Dine, 1984" Verso: Gumps Gallery, San Francisco label Frame: 46.25 x 34.25 inches/ 117.4 x 87 centimeters PROVENANCE: Private Collection, San Francisco, California Starting Price: $400

Lot 152

Axel Herman Haig (Swedish, 1835-1921) Chartres, signed and titled in pencil, dated in the plate 1910, etching, 21cm x 27cm, together with two further etchings of churches (3)

Lot 169

A collection of early 20th Century black and white prints, including a pair of woodblocks of continental towers, both monogrammed in the plate, an etching of Chester bridges, a limited edition print of St Michael`s Mount, and an engraving in the style of Durer (5)

Lot 187

Constance Mary Pott (British, 1862-1930) Workers on a loom, signed in pencil, dated 1899 in the plate, etching, 24cm x 31cm, together with another similar etching by Pott, an etching by Elizabeth Fife and two further etchings of town scenes (5)

Lot 188

Charles William Taylor (British, 1878-1960) A country trail, signed and numbered 23/50, woodblock print, 15cm x 18cm, together with another limited edition woodblock print by T G MacDonald dated 1952, an etching by John F Greenwood, and two further prints (5)

Lot 203

Circle of Raoul Dufy (French, 1877-1953) Bather by the sea, signed in the plate, etching, 25cm x 33cm

Lot 429

ARR GERALD LESLIE BROCKHURST (1890-1978) - Fabian, etching, signed in reverse on plate, in pencil below image, plate size 17.5cm x 12.5cm. See illustration

Lot 53

Herbert Dicksee - a framed etching, signed of a lion drinking by a river bank, published by Mawson Swan & Morgan, 1st August 1895, later mounted in a glazed frame, 15" x 19 3/4", along with a similar unframed Herbert Dicksee etching of a lion walking in a bleak landscape, signed to margin and published in 1890 by Clifford & Co, 14 1/4" x 20"

Lot 302

After F Robinson - dry point etching of `Big Ben`, and two other similar

Lot 314

19th century dry point etching of a castle, comical print of dog and various pictures and prints (15)

Lot 485

19th century dry point etching of an archway and five other pictures

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