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Lot 1

HENRY MOORE Seaweed gatherers Etching Dated 1884 Together with two other etchings unframed

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WILLIAM STRANG The muckraker Etching Unframed Together with three other etchings unframed

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ELEANOR HUGHES St. Buryan farmhouse Etching

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ELEANOR HUGHES Paul church Etching

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ELEANOR HUGHES St. Michael's Mount Etching Signed

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ELYSE ASHE LORD Music in the garden Coloured etching Signed and numbered 26/75 10 x 18ins

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J. ALPHEGE BREWER Ely Cathedral Etching Signed 20 x 14ins

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WILLIAM MONK Rouen Cathedral Coloured etching Signed 28 1/2 x 19 1/2ins

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JACKSON SIMPSON, 'The Burnside', signed and inscribed in pencil, etching, 15cm x 22cm; also another by Alfred Fruitt of seagulls. (2)

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SIR FRANK BRANGYN, 'Old Houses, Ghent' second state, signed in pencil, etching, 55cm x 60cm.

Lot 1

RICHARD BEER, 'Arcade', etching with aquatint, 24" x 18"; and a coloured print after Marcel Gromarie - a street in Harlem; and two others by Peter Wickham and Barbara Jones, unframed. (4)

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T SUTHERLAND after HENRY ALKEN, 'Full Cry', etching with aquatint, hand coloured, 8" x 27".

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ELIZABETH SCOTT, 'Daymer Bay North Cornwall', etching with aquatint and hand colouring, pencil signed in the margin and dated '98, 12 1/2" x 9".

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George Clauson (British, 1852-1944) Cottages and trees; with a letter from the artist signed in pencil and inscribed 'to H M Paget - Feb - 1934' (lower right) etching I. 4 7/8 x 7 in. (12.12.5 x 17.5 cm.)

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After Herbert Dicksee Oh for the touch of a vanished hand etching I.12 x 25 in. (31.8 x 63.5 cm.)

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Bedtime,+ an etching by Eileen Soper, signed in pencil on the mount, 10 x 15cm (4 x 6in)

Lot 1

The Scooter,+ an etching by Eileen Soper, signed in pencil on the mount, 12 x 18cm (4.75 x 7.25in)

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A dry point etching of warships on the high seas,+ by William Lionel Wyllie, signed in pencil on the mount, 22.5 x 12.5cm (12 x 8. 75in)

Lot 1

The Itchen Southampton,+ an etching by H. Sumner, signed in pencil, 17.5 x 28cm (7 x 11in)

Lot 1

FIVE VOLUMES OF MODERN MASTERS OF ETCHING by Malcolm C Salaman, Frank Brangwyn (first & second volume), Levan West, E.S Lumsden and Sir Frank Short, each with editors prologue and twelve printed plates, (London 1924 to 1932)

Lot 1

COLIN, Profile Portrait of Phyllis, half length, coloured etching signed in pencil, 4 3/4" x 3", ebonised frame

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EILEEN SOPER, Children Playing Marbles, signed etching, 7 1/2" x 5 3/4", gilded frame

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FREDERICK GARNETT, Manchester Grammar School, signed etching, 8" x 10 1/2", ebonised frame

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GUILLAUME SANSON, Patriarchatus Antiqui, hand coloured map with foliate cartouche surrounded by etching of ancient figures, 22 1/2" x 16 1/2", stained frame

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Copper etching of a Canberra T17 of No 360 Squadron RAF Wyton, in oak frame

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Black and white etching of the Battys house at Twickenham, as viewed across the Thames, after HB Willis, printed for Robert Wilkinson by Bowles & carver, 19th century, in floral and c scroll plaster gilt frame.

Lot 1

Phil Smith, Timber Hauling - signed etching, another P.Smith etching, T.Sydney Cooper 'Sheep' etching, and 10 more unframed etchings (various artists) 13 total

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Andrew F.Affleck (early 20th century British) Etching with drypoint, The Rialto, Venice, signed, 27 x 20cms

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Cecil Aldin etching, Old lady and dog in a tavern courtyard, signed and numbered 41/100, 30 x 21cms

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Leonard Robert Brightwell (19th/20th century British) Etching with drypoint, artists proof 'Sampzon 3' signed and inscribed, 26 x 16cms

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Murray Bernard Bladon (R.B.S.A.born 1864) etching with drypoint, portrait of the artist's daughter, signed, 10 x 8cms, and a larger similar portrait (2)

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Henry George Rushbury R.A. (1889-1968 British) etching with drypoint, London Bridge, signed, 22 x 27cms

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Charles John Watson R.E. (1846-1927 British) etching with drypoint, Mansion House, London, signed, and plate s & d.1889, 21 x 14cms, and another architectural etching (2)

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Eugene Bejot (19th/20th century French) etching with drypoint, 'Palais d'Orsay' signed, 20 x 29cms

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Henry Macbeth-Raeburn R.A. (1860-1947 Scottish) etching with drypoint, Chelsea Bridge, signed, 20 x 35cms

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Frederick Carter A.R.E. (1885-1967) etching with drypoint - Argyle Street, signed, 25 x 18cms

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W.J.Cooper (exhib.1880-83) etching with drypoint 'At Rotherhithe' plate signed and dated 1879, 23 x 15cms, and a 1995 re-strike from 'The Black Bridge' by William Washington (1932) (2)

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Morgan Dennis: Etching, The Little Things in Life, signed; and various topographical etchings and prints, 9 pictures in all

Lot 1

Leslie Worthington after Frank Brangwyn, RA 'Santa Maria della Salute, Venice' Etching Signed, titled and dated 1999 53cm x 74cm

Lot 1

'St. James' Church, Morpeth', etching, signed proof by G. Stuart Bell, 1936; 'Castle Garth, Newcastle', photolithograph after T.W. Taylor; and 'Castleberg-Old Settle', engraving, signed proof by G. Wilson. (3)

Lot 1

'Vue du Chateau de Wimmis et des environs', etching by Johann-Ludwig Aberli; with hand-colouring.

Lot 1

'The South-West prospect of the City of Durham', etching by S & N Buck, 1745, with hand-colouring.

Lot 1

'The Look-Out at Cullercoats', etching by Burt Bainbridge, signed proof, 1946; and 'Bow Lane, Durham'. (a pair)

Lot 1

'The Prodigal Son', signed proof etching by Arthur Boyd, inscribed on the reverse with a dedication from the artist and dated 1973.

Lot 1

A bust portrait, etching, signed proof, inscribed with title by George Horton.

Lot 1

'Whittlemill-on-Tyne', etching, signed proof by George Horton.

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'Rye, Sussex at dusk', etching, signed proof by Joseph Henry Kirsop.

Lot 1

'Durham City', etching, signed proof by Kenneth Steel.

Lot 1

A busy street scene, etching, signed proof by **** Huardal; 'Buttermere' and another Lake District view, etchings, signed proofs by John Fullwood and others. (7)

Lot 1

'Waterloo Bridge, London', etching, signed proof by Johnstone Baird.

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'Piccadilly Circus', drypoint etching, signed proof by William Walcot.

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'The Bank of England', drypoint etching, signed proof by William Walcot.

Lot 1

'The Horse Guards', drypoint etching, signed proof by William Walcot.

Lot 1

'The Liver Building, Liverpool', drypoint etching, signed proof by William Walcot.

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'St. Nikolauskirche in Dixmuyden', etching by Frank Brangwyn (image size 21 1/2in. x 25 5/8in., 54.7 x 55.4cm).

Lot 1

'London Bridge', etching, signed proof by J. Vernon.

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'Bamburgh Castle', drypoint etching, signed proof by Leonard R. Squirrell.

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'Anne in a lace shawl', etching, signed proof by Augustus John, 1963.

Lot 1

'The Amazed Shepherd', etching by R.O. Dunlop; and other engravings and etchings, various artists including examples after Rembrandt, all unframed. (9)

Lot 1

A PAIR OF ENGLISH COADE STONE FINIALS BY COADE, LAMBETH, DATED 1791 The bats-wing paterae covers with leaf-clasped cone finials, the fluted ovoid bodies on waisted socles and square secton bases, impressed stamps to bases COADE, LAMBETH, 1791 30sin. (77.5cm.) high, the bases 8 3/8in. (21.2cm.) square (2) The present lot is a variation on the Coade etching shown (No.49 from the catalogue of etchings of circa 1785.) These fluted vases and the numerous variations on the same theme were amongst the most popular models from the factory. The parapit of Mrs Coade's house, Belmont, at Lyme Regis, Dorset is adorned with six of this design.

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